orion (10. 309)

After a series of delays (see previously here and here) the first uncrewed mission of the Artemis programme took off in a predawn launch from Cape Canaveral, Florida, carrying aloft the empty (Snoopy and a cadre of mannequins were on board to gauge for radiation and stress levels) capsule, named after the goddess’ giant hunting partner and cast amongst the stars after his accidentally blinding as the source of the phrase ‘standing on the shoulders of giants,’ on a twenty-five day, two-million kilometre test-flight that will see the craft fly around the Moon and back before splash-down on 11 December. This exercise will prove crucial to later crewed missions scheduled for 2025 with the ultimate goal of establishing a permanent, long-term presence on our satellite and have a staging platform for further exploration.

kelpie (10. 295)

Whilst not as iconic or famous as the so called “surgeon’s photograph” of the 1934 since exposed as an elaborate hoax, the first captured image allegedly showing the cryptid of Loch Ness (previously here and here) was snapped on this day by local Hugh Gray in 1933. Recounting himself he was walking his dog along the shore that morning, many interpret the blurry image as Gray’s Labrador fetching a stick from the water, or otherwise a swan or an otter rolling in a characteristic fashion at the water’s surface.

8x8 (10. 187)

vendedores ambulantes: the sonic landscape and signature cries (see also) of the street vendors of Ciudad de México—via tmn  

from erdapfel to equator: a globemaker’s glossary of cartographic terms—via the Map Room  

queenhithe: photographer Frank Merton captures London’s churches in the mid-1950s  

anti-cyclone: a proposal to tow a barge laden with jet engines blasting to dissipate the strength of an oncoming hurricane  

hyla orientalis: black tree frogs in Chernobyl demonstrate evolution in real time—via Slashdot 

blogoversary: a belated congratulations to Diamond Geezer on twenty years of posting   

the feral atlas: a journey of discovery and triangulation through our made environments from Stanford University and via Web Curios  

tlaltecuhtli: the iconography of the Aztec pantheon

drizzle, drazzle, druzzle drome—time for this one to come home (10. 094)

Alternately titled St George and the Dragon and The Seven Curses of Lodac, the 1962 adventure fantasy by Bert I Gordon (King Dinosaur, The Amazing Colossal Man, Village of the Giants, etc.) loosely based on the legend of St George and his conquests was subjected to the Mystery Science Theater 3000 treatment, airing for the first time on this day in 1992. Our hero in this version, George (Gary Lockwood, later Lieutenant Commander and navigator Gary Mitchell on the Enterprise and astronaut Frank Poole in 2001: A Space Odyssey)—of royal parentage but fostered by a sometimes ineffectual sorceress played by veteran actor of stage and screen Estelle Winwood—embarks on a quest to rescue the princess Helene and prevent her from being fed to the dragon of the evil wizard Lodac, played by the equally esteemed Basil Rathbone.

6x6 (10. 086)

chaoskampf: examining the mythology of dragons across cultures  

hurrian hymn № 6: learn about and listen to the oldest known song—see also  

public convenience: the best museum rest rooms curated—via Miss Cellania  

out of the fusion of two languages, two outlooks has emerged a great canadian metropolis: Montréal by Night (1947) 

persepolis: a virtual tour of the ancient imperial capital (see also) from the Getty—via Maps Mania 

legendary large serpentine creatures: a contentious ranking of the fifty best literary dragons

6x6 (10. 085)

the hero with a thousand faces: further exploration of Joseph Campbell’s monomyth—see previously 

well, the zombie-fighting phase of the zombie war is over: CDC issues updated guidelines for living with the zombie apocalypse 

pterygota: an exquisite look at insect launch and flight

vo₂: wonder alloy vanadium dioxide—via Damn Interesting’s Curated Links  

carta marina: Olaf Magnus’ sea charts complete with sea monster sounds  

pendragon: evidence that suggests King Arthur may be a historical personage—see previously—via Miss Cellania’s Links

loch monster (10. 020)

(The rhythm from the B-52s Rock Lobster playing throughout) We all know Loch Ness (I conflated the history of the struggle of control for the strategic bulwark with that of the legendary monster—it’s a metaphor), majestic Loch Lomond, Loch Awe but we‘d like to acquaint you with the Loch of Garry which when viewed from Glengarry and from the right angle resembles a map of Scotland.

Or there’s Loch Lochy that’s haunted by a waterhorse, a kelpie who lures mares and stallions into the water and capsises boats. Or there’s Loch Pityoulish in the Cairngorms off the River Spey, whose name means “at the settlement of the bright place” and is popular for wild swimming. More to come. Motion in the ocean—hoorah!

never look a gift horse in the mouth

Though this kind of exact date for something semi-legendary, laden with cultural baggage and millennia hence is notoriously hard to pin down, the attestation by among others Eratosthenes, polymath and librarian of Alexandria who calculated the circumference and axial tilt of Earth to a remarkable degree of accuracy (thanks in part to his access to extensive geological data at the library), traditionally places the Fall of Troy, the end of the decade-long siege of the impenetrable city by the Achaean armies when they were let into the gates, hiding inside a wooden horse, a ruse thought up by Odysseus—a creature sacred to the Trojans, on this day in 1183 BCE. Left on the beach as an offering for their return home, the Greeks had apparently decamped. Many were suspicious, including Cassandra and Laocoön—with of course no one listening to the former and the latter being devoured by a sea serpent along with his sons sent by Athena to keep the priest’s mouth shut but they ultimately decided to keep the horse and celebrated the end of their long blockade with an evening of drunken revelry. Most of the population was massacred in their sleep as the Greeks sacked the city—save for Aeneas who went on to found Rome in some traditions, with most of the Greeks also denied a safe homecoming by the gods for their atrocious behaviour as victors and for their desecration of temples and holy sites and were doomed to wrack and ruin.

oral traditions

First championed by networks of storytellers in Sweden and Australia in the early nineties before being organised as a global observance in 2004 and held on or near the March equinox World Storytelling Day is a convention of sorts for audience and authors to connect, inspire and synthesise diverse folklore and myth (see previously here, here and here). Acknowledging the craft as a form of art and our own penchant for and appear to narrative, each annual gathering has had themes, like 2018’s Wise Fools, 2020’s Voyages and for 2022, Lost and Found. See if you can come up with a tall tale to share today.

traho fatis

The Latin motto—drawn by fate—echoes through this intriguing Renaissance tarot deck called Sola Busca, limned with an anachronistic marshalling of ancient heroes, medieval bestiaries and then contemporary weapons and armour. Housed presently in a museum in Milan and the earliest known deck to illustrate the complete suites of the major and minor arcana—probably engraved in Ferrara in 1491 and later hand-coloured in Venice—the allegory of iconography informs later iterations, including the familiar Smith-Waite design.  Nebuchadnezzar II, Gaius Marius, the uncle of Julius Caesar and several members of the Greek and Roman panthea.  Peruse the entire deck and learn more about the provenance at Public Domain Review at the link above.

idomeneo

Considered one of the greatest operatic works of all time, the Italian language dramma per musica based on a 1705 stage play by French tragedian Prosper Jolyot de Crébillon about the eponymous King of Crete by Wolfgang Amadeus Mozart had its premiere as the opener for court carnival season in München on this day in 1781. The piece in three acts with ballet interludes tells the story of the homecoming of the commander-in-chief who led the Cretan navy into the Trojan War, comrade of Ajax and rebuffed suitor of Helen, Idomeneus (Ἰδομενεύς—like The Odyssey)—grateful for peaceable relations again after decades of fighting, exercises clemency over prisoners of war brought from Troy, including Priam’s daughter Princess Ilia, though Argonaut Princess Electra is not happy about the potential competition to marry into the dynasty. In contravention to an earlier pledge that would have the king sacrifice his son to the sea on condition of a safe return, Neptune relents and spares the life of the king’s son Prince Idamante, on the promise that he relinquishes his throne to the younger generation, with the new king taking the Trojan princess as his queen. All are happy except Electra—her later parricidical frenzy attributed to this early rejection.

iwows

Via Slashdot, astronomers are forwarding the conjecture that like the other Saturnine satellites Titan and Enceladus, the mysterious and icy Mimas—heretofore most well known for being an actual moon despite its resemblance to the Death Star (formally ♄ I and named after the Giant, at the suggestion of William Hershel's son John like the others in this complex system after the Giant born of the blood of castrated Uranus and killed by Hephaestus during the Gigantomachy) may possibly harbour a vast liquid ocean several kilometres beneath its frozen crust. Going by the above initialism “interior water ocean worlds.” More at the links above.

7x7

2020—too…: the moment it hits you 

the colours of motion: spectral analysis of contemporary film classics  

the timekeepers of eternity: a printed, pagination interpretation of Steven King’s novella The Langoliers  

forefather time: on the trial of the masqueraded, marauding Jukace that herald the New Year for one Polish city  

visual vernacular: Jayme Odgers—one of the montage artists behind California’s New Wave aesthetic, creates a legacy repository of his works 

ham and banana hollandaise: a cursed collection of dishes from McCall’s Great American Recipe Card Collection 

those we’ve lost: a more comprehensive compilation of celebrity obituaries from the past year from Bob Canada’s Blogworld

creepy crawly

Whilst the moniker itself is somewhat of an exaggeration in most cases, the rediscovered species and newly classified species, lured to bait in deep boreholes in a mine in western Australia, Eumillipes persephone, with over thirteen-hundred feet, truly lives up to the distinction of being the leggiest creature yet found. Named after the ill-fated queen of the Underworld for having been caught over sixty-meters under the surface, these arthropods are not only distinguished from less endowed cousins, the centipedes, by leg count with later also tending to be flatter and hunters with a venomous bite and the former scavengers and attracted to decomposing plant matter. Hatchlings emerge with just two segments and continually add more throughout their lifetimes.

8x8

an den mond “genuss, lieber mond”: a completist sorts and ranks every composition of Franz Schubert—via the morning news 

chaotic good: mapping the mythological creatures of the Baltic—via ibīdem 

the two-thousand year-old man: more appreciation and acclaim for Mel Brooks 

birds aren’t real: a satirical Gen-Z misinformation campaign (see Poe’s Law) turned merchandising opportunity  

location scout: an assortment of movie maps 

parallel path: rubbish corporatespeak that does not avail itself to the level of jargon and technical terms  

combinatorics: base rate fallacies and why false narratives are easy to frame for the ill-numerate  

sexting: “u 🆙” in the style of several male authors

il bronzino

Passing away on this day in Florence, where he had spent his entire life, in 1572 (*1503), Agnolo di Cosimo, better known by his sobriquet for his dark complexion and red hair, was from his late thirties on engaged as a court painter for the grand ducal family of Tuscany, the Medicis—specifically for Cosimo I and Eleonora, which the Mannerist-trained painter portrayed here as Orpheus, musical virtuoso, around 1538.

The style curried disfavour from the general art world (see previously) from the late-Romantic to early Modern eras, but the disciplined poses and idealised renderings have seen somewhat of a resurgence recently.

Such impressions of poise and unchanging elegance made a lasting influence on aristocratic portraiture though not many others employed heroic nudity for public figures, patrons or otherwise. Many of his commissions were also allegories of classical mythology and biblical passages, including his 1533 depiction of the popular subject of Saint Sebastian—see previously.

monstropolis

Courtesy of Laughing Squid, we are directed towards Pixar Studio’s celebration of the twentieth anniversary of Monsters, Inc. with a four-minute tribute in the form of an old-timey animated short, filmed in scare-o-scope and complete with intertitles and rag-time accompaniment (original music by Randy Newman), leading to a rather heartwarming conclusion.

dia do saci

 Designated by an NGO calling themselves amigos of this trickster character of Brazilian folklore to coincide with Halloween as a way to counter American cultural hegemony, the holiday, even where backed with state-support, only enjoys limited recognition and celebration—despite familiarity and popularity of its mascot.

The monopod figure with an enchanted cap and always smoking a pipe, mostly active at night, can be dangerous and malicious—though most pranks are merely annoying—but will grant the wishes of those who trap him or free him, liable to caught in a bottle while disappearing and reappearing in the midst of a whirlwind. Reportedly Saci’s magic cap, according to those who’ve tried to steal it, has an indelibly foul smell and those who’ve handled it can never wash the stench away.  Saci can be propitiated with offerings of a libation of cachaça and a measure of tobacco for his pipe.

nel mezzo del cammin di nostra vita

A prolific and popular salon painter in his own time—though figural portraits of classical subjects fell out of fashion until a revival in the 1980s, William-Adolphe Bourguereau of La Rochelle born this day in 1825 (†1905) counts as his most famous work in his 1879 La Naissance de Vénus.  This painting does not actually depict the birth of the goddess by her transported to Cyprus as a fully mature figure in a sea shell—first gained attention and notoriety after winning the 1850 grand prize in the Prix de Rome, submitting two entries for that year’s competition, triumphant with a rather pedestrian depiction of the rescue of Zenobia, half-drowned, by a group of shepherds. The more evocative alternate submission was the pictured Dante and his guide Virgil (where have you brought me?) in an encounter from Canto XXX of the Divine Comedy in the Circle of the Imposters (Falsifiers—perjurers, counterfeiters, etc.) with an alchemist called Capocchio forever condemned to be gnashed by a Florentine knight named Gianni Schicchi de’ Cavalcanti who forged the will of a wealthy merchant to leave a horse for him, whose punishment seems a little extreme. Aside from being immortalised in the epic and this painting, Giacomo Puccini produced an eponymous light-hearted opera in 1918.

trog

Premiering in theatres on this day in 1970, this Freddie Francis (cinematographer for such films as The Elephant Man, Sons and Lovers, Son of Dracula, The Deadly Bees, Glory, The Executioner’s Song, Dune, Cape Fear), low-budget science fiction horror vehicle stars Joan Crawford (in her last role) as a renowned anthropologist who learns that a solitary troglodyte—Ice Age caveman—is dwelling in some remote caverns of the English countryside, whom to the distress of the locals tries to lure him out in order to study and perhaps civilise this missing link. For all its camp and status as a transgressive cult movie, it is surprisingly raw and touching.