kill the wabbit (13. 826)

Via Kottke, we are directed towards an engaging essay on the enduring Merrie Melodies classic, a collaboration directed by Chuck Jones and written by Michael Maltese, with the voice talents of Mel Blanc and Arthur Q Bryant as Bunny and Fudd respectively. Released in theatres in July of 1957, What’s Opera, Doc? still registers among the greatest cartoon of all time nearly seven decades on and in addition to its deserved reputation as introducing generations to classical music, Bugs pursued by Elmer through Richard Wagner’s Der Ring des Nibelungen, Der Fliegende Holländer and Tännhauser, the project was exponentially more ambitious than the usual Warner Brothers’ fare. Those involved in its production, whilst denying that they were aiming to create a masterpiece, spent more than six times the budget and overtime, hidden by shaving hours and outlays from other assignments and retained the talents of background artist Maurice Nobel (see also here and here) to storyboard the narrative with over five hundred sketches, abstract and offset which became the signature of Looney Tunes going forth, his surrealistic and absurdist style rejected by Disney’s Silly Symphonies—his previous employer, whom worked on Fantasia and may have seen this film as his rebuke of suppression of his creative license. The title tags the Walkürenritt (Ride of the Valkyries) of the last act of the fourth epic from the Ring Cycle, the leitmotif of the figures who guide the souls of the dead to Valhalla (incidentally also the name of the North Hollywood cemetery where Bryant is buried—Blanc was lain to rest in Hollywood Forever grounds on the backlot of Paramount). This short was the last of three in which Elmer wins but shows regret and remorse this time for his adversary.

10x10 (13. 807)

the alignment problem: the insincerity of Big Tech on the pause and the incoherence of fascism (a bundle of sticks) 

aspect ratio: using a train or ferry as a massive flatbed scanner  

coliseum: Trump administration may just demolish the Kennedy Centre, replacing the national stage with an amphitheatre  

new harmony: the failed utopian commune of southern Indiana—see previously  

pokémon sleep: giant ball opens as guest lodging in the woodlands of Hokkaido 

joe cool: Hallmark’s custom university posters that played to institutions’ reputations as party schools  

safety curtain series: each year, the Vienna State Opera brings large format art to its proscenium—see also regarding fire curtains 

the apprentice: a biography of Roy Cohn (see previously here and here) and his influence on Trump’s politics of resentment

vinkenzetting: a DIY electronic-ink picture frame sketches birds by identifying them by their call  

the chinese room: a thought experiment by philosopher John Searle in 1980 arguing that a computer executing a programme cannot have a mind, understanding or consciousness

synchronoptica

one year ago: Trump, Epstein and a State Visit to the UK still on schedule (with synchronoptica), the US National Security Act of 1947 plus the Ig Nobel laureates

two years ago: assorted links worth the revisit 

three years ago: contingency elections to bypass the US electoral college 

four years ago: a photo from Voyager I that puts everything in perspective, St Joseph of Cupertino, photographer Harold Feinstein plus triangulating Instagram

five years ago: your daily demon: Stolas,  anthrax in the mail, arcade animations, more on Wikipedia edit-wars plus post-Brexit UK planning to return to Imperial Measurements

six years ago: vaporware and its antecedents, “producing geese,” “without worries,” the Interkosmos Group plus AI tries to create a universal and enduring warning for the ages

seven years ago: US congress debates abolishing the Electoral College, taboos surrounding talking about death, Germany Calling! (1939) plus flight-shaming and train-bragging

eight years ago: keep-sakes,  more links to enjoy plus a hydrogen powered locomotive

 

not for all the tea in china (13. 679)

Whilst some are uncommon lexical fossils, some three dozen Chinese terms for teas have been formally made part of the English corpus, language of course reflecting discernment revealing historic attitudes ranging from admiration, appropriation to derision. Bohea and Keemun have been borrowed directly from their regional provenance as well as descriptive words for different styles like oolong (烏龍) and congou, and souchong developed and cultivated in the Wuyi mountains of northern Fujian—green, white, black all coming from the same tea leaves, just dried and cured with different processes which affect the taste. The etymologies of some terms are more abstract, such as “pekoe” for grading leaves, with the Western tea trade’s standards—ostensibly from a word meaning downy and referring the quality of a leaf freshly emerged for the bud and suitable for the highest quality brew—it may have been invented by nineteenth century magnate Sir Thomas Lipton with his premium “orange pekoe” (something that did not exist in Chinese tea culture) in deference to the House of Orange-Nassau and the more established Dutch East India Company who first introduced the beverage to Europe, and then there’s the unfortunate pantomime stock character Widow Twankey. A corruption of the tea export hub of the district of Tuxni (屯溪) in Anhui province that had an unfair reputation of producing lower quality tea leaves, older, courser, raggedy and became associated with something past its prime with a stereotyped staple role in musical stage comedies that would make Mickey Rooney’s part in Breakfast at Tiffany’s seem mild in comparison, an eccentric matronly figure, usually played by a male actor in drag, running a Chinese laundry. One would like to report such depictions did not linger but the 1861 routine lasted through the vaudeville era in the 1930s and the Widow Twankey was revived in the third season of Kevin Sorbo’s Hercules: The Legendary Journeys as a recurring character—played by Michael Hurst—Iolaus, Hercules’ charioteer in that series as well as on Xena: Warrior Princess, in drag and conflating several mythological tradition as the original was Aladdin’s mother somehow. Fortunately other tea-terminology, not the reserve of experts and connoisseurs, is transmitted accurately and with respect though the business of trade was anything but.

synchronoptica

one year ago: the Helsinki Accords (with synchronoptica), more synthetic geology plus the playfulness of AI

two years ago: Ford is prepped for his new role,  the samplers of Lorina Buwler plus cartographic innovations

three years ago: Dune published (1965), assorted links worth revisiting plus the case against Trump

four years ago: a taxonomical exploration plus MST3K on Hercules Unchained

five years ago: the debut of MTV (1981), more on hyperinflation, the biblically nameless, more Universal Everything plus a prime pollinator

six years ago: Lammas Day, Deadmau5 and the Neptunes plus facial masks inspired by mass-transit upholstery patterns

in search of… (13. 479)

Polymath and multi-hyphanate, Dr Robert Harvey Rines, whom helped develop the Microwave Early Warning System in the Cold War after serving as an officer in the army signals corps, as trained a jurist for intellectual property, prolific inventor, librettist penning musicals about the life of HL Mencken (previously) among others, violin prodigy playing a duet with Albert Einstein at age eleven at a summer camp in Maine, and adjunct professor at Massachusetts Institute of Technology for the last forty five years of his career, is probably best known for leading the American expedition, sponsored by the US Academy of Applied Sciences and the The New York Times, the quest for Nessie, the most thorough and comprehensive search for the Loch Ness Monster up to that time, that commenced on this day in 1976. Becoming obsessed with the mystery of a possible cryptid after a visit to the area four years, Rines launched a scientific safari provisioned with sophisticated sonar and photographic, many instruments of his own design, and whilst garnering a great deal of publicity for his efforts, including several intriguing but blurry photographs, after six months, the project was halted due to lack of hard evidence. This famous “gargoyle head” image was later discovered to be a rotting tree stump on the silty bottom of the loch, since located and put on display in the Nessie gallery at Drumnadrochit on the western shore. Rines for his part never stopped believing that there was more to the legend and kept up the exploration, albeit on a smaller scale, for the next decades.

synchronoptica

one year ago:  automated purging of US government workers (with synchronopticæ) plus a Star Trek: TNG superfan

fourteen years ago: looking forward to our Norway holiday 

fifteen years ago: Ascension Day 

sixteen years ago: the Deepwater Horizon oil spill 

9x9 (13. 382)

aegis: a unique monumental statue of Athena uncovered in western Türkiye (ancient Laodicea) whose breastplate is follows the description of Book VIII of Virgil’s Aeneid  

alien abduction: conspiracy theorists connect spate of missing US nuclear scientists to UFOs—see more  

big tree stories: a hunt for the world’s tallest firs and imagining prehistoric forests studded with such giants—via MetaFilter  

₂he: although the second most abundant element in the Cosmos, the noble gas is hard to come by on Earth—via Web Curios  

frozen conflict: like the Russian invasion of Ukraine, Trump’s war of choice likely to be a simmering, unresolved stalemate 

wishful hinking: an 1987 edition of the Collins Dictionary contains a trap word (see also), presumably to counter plagiarism 

paper theatre: home entertainment flourished during the Regency Period for lack of sufficient live venues  

νεῶν κατάλογος: golden tongued (so they can speak in the afterlife) Roman era mummies found in Egypt’s Minya governorate, whose tomb contains a manuscript of Book II of Homer’s Iliad, the Catalogue of Ships—via Kottke

8x8 (13. 360)

what1tune: a musical address regimen to geohash the globe with simple melodies—see previously 

neon colour spreading: a compelling optical illusion—see also 

imperial megalomania: Commodus ordered the entire city of Rome named after himself, executed anyone who mocked him, dispatched and quick subject to damnatio memoriae 

measure for measure: the religious hypocrisy (and ignorance) on display in the Trump White House with attacks on the papacy and crusader mentality through the lens of Shakespeare’s play  

proleporn: AI slop in George Orwell’s Nineteen Eighty-Four—see previously  

on the clock: Maarten Baas studio recruits a thousand volunteers to represent the hands of time at Amsterdam’s Schiphol airport—see previously 

hollyworld: filming location substitutes in California

the new adam (13. 167)

On the anniversary of actor Sal Mineo’s killing at the hands of a random mugger in the parking lot of his West Hollywood apartment building, we return to Poseidon Underworld’s considered tribute to the career and romantic interests within the movie industry of this critically acclaimed, twice Oscar-nominated individual who tried to escape filmmakers who typecast him either as punk, victim or ethnic underdog. Perhaps most recognised for his role of John “Plato” Crawford in Rebel Without a Cause, the second of the cast principles to die a violent death after James Dean in an auto accident and then Natalie Wood’s drowning, Mineo was mentored by Yul Brynner in the stage musical The King and I and while still a teenager had supporting parts with Tony Curtis and Charlton Heston before the breakout appearance. After Exodus and The Longest Day, executives, in combination with rumours circulating about his personal life, thought Mineo had aged out by the mid 1960s and pivoted towards television and a brief stint as a musician. His final role, unrecognisable in prosthetic makeup, was Dr Milo in Escape from the Planet of the Apes in 1973. Mineo was thirty-seven and in rehearsals for a theatre-piece, PS Your Cat is Dead, with Keir Dullea.

 

synchronoptica 

one year ago: St Julian the Hospitaller (with synchronopticæ) plus assorted links to revisit

twelve years ago: stock market instability 

fourteen years ago: graffiti stencils plus RIP Whitney Houston

fifteen years ago: the Egyptian government overthrown by the people 

sixteen years ago: mass surveillance in the name of security 

9x9 (13. 148)

times new resistance: a typeface disguised to appear as the US government endorsed font but furnishes subversive autocorrect suggestions  

there are four lights: Star Trek: TNG episode “Chain of Command” is an allegory for domestic abuse  

prosperity gospel: at the US National Prayer Breakfast (see previously) Trump announces upcoming ceremony to rededicate America to Jesus  

dominotier: the guild of wallpaper makers and the many applications of their craft  

plasticine dream: render yourself in claymation in real time  

🦞: more on the theology created by AI agents—see previously—via Web Curios 

almanac: US Central Intelligence Agency in an act of cultural vandalism is not only sunsetting its World Factbook but also deleting its archives  

ill may day: Sir Ian McKellen masterfully recites from the apocryphal Shakespeare play about a sixteenth century anti-immigrant riot  

blackletter fraktur: on how the Gothic typeface, based on French handwriting, became synonymous with Nazism despite Hitler’s ban on its use—see previously—via Kottke

l’amour des trois oranges (13. 041)

Premiering on this day in 1921 Chicago’s Auditorium Theatre, Sergei Prokofiev’s satirical French-language opera (Любовь к трём апельсинам, The Love for Three Oranges, based on an seventeenth century Italian fairy tale of the same name) resulted from a commission after his first series of performances in the United States were well received by audiences. Reception to his avant-garde works (see previously here, here and here)by Americans may strike as a bit unlikely and whilst initial criticism was harsh, crowds flocked to see a commedia dell’arte piece (a parody of the genre) instilled with surrealism in a foreign language and has seen multiple revivals over the decades. The most familiar leitmotiv from the opera is the below march movement, referenced in popular culture, including the contemporary novel by F Scott Fitzgerald, Tender in the Night, with the protagonist awakening from a dream sequence of a military parade set to the music.

*     *     *     *     *

synchronoptica

one year ago: calendrical correspondence (with sychronopticæ), 2024 in review, Bloomberg’s Jealousy List plus The Pirate of Penzance Broadway premiere

twelve years ago: predictions v projections plus proto-memes

fifteen years ago: treacherous driving conditions plus more security theatre

eminent tragedians whom no one ever goes to see (13. 033)

Premiering on this in London in 1871, the debut collaboration of Gilbert and Sullivan (previously) called Thespis, or The Gods Grown Old was more of a burlesque—reportedly as neither score nor book was ever published (see above) and most of the original songs lost—and not in keeping with the later sophisticated works of the duo but was considered quite passable for charity entertainments of the time. Drawing from research and many attempts beginning in the 1950s with resurgent interest to recreate the two-act play (the theme was also revisited towards the end of their careers with The Grand Duke, with a petty dictator replaced by a theatre company), the reconstructed plot involves the legendary first actor and father of drama (played by prominent comic J L Toole) ascending Mount Olympus with his troupe of thespians who agree to trade places with the pantheon temporarily, who’ve grown weary of their jobs and feel ignored. Invested with omnipotence by Jupiter with Mercury remaining as consul, the actors prove themselves to be comically inept at divine governance, inverting mythological fate and order within the space of one year—for which the gods, vindicated as indispensable eject the company and curse the profession. Below is a sample of one of thosee unauthorised productions in full as imagined by the Connecticut Gilbert and Sullivan Society.

troppo paradiso nelle loro menti (13. 026)

Via Laughing Squid, we are introduced to the musical stylings of the talented Italian guitar quartet 40 Fingers with this moody, acoustic rendition of the overture from Jesus Christ Superstar, the Andrew Lloyd Webber and Tim Rice rock opera—with an absolutely brilliant arrangement (see previously—Silent Night was originally a guitar piece as well). The band’s biggest viral moment yet was a cover of “Bohemian Rhapsody” and have taken a particular interest in film scores.

9x9 (13. 016)

brought to you by the inkjet lobby: the amount of redactions in the US justice department’s release of the Epstein files sparks outrage  

christmas and commerce: a David Sedaris holiday classic—see previously  

global building atlas: an ambitious project mapping all three-billion built structures worldwide  

grabenanlage: rescue archaeology in southwestern German town of Herxheim in 1996 suggests ritual cannibalism on a massive scale with research still ongoing  

your attention is all you have—wasting it is annihilating: Blackbird Spyplane on a life of screen-time—via Kottke

pithos: Roman amphora of sardines found in Switzerland 

orthorectified panorama: the Apollo transforming printer that developed cartographically accurate photographs of the Moon 

a christmas memory: Truman Capote recalls holidays past  

formerly known as the kennedy center: the history of the US national stage for the performing arts—see previously

the play’s the thing (12. 988)

As our faithful chronicler reminds on this day in 1966, the Star Trek:TOS episode “The Conscience of the King” (S1:E13) was originally aired with the USS Enterprise diverted three light years off course to ostensibly investigate a synthetic food source developed by Captain Kirk’s childhood friend Dr Thomas Leighton on Planet Q as a novel way to remedy dire shortages on Cygnia Minor. Both among the survivors of Kodos the Executioner, former governor of the Earth colony of Tarsus IV—who ordered the execution of half the settlers during a famine to prevent more starvation with the ensuing resistance precipitating an all out massacre, just days before a relief ship arrived—it is revealed that Leighton’s deception was a coded ruse to lure Kirk to confirm or deny his suspicions that an actor of a touring Shakespearian troupe might actually be the revolutionary provincial leader, Kirk and Leighton among the handful of survivors ever to see Kodos in person. Though convinced that Kodos was killed during the uprising, Kirk’s curiosity is piqued and returns to the surface to attend a cocktail hour held at the Leighton estate, hoping to encounter the supposed fugitive and in the meantime courts the actor’s daughter, the suspect not in attendance, excused as her father does not socialise. Strolling the desert grounds, they come across the murdered body of Leighton and Kirk contrives to strand the company on the planet. Spock conducts independent research and learns that the other eyewitnesses of the elusive governor have died in mysterious circumstances when in proximity to the acting company. More evidence is gathered and the Enterprise offers to ferry the players to their next venue, whilst the ship’s theatre club is rehearsing Hamlet, which the guest stars join, performing the play-within-the-play. Despite the non-fatal poisoning of another crew member who also survived the killings, tampering with Kirk’s phaser and the actor’s apologies in defence of the actions of the colony’s leader, Kirk remains hesitant to forward his accusations until his daughter reveals that she has been executing witnesses, unbidden, to help her father escape his past and whilst attempting to shoot Kirk, phasers her father, having jumped in the beam’s path, and like Ophelia with the accidental death of Laertes, descends into madness, attended by Dr McCoy. The episode also marked the last appearance of Grace Lee Whitney as yeoman Rand until brought back for the movies in that role, giving a resigned dirty look to Kodos’ daughter knowing it was her last scene, a fellow blonde and herself released so Kirk could pursue other love interests, and this show plus “Day of the Dove” (S3:E11), responding to another distress call that pits the Enterprise a in pitched battle with a Klington Bird of Prey gave Simpson’s producer Matt Groening the characters of Kodos and Kang.

i am millonaire andrew lloyd webber, welcome to my andrew lloyd website (12. 961)

We’re heard of plenty of sorrowful instances of zombification of abandoned personal pages and outright vandalism or kettling but we had not encountered until now, courtesy of MetaFilter, with the discovery of the moribund Yahoo! GeoCities page of the musical theatre composer and impresario (previously) last updated in 2003 and restore it to full-functionality as a NeoCity. Though some elements, like the title, seem to verge on gentle parody—but who could say for sure as websites at that time were vehicles for confession and reflection rather than self-promotion, it’s a privilege to page through the newspaper clippings, dream diary, home recipes and so on.

a night at the opera (12. 840)

First released in UK markets on this day in 1975 as the lead single from Queen’s fourth studio album (see previously), “Bohemian Rhapsody” quickly gained legendary status and became one of the most celebrated songs of all time. The symphonic journey, notable—for a pop song—for having no refrain and formal division with prelude, recitativo, progress rock interlude and epilogue, parodying the high art form in a skewering, bombastic manner that’s sort of brilliantly Italian brain rot—Galileo Figaro—Magnifico, a joke despite the underlying gravity of the personal lyrics. Having experimented with this type of composition previously with Mercury’s early work in “My Fairy King,” ambitions were greatly expanding during rigorous daily recording sessions for three weeks and multiple overdubs to achieve the right mix. Eschewed at first by radio stations because of its length the promotion video was quickly commission and aired on Top of the Pops within days. All special effects for the short were achieved live during the recording rather than editing in post-production, like the cascading effect caused by the visual feedback of pointing the camera at one of the studio monitors.

familiar in his mouth as household words (12. 821)

Occurring on this day (the feast of St Crispin’s) in 1415 in the fields in the fields outside of Azincourt in north France, the decisive and surprise English victory, out-numbered by troops of the opposition marked a turning point in the Hundred Years’ War (Guerre de Cent Ans), humiliating France and boosting the morale of England, leading to the latter’s dominance in the protracted conflict over the duchy of Aquitaine and French throne (see previously here and here) for the next fourteen years—until English defeat during the Siege of Orléans. Henry V re-invaded France in the spring of the same year after negotiations with French court fell apart, with the English king asserting his claim to the kingdom of France through his great-grandfather Edward III—arguably the heir through his mother, Isabella, sister of the last Capetian monarch, Charles IV, but French Salic Law excluded matrilineal succession. For the past couple of iterations of this dispute, the English king would relent and back off the claim provided the French acknowledged English dominion over Aquitaine, Calais and other territories. Henry, however, demanded in exchange for renouncing the crown, a generous dowery for his marriage to Charles VI’s daughter, Catherine of Valois, a literal king’s ransom (payment in arrears for the release of John II—Jean le Bon—held as a hostage in London a century before) and in addition to the settled lands, Anjou, Brittany and Normandy as well. Although France was ready to make some concessions to the deal, it proved to be too bad of a bargain, especially since England had little to leverage—other than squandering peace and stability—and a series of pitched battles commenced, stretching out, with periods of interruption due to plague and other factors, for a hundred and sixteen years. Despite the ultimate loss of continental territory and the rejection of a joint monarchy that saw the rejection of all things French and vice versa (English becoming the official language and French no longer used in court and the classroom), the monarchy of England and Great Britain styled themselves sovereigns of France until 1802, the end of the French Revolution.

i like the city of san juan—i know a boat you can get on (12. 805)

Via our faithful chronicler, we are reminded that the cinematic adaptation of the Broadway musical by Leonard Bernstein and Stephen Sondheim premiered on this day in 1961 (on the anniversary of the island’s takeover in 1898, ceded as part of the Treaty of Paris that settled the Spanish-American War) in New York City. The film from Robert Wise and Jerome Robbins and Ernest Lehman (the team also behind The Sound of Music, Hello, Dolly! and Who’s Afraid of Virginia Woolf?) and starring Rita Moreno, Natalie Wood, George Chakiris and Richard Beymer was true to book, in turn inspired by the Tragedy of Romeo and Juliet, some numbers were re-ordered in appearance from the to better fit the narrative and lyrics changed to avoid censorship—particularly in “Jet Song” and “Gee, Officer Krupke,” “sperm to worm” was changed to “from birth to earth”—and in the brilliantly mixed-metre song “America” (the alteration inspired by a supposed visit to Puerto Rico and the “Habanera,” L’amour est un oiseau rebelle from Carmen) for a message deemed too harsh on fellow citizens and instead emphasises more of the perks of living on the mainland, ignoring the fact that the criticism was directed at their mistreatment and unwelcome. The 2021 Steven Spielberg version includes the revolutionary anthem La Borinqueña and restores some of lines from the original. I’ll give them new washing machine! What have they got there to keep clean?

television dreams of tomorrow—we’re not the one you’re meant to follow (12. 747)

On this day in 2004, Green Day released their seventh studio album—their first in four years—American Idiot, an overtly political and socially critical record, the tracks, especially the title one, expresses the disillusionment and decent of a generation whose prospects were informed by 9/11 and the resulting forever wars. A telling of the gospel of Jesus of Suburbia, a precarious working-class anti-hero figure, the suite of songs were put together as a concept album for a punk rock opera, taking inspiration from Jesus Christ Superstar, The Rocky Horror Picture Show and The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Charting worldwide, it was also against the media apparatus, which in the band’s view had crossed from journalism to sensationalism and reality TV, glorified violence of combat in Iraq intercut with advertisements. An enduring protest song, lyrics have been subtly updated from redneck to “I’m not a part of the [MAGA/ELON] agenda” and “subliminal mind-Trump America.” Wake me up when September ends.

7x7 (12. 701)

people are flushing toilets ten times, fifteen times, as opposed to once—john jay: other AI-generated quotes of America’s foundational figures at new Smithsonian exhibit—see also  

coronation street: a recent celebration of the eleven hundredth anniversary of the enthronement of King Æthelstan, the first ruler of united England  

_invalid_username: a short, seemingly intuitive quiz—we failed miserably at—on what constitutes an email address—via Web Curios  

in a galaxy far, far away: the official map of the Star Wars paracosm 

dj earworm: an end of summer mashup  

double, double toil and trouble: Shakespeare added the witches, weird sisters (see also) to Macbeth for the benefit of his patron James I—see previously  

founding fathers: the colourful life US constitutional signatory turned harsh critic of the mythos Gouverneur Morris—via Strange Company

synchronoptica

one year ago: a nuclear war preparedness exercise (with synchronopticæ)

twelve years ago: Iranian president offers a Rosh Hashanah blessing 

thirteen years ago: some castles of Rheinland-Pfalz plus a bleak economic picture

fourteen years ago: revisionism and security theatre persist ahead of the anniversary of the 9/11 terror attacks 

fifteen years ago: bird-watching plus a trip along the Danube

sixteen years ago: mascot mayhem 

seventeen years ago: a trip to the Wasserkuppe 

kreuzigung (12. 560)

The first Master of Stage Craft (preferring his neologism Spielgang to the more orthodox term Theaterstück—I was later disabused of my own made up version of Spielstück for a play which is not a real word but understandable) at the Bauhaus and artistic and copyright lawyer by trade, we appreciated this introduction to dramaturge Lothar Schreyer through his retelling of the Passion staged only a few times in 1920 in a bleak post-war setting. The only well-documented directorial work, owing to the complexity of the performance that necessitated a programme with translation key for the audience, like many expressionist productions of that time, there are only scant records which mostly are preserved in the form of bad reviews by the trade press, Schreyer was later caught up in the allure of the Christian and Völkisch mysticism of the Nazi party, despite his contributions being labelled as degenerate art (see below), and continued panning of his plays prompted his replacement, Oskar Schlemmer, to take on the leading role at the institute. More from the Public Domain Review at the link up top.

synchronoptica

one year ago: assorted links to revisit (with synchronopticæ), bracket orthography plus Forrest Gump (1994)

thirteen years ago: moons of the year, confusing job application instructions plus a typeface comparison

fourteen years ago: land octopuses