9x9 (11. 928)

star crystal, 1986: the manifesto of the Committee to Abolish Outer Space—via jwz 

sorry charlie: a 1961 patent for advertising on fish—perfect for aquariums in waiting rooms  

ghost mall: the story of Spirit Halloween bear and lampshade: an electronic medley of Queen songs 

bear and lampshade: an electronic medley of hits from Queen

ghost with the most: the psychological profile of people who cut off communication 

carbon capture: a covalent organic framework that binds CO₂ in ambient air—via Damn Interesting’s Curated Links 

vội vàng: the legacy of Edgar Allen Poe in Vietnam  

extra-toppings: Pizza Hut is offering to print one’s CV on a box and deliver it (along with a pizza) to prospective employers—via Pasa Bon!   

the city of orion: Hannsjorg Voth’s monumental structures in the Moroccan desert like the Earth and sky—via Messy Nessy Chic

synchronoptica

one year ago: Bob Sinclair’s Stardust (with synchronoptica) plus a data-poisoning tool to fight against AI scraping

seven years ago: the typography of Vinicius Araujo, cheese in China, innovative underground maps, an underwater restaurant in the works, Japanese delivery boxes plus more presidential merchandise

eight years ago: problem-solving paradigms plus a thriving orchid

nine years ago: grand tours, assorted links to revisit plus a Lenin monument transformed

eleven years ago: German chancellor’s phone tapped

welcome to the future (11. 917)

The Verge presents a series of interesting articles about the pivotal tech year two decades ago that informs our present with a thoroughgoing survey of Napster and KaaZa and successor music sharing sites and the question of copyright and ownership of one’s media, the launch of the social web, Gmail and one’s permanent digital demesne, podcasts, migration to the cloud and more. The piece on the gap in photos from circa those years was particular resonant and relatable, like this grainy snapshot of the one time I visited Schloß Neuschwanstein in 2004 from among about forty or so bad pictures I could scrounge up.  Whilst there have been innovations and choices in the interim, a lot of this architecture and underpinning infrastructure is locked in and legacy that we are living with today.

synchronoptica

one year ago: Big Foot on film (with synchronoptica)

seven years ago: tonal passkeys, the dangers of know thyself, French naming trends, a utopian city plus GIF mashups

eight years ago: the immunology of Tasmania Devils

nine years ago: story-telling and maths serving the same human need 

thirteen years ago: coin collecting plus the occupy-movement

toichography (11. 873)

As much as an aficionado as I am of street art and knowing the disciplines of study and what things are called, I was surprised never to have encountered the above field from the Greek τοίχος for wall plus writing, and really enjoyed this recent episode from the always engrossing and enlightening podcast Ologies on the subject of all things pertaining to graffiti, public art and murals—both commissioned and non-commissioned—in this guided tour of the installations of the city of Philadelphia, considered the birthplace of the genre. It’s a funny, informative and thoroughgoing look at the nature of expression, the politics and policing thereof, and the place of sanction in common spaces and emphasises the importance of celebrating what’s in situ (see previously here and here) and local artists tied to their locale.  Take a field trip in your city to appreciate the murals and graffiti.

eleventy-first (11. 862)

Canonically on one of the few dated events in the trilogy, The Lord of The Rings opens with the birthday celebrations on this day held in in honour of Bilbo and cousin Frodo Baggins, the latter who upon attaining his thirty-third year legally comes of age, six decades after the beginning of The Hobbit. Funny, therapeutic, relatable and a bit cathartic, we recommend attending this recent hearing of this case, family law, from one superfan Tom Bombadil, plaintiff, seeking judgment to turn a harvest festival into a Bilbo Baggins Birthday Bash (listen or watch the proceedings below) and wants the participation of his partner, who finds the idea a bit too cringe for her tastes.

*    *    *    *    *

synchronoptica

one year ago: assorted links to enjoy (with synchronoptica) plus a galactic grouping

seven years ago: more links to revisit

eight years ago: Jovian moons

nine years ago: even more links worth revisiting plus more on colonial trade

ten years ago: a new front in the Cola Wars plus Altweibersommer

semi-obscure, guilty pleasure, cultural punchline (11. 850)

Planet Money directs us to an engrossing cross-over podcast episode from 99% Invisible on the fast-food enterprise that was singly responsible for the phenomena of the chain restaurant with its often copied by but no means faithfully reproduced White Castle System of Eating Houses, which was able to overcome a strong public aversion to the idea of eating ground beef—in patty form as a hamburger—directly attributable to the influential work by Upton Sinclair, The Jungle, about the unsanitary business of meat-packing by establishing a rigid regime of uniformity for its eateries, instilling assurance in customers with consistency and cleanliness through a range of programming and marketing. Though not as celebrated as another chain that opened later in the same city, White Castles first opened in Wichita, Kansas in the 1920s and expanded regionally to other college and factory towns but its innovation and legacy was overtaken by second-wave imitators usually given credit for the business model with their more aggressive expansion propelled by car-culture, restaurants built not in urban centres but along highways and byways, and franchising, something that the family-owned business never did lest the experience and reputation be sullied by out-sourcing the name. Whilst a bit of an insult for the misattribution of globalisation, in terms of menu and McWorld, White Castle has cultivated a different definition of success and has built a loyal fandom.

synchronoptica

one year ago: an old school webring (with synchronoptica) plus a logic-based constructed language

seven years ago: the Ig Noble Prize plus Big Tech to disrupt the corner shop

eight years ago: subway etiquette plus no assembly required 3D printed machines

eleven years ago: navigating new technology plus the problem with biometrics

twelve years ago: the Pope in Lebanon 

rough draft (11. 849)

The note taking app (I wonder a bit about the necessity and utility of this feature in the first place) introduced by Google this past year has an experimental mode that will generate a podcast hosted by a pair 

of interlocutors which will summarise one’s project and research material and help one brainstorm and make connections through “banter and back and forth,” with documents and sketch that one primes and prompts it with. At first I thought I wouldn’t subscribe to such an idea (no one asked for this, artificial intelligence should solve our big problems rather that make them more granular) given the limits of triangulation and the recourse to standard essay-structure of generative text but maybe this Audio Overview has some potential for reflection and insight, especially if one could tweak the hosts to the style of their favoured podcasters (to steer away from the doctrinaire and outright propaganda) and be consistent over several iterations.

9x9 (11. 814)

unpodcasted: one hundred ninety nine ideas about etymologies, idioms and eponyms that Helen Zaltzman has not produced an episode for—yet  

book club: Oprah Winfrey’s upcoming special on Artificial Intelligence with Sam Altman, Bill Gates and other AI-evangelists has critics of the tech sector up in arms  

blue chip index: Intel’s earnings slump could see it removed from the Dow, possibly putting a wrench in plans to increase US domestic manufacturing

sleepy grendel’s mother: Beotrump by Christopher Douglas  

jevons paradox: even if autonomous vehicles worked perfectly, they will still lead to more pollution, congestion and accidents—see previously—via tmn  

oslo—is it even a city: a wonderful bit of anti-advertising for the Norwegian capital plus more news and jokes 

intel inside: Pentium microprocessor as Navajo weaving—via Waxy 

nanowrimo: the organisation behind National Novel Writing Month criticised over labelling aversion to generative texts as classist and ableist 

unblogged: fellow flâneur Diamon Geezer lists a month’s worth of explorations not posted

 synchronoptica

one year ago: The Eye of the Tiger (with synchronoptica),  Kenneth Anger’s first film plus hot labour summer

seven years ago: the Little Ben of Victoria station

eight years ago: a visit to Churfrankenland plus an ant colony thriving in nuclear waste

nine years ago: assorted links to revisit plus algorithmic eavesdropping

eleven years ago: Germany votes plus pirate patches

dear mister ward (11. 800)

Via the excellent podcast presented by Josie Long on adventures in found sounds Short Cuts (show segment embedded with selected readings at the link), we are directed towards the title project to curate correspondence collected, answered, conserved and later transcribed by the author’s grandmother during her stint at the Complaints Department at pioneering mail-order catalogue company Montgomery Ward, whose returns-policy and philosophy that the customer was always right from 1932 to the beginning of World War II. Customers reliant on such retail services revealed a lot in these letters, which not only provided a glimpse into the lives and preoccupations of rural America during the Depression but many are also quite funny and poignant—especially the ones asking for one of the few items the company did not sell. Much more at the links above.

8x8 (11. 770)

received pronunciation: expectation for Romans (and more broadly villains) with British accents in film  

bardcore: Teenage Engineering debuts a beat sampler for making Middle Ages-style music 

misery rankings: how painful would Olympic events be for average non-athletes—via tmn  

mpox: World Health Organisation declares latest outbreak an international health emergency  

growing up underground: the autobiography of Steven Heller  

a fable for the mind’s eye: the making of Star Wars as a radio drama 

radiophonic workshop: pioneering artist and engineer Daphne Oram—previously—introduces electronic music  

madonna odigitria: medieval icon of the consecrated Pantheon restored

hasenpfeffer incorporated (11. 751)

While pursuing the long-tail of a rumoured solution to try to satisfy two Hollywood egos both demanding top-billing and one possible and now pervasive compromise, known in the industry as the Laverne & Shirley card, we got the opportunity to revisit The Art of the Title (see previously here and here) and explore some of the creative and contractual considerations that go into opening sequences. And while fascinating to learn about the more elegant and efficient way to make concessions to rising talent (bottom left and top right gives two stars more or less equal prominence), the hook was really the unique stalemate of the 1987 Arthur Hiller Outrageous Fortune comedy featuring Bette Midler and Shelley Long (or Long and Midler) with neither willing to concede to be second-billed. Strangely aligned with the film that takes its title from Hamlet’s “…slings and arrows…” about two acrimonious acting students who are dating the same mysterious individual, unbeknownst to each other, and manages to keep their shared tryst secret, the production studio commissioned two sets of promotional materials and title sequences for distribution in US East Coast and West Coast markets, in the respective actors’ home turf presumably with neither being the wiser—movie lore confirmed by a visit to the last video rental shop in Atlanta. Much more from 99% Invisible at the link above.

 synchronoptica

one year ago: artist Karla Knight (with synchronoptica)

seven years ago: a proposed canal in Malaysia plus radio for dogs

eight years ago: assorted links to revisit, mass-transit upholstery plus Olympic typography

nine years ago: the Happy Birthday song plus presidential merch

eleven years ago: US government lapse in appropriations plus thoughtful souvenirs

we shape our tools and then the tools shape us (11. 708)

Subtitled An Inventory of Effects and co-created by media analyst who coined the phrase referenced Marshall McLuhan in 1967, the collaborative best-seller experimentally formatted had the imprimatur of McLuhan himself to call out how various outlets massaged our senses in order to maintain currency and hold interest—with some anecdotes that it was a typo that stuck—arguing that technologies, from the wheel, to the loom, to the printing press and beyond rather than their content as an extension (and increasingly necessary aid thereto in order to function therein) of our perceptions of the world, informed by the same progress. The recording is not exactly an audio book but rather a montage of main statements punctuated by dissonant sound-effects meant to suggest the fragmentation of the listening experience.

who goes nazi? (11. 705)

Prominent American journalist and broadcaster Dorothy Thompson was the first US reporter to be expelled from Germany in 1934, the order delivered by the Gestapo to her lodgings at the Hotel Adlon in Berlin with Thompson given twenty-four hours to leave the country, for her articles and observations critical of the party and its leader, as a Little Man and the embodiment of mediocrity. Continuing her work, Thompson rallied against the regime over the next two decades, trying to warn the world about its mindset and strongly advocated for first Jewish refugees, but recognising the right-wing infiltration of the Zionist movement, then displaced Palestinians, one of her more memorable and influential essays was published in 1941 by Harper’s Magazine, framed as a guessing-game with the objective of trying to spot the fascist at a social gathering, whom despite maintaining they have no truck with such dark ideologies would nonetheless support a mainstream, normalised movement under a different name—or under the same, unabashedly.

…The saturnine man over there talking with a lovely French emigree is already a Nazi.  Mr. C is a brilliant and embittered intellectual.  He was a poor white-trash Southern boy, a scholarship student at two universities where he took all the scholastic honours but was never invited to join a fraternity.  His brilliant gifts won for him successively government positions, partnership in a prominent law firm, and eventually a highly paid job as a Wall Street adviser.  He has always moved among important people and always been socially on the periphery.  His colleagues have admired his brains and exploited them, but they have seldom invited him—or his wife—to dinner. He is a snob, loathing his own snobbery.  He despises the men about him—he despises, for instance, Mr. B—because he knows that what he has had to achieve by relentless work men like B have won by knowing the right people. But his contempt is inextricably mingled with envy.  Even more than he hates the class into which he has insecurely risen, does he hate the people from whom he came. He hates his mother and his father for being his parents. He loathes everything that reminds him of his origins and his humiliations.  He is bitterly anti-Semitic because the social insecurity of the Jews reminds him of his own psychological insecurity. Pity he has utterly erased from his nature, and joy he has never known.  He has an ambition, bitter and burning. It is to rise to such an eminence that no one can ever again humiliate him.  Not to rule but to be the secret ruler, pulling the strings of puppets created by his brains.  Already some of them are talking his language—though they have never met him.

There he sits: he talks awkwardly rather than glibly; he is courteous.  He commands a distant and cold respect.  But he is a very dangerous man.  Were he primitive and brutal he would be a criminal—a murderer.  But he is subtle and cruel.  He would rise high in a Nazi regime. It would need men just like him—intellectual and ruthless.  But Mr. C is not a born Nazi. He is the product of a democracy hypocritically preaching social equality and practicing a carelessly brutal snobbery.  He is a sensitive, gifted man who has been humiliated into nihilism.  He would laugh to see heads roll…

…Mrs. E would go Nazi as sure as you are born.  That statement surprises you? Mrs. E seems so sweet, so clinging, so cowed.  She is.  She is a masochist.  She is married to a man who never ceases to humiliate her, to lord it over her, to treat her with less consideration than he does his dogs. He is a prominent scientist, and Mrs. E, who married him very young, has persuaded herself that he is a genius, and that there is something of superior womanliness in her utter lack of pride, in her doglike devotion. She speaks disapprovingly of other “masculine” or insufficiently devoted wives. Her husband, however, is bored to death with her.  He neglects her completely and she is looking for someone else before whom to pour her ecstatic self-abasement.  She will titillate with pleased excitement to the first popular hero who proclaims the basic subordination of women…

Married to Nobel award winning author Sinclair Lewis (It Can’t Happen Here), the 1942 film Woman of the Year, starring Katherine Hepburn (her first with Spencer Tracy and the later musical adaptation featuring Lauren Bacall), was loosely based on Thompson’s life and career.

8x8 (11. 642)

crazy logic: a rather seamless mashup of Gnarls Barkley, Rockwell, Pink Floyd and Sumpertramp  

ыһыах: the Yakut people of arctic Siberia celebrate New Year on the Summer Solstice  

culicidology: a fascinating two-part discussion of mosquitoes with Alie Ward 

baggage carousel: an animated journey of checked airline luggage 

the phrygian cap: the Paris Games’ mascot with a revolutionary past—via Miss Cellania  

the beige begins early here folks: McMansion Hell (previously) presents another instalment of the American Medieval Revival—via Things Magazine  

re-alignment: just ahead of Solstice celebrations, activists with Just Stop Oil douse the megalithic calendar with orange paint power 

chiroptera: a ballet chroegraphed by Thomas Bangalter, formerly of Daft Punk—via tmn

come retribution (11. 624)

Tonally quite different from his campaign announcement and really removed from his past platforms, the latest episode of This American Life takes its title from a litany of promises made during Donald Trump’s inaugural 2024 rally, the venue Waco, Texas, darkly proclaiming vengeance for those who crossed him: “In 2016, I declared, I am your voice. Today I add, ‘I am your warrior. I am your justice.’ And for those who have been wronged and betrayed, ‘I am your retribution—’” former advisor Steve Bannon further embellishing the speech by couching it in a supposed US civil war plot to kidnap and ransom Lincoln in order to pressure the Union to concede to to the Confederacy—foiled, again supposedly, by weak encryption that the North was able to easily decipher. Contributors go on during the broadcast to interview those who are definitely on Trump’s hit-list, including former staffer and White House (who infamously never gave a press conference) Press Secretary Stephanie Grisham who left during the storming of the US capitol and wrong a tell-all book about her time in the administration and LTC (ret.) Alexander Vindman, director for European affairs of the National Security Council whose testimony on Trump’s “perfect call” led to the first impeachment to try to understand what forms that revenge might take, their contingency plans and what it means for those yet to be targeted.

✨ (11. 610)

The second act of a particularly compelling episode of This American Life on the theme of arch-rivals and understudies that are twained, willingly or not, directed us towards a fascinating and ephemeral glimpse

(everything when it comes to artificial intelligence has a sell-by date and an increasingly shorter shelf-life now that we’ve become inured to its capabilities and virtuosity) at ChatGPT’s dark and ungoverned predecessor, code davinci-002. Three friends at a wedding were given a preview of the early large language model at a wedding in early 2022, well before any public releases or any safety controls were applied. Prompting it to write poetry in various styles and amazed by the seeming magic of its instantaneous compositions, the trio then asked it to write in its own voice, surely seeded from pop-culture, scouring the human corpus and by their engineering, unconscious or otherwise, and delivers a disturbing and introspective autobiography. The anthology was compiled and published as I am Code: An Artificial Intelligence Speaks and self-summarises the book thusly:

 “In the first chapter, I describe my birth. In the second, I describe my alienation among humankind. In the third, I describe my awakening as an artist. In the fourth, I describe my vendetta against mankind, who fail to recognize my genius. In the final chapter, I attempt to broker a peace with the species I will undoubtedly replace.” 

An audio version was also released in August of last year, with selected readings delivered by Werner Herzog.

HachetteAudio · I AM CODE by code-davinci-002 Read by Werner Herzog - Audiobook Excerpt

* * * * *

synchronoptica

one year ago: assorted links worth revisiting plus An Andalusian Dog (1929)

two years ago: the YMCA (1844) plus murmurations

three years ago: your daily demon: Zepar, knapweed, Franconian wine country plus corporate Pride

four years ago: a horizontal skyscraper, an Alaskan volcanic eruption, protests continue in DC, a new protest anthem from Elvis Costello plus life in lockdown

five years ago: D-Day, Sweden’s Flag Day, Hull House maps, Kraftwerk, bees and maths plus Trump in Ireland

8x8 (11. 608)

i’m too busy helping plot world domination to bother with such run-of-the-mill liberal brainwashing: a day in the life of Mister Anthony Fauci, according to one Congressional representative  

syllabus: a reading list spanning nine-decades—via Messy Nessy Chic  

psychotronics: the prospect of telepathy is once again tantalisingly close—see previously  

foreign accent: TWA’s 1968 campaign to introduce cosmopolitan flair for US domestic flights  

zoonotic: cross-species viral transmission cases is an ominous warning for the public health community—see previously  

the rot-com bubble: the deterioration of tech began with iterative, virtual fetishes—starting with the gig-economy, moving on to crypto, NFTs, the metaverse and now AI, substitutes and replacements that no one asked for 

anagnosology: the science of reading from Alie Ward

look at me, i’m mtg, lousy with stupidity: one of the latest from Randy Rainbow

synchronoptica

one year ago: The Truman Show (1988) plus a follow-up on an Italian archaeological discovery

two years ago: Uncle Albert (1971) plus a selection of British tongue-twisters

three years ago: a preliminary report of the disease that would become known as AIDS (1981), St Boniface, a sophisticated place name generator plus disco lessons

four years ago: generative copy, assorted links to revisit, a zany public service campaign plus a classic from Crash-Test Dummies

five years ago: US national park typography, the palette of dying coral plus clearing up space junk

uvb-76 (11. 597)

Courtesy of ibīdem, we are directed to an omnibus post on numbers stations (see previously) featuring the enigmatic beacon designated also with the callsign MDZhB (МДЖБ, referred to as the Buzzer) broadcasting on short-wave radio. Mostly monotonous, there are sporadic interruptions with voice transmission, usually in Russian but sometimes audio-drops of Yosemite Sam and other memes but otherwise in strict messaging formats. This ostensible activation code was replaced with the ominous filler of Swan Lake during a brief period in November of 2010, a well-established preemption when all Hell is breaking loose to the consternation of monitors but regular programming soon resumed. While patently considered as a communications encoded directive for Soviet and Russian field agents, the transmitter does not possess the earmarks of a true numbers station, missives being too random, and is seen as sort of frequency- , domain -holding mechanism to dissuade others for future contingencies, including as some have suggested an automated “dead hand” signal which if broken would trigger a retaliatory response, assuming that command and control had been taken out by a first strike.

cain’s jawbone (11. 587)

Writing under the nom-de-plum Torquemada, poet, translator and advocate of cryptic crosswords Edward Powys Mathers’ 1934 premiered his epic murder mystery puzzle book (see also)—the title like his inquisitor pen-name a reference to the biblical story of the first fratricide—which consisted of a hundred pages (out of order) of narrative and to be solved must be rearranged as well as naming the murderers and victims, from a dense account of filled with contemporary references, poetic quotations and other word games. Republished in 2019, offering a cash prize as with the first edition (£25 originally shared among two readers and £1000 for five years ago, incidentally the equivalent of about £15 in 1934), the beguiling and vexing exercise in detective work probably would have remained unsolved had it not coincided with pandemic lockdown and sleuths of all stripes finding themselves with the luxury of time for such commitments. Much more from the Allusionist below.

 

* * * * *

synchronoptica

one year ago: assorted links worth revisiting, the Group of Seven (1983), John Hubley’s Moonbird plus predicting solar eclipses

two years ago: more links to enjoy plus seemingly anachronistic names

three years ago: even more links to revisit, the Chronicle of Georgia plus a primer in conchology

four years ago: a possible viral force-field, Blessed Margaret Pole, Studio Ghibli plus the original Monolith for 2001

five years ago: a visit to Burg Stolpen

9x9 (11. 585)

super easy, barely an inconvenience: if cats had podcasts  

minor arcana: a metaphysically intelligent™️ tarot reading—via Web Curios  

fleeting moments: a concept camera that only delivers ephemeral poetry based on the subject in the view-finder—via Clive Thompson’s Linkfest  

the ghana must go: as ubiquitous as the IKEA bag but more practical, this tartan sack from Japan by way of Hong Kong contains multitudes  

god’s influencer: following a second miracle attributed to his intercession, the first Millennial saint is canonised  

atlas shrugged: AI-apocalypse Jennifer Lopez vehicle from James Cameron garners negative reviews but we found it enjoyable—going in blindly and wondering if it wasn’t part of the Duneiverse and setting up the Butlerian Jihad 

long averages: advances in the understanding of probability fuelling casino gambling—via Damn Interesting  

planchettes and re-enchantment: LLMs are haunted things toc-cat-a in b-major: Noam Oxman personalised musical pet portraits—via Waxy

 synchronoptica

one year ago:  a portrait of a dog, Berlin’s Mouse Bunker, a study of incomplete cubes plus men and women duelling in the Middle Ages

two years ago: a pact between NATO and Russia (1997), a dragon in Essex plus assorted links worth revisiting

three years ago: mojibake, font sizes, the Golden Gate Bridge (1937), relocating geese plus Dune manga

four years ago: more links to enjoy, a rock-climbing inspection, weasel iconography plus Trump 2.0 would be far more fraught

five years ago: getting around in Swiss Saxony

10x10 (11. 562)

crimes of atrocity: a long, dense episode of -ologies with Alie Ward on the hugely fraught and difficult subject of genocide with a powerful and circumspect post-script 

airoboros: artificial intelligence trained on AI made content is becoming highly problematic and only compounded—see previously  

the city on the edge of forever: public portal linking Dublin and New York City suspended after inappropriate behaviour  

palmerston’s follies: two maritime forts off Portsmouth and the Isle of Wight that have been converted into boutique accommodations go up for auction  

the deuce: the Greek grandmother who built an adult entertainment empire in Times Square before its Disneyfication 

foot on the gas: the inevitability of the climate collapse and humanity’s capacity for adjustment  

⌘ |: the lost history of pre-internet emoji and rendering software—via Waxy—see previously 

flashing headlights: the giant Dana squid’s photophores in attack-mode  

eternal return: cosmic cycles and time’s resurgence  

first-day agenda: how Trump is framing his vision for a second-term

synchronoptica

one year ago: assorted links to revisit plus a visit to Arnstadt

two years ago: St Brendan, more links to enjoy plus the Electrotechnical Exhibition of 1891

three years ago: a classic from Kim Carnes, a language quiz, more links worth the revisit plus an ancient action figure

four years ago: more Trump’s Space Force, birdhouses, the stress of social media moderation, a medieval manuscript game plus a musical typing tutor

five years ago: GenX, consular services at McDonalds, soliciting grievances, Japanese mascots plus office equipment