book and backmasking (12 .882)

Calling to mind this wonderfully laugh out loud and still arguably the only legitimate use of LinkedIn that matches the names of CV-holders to pop songs, Futility Closet directs us to an earlier effort scouring the telephone directory of Toronto’s 1977 white-pages choosing entries to approximate the lyrics to nursery rhymes (as published later in anthology of recreational linguistics and onomastics). One example cobbling together of the Roud Folk Song #19626 of disputed historical meaning:

Merrie Merry Quaint Caunt Ririe
Howe Dussiaulme Garden Groh
Witt Silver Belson Cockell Schells
And Pretty Mayes Allin Arro

Whist predating Mary Tudor and Mary Queen of Scots, despite popular associations, scholars believe the English traditional poem is an allegory for Catholicism with pretty maids representing nuns, the sanctus bells and the cockleshells as the pilgrimage badges of the Way of St James. Click through at the link above for more examples plus a 1963 television show that assembled a live studio audience to the tune “Inda Good Old Somerstein.”

synchronoptica

one year ago: the first human-non-human organ transplant (with synchronopticæ) plus polls open for the OED Word of the Year

thirteen years ago: alternate search engines, International Day of Philosophy plus more flea market finds

fourteen years ago: the myth of unlimited growth 

sixteen years ago: a visit to Coburg 

new fav (12. 880)

Courtesy of MetaFilter, we are introduced to the musical stylings of one Ecca Vandal, singer-songwriter hailing from Melbourne of South African snd Tamil extraction, who progressed from gospel music into soul, jazz and 1990s RNB thanks to their siblings’ record collection through their new single “Molly” with the accompanying video. A perfect blending of old and new, there’s alternation between full-on, full-throated punk vocal menace and movements of restraint governed with some glitchy atmospherics that balances out the track.

7x7 (12. 878)

breaking rust: Billboard’s top country-genre song is AI generated slop—see previously  

crown jewels: Hapsburg family to display to the public a secret, personal stash of treasures hidden in Canada since WWII  

grist for the mill: all the commercial, off-kilter blogs were private-equitied out of existence—via Kottke  

mecces: visiting a McDonald’s in West Berlin in 1984 

s-money: a 1963 patent to replace US paper currency with square plastic wafers—see previously, see also here and here 

the call of the first æthyr: occult poetry by Aleister Crowley (see previously) delivered in his only known recording  

poice: Sora created videos of fake immigration raids in the US infest Facebook

9x9 (12. 872)

climate change is no longer a threat of the future—it is a tragedy of the present: COP30 opens in Belém at the edge of the Amazon rainforest  

splice: following resignations, Trump threatens to sue BBC for one billion dollars over January Sixth documentary  

french windows: the animation of Ian Emes that defined Pink Floyd’s signature visual style 

epoch and era: geologists reject the Anthropocene age but it is still a valuable lens for understanding our present and future  

industrial organisation: the perpetuated belief that vertical monopolies and monopsonies are good for the consumer  

victory is mine again trebek: a clip reel of a Jeopardy! category  

so you’ve been bitten by a radioactive spider: a survival guide for the Marvel universe 

punt: anything other than a clear CR, US senate concludes debate and return the bill to congress for passage to reopen the federal government—including provisions for members to seek half-a-million dollars in compensation for having their phones searched for the January Sixth investigation (plus more pardons) and a ban on hemp  

money talks: Bill Gates apparently reverses stance on near-term emission reduction goals

synchronoptica

one year ago: AI espionage (with synchronopticæ), RFK Jr’s future role in Trump’s cabinet plus the lead narrows in the US congress

thirteen years ago: toothpaste for dinner, the architecture of choice plus making an animated gif

fourteen years ago: double-eleven 

sixteen years ago: new wheels 

she’ll say i’m not so tough—just because (12. 853)

The doo-wop single from the Billy Joel’s ninth studio album, An Innocent Man, inspired by the sound and energy of Frankie Valli’s Four Seasons and released late September climbed to the top of the UK charts on this day in 1983, holding the number one spot for five weeks—eventually displaced by “Karma Chameleon” one to become the best-selling song of the year. Conceived originally by his relationship, which Joel judged as asymmetrical, with supermodel Elle Macpherson, Uptown Girl ended up being about his new girlfriend and soon-to-be spouse Christie Brinkley. The music video portrays Joel (previously) and backup performers as blue collar auto mechanics presaged by footage of “Tell Her About It” shown on a portable television with a poster of Brinkley on the wall of the garage. “Keeping the Faith,” “All About Soul,” “River of Dreams,” “Leningrad” and “A Matter of Trust” were all dedicated to featured Joel’s wife, whereas as his amicable ex- has “And So it Goes” plus “This Night.” Predating them both, “Just the Way You Are” was written for his first wife and business manager Elizabeth Weber, who were against including the track on his 1977 album The Stranger, but was persuaded by Linda Ronstadt, whom was recording in a neighbouring booth in the same studio, sessions for Simple Dreams featuring “It’s So Easy” and “Blue Bayou.”

*    *    *    *    *

synchronoptica 

one year ago: America votes (with synchronopticæ), Trump and Guy Fawkes plus medieval produce in art

twelve years ago: NYT on mindfulness, a guide for gentleman farmers plus more on US mass-surveillance 

thirteen years ago: bully pulpits 

fifteen years ago: mad-bombers 

posterior probability (12. 850)

Via the always interesting Quantum of Sollazzo, we are directed towards this rather fascinating data experiment, a quarter of a century after the release of Lou Bega’s iconic hit, which seeks to find out if one can accurately predict when the song came out using Bayesian inference on the names of the women mentioned in the song and analysing the popularity of the chosen names over the decades (see also), whose net likelihood distribution maps nicely to the year it was recorded.

synchronoptica

one year ago: Saint Carlo Borromeo (with synchronopticæ) plus reimagining Slaughterhouse Five

twelve years ago: reinventing the internal combustion engine 

thirteen years ago: a proposed special tax on fast food and take away detritus, Laika for president plus Germany’s take on American democracy

fourteen years ago: changes to Google’s search algorithm 

sixteen years ago: rounding up agewise 

seventeen years ago: Dadaism in signage 

13x13 (12. 845)

norwalk platform: architect Jackie Ferrara ends her life, aged 95  

antedating: lexicographers talks lexicography through canonical form  

spoiler alert—some counties pronounce it as rhyming with stone: further exploration on British toponymy

index of multiple deprivation: UK office of government statistics releases its deciles of the most under-served  

willy and the poor boys: Creedance Clearwater Revival (previously) released their third studio album on this day in 1969 

loss-leader: an image editing tool on par with Adobe makes itself freely available to appeal to non-professionals  

holy war: Trump readies troops for action in Nigeria to protect Christian popular despite a paucity of evidence for persecution 

perfectly al dente: a research roundup of scientific investigations nearly overlooked 

body horror: biopolitics, the body politic and David Cronenberg  

police brutality: Sting and company release their debut album Outlandos on this day in 1978 

county stripes: visualising US demographics and distribution—see also 

anthimeria: the verbification of mystery writers—see previously 

first woman of fluxus: Alison Knowles passes away, aged 92—see more, see also

c’est l’halloween (12. 841)

Reported by Stop Podcasting Yourself’s Dave Shumka, we learn about the greatest French language seasonal song ever, written by language immersion teacher Matt Maxwell in Halifax to teach his young pupils about the then mostly exclusively Anglophone tradition and acquire some vocabulary in a fun way. Notwithstanding thematic and lyrical similarities to the Jack Skellington number from The Nightmare Before Christmas, a more modern carol but still losing out in terms of popularity—according to recent and perennial polling to Monster Mash among Americans at least (like “Dominick the Donkey” for the latter holiday), it’s still of a shouty banger. Although a word of foreign origin, the Office Québécois de la Langue Française still prescribes adding an article which leads to elision and a silent h.

a night at the opera (12. 840)

First released in UK markets on this day in 1975 as the lead single from Queen’s fourth studio album (see previously), “Bohemian Rhapsody” quickly gained legendary status and became one of the most celebrated songs of all time. The symphonic journey, notable—for a pop song—for having no refrain and formal division with prelude, recitativo, progress rock interlude and epilogue, parodying the high art form in a skewering, bombastic manner that’s sort of brilliantly Italian brain rot—Galileo Figaro—Magnifico, a joke despite the underlying gravity of the personal lyrics. Having experimented with this type of composition previously with Mercury’s early work in “My Fairy King,” ambitions were greatly expanding during rigorous daily recording sessions for three weeks and multiple overdubs to achieve the right mix. Eschewed at first by radio stations because of its length the promotion video was quickly commission and aired on Top of the Pops within days. All special effects for the short were achieved live during the recording rather than editing in post-production, like the cascading effect caused by the visual feedback of pointing the camera at one of the studio monitors.

no sir—i don’t feel very much like talking (12. 827)

The duo of Mayte Mateous and María Mendiola discovered by an RCA Records executive whilst on holiday in Fuerteventura performing for tourists singing traditonal songs and dancing flamenco and formed the band Baccara for the label reached the top of UK charts on this day in 1977 with their signature single, holding the number one spot for a week, becoming an international hit and the first female and Spanish act to achieve this. Almost immediately after this success, several cover versions were recorded in other languages, including Finnish, Czech and Latvian.

*    *    *    *    *

synchronoptica

one year ago: Bezos’ owned Washington Post declines to endorse a US presidential candidate (with synchronopticæ), a temporary monument for the January Sixth rioters, a seasonal treat from Louie Zong plus assorted links worth revisiting

eleven years ago: a lingual family tree, space tourism plus collectable matchbooks

twelve years ago: metastasised lobbying culture, the extravagant lifestyle of the Bishop of Limburg plus underestimating animal intelligence

thirteen years ago: homeopathic remedies plus anticipating Guy Fawkes Night 

stop making sense (12. 809)

Using footage from the previous year of the band promoting their latest album, Speaking in Tongues, the Jonathan Demme directed documentary is considered among the best concert films of all time and was released on this day in 1984. Including performances of “Psycho Killer” and “Burning Down the House,” frontman David Byrne enters alone on a bare stage introducing the first number on a portable cassette tape player and joined successively by additional members of the band, session players and backup vocalists with each new track. During “Girlfriend is Better” (whose lyric is the origin of the title) Byrne appears in an oversized suite, informed by Noh theatre, that became an icon of the film and of Byrne himself. With many tributes and homages, the piece is considered a cult classic with frequent screenings with the audience dressed for the occasion.

i like the city of san juan—i know a boat you can get on (12. 805)

Via our faithful chronicler, we are reminded that the cinematic adaptation of the Broadway musical by Leonard Bernstein and Stephen Sondheim premiered on this day in 1961 (on the anniversary of the island’s takeover in 1898, ceded as part of the Treaty of Paris that settled the Spanish-American War) in New York City. The film from Robert Wise and Jerome Robbins and Ernest Lehman (the team also behind The Sound of Music, Hello, Dolly! and Who’s Afraid of Virginia Woolf?) and starring Rita Moreno, Natalie Wood, George Chakiris and Richard Beymer was true to book, in turn inspired by the Tragedy of Romeo and Juliet, some numbers were re-ordered in appearance from the to better fit the narrative and lyrics changed to avoid censorship—particularly in “Jet Song” and “Gee, Officer Krupke,” “sperm to worm” was changed to “from birth to earth”—and in the brilliantly mixed-metre song “America” (the alteration inspired by a supposed visit to Puerto Rico and the “Habanera,” L’amour est un oiseau rebelle from Carmen) for a message deemed too harsh on fellow citizens and instead emphasises more of the perks of living on the mainland, ignoring the fact that the criticism was directed at their mistreatment and unwelcome. The 2021 Steven Spielberg version includes the revolutionary anthem La Borinqueña and restores some of lines from the original. I’ll give them new washing machine! What have they got there to keep clean?

rhapsody in green (12. 796)

Though released in 1976 with the impressive credentials of synth music pioneer and eclectic composer of genres ranging from easy-listening to the occult space age electronic pop Mort Garson, his anthology album of Moog sounds formulated for plants and plant-lovers failed to sell a single record for decades that is until a bootleg copy was put online and subsequent vinyl pressings. Its obscurity owed to the fact of its limited, exclusive release only as a free gift for those purchasing a houseplant from the eponymous store on Melrose Avenue in Los Angeles—and to those who purchased a mattress from a local Sears outlet. A touchstone of of the era also on account of the interest in horticultural communication and well-being, Plantasia is more celebrated and cerebral for human enjoyment as a forerunner of electronic music. More from Kraftfuttermischwerk including an intense analysis of the complex contrapuntal composition due in part to the to limitations of the Moog with a single voice, monophonic instrument and its virtuosity in the ability to layer those effects.

*    *    *    *    *

synchronoptica

one year ago: Pulp Fiction (with synchronopticæ), a simplified LED typeface plus a mysterious visit from Mr Babbage

fifteen years ago: Jesus H Christ 

♪Ø (12. 787)

Having been previously acquainted with several esoteric programming languages (here, here and here), we enjoyed this introduction to Velato courtesy of Futility Closet. Using MIDI files as source code, compiled by Daniel Temkin (see above) in 2009, the syntax provides a unique challenge with constraints (see also) for achieving the desired output and something melodious. The pictured lines of code produce, “Hello World,” the standard programming benchmark plus sanity check to make sure the logic holds. Hear the programming and find related languages at the link above.

heavy petting (12. 785)

Despite (or because of) its ban by the BBC and refusal to air the chanson on the radio or on Top of the Pops for its overtly sexual content, the song whose title translates to “I love you … me neither”—originally composed by Gainsbourg for Brigitte Bardot in 1967—the Serge Gainsbourg and Jane Birkin duet rose to number one on the UK and Irish charts on this day in 1969, the first foreign language one to do so. Prolific and iconic songwriter Gainsbourg (previously) was ordered after a particularly bad date by his then-girlfriend Bardot (see also) to write the ultimate love song as penance—which the two later recorded in a studio together. After the session Bardot begged Gainsbourg to never release it—he complied but was upset that his singular attempt at writing a love song would go unheard. Breaking up with Bardot the next year, Gainsbourg’s on-screen tryst with English actress Birkin during the filming of the romantic comedy Slogan turned into a real-life affair—at first for the sake of the project—with Gainsbourg latter seducing her with the private recording made with his ex. For admittedly selfish reasons, motivated by the fact she wanted no one else to record it, Birkin agreed to perform the track. The title «Je t'aime... moi non plus» was inspired by a quotation of Salvador Dalí that “Picasso is Spanish, me too. Picasso is a genius, me too. Picasso is a communist, me neither.” Despite Birkin’s lasting imprint (Gainsbourg directed her in an erotic film of the same name in 1976), it was revealed later that Gainsbourg also approached Marianne Faithfull to do the duet and by 1986, Bardot had reconsidered her position and persuaded Gainbourg to release their original recording. An instrumental version was played during the opening ceremony of the 2024 Paris Paralympics.

*    *    *    *    *

synchronoptica

one year ago: Texas Chainsaw Massacre (with synchronopticæ) plus a last day on the Havel

sixteen years ago: an awful trollish post on Obama winning the Nobel Peace prize that we’re ashamed we made and feel very differently now

seventeen years ago: fleeing interconnections to a new Dark Age 

10x10 (12. 780)

third amendment rights: ICE officers and associates beg to use the restroom  

dance this mess around: Cardhouse’s 2025 mixtape session—see previously 

anti-deficiency act: an omnibus of reports on the US federal government shutdown, including the threat to withhold back-pay from disloyal workers  

any dream of avarice: a historical comparison of the world’s wealthiest individuals—see also  

angry little clouds: Bob Ross paintings (see previously here and here) to be auctioned off to US support public broadcasters after federal funding cut  

the weight of a city: revisiting the idea of gradually x-raying a spot off-limits with ghostly cosmic particles through imagined and inspired celestial espionage  

permanent polycrisis: Curios Brain’s trends for 2026 of sustained chaos counterbalanced with the end of coincidence 

a good mix of the apocalypse and looney tunes: Thomas Pynchon (previously) has been warning us about American fascism his whole literary career 

r u experienced: a glorious re-upload of Devo’s 1984 cover of the Jimi Hendrix song  

in the land of the dollar bill: Trump threatens to arrest the mayor of Chicago for failing to protect immigration agents and invoke the Insurrection Act as he goes full authoritarian

synchronoptica

one year ago: boating on the Röblinsee (with synchronopticæ)

twelve years ago: fiat currency plus extending the sacrament to divorced Catholics

thirteen years ago: making crespelle 

ribeauvillé et hunawihr (12.767)

 

 

Going a bit further afield, we toured the commune historically known as Rappoltsweiler / Ràppschwihr after the eighth century town passed from the ownership of the Bishopric of Basel to the countship of Rappoltstein (Ribeaupierre), the hereditary king charged with the protection and patronage of the itinerant minstrels of Alsace, who paid a busking tribute to their lord in exchange—the office of the Pfeiferkönig eventually was inherited by the ranks of the prince-electors of Bavaria, and made an annal pilgrimage to their sainted patronness Maria von Dusenbach, a chapel in the Capuchin cloister complex just outside of Ribeauvillé dedicated to the Presentation of Jesus. The Gothic centre with preserved medieval houses is overlooked by a primeval forest (re-seeded much later in its history with giant sequoia—see also—and containing the largest stand outside of North America) and the ensemble of three ruined castles, Saint-Ulrich, Girsberg and Haut Rappoltstein.

 

Next we visited Hunawihr on the way back to Riquewihr—also with a beautifully preserved layout from the 1300s—it was named after the residence of another Frankish lord called Huno, built on the foundations of a Gallo-Roman villa. Renowned for her piety and charity, the sainted lady of the estate, Huna, took it upon herself to do the laundry for the poor and the sick in the fountain at the base of the village, imbuing the clean clothes with powers to restore the health of the ill—with one instance of the dirty wash-water transformed into wine during a particularly bad harvest year. The hilltop fortified church (Kirchenburg, l'église fortifiée) in view of the legendary spring became a pilgrimage site and became, like many of the sacred buildings of the region what’s called a simultaneum, following the Treaty of Westphalia that guaranteed religious liberties for the people of Alsace, and holds both Catholic mass and Protestant services.

say do you remember (12. 748)

 

It’s that time again. Love was changing the mind of pretenders while chasing the clouds away—see previously here and here. Don’t forget to put out a plate of cookies for Earth, Wind and Fire tonight.

 

television dreams of tomorrow—we’re not the one you’re meant to follow (12. 747)

On this day in 2004, Green Day released their seventh studio album—their first in four years—American Idiot, an overtly political and socially critical record, the tracks, especially the title one, expresses the disillusionment and decent of a generation whose prospects were informed by 9/11 and the resulting forever wars. A telling of the gospel of Jesus of Suburbia, a precarious working-class anti-hero figure, the suite of songs were put together as a concept album for a punk rock opera, taking inspiration from Jesus Christ Superstar, The Rocky Horror Picture Show and The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Charting worldwide, it was also against the media apparatus, which in the band’s view had crossed from journalism to sensationalism and reality TV, glorified violence of combat in Iraq intercut with advertisements. An enduring protest song, lyrics have been subtly updated from redneck to “I’m not a part of the [MAGA/ELON] agenda” and “subliminal mind-Trump America.” Wake me up when September ends.

10x10 (12. 746)

the dominator model continues to run the world: Lydia Lunch’s timeless feminist manifesto 

jut: a new way to measure the magnitude and magnificence of mountains—via Metafilter  

and i’m floating in the most peculiar way: a cover of Major Tom by Magdalena Bay—via Nag on the Lake’s Sunday Links  

bequest: an assortment of old customs and curious donations and charities 

red noise: the French musical underground’s decade of synths and situationists—via { feuilleton }  

𒀾: writing lessons in Cuneiform  

being of sound minds and body: collection of captivating wills and last testaments—via Strange Company  

you’ve really made the grade: a scroll through the archives of David Bowie  

pathfinder: a look into the inner-workings of Google Maps  

me and bobbie mckee: the forgotten inspiration for the gender-swapping ballad of Kris Kristofferson and Janis Joplin—see previously

synchronoptica

one year ago: Weird Al parodies Bob Dylan with palindromes (with synchronopticæ) plus more gerrymandering

twelve years ago: a possible clue to hidden Nazi loot hidden on sheet music 

fourteen years ago: the Pope comes home to Germany 

fifteen years ago: GMO salmon