9x9 (13. 836)

cyberselfish: Paulina Borsook’s 2000 book about the libertarian, uncharitable culture of high tech is back in print after a reevaluation of its foresight 

the full english: breaches of British etiquette no one will ever call you out for transgressing—via Nag on the Lake  

el niño: the coming weather pattern, climatologist predict, will be the most powerful in recorded history  

familect: jargon and running-jokes only understood within one’s extended household—what are some of your examples? 

i want an explanation—why is there a child on the bridge: the series finale of the 80s sitcom Webster had a cross-over with Star Trek: TNG—see also   

artist’s bigature: Grace Baldwin’s larger-than-life junk drawer  

deliquesce: of a solid structure or lattice, to melt or dissolve by absorbing moisture from the atmosphere—like exposed salts or wilting mushrooms  

nor’easter: powerful, unseasonably early storm slams eastern seaboard  

symphonie magnétophonique: a profile of Else Marie Pade, the first Danish composer of electronic and concrete music

u2 (13. 828)

On this day in 1976, young drummer Larry Mullen, Jr, then fourteen years old, posted a note seeking bandmates on the notice board of the Mount Temple Comprehensive School in Dublin he was attending. Mullen was joined by vocalist fellow pupils Paul David Hewson, better known by the stage name Bono, and brothers David (The Edge) and Dik Evans and Adam Clayton. They initially called themselves “Feedback” and then “The Hype” before settling on the name suggested by punk singer, promoter and graphic artist Steve Averill (a friend of Clayton’s) in 1978, one of six options, liking its visual strength on posters and theoretical record cover art and the choice they disliked least. Within four years, the band had signed with a regional record label were playing large venues, releasing their debut studio album Boy, lead single below.

*    *    *    *    *

synchronoptica

one year ago: a new metric proposed for US government spending (with synchronoptica), on the brink of another American federal shutdown, Everybody Rides the Carousel (1976) plus more US military purges

two years ago: JFK’s Sword of Damocles speech to the UN, aggressive cuteness plus Those Were the Days 

three years ago: two decades plus of Everlasting Blört plus a Mario-Eminem mashup

four years ago: assorted links to revisit, the JWST eyes Neptune, more luxury bunkers plus exploring the inaccessible with elementary particles

five years ago: a Scissor Sisters’ hit, a Wagner classic, sneakers patterned off of vintage VHS packaging plus a visit to Gemünden am Main

six years ago: the first radio-controlled robot (1906), Facebook modelled itself off Big Tobacco plus something expressed in gesture alone

seven years ago: the first newspaper in the Americas, the downfall of Thomas Cook plus the US constitution’s Bill of Rights

eight years ago: Looney Tunes’ propaganda, the Rubik’s Cube plus misheard lyrics of a Star Wars anthem

 

8x8 (13. 824)

claudefishing: AI slop is a new kind of creative poverty  

saint-pierre-et-miquleon: Mark Carney meets with Emmanuel Macron on the small French overseas territorial collective, which once toyed with the idea of joining the United States, just off the coast of Newfoundland  

soundscape: avian vocalisations can boost one’s mood but the positive effects are negated by traffic noise  

an imperfect analogy: what lessons nuclear proliferation treaties have for AI containment  

jefferies tubes: the first physical model of the Enterprise finds a home at the MIT museum  

old dog, new tricks: OK Go’s “White Knuckles” video sixteen yearrs on—see previously  

apostolic journey: the Pope’s upcoming to France includes a stop in Metz to pay tribute to Robert Schuman, one of the Founding Fathers of the European Union  

sunshine superman: understanding intention, agnosticism and the new uncanny valley

 synchronoptica

one year ago: a thwarted assassination attempt led to an involuntary outing (with synchronoptica), carbon-dating plus Donald in Mathmagic Land (1961)

two years ago: the Tanaka Memorial of 1927  

three years ago: a musical montage from DJ Earworm, an exhibition of antique home entertainment, assorted links to revisit plus The Love Boat (1977)

four years ago: more links to enjoy,  Our Lady of Mercy plus even more links

five years ago: assorted links to revisit plus punctuation appreciation day

six years ago: Pope Liberius, more links worth revisiting plus the 1976 Swine Flu outbreak

seven years ago: Trump pressures Ukrainian authorities for dirt on his apparent political opponent, more synthetic models, UK courts rule that the suspension of Parliament was an abuse of power plus variations on Misirlou

eight years ago: an atlas of remote islands, theatrics trumps discourse, and more and more links plus twenty-seven songs about the twenty-seven amendments to the US constitution

 

for a fee, i’m happy to be your backdoor man (13. 817)

As our faithful chronicler reminds, AC/DC released their third studio album on this day in 1976, the title track being an advertisement for a hitman who will help clients solve their problems, ranging from lecherous bosses and teachers to unfaithful partners, at low costs with services including concrete shoes, cyanide poisoning, electrocution and explosives—TNT and High Voltage referencing tracks from their previous albums. The name of the song is an homage to the cartoon Beany and Cecil—Angus Young was a young fan of the 1960s show—with the villain character Dishonest John (mostly referred to by his initials) handing out a business card reading, “Dirty deeds done dirt cheap. Special rates for Sundays and holidays.” Other minor baddies but recurring characters from the series include Go Man Van Gogh (voiced by Scatman Crothers) as a stereotypical beatnik, Jacques the Knife, a jazz singing sawfish with a heavy French accent, and Rin Tin Can, a robot dog, whom all deserve to be the backstory of a hardrock anthem in our opinion. The record was certified Platinum six times over but still ranks third among the Australian band’s work with Highway to Hell and Back in Black selling more copies. In 1981, a household in Libertyville Illinois filed lawsuit against the record label for a quarter of a million dollars, claiming distress caused by crank calls for their phone number inclusion in the song lyrics, 36-24-36 followed by a “hey!” which could be interpreted as eight. What the heck, DJ! You dirty guy!

you got to know how to pony, like bony moronie (13. 805)

As our faith chronicler reminds, on this day in 1966, Wilson Pickett’s cover version of the “Land of a Thousand Dances” topped the US Billboard Charts on this day in 1966. Originally recorded by R&B performer Chris Kenner in 1962, mentioning sixteen moves including the Mashed Potato, the Jerk, the Tango plus the Slop and the Bop, it featured the gospel introduction: “Children go where I send you,” with the call and response, “Where will you send me?” “I’m gonna send you to that land—the land of a thousand dances.” For the sake of airplay on the radio, the invocation was left off and the title (along with the invocation) was never mentioned in any version afterwards—though later hooks like the na-na-na chorus (later borrowed for the 1994 “Here Comes the Hotstepper”) were added. Though knowing the song beforehand, I think that the John Candy, Dan Akroid vehicle The Great Outdoors, Dirty Dancing with camping holidays in Upstate New York conflated with a certain brand of margarine made me think the song was referring to a specific geographical location. Pickett’s cover only mentions six dances.

synchromy № 4 (13. 803)

Piggy-backing from a recent post, we are pleased for having made the acquaintance of pioneering experimental filmmaker Mary Ellen Bute, who created some of the first electronically generated montage for her visual music, whose abstract shorts, many in collaboration with Scottish-Canadian animator Norman McLaren, whom also produced commissions for the National Film Board (NFB) and UNESCO outreach projects, were shown in special venues, like Radio City Music Hall as well as projected in cinemas before the main features. Influenced by contemporaries like Len Lye and Oskar Fischinger together creating a whole new genre that culminated in Fantasia and derivatives, a selection of Bute’s compositions are at the link above from MetaFilter contributor peppercorn, including her 1958 non-musical, non-animated short film The Boy Who Saw Through starring a young Christopher Walken with x-ray vision.  

*    *    *    *    *

synchronoptica

one year ago: hedgehog highways (with synchronoptica), impossible captchas, an outrageous exchange rate error, a pivotal moment in the life of Frida Kahlo plus the radical left

two years ago: a versatile French pronoun 

three years ago: Outward Bound (1923), West German Star Trek plus assorted links to revisit

four years ago: the debut of M*A*S*H* (1972), assorted links to revisit, Emperor Norton I plus a consequential forgery

five years ago: The Persuaders!,  rewilding one’s attention plus more links to enjoy

six years ago: Hildegard von Bingen, tour guides, words with only plural forms, the musical stylings of Ady Zehnpfennig, the illustrations of Rex Whistler plus the microscopic world announced

seven years ago: The Handmaid’s Tale, previously unreleased pictures of David Bowie, spoon-hanging plus more language hapaxes

eight years ago: the space shuttle Enterprise (1976)

 

i keep running and i don’t touch ground (13. 783)

Back in 2020, Matthew Wilder’s 1983 synth-pop breakout hit saw a resurgence when it became the subject of a brief viral trend on TikTok, which involved texting the lyrics line-by-line to friends until they recognise the song or disengage, then filming oneself dancing in front of the message chain, the inherent ridiculous of it—fresh at the time, often pranks or cheating lovers meeting their comeuppance—delighting the artist for the moment of rediscovery, though covered several times in the interim with a number of interpolations of the melody, and prompting Wilder to release a lyric video in the form of the exchange. Signed to Arista Records, Wilder was struggling to find his voice and a style of music that fit him, he self-financed the recording of “Break My Stride” as a rebuke to recording industry executives, whom Wilder felt were blocking his creativity with the song reflecting how he felt about his career at the time. The label, seeing little potential in Wilder, ended his contract, freeing him to shop around his repertoire and made a connection with iconic record promoter, responsible for shaping the careers of the likes of Elton John, Teena Marie, Murray Head, Lionel Richie, Neil Diamond, Paula Abdul, Wham!, Kim Carnes and many others, and reputed soldato of the Gambino crime family, accused of widespread racketeering and payola (the illegal practise of concealing pay-for-play deals with radio stations and now extended to streaming services but much harder to enforce) of Joe Isgro, who helped propel the single to the top of the charts by creating the illusion that it was a sleeper hit. 🏃🏽‍♀️💨

9x9 (13. 759)

it-narratives: the imagined inner lives of inanimate objects  

inwats: the history and use-case of the 1-800 number  

du big bang à mardi matin: Claude Cloutier’s overview of the evolution of life on Earth in his signature animation style reminiscent of aquatint printing  

shadowology: more art installations from Vincent Bal—see previously  

the decade you’ve been waiting for: Paste magazine’s contention top hundred songs of the 80s—via MetaFilter, see previously  

after the fire: Los Angeles residents moving entire homes to burnt out, vacant lots as a cheaper alternative to rebuilding 

it’s fantastic! it’s futuristic! it’s fatalistic! it’s science fiction: a 1973 BBC Omnibus documentary by Harley Cokeliss  

escape claudes: two chatbots placed in a recursive loop—see previously 

hack’s law: the hidden maths of rivers that calm the waters—via Kottke

synchronoptica

one year ago: a visit to Geraberg (with synchronoptica), woodblock printer Sekino Jun’ichirō plus the branding of the US Civil Defence Corps

two years ago: a pivotal moment in the Star Trek timeline, aspiring travel-writers, assorted links worth revisiting, a trip to Schwickershausen plus the largest aerospace exhibition 

three years ago: ten-thousand digits, danger signs, the Goring Gap plus more links to enjoy

four years ago: a banger from Tina Turner plus legibility and semi-vowels

five years ago: an attempt was made with AI for a mash-up, the Carrington Event (1859), the Cod Wars (1958) even more links plus reskilling as a swan

six years ago: a Banksy-sponsored rescue boat, Church rejects modernism plus saints named Hyacinth 

we got cool and hot (13. 755)

Unbidden and out of nowhere, I got “Soul Food to Go”—from The Manhattan Transfer—stuck in my head and in an attempt to exorcise it—or pass it on to someone else—I looked it up, having forgotten the claymation music video—studio of Will Vinton, who created the California Raisins and later working with computer animation, the M&Ms characters. From their 1987 tenth studio album as the follow up to their double releases in 1985 of Bop Doo-Wopp and Vocalese (named for the style of scat-like jazz singing where words are added to a soloist’s instrumental performance) which garnered the most Grammy nominations, twelve, second only to Michael Jackson’s Thriller, Brasil, marking the group’s foray into Latin music. The musical setting is from Brazilian artist Djavan’s song “Sina.” Officially retiring with a Christmas concert in 2023, there have been several incarnations of The Manhattan Transfer (named after the John Dos Passos’ seminal novel about the transition of New York’s working class from the Gilded to the Jazz Age) since its founding with each formation focusing on different genres from swing, pop, rhythm and blues, a cappella and American songbook standards. Just for you, the pleasures of the soul—come on, come in and check it out.

avant et retour (13. 750)

Flautist and composer of the Stadtorchester of Essen, Paul Wetzer, arranged this musical palindrome (see previously), one of two witty duets for his Opus № 32 as a table canon, a retrograde and inverse counterpoint meant to be placed between two players, reading the same lines in opposite directions. Bach’s 1747 Das Musikalische Opfer includes instructions for such a setting in his movement the Prussian Fugue, a ricercare (not a palindrome, from the Italian to seek and find) that expands to six voices, and is thought to be the first table canon, Wetzer’s 1900 piece part of a well-established tradition.

*    *    *    *    *

synchronoptica

one year ago: Wilholt’s Law (with synchronoptica) plus Skynet becomes self-aware (1997)

two years ago:  assorted links worth revisiting plus correspondence from the complaints department 

three years ago: more links to enjoy 

four years ago: another MST3K classic plus even more links to revisit

five years ago: a rare earth element, the founding of Nuuk (1728), more on botanical anatomy plus Smells like Teen Spirit (1991)

six years ago: mystic Manly Palmer Hall, Wuppertal’s flying train, electrical engineer Otis Frank Boykin, communion cheese plus Netflix founded (1997)

8x8 (13. 740)

and so on and so on and scooby-dooby-dooby: Kermit the Frog joins Dolly Parton for a 1987 appearance on her variety show, performing a duet of “Every Day People”  

young artists after siamesas 1960: US state department orders removal of woke Kehinde Wiley painting (previously) at the Dominican embassy  

pyramid of tirana: a survey of Albania’s built environment spanning sixty years—see previously  

ilulissat icefjord: bracing and heartbreaking timelapse of an iceberg collapsing and rolling over in west-central Greenland—see also 

synodical months: the cultural context of the upcoming August Sturgeon Moon—see previously   

restoration architecture: explore Copenhagen’s urban reform initiatives to conserve its landmarks for sustainable tourism whilst preserving the city’s heritage and character  

free press: Pentagon fires editor-in-chief, dismisses a reporter of independent military newspaper Stars & Stripes following an earlier overhaul to rid the publication of woke distractions 

imagination library: Dolly Parton, giver of books

8x8 (13. 736)

a comparison using like or as: a treasury of simile and metaphor from Ross MacDonald’s private detective Lew Archer 

mario v pareto: a scrolly-telling illustration of efficiency and optimisation—via Quantum of Sollazzo   

siamese wins: Thailand avoided colonisation through diplomacy and cultural synthesis  

world famous gopher hole museum: a visit to an usual tourist attraction in a tiny Albertan hamlet  

biblioclasm: Amazon’s AI book-pulping division has a cartoonish evil logo 

count coudenhove-kalergi: the Austro-Japanese politician and diplomat who championed the movement of European integration and was the inspiration for the character of Victor Laszlo in Casablanca—plus nominated Ode to Joy as the theme for the united continent 

balloon banjo: a 3D printed heuristic tool for experimenting with acoustics  

ounce dice trice: a garland ring of unusual words that ends up where it starts out

synchronoptica

one year ago: assorted links to revisit (with synchronoptica) plus a cache of vintage picture postcards

two years ago: a quick weekend get-away plus the Formosa Straits crisis of 1958 

three years ago: the US Republican primary debates plus more links to enjoy 

four years ago: even more links plus Ukraine re-establishes itself as an independent state (1991)  

five years ago: assorted links worth the revisit, ant architecture plus Bohemian Rhapsody (1975)

six years ago: cocktails for remote learning, superlative garden photographs plus re-sampling Soviet pop

9x9 (13. 725)

⛒: the mostly true story of hobo code—see previously here and here  

bury the axis: an independent 1943 anti-fascist stop-motion film   

blackball: a variation on the grandfather paradox with billiards  

cow comes: roundly ridiculed Niu Lai (牛来) becomes a box-office hit  

home taping is killing music: the banality of streaming and the lost joy of music piracy—via Things Magazine—see previously  

diesel dazzle: GM archives reveal costume designs from the Golden Age of industrial musicals—see previously  

casserole culture: Melissa Joseph’s woollen impressions of Midwestern niceties 

lampchop after dark: ventriloquist Shari Lewis‘ raunchier days on the comedy circuit  

hailing frequency: a 1951 prototype beeper in the form of a wearable garter buzzer

synchronoptica

one year ago: a banger from Midnight Oil (with synchronoptica) plus the Dumbarton Oaks conference (1944)

two years ago: assorted links to revisit 

three years ago: Cars by Gary Numan

four years ago: the rules of chess, more links to enjoy plus a banger from Oasis

five years ago: rude toponyms plus The Baltics are Waking Up (1991) 

six years ago: limited patronage, Comrade Gulliver, antique ballots, Italy’s Hundred Horse Chestnut plus vintage Japanese boxed meal wrappers

🥁 (13. 695)

Web Curios directs our attention to an engrossing tool that explores planar percussion, allowing one to experiment with different drums and hear and explore the sonic output in great detail. With Eigendrum (see also) can also outline their own drum and listen to the acoustics, no matter how implausible, with visualisations of the reverb and fade and mallet. The intersection of maths and music, the sound of a standing wave across a bounded surface is −∇²u = λu, u being the edge where it zeroes out and lambda wave length. Most planes however are eigenvalues and do not follow the formula and must be solved numerically, scaled by inputs—in the case of one’s own creations. Bang a gong and do let us know what you discover.

synchronoptica

one year ago: the Milgram experiments (with synchronoptica) plus assorted links to enjoy 

two years ago: retroactive statehood for Ohio 

three years ago: an atlas of the internet, then and now 

four years ago: Come on Eileen 

five years ago: St Donatus, letters from space, dazzle camouflage for cars, mysterious emojis plus husband-and-wife trees

six years ago: getting rid of the rum-ration plus wine windows

overworld suite (13. 688)

Via Kottke, we very much enjoyed this introduction to the talent and musical stylings of Brussels musical ensemble the Casimir Liberski ReTrio through their Z Suites sessions album, thirteen tracks of Hyrule jazz, interpreting theme classic themes from the Legend of Zelda (see previously here and here). The composer and sounder director for the franchise, Kōji Kondō (近藤 浩治), originally wanted to use Maurice Ravel’s Boléro as the game’s main theme but learning late in production that the work was not yet in the public domain, instead improved a new instrumental arrangement—in one day. Much more at the links above.

7x7 (13. 675)

giant’s causeway: Curiosity rover discovers valley of honeycomb polygonal rock formations—see also  

ars notoria: a magical medieval text that promised a pathway to instant, universal mastery of the liberal arts 

singing seat: artist Dan Ortiz Leizman transforms Monobloc chairs into stringed instruments 

translator of original ‘minions’ epic poem slams sexless, bloodless film adaptation: most fun movie discourse since Barbenheimer—see more, see also here and here—via Kottke   

it’s giving: a glossary of Gen Z lexical constructs  

mittingsaia: a mysterious illustrated Swiss manuscript from the 1940s in the style of a European travel brochures with undecipherable captions that resemble AI hallucinations  

van allen belt: despite its small size, no bigger than North America, Mercury’s weak magnetic field can trap solar winds

synchronoptica

one year ago: Trump administration obliterates Clean Air Act plus assorted links to revisit

two years ago: obligatory voting in Australia (1924), the Likert scale plus more on millenialism

three years ago: more links to enjoy 

four years ago: a banger from Annie Lennox, even more links, more antique abecedaria plus graphic designers Elinor and Joe Selame

five years ago: time crystals, photographer Lora Webb Nichols, Olympic mottoes, assorted links worth the revisit, a world music radio station plus a David Bowie inspired costume

six years ago: more links to enjoy, a Chinese mission to Mars plus an interim emoji release

7x7 (13. 666)

serenity prayer: the EU can rein in Google and other tech behemoths despite Trump’s threats 

the fun palace: Cedric Price’s modular playground and social laboratory that was never realised  

hot 100: Paste magazine lists the greatest songs of the 1970s—via MetaFilter 

dear stranger: a disturbing experiment in voyeurism that turned into something beautiful  

ǝsᴉʅƎ ɹn̤ᖵ: Beethoven’s bagatelle inverted—originally as a prank—but hauntingly evocative—see also  

hedonic treadmill: welcome to the age of decadence without pleasure  

we used to be able to buy things in this country: the plexiglass retail landscape of America—via Kottke

jug band (13. 659)

We enjoyed this cover version of Raymond Scott’s animation studio staple Powerhouse (see previously) as performed on blown-bottles. The background music for chase and assembly line scenes for Warner Bros cartoons, featured in over forty shorts, first debuted on CBS Radio’s Saturday Night Swing Club in early 1937 with the same first take by the quintette (actually a sextette with piano, saxophone, clarinet, trumpet, double bass and drums but called the former to keep one’s mind on the melody)—this and “Toy Trumpet” remaining in the band’s repertoire for decades and has been sampled by numerous other franchises, including The Simpsons, SpongeBob and Ren & Stimpy, and in musical homages, such as Devo and They Might Be Giants since. Other popular session titles were “Twilight in Turkey, “Reckless Night on Board an Ocean Liner” and “War Dance for Wooden Indians,” and whilst best known for his jazzy improvised production pieces, Scott is also considered a pioneer of electronic music and audio engineering, developing multi-track and layering techniques, plus inventing the Electronium and Clavivox as well as consulting with peer Bob Moog on the synthesiser and working with Jim Henson in his later years and composing experimental songs for the Muppets and Motown record producer Berry Gordy. See more renditions by the trio GlasBlasSing, currently touring Germany, from Laughing Squid at the link above.

8x8 (13. 637)

founder and ceo of edgars industries: 1995 episode of Babylon 5 sums up the political situation in the US rather eerily  

decoy: an ambiguous, superimposed typeface that hides from AI  

add “crack spread” to your economics vocabulary: an explainer on the disconnect on the price of crude versus petroleum-derived products  

presque vu: the latest batch of new emoji seem familiar—via Waxy  

my father was a barn burner: a PSA from the Norwegian Consumer Council on why we can’t have nice things—see previously  

benford’s law: the counterintuitive observation that helps catch financial fraud—via Quantum of Sollazzo  

dazzle camouflage: more on adversarial apparel, clothing designed to confound and encourage public dialogue on the surveillance state and privacy—via MetaFilter—see more 

it’s show-time, synergy: the Flop House on the quintessentially 1980s cartoon—the funniest lines came out over the mid-season theme song replacement, to the tune of Fame, “Jem—I’m gonna live forever! I am a hologram!”

synchronoptica

one year ago: Sylvanian Families sues over defamation (with synchronoptica) plus a mothballed West German army garrison 

two years ago: assorted links worth revisiting plus Geraldine Ferraro accepts her party’s nomination (1984)

three years ago: a banger from Genesis (1986), English occupations in 1881 plus assorted links worth revisiting 

four years ago: a ferry to Newcastle, the 1980 Moscow Olympic Games plus arriving in Scotland

five years ago: a visit to Bohuslän 

six years ago: the Upping of the Swans plus a tour of Rhöngrabfeld 

’til now, i always got by on my own (13. 610)

Written for the band by the collaboration of Billy Steinberg and Tom Kelly, whose credits include “Eternal Flame,” “Like a Virgin,” “True Colors” as performed by Cyndi Lauper and “I Touch Myself” for Divinyls, Heart began a three-week run at the pinnacle of the US singles charts on this day in 1987 with its most successful track since their mid-eighties comeback, “Alone.” Earlier in their career, the Vancouver-based group had come close to this achievement with “Barracuda,” “Crazy on You,” and “Magic Man,” the emotionally raw power ballad went on to international success, holding in the top five in Norway, Ireland, the UK, Switzerland, West Germany and Canada. The below music video, debuting in June of the same year, was directed by Marty Callner (a sports producer who was inspired to get into music by the video for “Bette Davis Eyes” and was behind videos for Stevie Nicks, Cher, Chaka Khan, The Cranberries, among others) and portrays a Romeo & Juliet balcony scene, vocalist Ann Wilson serenading guitarist Nancy Wilson, her younger sister.