daddy, what’s sundowning? (13. 351)

The most memorable and harrowing instalment of the series of commercials from Time-Life, aired first in December of 1985, the twenty-five volume serialisation of the conflict bookended the Reagan administration, released from 1981 to 1988, The Vietnam Experience sought from a mostly American perspective to bridge the rifts across the Greatest Generation, the Baby Boomers and generations next through exposure of tactics, cultural gaps, secret, parallel waging of conflicts by assaying the social and political aftermath and reckoning. To these ends, the two-minute spot features a plaintive question as father and son (the other timely response is “Look it up, dear” promoting Encyclopaedia Britannica from the following year and maybe prompting a generation of independent-research) whilst touring the newly dedicated and controversial veterans’ memorial wall of Maya Lin. The gravelly narration is provided by Martin Sheen, delivered with the intonation of his role as CPT Willard in Apocalypse Now, framed as a “question a child might ask” and followed by several others in the same vein, “Daddy, did we win?” and portentously warning that these queries must not go unanswered. Though in the fullness of time technically not forever wars as eternity will eventually embrace the Sun’s supernova, we have to wonder what cold-comfort we might offer in terms of explaining what’s a late night rage tweet, what’s a golden shower, covfefe, self-own, projection, deflection, hamberder, etc to someone who has not directly lived through these time.

một trăm (13. 331)

Via Laughing Squid, we are directed to this rather lit rap video from language teacher Levion that teaches one how to count to one hundred in Vietnamese following in the tradition of Multiplication Rock and others that reenforces learning through a catchy format. The teacher also uses the technique for teaching colours and the days of the week. This is really rapid-fire but in the cadence one can pick up of the patterns and conventions of the numbers (see previously). More straightforward in terms of forming the base, there are historically two sets of numerals, native Vietnamese used here and the version most used for everyday accounting purposes and another of Sino-Vietnamese influence generally only used for fixed expressions and very large numbers, like Latin and Greek prefixes in English. Arabic numerals and Roman script (chữ Quốc ngữ) supplanted Chinese characters during the era of French Indochina.

ex’23 (13. 318)

Courtesy of fellow peripatetic Messy Nessy Chic’s latest batch of finds, we are acquainted with pioneering theorist and consultant Faber Birren (whose given name, from his maternal grandmother’s surname is a flourish of nominative determinism, a close anagram of Luxembourgish for colour) whom after an adolescent period of experimenting with dyes and painting murals pursued a a programme of pedagogy at the University of Chicago. Unable to surrender his conviction in the importance of colour, regarding it as an article of faith, and dissatisfied with the lacking curriculum in his field of study, Birren dropped out and began a course of self-study in 1921, publishing several influential articles on putting chromatics and contrast to use, eventually establishing his own firm with clients including Monsanto, General Electric, DuPont and the US military. Birren was later contracted as a consultant colourist for Disney advising animators for the schemes of Bambi, Pinocchio and Fantasia and with the outbreak of World War II, Birren was conscripted to make work environments safer for the influx inexperienced workers coming to factories to replace the workforce diverted to the war effort. The coding conventions Birren prescribed are still in use today with the best preserved examples being the sea-foam green used for control panels (the object of this investigation and conserved in museums and legacy installations and universally adopted, also with fire-extinguishers), the lighter shades being used on walls and consoles to reduce visual fatigue. The title nom de plume is from Birren’s colour scale of reflected light in the most calming spectrum and sourced from his trade range colour.

10x10 (13. 316)

carry on patriots: US secretary of war Hegseth nullifies probe into unauthorised helicopter fly-by and salute of Kid Rock  

feiqian: centuries old networks of underground banking provide the freedom from government oversight and privacy that crypto has failed to deliver  

road-trip: after a two year hiatus, Tom Scott returns to YouTube  

der orchideengarten: the first horror and sci-fi magazine—see previously 

the c-word: US scientists are speaking in code, the so-called “climate hushing” to continue their research 

general ledger accounting codes: an appreciation of Excel and how the spreadsheet reshaped business  

laudatio canis: a late fifteenth century testimonial about the virtues of dog-ownership—see previously  

mergers and acquisitions: Larry Ellison’s Oracle lays of thirty thousand workers in a cold-call dismissal after Paramount takeover of Warner Brothers leaves parent company in debt and without backers  

påskekrim: the Norwegian tradition of settling back with crime novels over the Easter holidays  

send in the flying monkeys: a music video with elements of Monty Python and Hieronymus Bosch that addresses the current US state of the union

9x9 (13. 308)

ruina montium: an striking landscape in Spain created by the ancient Romans fracking for gold—via Miss Cellania  

13 ｘ 7 = 28: Abbot and Costello try to meet their sales quota—via MetaFilter 

i’m your hell, i’m your dream—i’m nothing in between: a linguistic and semantic history of the term bitch 

anatoly kolodkin: US waives sanctions to allow Russian tanker to deliver crude oil to Cuba  

coalition of the willing: recalling the legacy Icelandic PM Davíð Oddsson of committing the nation to the unjustified invasion of Iraq in 2003, juxtaposed with contemporary Spain  

cocktail nation: Spy Vibe’s regular segment on swank vintage soundtracks  

lip-filler accent: influencers inform the way we speak—via Nag on the Lake, see also  

gigo: AI is an accelerant for academic fraud, selling papers and citations to pad one’s portfolio  

unoosa: a profile of the director of the UN Office for Outer Space Affairs who alerts the world of impending asteroid impacts

jazzy spies (13. 295)

Also known by the above for the closing undercover lineup, the Jazz Number series was a collaboration between Jefferson Airplane singer Grace Slick,whom provided the vocals after her then husband, Jerry Slick of San Francisco animation studio Imagination, Inc, was commissioned to produce the segments for the new Children’s Television Workshop show Sesame Street. Slick’s team of animators were also behind the noonee, noonee typewriter guy and this upbeat psychedelic interstitial certainly belongs on the pantheon of nostalgia along with the pinball count and Multiplication Rock! More from Open Culture at the link up top.

algeria, gabon, benin, the gambia (13. 257)

This was delightful and really could be integrated as a classroom geography lesson, since most of us are only disabused of our ignorance through wars. There I Ruined It (previously) improves Toto’s “Africa” by lyrically listing all fifty-four nations of the continent. More mnemonics from Kottke at the link above.

growth-hacking paradigms (13. 247)

As a bit of a vindicating corollary to a previous post on business jargon, we are referred to via Slashdot, a longitudinal study by Cornell university cognitive psychologist Shane Littrell introducing their Corporate Bullshit Receptivity Scale (CBSR) as a gauge of susceptibility to empty rhetoric, corresponding with overall poor job performance and a deficit of practical decision-making skills. Although BS can happen in any context, it can be especially fraught in the workplace where such lingo is an institutional protection, structurally built in, to cushion misdirection and feign accomp-lishment, and so for their experiment for insight into how such language is reenforced and paradoxically is a poor surrogate for job management skills, Littrell commissioned a LLM to generate corporate soundbites and had a large sample of workers to rate the business savvy of such phrases revealing quite a knowledge gap, enticed with what passes as transformative, inspired and visionary. More at the links above.

harrison bergeron (13. 245)

Expanding on a rather Kafkaesque experience from a year and a half ago with an assignment of his child shortly after the state legislature of California adopted a bill that required the companies growing large-language models offer students and education institutions AI detection tools to foster academic honesty and integrity, with the irony not lost on either on anyone excepting the school perhaps, to write an essay on the above Kurt Vonnegut short-story, a satire from 1961 in the Welcome to the Monkey House collection set in 2081 wherein the US constitution mandates equality for all by imposing handicaps on those who excel above the mean in anyway—the titular gifted child removed from his home by the government, his parents barely registering his absence due to their own blinders and low intelligence until the son attempts a televised coup and is summarily executed by the Handicapper General before moving on to regularly scheduled mediocre programming— the homework was completed on a school-issued computer pre-installed with AI checkers courtesy of Grammerly to compile with the law and flagged as being at least partially machine-authored, and Techdirt contributor Mike Masnick related how his kid took in the lesson, spending extra hours going over their prose line by line in order to dumb it down and remove what was flagging their original work as AI-generated. Or course revision of one’s rough drafts is an essential part of learning to become a good writer and some have a lazy impulse to outsource their learning, but this trend (mandated or otherwise in the syllabi) is causing classrooms all over to produce work that’s less likely to trigger the detection software, used by both students and teachers, to produce work that’s less suspect by being less polished and less in one’s own voice, squandering valuable time, like teaching to the test, spend on cross-checking for triggers rather than learning to synthesise information, literacy and writing itself. An example of the Cobra Effect, when British colonial authorities began paying a bounty for dead bodies of the deadly snake, Indian locals started breeding programmes in response to collect more of the incentives—officials grew wise to the scheme and stopped paying resulting in the release of the worthless cobras and causing more of a problem than before—Dadland Maye, a tenured humanities professor of several universities, writes more about the predicament that has become pervasive and with no good outcomes.

half-möbius (13. 241)

Via Slashdot, we learn that IBM’s quantum computing laboratory along with a consortium of European technical universities have created a synthetic molecule C13C12 which demonstrates, a phenomenon never observed or even predicted, a unique electronic topology wherein a pulse of electrons travel through the structure in a corkscrew-like pattern. Assembled at Oxford atom by atom, the q-bit component comes in when it comes to understanding the near endlessly complex entanglement engineered of all possible states and superpositons of the particle flow, which quickly would overwhelm classical computers, increasing exponentially with each twist and turn, which can be expressed with certainty rather than projection and approximation. The chirality (see also here and here) can be switched and alter the material and chemical properties of the system.

7x7 (13. 229)

all modern digital infrastructure: a XKCD panel made interactive 

hell harp: Oxford scholars recreate the musical instruments from the Garden of Earthly Delights and play them—see previously 

≲5×10³: Iranian academics propose that technologically advanced civilisations wipe themselves out and have a constrained lifespan on Earth and throughout the Cosmos—see also here, here and here  

set theory: literary news in Venn diagrams  

tragic mansions: the sadly overlooked life and career of Mrs Philip Lydig  

orrery: a mechanical clock to tell the time in our solar system  

habe mortem præ oculis: perhaps the worst pun ever  

usage clause: AI can rewrite, refactor COBOL language applications, reportedly reducing the risk of moving away from legacy systems—see also, see previously

culcitology (13.214)

Vis-à-vis the prior post, we thoroughly enjoyed this deep-dive from host Alie Ward that serendipitously was next in my feed on the history and craft of quilting—the study from the Latin for pillows and bedding featuring an expert panel discussing all aspects of textile art from familial traditions and pedagogy, therapeutic aspects, documentation, memorial, encoded messages, politics to protest. The overview of the ethnography of the ungated art and transition from a commercial, male dominated activity to domestic labour and women’s work (see also) and the social movements that grew out of quilting-bees and sewing-circles is particularly fascinating. There’s even a bonus bespoke pattern and a tutorial at the website up top.

je sème à tout vent (13. 212)

We enjoyed perusing this abecedary of desk pads (blotters) promoting the Petit Larousse junior encyclopaedic dictionaries, above motto, “I sow to all the winds,” usually depicted on the cover by a figure blowing dandelion seeds, la dent-de-lion. It’s a bit of a brain teaser to figure out what the words are being depicted in French—like D for douche, dolmen, dinde. Scroll through the whole alphabet and see what for us non-francophiles needs some puzzling out.

synchronoptica

one year ago: microbar banners (with synchronopticæ) plus Napoleon returns from exile (1815)

twelve years ago: a direct connection between Europe and Brazil to bypass US undersea cables 

fourteen years ago: the myth of the eight hour sleep 

fifteen years ago: Germany surpasses France as a European travel destination 

8x8 (13. 198)

the mckinley colonies: the US settlement on Cuba’s Isla de la Juventud 

„…“: another omnibus listing of aphorisms and sage quotations  

manannán: 1940 sci-fi Irish language novel that contains the likely first use of a mecha outside of Japanese literature  

in the realms of the unreal: outsider artist Henry Darger—see previously 

spring has sprung: early heralds of the coming season—see previously 

archive.yesterday: Wikipedia bans controversial news and features article mirror for citations after the service launches denial of service attacks on websites linking to it—via MetaFilter  

lapsis muris: linguists uncover another usage case of uh—see previously  

tron/troff: explore your neighbourhood in the virtual grid

synchronoptica

one year ago: Ukraine and Europe excluded from peace talks (with synchronopticæ), an enigmatic online diary plus an ancient cistern in Naples

thirteen years ago: elision and mishearing 

fourteen years ago: graphic artist Tim Doyle 

prosopagnosia (13. 194)

Scoring the average ourselves and not much better than chance, we found this research project from the British Journal of Psychology and the University of New South Wales, pitting control participants with verified super-recognisers, we found some upbuilding ironies—via MetaFilter—to the self-selecting experiment to identify authentic human faces among AI-generated ones. First there was some gatekeeping to take put with a series of CAPTCHA verifications to prove one is a human by identifying traffic features to covertly train autonomous vehicles, and then, I wanted to repeat the trial to test my own biases, wondering if I was giving women and non-white presenting personae (a rejection of the Mar-a-Lago look to embrace our faults and asymmetries) pass or whether I was actually detecting certain tells. Glancingly as profile pictures or avatars, we wouldn’t have questioned the authenticity of any of these and erring on the side of voting human versus depersonalising is much preferable to being deemed a composite image but were nonetheless disturbingly off-putting judgments to make and revealing the tells only will make the masquerade harder to detect.

destot’s space (13. 179)

In a round-about vocabulary lesson (courtesy of Curious Notions—such a journey down rabbitholes is referred to as a desire path as a metaphorical extension of an unplanned trail caused by foot-traffic as a shorter route, and now one can better document those strayings in Wikipedia at least—though often not short-cuts), we learn that the eponymous anatomical feature of the human wrist is named for the Lyonnaise sculptor, anatomist and pioneering radiologist Étienne Destot. Within months after Röntgen announced his discovery of clinical uses for x-rays, our good doctor was taking thousands of diagnostic radiographs of patients (see also) to develop better treatment strategies and in many cases eliminating red herrings to tackle true ailments.  Destot’s enthusiastic adoption of the new technology, however, led to severe radiation damage in his hands, forcing him to abandon his work and his eventual death. The namesake void the doctor identified through crisper x-ray imaging of the hands between the hamate and lunate bones is not chiefly cited in medical literature, but rather for discussing the critical historicism of Jesus, proposing that this was the site of the stigmata during the Crucifixion—the study, quest (quête) as an academic effort started by contemporary Alsatian physician and fellow multi-hyphenate Albert Schweitzer. For his contributions to medical science and lab safety, Destot is commemorated along with the Curies, inscribed on the Monument to the X-Ray and Radium Martyrs of All Nations on the campus of Sankt Georg Hospital in Hamburg along with some one hundred sixty other doctors, chemists, physicists, technicians and assistants who sacrificed their lives in the advancement of medical science commissioned by the Deutsche Röntgengesellschaft in 1936. The memorial was expanded in 1959 to include the names of many of the victims of the bombings of Hiroshima and Nagasaki.

spine-tingling (13. 171)

Our thanks to Boing Boing for the education in book finishers’ craft with gauffered edging, gilt indentations along the page and decorative elements (called pallets)—the French version of the Germanic root that gives us waffle and wafer (see also) and means to plait or crimp—to revisit this highly satisfying demonstration of expert rebinding and book tooling skills, lovingly restoring an old volume with a pristine jacket, titled, ornamented with inlays and onlays and complete with marbled endpapers.

rebinding old book into a treasure
by u/Maddiee7diary in SatisfyingAF

*     *     *     *     *

synchronoptica

one year ago: unilateral peace negotiations for Ukraine (with synchronopticæ), malicious compliance plus the return of Enron

thirteen years ago: the retirement of Pope Benedict, furnished quarters plus architectural embellishments 

fourteen years ago: Nazis on the Moon 

das kunstwerk im zeitalter seiner technischen reproduzierbarkeit (13. 136)

Courtesy of Damn Interesting, we are directed toward the seminal 1935 essay by pioneering media theorist, cultural critic and philosopher Walter Benjamin—one of the many exemplars of the oppression and rejection of German-Jewish intellectuals under the Third Reich, The Work of Art in the Age of Mechanical Reproduction. Informing later studies by Marshall McLuhan and Susan Sontag, Benjamin wrote of the limitless nature of publishing and distribution to have an estranging effect on the authentic experience of art, though while democratising access and stripping the ritual from production, the assembly line nature direction of publishing houses and film studios, exhibition of artefacts lessens the spectators’ identification with what’s being witnessed. Benjamin nonetheless aspired to write radio dramas and adored movie stars like Catherine Hepburn. This commodification of author and artist, however, is not veneration of the aesthetic value but rather the politicisation of it that affords the chance for all to be critics and creators, the potential for expression but not the right to it, since the gatekeepers are not talent or excellence by rather monied interest of the industry—or it the case of authoritarian regimes, the state itself as a tool of maintaining the status quo. Contemporarily and retroactively, the paralipomena—that is, things and topics omitted from the critical edition of his essay, like the prevalence of photography or as applied to television and social media, influencers and the spectacle of tribalism (see previously) make Benjamin’s observations very relevant, particularly for the performative gratification seeking to redeem what’s been lost to distraction and desensitisation.  Often misquoted from another collection of essays, Theses on the Philosophy of History, as having said, “History is written by the victors,” more nuanced, Benjamin posits that  “incumbents are however the heirs of all those who have ever been victorious. Empathy with the victors thus comes to benefit the current rulers every time.”

8x8 (13. 133)

i’m blue jeans and apple pie and the indian removal act: America reminds its citizens that it is still their country 

heated rivalry: Don DeLillo’s contribution to the erotic sports genre with the pseudonymous novel Amazons—via MetaFilter   

thermoradiative diode: reverse solar panels harness infrared energy at nighttime  

your money’s no good here: photos of ICE with their backs turned posing with detainees (Minnesota rioters) is sending the opposite message 

once upon a prime time: a 1966 Canadian parody about a housewife who loses her family to television and then sees her home invaded by TV tropes  

mirror, mirror: our brains interpret a left to right reversal in our reflections when its really back to front hézmənd-halsh: more unexpectedly effortful British family names—see previously   

another country: Adam Shatz writing for the London Review of Books on the sublime abomination—via Web Curios

märchesänger (13. 107)

Youth choir, whose early members were mostly comprised of individuals orphaned during the war founded in 1948 in Obernkirchen in Niedersachsen (named after the constituent county in West Germany), the Schaumburg Fairytale Singers rapidly attained a high degree of musical excellence, winning many competitions in their class, and were propelled to a level of international fame unexpectedly on this day when their English interpretation of Der fröhliche Wanderer (Mein Vater war ein Wandersmann) peaking at number two of the British singles on this day in 1954, remaining in the charts for twenty-three weeks after it was broadcasted by the BBC as the encore after placing during a performance in Wales. Domestically, the arrangement composed by the choir director’s brother made to sound like an authentic folk song, the success of the Schaumburger Märchesänger was boosted by the Merry Wanderer being made into a Heimatfilm (a nostalgic, pastoral genre especially popular in West Germany and Austria from the late 1940s to early 1960s, and abroad lead numerous tours, concerts and special appearances, including the Ed Sullivan Show and at the Kennedy White House. With an expanded repertoire and extended alumni association, the choir and music school (also with multiple campuses) continues the legacy of its founders in cultivating talent.