toichography (11. 873)

As much as an aficionado as I am of street art and knowing the disciplines of study and what things are called, I was surprised never to have encountered the above field from the Greek τοίχος for wall plus writing, and really enjoyed this recent episode from the always engrossing and enlightening podcast Ologies on the subject of all things pertaining to graffiti, public art and murals—both commissioned and non-commissioned—in this guided tour of the installations of the city of Philadelphia, considered the birthplace of the genre. It’s a funny, informative and thoroughgoing look at the nature of expression, the politics and policing thereof, and the place of sanction in common spaces and emphasises the importance of celebrating what’s in situ (see previously here and here) and local artists tied to their locale.  Take a field trip in your city to appreciate the murals and graffiti.

7x7 (11. 867)

urban glitch: a series of nostalgic, hyper-detailed paintings from Jeff Bartels 

ganz kleine nachtmusik: a previously unknown work by Mozart discovered in a Leipzig library archive  

promptographs: Mister François presents three hundred imaginative “secret car” models with the help of AI—Lamborghini school buses and Ferrari caravans  

warchitecture: the language of urbicide was developed to address the wanton destruction of Sarajevo’s build environment and continues in contemporary conflicts—see also  

do not show this travel pack to gdr or soviet officials: a 1989 British guide for West Berlin  

papyrological discovery: for his birthday in 480 BC, new lines of Euripides’ lost plays Ino and Polyidus uncovered—via Clive Thompson’s Linkfest (much more to explore there)  

8-bit garden: dissolving digital artwork from Karol Polak of Gdańsk

entspannt und achtsam (11. 846)

Labelled an imbecile and cretin during his lifetime, though the latter with some charity in the sense of a pious, holy fool, for his weak constitution and shy, withdrawn and compliant behaviour, Swiss artist assistance and apprentice Gottfried Mind really came into his own following the death of his master Sigmund Henderberger of Berne known for his sentimental pastoral scenes. Mind accidentally discovered his precocious virtuosity for the faithful feline study, usually drawn from memory with exacting detail, eventually earning him the reputation as the Katzen-Raffael—or the Raphael of Cats. Click through for more of the artist’s portfolio at the link above.

bulldozer exhibition (11. 845)

With the only officially sanctioned style of art for the USSR and satellites since the 1930s being that, like in the pictured mural from Dresden’s Kulturpalast Der Weg der Roten Fahne, of Soviet Realism—depicting idealised views of the state—all other movements of forms of expression were pushed underground. The unofficial showing which would become known as the titular event of non-conformist (see also), avant garde artists held on this day in 1974 in Moscow’s Bitsa Park was dispersed by a large police force that destroyed the paintings with earth-moving equipment and water cannons. The artists were arrested and visitors at the exhibit, including journalists and foreign diplomats, were attacked and fled. Extensive media coverage in the West of the incident embarrassed the government, who later relented and allowed, under controlled conditions, subsequent shows, regarded as an important turning point in freedom of expression. All the artworks were destroyed but a typical composition would have been like this abstract contribution from Lydia Masterkova, who left the Soviet Union for France after this event.

synchronoptica

 

one year ago: assorted links worth revisiting (with synchronoptica)

eight years ago: the Singularity and Point Omegá, reimagining Star Wars, the sugar lobby, GOP caring about women’s health plus more on augmented reality

 

ten years ago: the CIA’s stay-behinds

 

eleven years ago: too big to fail plus brilliant posters for Star Trek: TOS episodes

 

twelve years ago: attacks on US diplomatic missions plus more on international banking reporting obligations

222 west 23rd (11. 835)

The historic Queen Anne Revival accommodations in the Manhattan neighbourhood of Chelsea was originally a housing cooperative through the early 1980s before being gentrified into its present form, and the residential hotel was home to many up-and-coming luminaries until such time, including Jack Kerouac, Andy Warhol, Sherwood Anderson, Henri Chopin, Quentin Crisp, Ethan Hawke, Miloš Forman, Joan Baez, Leonard Cohen, Marian Faithfull, Bette Milder, Isabella Rosallini, Eddie Izzard, Jane Fonda and numerous others. In 2011, we learn, a lesser-known but long-term resident, Jim Georgiou and his dog Teddy, was evicted for failing to pay his rent and was temporarily unhoused. The following year during renovations on the building, he saw construction workers tossing out some of the old, white-washed and graffitied doors, which Georgiou managed to salvage and research, connecting them to the suites of different neighbours. After years of work, fifty-two doors were auctioned off, with the proceeds going to organisations that help New York City’s homeless in 2018.

9x9 (11. 791)

rhythm 0: in 1974 artist Marina Abramović subjected her unmoving body to a six-hour ordeal to see how an audience might objectify her 

 bang records: a documentary about the life and career of songwriter Bert Berns behind “Here Comes the Night,” “Brown-Eyed Girl,” “Hang on Sloopy” and many other standards  

back to obamacore: with hope and the end of history, the Harris-Walz campaign gives nostalgic vibes of 2008—via Web Curios 

gothamq loop: a prototype quantum network being tested beneath the streets of Queens  

geography and maps division: a mystery, featureless solid silver globe at the US Library of Congress—via the Map Room   

mice fancy: how a Victorian hobbyist breeding programme became a mainstay of the laboratory  

diversion tunnel: Margaret Bourke-White (previously) documents building of a dam in Montana in 1936  

diminished by its artsiness: studio pulls trailer for Megalopolis after realising the marketing team used AI to generate phoney tag-lines by famous film critics—via Super Punch  

the birth of coolth: Sentence First explores similarly constructed neologisms, including the statistical term shorth for shortest half—via Language Hat  

the confetti illusion: oranges are sold in red mesh bags to enhance their orangeness—via Marginal Revolution—see also

 synchronoptica

one year ago: paper dolls and digital avatars (with synchronoptica) plus bat men on the Moon

seven years ago: more from artist Lance Wyman, assorted links to revisit, anti-migrant riots in Rostock (1992) plus a collection of government sponsored cartoons

nine years ago: the birthday of Sean Connery plus adiaphora and cafeteria Christianity

ten years ago: the sacred, prognosticating chickens of Rome

eleven years ago: creative interpretations of film

the question (11. 777)

Handling our Sunday matinee programming, Fancy Notion has selected an existential short from the animation studio of Halas & Batchelor (see previously) that ponders the meaning of life through our hopeful and introspective protagonist who finds confusion and frustration when consulting dogmatists in the fields of religion, politics, the humanities about life’s big questions but finally finds a solution with another fellow peripatetic. The venerable collaboration lasting from 1945 to 1986 was responsible for the instructional colour stop-motion feature Handling Ships for the Admiralty as a training aid for new navigators, a number of World War II productions intended to raise morale and encourage thrift, like Dustbin Parade to promote recycling and Filling the Gap about planting a victory garden as well as anti-fascist propaganda films. During the 1960s and 1970s, the duo created cartoon series for American television networks including Saturday morning staples like Popeye the Sailor, The Jackson 5ive, The Osmonds as well as the music video for Autobahn by Kraftwerk.

*    *    *    *    *

 synchronoptica

one year ago:  a prayer app (with synchronoptica) plus a pioneering mushroomer

seven years ago: a look into the far distance future, removing racist statues plus feeding an army

eight years ago: a century of Russian history in photographs, assorted links to revisit plus the making of Cabaret

nine years ago: more links to enjoy

ten years ago: subterranean warehouses, the body-politic of Rome plus German intelligence agencies eavesdropping

anti-mimesis (11. 771)

Via Meanwhile, we thoroughly enjoyed perusing this gallery of images curated by Jonathan Hoefler (previously here and here) of actual instances of images that would now be mistook—absent other context or familiarity—as telling AI-generated missteps.
These pictures uncannily prevision the now acquainted superfluidity, reduplication, skewed perspectives, a-historicity, attention-grabbing and portrait-studio aesthetic that’s a buggy feature of computer-made art. What do you think it means that this thinking is becoming our default reaction? A picture broadly does not seem worth a thousand words any longer.  Much more at the links above.

*    *    *    *    *

 synchronoptica

one year ago: greenlighted (with synchronoptica)

seven years ago: Trump’s very fine people plus manipulative social media

eight years ago: the stave church of Goslar, early hominids and tolerance for smoke, safety and Helvetica Man plus assorted links worth revisiting

nine years ago: rent parties plus more links to enjoy

ten years ago: writers protest against the book market, the future of shopping plus the unfair labelling of weeds

i miss lorina bulwer well known by that name (11. 737)

Via Nag on the Lake we are referred to the rather sad and anguished life of needleworker Lorina Bulwer through her lengthy embroidered autobiographic tapestries created after becoming an inmate of a workhouse in Great Yarmouth and consigned to the Female Lunatic Ward. These samplers—see also—contain a message of protest for her station and predicament, likely institutionalised by her brother after the death of her parents, her life’s history with some possibly creative genealogy—these artefacts first coming to the public’s attention after being misattributed to Baroness Rosina Bulwer Lytton similarly falsely confined by her novelist husband. Click through at the link up top for a full transcript of the longest (over four metres) hand-stitched missive, in all capital letters and with no punctuation, which makes this quiet legacy all the more poignant.

ambrosia (11. 730)

The Olympic Committee issued an apology for a tableau during the Paris Olympic’s opening ceremonies that some claimed was deeply offensive to Christian communities and blasphemous—notably the shrillest outrage from US conservatives—for depicting The Last Supper with drag queens. Except it was not inspired by Da Vinci’s depiction of Jesus and his apostles, as the spectacle’s director explained—though few could hear it over the social media torrent—and the performance had to be regrettably recanted, but rather by Le Festin des Dieux, a seventeenth century work by painter Jan van Bijlert prominently displayed in the national gallery in Dijon. While the Dutch artist himself was referencing Leonardo’s earlier work and one sees what one wants to see, the mythology figures are patently recognisable, including Apollo, Pan, Mars, Minerva and Dionysus, the father of the Gallo-Roman goddess Sequana (and whose totem spirit, familiars are ducks), the deification of the Seine, sourced in Côte-d’Or is not far from Dijon.

9x9 (11. 694)

fungal magic: an update on the mushroom documentary narrated by Björk  

always lands on its feet: the myriad ways animals negotiate the laws of physics—see also  

meisje met de parel: decoding Vermeer’s true colours—see previously—via Miss Cellania 

i’m your heat pump: a seductive slow jam seems to educate the public on the thermal energy transmission system 

eno: the generative documentary on the self-described non-musician that changes with each viewing  

legal daisy spacing: a purported 1985 manual for terraforming a planet that presents a warped bureaucracy and sterile landscaping  

nolle prosequi: federal judge overseeing illegal retention of classified documents trial against Trump dismissed the indictment over the improper appointment of the prosecution’s special counsel—see previously here and here  

reimann hypothesis: new insights about the distribution of prime numbers—via Damn Interesting’s Curated Links  

kräuterbuch: Johannes Hartlieb’s fifteenth century treasury of herbs

 

synchronoptica

one year ago: assorted links worth revisiting (with synchronoptica), Netscape plus the Rosetta Stone

seven years ago: dark matter, more on the election integrity commission plus the bicentennial of Frankenstein

nine years ago: thalassocracies, plutographies plus more links to enjoy 

eleven years ago: a slightly NSFW Soviet adult literacy reader

twelve years ago: the German banking system plus the Oberammergau Passion Plays

surréalisme (11. 679)

In anticipation of the centenary of the publication of the rival manifestos of opposing factions of the art movement in October of 1924 by Yvan Goll and André Breton, we learn via PRINT magazine that there’s been a call for submissions to reinterpret modern corporate logos in the style of the multidisciplinary group following arising from the liminal space between full awareness and the subconscious (see also),
all emergent after the horrors of the Great War, the 1918 Pandemic and the popular psychiatry of Sigmund Freud. We especially liked the Magritte-inspired reimaging of the Youtube brand with reference to Salvador Dalí and the Belgian artist’s own 1929 “False Mirror,” Le faux miroir, which was also the inspiration for the American television network CBS eye logo.  Much more at the links above.

gallery of the louvre (11. 678)

On the occasion of the record-setting auction in which the pictured painting fetched an incredible three-and-a-quarter million dollars on this day back in 1982 (going to a private collector but on public display), we take a look at the artist, better remembered for his contributions to telecommunications, Samuel Finley Breese Morse. 

First establishing his credentials at a portrait artist and having a success career, several US presidents sat for him, Morse turned to invention in his late forties after encountering a fellow-passenger on a steam ship back from Europe who taught him about electromagnetism and demonstrated some experiments for him. Setting aside the subject painting in 1832 (finished the following year and contains thirty-eight miniature versions of the museum’s treasures—see also), Morse developed a single-wire telegraph, improving on European systems, and overcame the problem of signal-strength and range, a limiting factor, by the addition of relays to boost the distance transmissions could be carried from a few yards to dozens of miles. Patents were awarded but Morse’s invention was not unique or as foundational (see previously here and here) as he liked to present it. Adopted as the international standard for telegraphy, Morse would go on to contribute to his eponymous Code a few years later.  The first public demonstration was held at a steelworks in Morristown, New Jersey with an electronic missive—rather cryptically the message was “A patient waiter is no loser,” sent to a factory two miles away. 

7x7 (11. 668)

zungenbrecher: revisiting the topic of German tongue-twisters whose recitation challenges are also trending on the socials—via Language Hat  

nuts and bolts: hyperrealistic pencil-drawings of metallic objects by Kohei Ohmori  

heraclea sintica: a near-complete statue of Hermes discovered whilst excavating a Roman sewer in southwest Bulgaria 

murder by contract: Poseidon’s Underworld reviews the 1958, low-budget Vince Edwards vehicle  

ovocipede: a personal mobility vehicle conceived by Salvador Dalí  

game over: a stop-motion animation re-creates classic arcade game play with food and candy  

dawn chorus: explore morning birdsong from around the globe—via Nag on the Lake’s Sunday Links (lots more to see there)

synchronoptica

one year ago: the first summer study abroad programme (plus synchronoptica) 

seven years ago: Trump and the press, more on still-lives plus superlative drone photography

eight years ago: the Iraq Inquiry

nine years ago: the taxonomy of Jorge Luis Borge plus assorted links to revisit

ten years ago: advertising hoardings that serve as shelters plus ISIS’ wanton destruction of cultural treasure

ms paint anything (11. 628)

Via Web Curios, whilst much kinder to the canines—though transposing their colours for some reason—and generally a bit unsettling in that spirit of AI body horror that we’ve seemed to have moved beyond expectation-wise even though we were only entrenched in it just bare months ago and only for a very brief time, we still had fun playing with this synthetic artist that runs your images through a poorly-executed standard Windows raster graphics editor, glitchy and hallucinating using the limited palette, brush styles and arguably ham-fisted fill-tools (a sort of constrained painting) in its quiver. Give it a try but be aware your ugly mugs are put in a public gallery for all to see.

synchronoptica

one year ago: the art movement the New Objectivity

two years ago: assorted links to revisit

three years ago: another MST3K classic, more links to enjoy plus the Vatican’s catalogue of banned books

four years ago: a preview of OpenAI’s capabilities, ghost towns along the former inter-German border plus poppies in bloom

five years ago: encoding data in DNA

drawn apart (11. 607)

Although perhaps more famous for his depictions of the Risorgimento (the Unification of Italy in 1861), the Swiss-born painter and lithographer Carlo Bossoli also became popular particularly in Britain for his historic scenes of Crimea due to public interest in the war. Working out of Odesa, Bossoli documented several places that reverberate over the last two centuries and are familiar to those following the current conflict, like this painting of Snake Island. London printing house Vincent Brooks, Day & Son published a series of fifty-two choice images and commissioned the artist for coverage of other ongoing battles. More scenes from RFEL at the link up top.

run for the border (11. 606)

Via Waxy, we are directed to a most unusual and developing art-heists and blackmarkets in recent history with underground network of collectors for pilfered Taco Bell wall-art. Back in 2002 (see also), the franchise commissioned veteran graphic designer Mark Smith to create a trio of paintings, high-quality prints to be distributed to every restaurant as a counterpoint to the usual corporate branding. During subsequent image overhauls, many of these masterpieces, inspired by the work of Basquiat and Maxfield Parrish and offering patrons to discover new details and elements with each visit, were discarded but a few were salvaged and sold, leading to active acts of burglary of prints in franchises not yet remodelled, fetching prices of ten-thousand dollars or more.

dalí atomicus (11. 596)

Via Strange Company, we enjoyed seeing the outtakes and creative process behind the 1948 surreal photograph taken after at least twenty-six attempts by Philippe Halsman and later published in Life magazine (see previously). The collaboration, one of many over decades of working together and complementing one another’s media, was instigated over his four year project of the Leda Atomica, the painting seen in the background, which dealt with ideas of suspension, repulsion and cohesion and reflected the Zeitgeist of the Nuclear Age. There was a countdown to coordinate the composition—on three, assistants threw the cats and buckets of water and on four, Dalí was to jump. After each take until both were satisfied, Halsman entered the darkroom to develop the film while the cats were collected and dried off.

 synchronoptica

one year ago: a spy whale

two years ago: an optical illusion plus assorted links to revisit

three years ago: visualising marine traffic, Funky Town (1980), St Elizabeth plus the US Armed Forces Network Europe

four years ago: a US national protest map plus The Mythological Astronomy in Three Parts

five years ago: more punitive tariffs from Trump

asemic writing (11. 560)

The above describing wordless or meaningless text intended to invite the reader to divine a message through the symbolisms rather than to convey a message—though these carefully recorded compositions that suggest mathematical and chemical formulae certainly encoded a meaning that was perhaps only known to the artist—and could be certainly applied to the verisimilitude (see also) of the collected works of outsider artist Melvin May, a bassist who returned to New York City to study informatics but his career path was sidelined by a schizophrenia diagnosis and subsequent drug use, landing him in a men’s shelter on Randall’s Island whilst seeking treatment. Way’s discipline was discovered through art workshops sponsored by the shelter, dense and intricate sketches with ballpoint pens committed to found scraps of paper, often carrying around works-in-progress on his person, protected with a layer of scotch tape. More on this retrospective—and sadly posthumous by only months—and Way’s life at Hyperallergic at the link above.

7x7 (11. 522)

diddly doodly: a live action, 1950s version of The Simpsons in the works

trylon and perisphere: rides and attractions of the 1939 New York World’s Fair  

so your property has been banksyed—now what: conserving the artist’s murals and the difference between the studio and the street 

unfrosted: Netflix’s Pop-Tarts movie from Jerry Seinfeld  

the aethererius society: the London cab driver who became the voice of the Interplanetary Parliament in 1954  

the complete mashography: DJ Earworm takes on Taylor Swift  

anti-social network: Aaron Sorkin plans a sequel to the Facebook film, blaming the social media giant for the January Sixth Insurrection

synchronoptica

one year ago: the Roddenberry Archive, custom game cartridges plus the fired Florida principal gets to visit the David

two years ago: a Martian probe encounters the wreckage of an earlier mission plus viewing tectonic shifts

three years ago: International Dance Day with Colin’s Bear plus deepfake satellite imagery

four years ago: the evacuation of Saigon, the Golden Hat of Schifferstadt, daily constitutionals, zen toast plus assorted links to revisit

five years ago: the inspiration for Thanos’ power glove plus not taking God’s name in vain