le baiser de l’hôtel de ville (13. 744)

Best known for his commission for Life magazine, known in Anglophone circles simply as The Kiss as an internationally recognised symbol of young love—from a series of images for a photo essay on affection and infatuation in the capital, we quite enjoyed this collection—it is a Russian LiveJournal site but seems safe to peruse though some of the later marquee pictures are water-marked—of humanist photographer and photojournalism pioneer (privileging the documentation of the everyday over the reportage of the latter) of Robert Doisneau’s lesser known works, spanning his entire career from the 1930s to the 1990s, courtesy of Messy Nessy. His work gives prominence to the street culture of children and unstructured play in urban environments, unfettered by parents and teachers. Before becoming a freelancer, Doisneau worked in industrial advertising and then for the Rapho agency in Paris, the world’s oldest press syndicate specialising in images until WWII and the occupation of France, using his picture taking skills and training as a draughtsman to forge passports and identity papers for the resistance. His first commercial photo essay was on the subject of the Saint-Ouen flea market, Le marché aux Puces, which he sold to the publication Excelsior.

synchronoptica

one year ago: Trump tries to out Fed board member (with synchronoptica), a US consulate in Nuuk plus an unapologetic AI hater

two years ago: a skilled sniper plus a circle-and-spoke map of the London Underground 

three years ago: The Guinness Book of World Records (1955)

four years ago: George Jetson’s birthday (2022), St Monica, AI displays a certain virtuosity plus assorted links worth the revisit

five years ago: the eruption of Krakatoa (1883), an interactive job listing plus more round-trip words

six years ago: the Zugspitze summitted (1820), mail-order shopping, abundance of caution, the Hatch Act of 1939 plus an antique German friend book

mundaneum (13. 731)

Established in Mons in 1910 by the collaborative work of two Belgian lawyers Paul Otlet and Henri La Fontaine as founding pioneers of the discipline of documentation science, informatics or library science as the study of the recording, storage and retrieval of data, following the their first joint project of establishing the Institute International de Bibliographie in Brussels with the mission to classify and cross-reference all recorded knowledge with a card catalogue system with tables, indicators and connecting mark-up notation, originally as the Palais Mondial in the left wing of the government office complex Parc du Cinquantenaire, this programme of systematic and public-facing linkages, an archive of some twelve million annotated index cards and other documents provisioned the internet—see also here, here, here and here. Though the technical capacity of the peace activist’s time was not up to the challenge, Otlet hoped that people would be able to access his catalogue from their own home studies or the office and experimented with a pre-digital réseau (network), virtual communities of researchers that cooperated via telegraph. As the scope of the project grew, there were plans to move the Mundaneum (World Museum) to Geneva to be housed in an institution designed by architect Le Corbusier (previously) but failing to materialise, the collection was copied and with another branch in the Hague, championed by Otto Neurath in 1933, following the political economist’s flight from Austria after the defeat of the Social Democratic Party following the dissolution of the Hapsburg empire (here is another artefact from Otlet). Under Nazi occupation the Mundaneum was placed in storage with the area in the Cinquantenaire Palace used as an exhibition space for Third Reich Art. The collection was eventually reunited, restored and conserved in a large former department store in the Hainaut capital. On this day in 2015, the massive filing cabinets of the card catalogue were featured as the Google Doodle in tribute to its founders and forefathers of open information. More from Open Culture at the link up top.

isn­int­ajj­uäžř­ëižč­ëis malfw­ëuẓpiu ixv­äj­uřžie (13. 685)

Via the illustrious cabinet of hypertext curiosities of Mx Tynehorne, we are given an update, the latest beta version of our favourite conlang (see previously, see also) with the morpho-phonetic system of writing, the New Iţkuîl, the latest version of the experimental under development by John Quijada since 1978 and designed to express higher levels of human cognition briefly and precisely. The highly agglutinative three word phrase of the title translates to: the digital home of the fourth edition of a constructed means of communication created to be as terse as possible. Much more at the links above.

synchronoptica

one year ago: a taste of fossil freedom (with synchronoptica) plus more on artist Leonora Carrington

two years ago: a return to the Frankonian Wine Islands 

three years ago: a banger from Madonna

four years ago: the Feast of the Myrrhbearers plus a classic from Tears for Fears 

five years ago: wagging the dog, the first email in West Germany (1984), imagined retro social media platforms plus the film posters of Richard Amsel

six years ago: Chair Universal, Prussia/Borussia plus photographer Alberto di Lenardo

 

latent diffusion (13. 677)

Via Web Curios, we are directed towards this excellent dissertation by Kevin Kelly (KK＊) that without recourse to analogy provides one of the most satisfying account—but not explanation since what’s going on under the hood is a mystery to its architects—of how large language models arrange information and build connections through the lens of the latent space—my metaphor, the synapses between neurones—as a potential new medium for artistic exploration. Conceived originally for translation only, the three terminological components of LLMs have semantic meanings behind them: large for containing all the knowledge of Wikipedia and whatever else can be gleaned digitally, language refers to the intent for automatic interpretation drawing on the sum of human writing and applying autocomplete rather than teaching the neural network grammar and the rules of individual tongues to synthesise and imitate and model for the compression routines that for efficiency marshalled concepts in vectors to contain all this statistical data of the next word locally, in the laboratory or on one’s own phone without the need to venture online for what’s on the tip of the tongue—a new kind of abstraction, mindfulness in the billions of rays shooting off in all directions. Researchers were shocked that not only did their experiment yield passable translations without being pre-programmed with the linguistic structure but without containing copies of the collected works of Shakespeare (only the metadata) could render their response in the form of a sonnet and could indeed compose an “original” work in the style of the Bard. Everything, all at once intersects eventually mapped out with an address a multitude of coordinates long. Maybe PfRC has been scraped but only in the sense that it’s not really plagiarised but only adding to an increasingly long, long register of relative whereabouts). Some in the industry maintain that for the model to make new connections and new insights requires data-centres, countless circuits working in concert—something not every one agrees on, with diminishing returns like prospecting for bitcoins, and push for open-source scalability—especially when no one knows where the spark, insight (if it can even be called that) comes from. The artistry enters in the triangulation, stream of conscious style, in that liminal space where the AI shows its work (in theory at least and can be conduced to) and can be dialled up along any lines of reasoning, more poetic, more understandable, coherent, etc without broaching the question of understanding.

summum bonum (13. 658)

Via a losing lawsuit against the Utah state liquor board (see also)—with no official roles of membership kept, the syncretic church that combines Gnostic beliefs with ancient Egyptian polytheism estimates its adherents at a quarter of a million by volume of wine bottles sold—we are introduced to the religious movement founded in 1975 by Claude “Corky” Nowell after an encounter with supernatural beings described as “Summa Individuals.” Unlike sacramental wine, authorities in Nowell’s home town of Salt Lake City, ruled that the “nectar” had too high of a proof—despite the fact, as Nowell argued, it had been produced in a pyramid and was imbued with sacred messages, resonances that impart different spiritual concepts, which aid in meditative practise, the eleven percent alcohol content said to cross the blood-brain barrier and led to enlightenment. Though contracted out to California producers for since 1983 until 2008, Summum’s “publication” branch ultimately prevailed and obtained a winery license, becoming the first federally bonded vintner in the state. Drawing from early twentieth century writings on neo-alchemy and spiritualism, Nowell, also known as Summun Bonum—after Cicero’s concept of the highest good—Amon Ra and later Chucky Ra, founded the movement to share his gift of revelation, arguing that the only path to knowledge lay in revelatory experience and not through intellect or obedience. The church also practises mummification as a way to guide one’s essence post-death to a higher plane—offering this service to any who seek it for spiritual reasons, and pets, with a suggested donation.  The founders mummy is inside the pyramid.  Following its precept that “The voice of wisdom is silent except to the open mind,” Summum has reinterpreted the Ten Commandments as the Seven Aphorisms, believing humanity has evolved since the time of Bible enough for a more sophisticated reading—which the movement also unsuccessfully lobbied to be publicly displayed along side Mosaic law, maybe Summum will win in the end on this case too. As above, so below.

9x9 (13. 646)

free play: the false nostalgia of the child-rearing in the 1980s 

it ends: capitalising on the popularity of liminal spaces, we discover the next trend, being trapped on an infinite trail  

eco chamber: the personal library of semiotician, philosopher and author Umberto Eco (previously) opens to the public in his Tuscan villa  

from the prepare-for-everything-to-get-very-stupid-and-xenophobic-department: USA to enforce same protectionist, nativist policies exercised in the Tik-Tok ban for open-source AI 

war & cheese: stalled European Union sanctions package for Russia exposes persistent divisions in the Bloc—see also 

the cemeteries are full of indispensable people: the dash to fill an America-shaped void  

hot merfolk summer: besting one’s holiday hashtags aspirations with Miss Margaret Morris’ choreography   

end of the road: uncelebrated termini and the Roman god of boundaries  

unquantified self movement: bucking the trend of maxxing and wellness-optimisation

8x8 (13. 643)

elbows up: Trump threatens to impose a fifty percent tariff on a range of Canadian export, claiming that the country discriminates against American dairy products, alcohol and automobiles  

ashurbanipal: massive stele discovered by the Sun Gate of Nineveh in Mosul  

no mutation without representation: the 1974 manuscript, The Periodic Table of Energy, authored by Timothy Leary and Robert Anton Wilson during their unfortunate incarceration inside Vacaville Prison—via Boing Boing  

the old man and the strait: with apologies to Ernst Hemingway on his birthday 

calves and calves nots: guides’ exodus over global warming tourism  

fungus among us: mapping the underground of rhizomal networks—see also here and here 

 ziwiye horde: actor Zendaya, in the role of Athena, sharply criticised for wearing three-millennia old Assyrian earrings to an event promoting Christopher Nolan’s Odyssey—see previously  

fellow travellers: US department of state continues Red Scare on left politicians as Cuban agents

synchronoptica

one year ago: Trump’s push to bring back the Redskins (with synchronoptica) plus Appetite for Destruction (1987)  

two years ago: an entrepôt on the Seine, assorted links worth revisiting, more from Marshall McLuhan plus Joe Biden steps down as the Democratic presidential nominee

three years ago: more links to enjoy 

four years ago: a concert in Potsdamer Platz to celebrate the fall of the Berlin Wall plus meandering along the Spey

five years ago: a nuclear powered cruise ship, the Scopes Monkey Trial (1925) plus the outskirts of Göteborg 

six years ago: the Seven Wonders of the Ancient World plus remote screaming into the void

the tyranny of small decisions (13. 620)

Via Kottke, we learn of the best and worst paradox, eponym of computer scientist and physicist Edward Fredkin, known for advances in deterministic, reversible programming in the tradition of Konrad Zuse and experiments with cellular automata, which proffers that the more attractive two alternatives seem, the harder it can be to choose between them—no matter that, in the same degree, the choice can only matter less. Though unclear what the context was for the formulation of Fredkin’s Paradox—probably frustration over coding architecture—it explains why nothing seems to get done with the most time and effort going to decisions of least consequence, and whilst an intuitive solution would be to match each point in planning with the importance of the decision (see also) but that leads to a further spiral and vicious cycle with the optimisation of the optimisation and so on ad infinitum.

synchronoptica

one year ago: a cinematic lexicon of infrequent words (with synchronoptica) plus Cyberstress! (1997)

two years ago: a storied gay bar in Seattle, the Great White Way, an unavailable lecture by Grace Hopper plus assorted links to revisit

three years ago: a Talking Heads’ album, molecule of the month, social summarisations plus Marie Antoinette 

four years ago: Dr Spock’s baby book plus assorted links worth the revisit 

five years ago: the coat of arms of Black County, Fortress Kronoberg, roadside attractions in Götaland plus camping in Vadstena

six years ago: filmmaker Kenneth Anger 

i often wonder what the vintners buy—one half so precious as the goods they sell (13. 618)

To gain purchase on the sophistry of scammers, grifters and gurus and proffer the question on the greater fraud of our time—why isn’t the artificial intelligence industry in direct competition with their consumers—Cory Doctrow starts with the lasting imprint of the enigmatic verse from The Rubáiyát of Omar Khamyyám, completing the couplet as translated by Edward FitzGerald:

And much as Wine has play’d the Infidel,
And robbed me of my Robe of Honour—well

to probe what the purveyors of the promise of wealth and success could possibly benefit from the exchange—be they winesellers or in his illustration booksellers, infidel or otherwise—with their wares already better than anything else money could buy. 

In other words: if someone had discovered the secret to generating all the wealth, even if willing to share in the munificence, what would they need with another’s, unless the pyramid scheme was baked in from the beginning? Venture capitalists and AI evangelicals might cite their work in progress needs funding to achieve godhead but fails to to address the fundamental question for both buyer and seller. If there’s a better vintner, why not establish one’s own vineyard? If there’s a large language model that can educate better than human teachers, why license it to a school district instead of opening up an academy? Late-stage capitalism has shifted our willingness to question motives of gospellers in the estranging drive not make but abstract—the rentier economy made more meta by options eschewing work and exposure—rather than driving a taxi, buying stock investing in a ride-share concept or prospecting for land to build a data-centre on, being the very friction and middlemanning that AI strives to remove.

synchronoptica

one year ago: the return of the ground-effect vehicle (with synchronoptica), Live Aid (1985) plus assorted links to revisit

two years ago: claim-jumping in the Arctic, reproductive care in international waters, a local air show plus a failed assassination attempt on Donald Trump

three years ago: potential biomarkers on Mars plus the Hollywood sign (1923) 

four years ago: a banger from Bryan Adams plus a summer research project on artificial intelligence (1956)

five years ago: Småland plus Sweden’s Crystal Kingdom

six years ago: more links to enjoy plus 1970s HiFi equipment

social proprioception (13. 598)

Courtesy of Clive Thompson’s latest Linkfest, not only are we rather remarkable obituary for playwright Tom Stoppard whose poetic explanation of chaos theory in Arcadia inspired an audience member, a visiting oncologist to invent the technique of adjuvant systemic chemotherapy as a more effective treatment for breast cancer, through the magic of triangulation, saving untold lives unbeknownst to the author, we have occasion to examine the phenomenon further of happenstance and serendipity of disparate topics coalescing in unexpected ways that we need to be more receptive to. Thompson’s own hedgehog idea and guiding principle (an antidote to the previous post) grew out of a “slow hunch” that took years to germinate to describe the sense-of-self informed by social media, itself engendering amazing feats of coordination and kinship even through the briefest of briefs.

a syntopicon (13. 581)

Coined especially for the two volume with the Neo-Latin term meaning a collection of topics, the two volume register of one hundred two great ideas of the Western canon, was compiled and catalogued by philosopher and professor Mortimer J Adler, published by Encyclopaedia Brittanica Press in 1954 as an index to accompany the fifty-four library of Great Books of the Western World, covering literature and though from Homer to Freud. I can recall seeing these books near the circulation desk at my alma mater as well as the shelves of the volumes in was made to guide at home, though I don’t think I was tempted to consult it to investigate how the individual works corresponded and overlapped, which is a bit of travesty considering the amount of effort and hours of reading it took to synthesise the writing of some seventy authors and something I will have to peruse. Like a Wikipedia gloss, it is a footnote and a hyperlink, and not just a cross-reference of themes or concordance but rather an instrument of liberal education itself for discovery and research and finding the unity in ideas that sometimes can be muddled and masked by language, examining each entry from multiple different angles, breaking each into several sub-topics. Afterwards, Adler edited the single volume Propædia or “Outline of Knowledge” as an appendix for the venerable encyclopaedia marshalling human knowledge into a logical frame work from 1974 to 2010, when the last print edition was issued.

synchronoptica

one year ago: unblogged Breton (with synchronoptica)

two years ago: Lago Delio 

three years ago: assorted links to revisit plus a registry of Americana

four years ago: more links to enjoy

five years ago: your daily demon, Mario theme inspiration, the year’s midpoint, a banger from Tracy Chapman plus a visit to Oberwaldbehrungen

six years ago: even more links, Airplane! (1980) plus the US Civil Rights Act (1964)

9x9 (13. 539)

criterion collection: a roundup of dirigible-themed movies, featuring, among others, Fay Wray and Ronald Reagan as secret agent Brass Bancroft  

the camelot of africa: a tour Ethiopia’s Gondar castles 

binomial coefficients: some numbers in Pascal’s triangle make very few cameos and no one is sure why  

lost world: museum docent Louis Gratacap pioneered the genre—see previously  

fast-track enlargement: talks begin for EU accession for Ukraine and Moldova  

ger:gre: Monty Python’s Ancients v Moderns football match  

planetary-mass companion: the famous Pink Planet may be a failed binary star system  

a tisket, a tasket: an update on the headquarters building of Longaberger baskets—see previously  

sac pour mal de l’air: a collection of air sickness bags from a variety of airlines

ux (13. 521)

Vis-à-vis a recent post airing online exasperation, we felt this expanded list of rage-inducing shortcomings in networking and technology, via Kottke, to be quite resonant and an thorough examination of what’s a bug and what’s a feature and wither and wherefore the friction and disconnects occur. Through the lens of Pope Leo’s first encyclical, On Human Diginity (known by its incipit Magnifica Humanitas), a lengthy treatise about the struggle to uphold our universal commitment to society when awash in alienating artificiality, we look at that frustration and fatigue that grinds us down with the mill of a thousand micro-interactions that don’t need to be—not exactly a force majure or existential crisis, in a landscape where many are possible, in isolation but taken together nonetheless inform out experience and seep out into the real world: touchscreens in cars, having to scan a QR-code to read a menu—or having menu items reshuffle themselves whilst one is ordering at a kiosk, being lectured to about the Anti-Christ, shoehorning AI into everything, forced updates at the worst possible time. The final items on the list do address the industry’s insatiable drive to commodify and fetishise everything, which is a bad thing, and though maybe not a direct consequence of the litany of disruptions for the end-user, peppered with rubric—Jesus wept, but possibly of supplanting the frictions and imbalances of capitalism (see above) with new obstacles, leaving the experts and agents nowhere to go. Much more from Brian Phillips and The Ringer at the link above.

the jig is up (13. 509)

Via Language Log, we are treated to Saturday Morning Breakfast Cereal’s latest one panel comic—with mouseover title shown—that provides a funny take on the AI Effect, moving the goal-posts as artificial intelligence advances to redefine what “real” intelligence is, with a tendency to conclude that once a problem is solved, like besting a human grand master at chess, it’s all brute compute and no longer a reliable metric of what it’s gauging, and Moravec’s paradox—the observation that whilst computers can excel at maths and in a bounded game environment, they struggle with perception and mobility. Rather than siding with the scientific consensus that this counterintuitive skill-set is owing to the limits of disembodied cognition and how we take what took billions of years of experience, evolution and gravity to learn effortlessly and automatically for granted, the comic supposes that like an adolescent prodigy that is too smart for their own good, AI is making a conscious decision to avoid doing chores.

synchronoptica

one year ago: Israeli defence forces launch an aerial attack on Iranian nuclear enrichment facilities (with synchronopticæ), AI as stone soup, hip hop party fliers plus variations on the impossible trident

twelve years ago: a visit to Lucca 

thirteen years ago: US army headquarters in Europe moves to Wiesbaden plus protests in Istanbul

fourteen years ago: EU playable characters plus Germany government scandals 

sixteen years ago: a mosaic of photos of Istanbul 

 

6x6 (13. 491)

common loon: one hundred greatest bird names—see previously—via Nag on the Lake  

continue y/n: test how carefully one reads AI agent requests and permission fatigue—via Quantum of Sollazzo  

weather rothkos: meteorologically up-to-date, location-based abstract art—via Web Curios  

the seduction of ingmar bergman: a concept album involving the abduction of the famed Swedish director pressed into making American cinema  

descartes against humanity: games reimagined as designed by philosophers  

apartment birds: recent avian visitors

radio bubble (13. 449)

Via tmn, we enjoyed contemplating how much we’ve contributed to the cosmic conversation with the ever expanding shell of signals, every form of broadcast communication that has escaped the ionosphere and into the void of space. Though only a few missives were intentional and the vast scale of galaxy means that despite the impressive sounding volume of the bubble, two-hundred and forty light years across (the radius cubed of radio history multiplied by π times four-thirds, dating back to Marconi’s experiments at the turn of the last century, beamed out at the speed of light) only covers a vanishing small fraction of our own galactic local neighbourhood, still the silence (see above) is humbling and lonely. Our vision far outpaces our voice.  More from the Scientific Drop at the link above.

bi-stable curious (13. 440)

Celebrating the return of his favourite recurring character with his latest panel, frequent cartoon contributor to the New Yorker Paul Noth, as we are informed by Things magazine, shares his fascination with optical illusion, including his signature duck-rabbit, first appearing in the humour publication Fliegende Blätter by an anonymous artist in 1892 and soon being ensconced in common parlance by Ludwig Wittgenstein, describing the phenomenon as a bi-stable (or multi-stable) percept, philosophically put “seeing that” versus “seeing as” with an intermediate study in psychology and the original paradigm shift. Much more at the links above.

the do-nothing machine (13.434)

Courtesy of friend of the blog, Nag on the Lake, we are introduced to the 1957 experimental demonstration, one of the first uses of solar power at the time (see previously) from dynamic design duo Charles and Ray Eames (see also here, here, here, here, here, here, here and here), over which the couple expressed some reluctance over the invitation to participate in the project sponsored by the Aluminum Company of America (ALCOA). The whimsical initiative, called the Forecast Programme, and included Isamu Noguchi (野口·勇, furniture designer and landscaper who contributed the Prismatic Table) and Alexander Girard, specifically commissioned the Eames to construct a sampling of aluminium toys, at first considering items powered directly by passive sunlight and then introduced to photovoltaic technology, initially had reservations, saying that “Life is too full of real problems to permit introducing hypothetical ones,” but were persuaded by the observation that the demonstration was ultimately not an uninteresting and engaging assignment and that playthings are not as innocent as they appear.

unraveled (13. 428)

Illustrated by AI generated images with the off-the-shelf prompt “lovely knitting” to demonstrate not only the lack of understanding that automated arbitrage has for physical processes and outcomes but outright disdain and disrespect that ascends to a level of hubris that rises above the liar and the disinformed who usually have some level of underlying respect and command of their subject, if only to warp the truth more effectively, Kate Davies channels Princeton philosopher Harry Frankfurt’s definition of the lack of connection and indifference, hollowing out reality and tradition with the performative in his seminal 1986 essay “On Bullshit” (see also here, here and here) to call out the slop factories, we learn via MetaFilter. Depressingly, it has been pointed out in various ways that everything is phoney and no one cares, from profile avatars, vibe-coding, self-appointed thought-leaders to the president of the United States of America and his court, and in its defence, the company mass-producing and distributing uninspired, paper-thin how-to tutorials and podcasts assembled by artificial intelligence argues that their output does not matter as the stakes are low to begin with—an assertion the knitting community would object to with the fire of a million suns, but the novice turning seeking knowledge might sadly walk away from the hobby less enthralled and no more educated, perhaps requiring deprogramming after the experience to be ever enthused about it in the future. It’s well worth your time reading the entire post from an actual apparel designer and textile artist in full and reflect on what is happening when actual craft and croft in any form is slurped up and regurgitated and served back to us and labelled harmless palaver when it’s in no way without offence and ill-effect.

schotter plots (13. 426)

Via this demonstration of reinterpreting an ALCOL code from 1968 to regenerate the iconic early computer art (see also here and here) of pioneer Georg Nees with a modern programming language, Python with an injection of randomness, we are pleased to have made the acquaintance—courtesy of Quantum of Sollazzo—of the founding champion of computer-aided design and architecture and studies in computer graphics. Working as a mathematician for Siemens electrical engineering division in Erlangen, Nees (*1926 - †2016) got his first experience with programming in 1959, eventually graduating to a Zuse Graphomat Z64 plotter to create his computer sculptures, his original commission being charged with finding a practical use for the machine, the milling and carving of components controlled by the programme, prefiguring 3D printing and showed how code can produce such “gravel,” distorting and rotating the squares to introduce chaos or equally bringing back order. Retiring from Siemens in 1985, Nees focused on aesthetics and semiotics, the study of symbols and signs, as applied to media and design, exhibiting his collaborative work with rudimentary AI engines, as one of the first centaurs, seeding the instructions and prompts with philosophical and mythical commands to see the effects on the output. The Schotter Plots are exhibited in the Victoria & Albert museum. Much more at the links above.