et in aradia ego (12. 884)

Though the authenticity and authorship of the received gospel of the witches studied and published US folklorist and journalist Charles Godfrey Leland in 1899 is disputed by later historians and ethnographers, what Leland through his intermediary and research assistant Donna Roma Lister—a widely respected British writer on the occult and accomplished medium in her own right, believed to be genuine religious text of a Tuscan coven has played an unimpeachably large role in informing and influencing contemporary Wiccan and Neopagan movements. Syncretic and secret, the practise and spellcraft continued in parallel to the rituals of Roman Catholicism but hidden in plain sight as sort of a liberation doctrine to subvert and counter the oppression of the Church orthodoxy and social order.
The titular messianic figure, similar to the Italian form of the name Herodias—the wife of Herod Antipas whose real genealogy was buried in the belief of early Christianity, a characterisation of course propagated by witches themselves, that for her complicity in the death of John the Baptist her spirit was condemned to wander the Earth forever and only permitted to rest in treetops between midnight and daybreak, whereas Erodiade was a continuation of the ancient Roman cult of Diana and her nymphs, a daughter sired by prideful angel Lucifer and sent by the goddess to be a teacher unto women and men who would break from the yoke of enslavement—see also—and the real proto-witch. The gospel in fragmented form was completed by Lister’s interviews and channelling to fill in the gaps. Much more, particularly on our collaborator and ghost-writer, from Public Domain Review contributor A D Manns at the link up top.

we call that delegation of authority (12. 869)

First in print on this day in 1961, the debut novel of Joseph Heller, often cited as one of the most significant literary works of the twentieth century, follows the narratives of fighter pilots and bombaries of a US army airforce squadron based on an island off the west coast of Italy during the waning years of World War II, struggling to maintain sanity and professional bearing while fulfilling increasingly elusive service requirements in order to be discharged and reintegrated back home. Relayed with a unique, non-chronological third person omniscient voice to develop separate perspectives and forward the plot along with the timeline for the course of events. Replete with paradox and flashback and shifting points-of-view, the antihero Captain John Yossarian comes to fear his commanding officers more than the enemy as the required number of combat missions keep increasing and though Yossarian once met that prerequisite, the requirement is retroactively raised, and cannot escape due to contradictory rules and conditions—the bureaucratic rule never stated fully, if it is even in written regulation, follows the illogic that one can be deemed unfit to fly by reason of insanity—incapacity demonstrated by willingness to participate—but as one has to apply to be excused from further mission, the appeal itself betrays a sound mind and self of self-preservation, refuting the reason for being grounded. With parallel themes of theodicy and why a benevolent god would allow evil in the world, Heller’s working title was Catch-18, referencing the the Hebrew letter and symbol chai (חַי ) which in Jewish numerology, gematria—assigning a number value to each letter—this sort of secret message to piece together being more prominent in earlier drafts, signifies being alive, but publishers Simon & Schuster urged the author to change it to avoid confusion Leon Uris’ recent Mila 18 and seventeen also rejected for its proximity to another contemporary in Stalag 17. Twenty-two encoded as tav—truth—as the last letter of the alphabet and the doubling (picked by the editors) evokes the feeling of déjà-vu and disjointedness with episodes replayed again and again from different angles.

duces wild (12. 867)

Having gotten his political start as secretary of the labour party in for the city of Trento in Sud Tirol under the Austro-Hungarian empire with an editorial role with the partisan newspaper, L’Avvernire del Lavoratore (The Future of the Worker), Benito Mussolini was eventually deported back to Italy for several incendiary essays but not before having the opportunity to publish several pieces of his own academic and creative writing works around 1910—fancying himself to be quite the well rounded intellectual, with travelogues, literary theory and even a serialised romanzo storico, L’amante del Cardinale. Possibly ghost-written and loosely based on a historic papal affair and scandal from the seventeenth century, the lurid novel was a violent, anti-clerical invective and though tripled circulation for the publication, it was forgotten just as quickly as Mussolini trajectory barrelled towards fascism (compare to the water-colours aspirations of Adolf Hitler) but was compiled and reissued in 1928 in English translation as a sort of curiosity of purple prose—during the interbellum, many in UK and the US extending approval and tacit tolerance for Mussolini’s efforts to modernise and stabilise the country (dissolving and unifying the Papal States, the Pope was confined to the Vatican—see previously here and here) and its north African colonies despite his authoritarian tendencies, but some, particularly in academic circles, were less charitable and recognised the author for what he was. Dorothy Parker (previously) was especially biting with her criticism and saw right through the pretence. More from Print Magazine’s Daily Heller at the link up top.

grendel’s mom (12. 864)

We very much appreciated the introduction to artist and wordless novelist Lynd Ward through the lens of his 1939 hand-tinted woodcuts for his graphic novelisation (pioneering the genre) of the classic tale of Beowulf. Also working with the media of lithography and mezzotint, Ward was inspired to take up illustration when a teacher pointed out to him that his surname was “draw” backwards whilst recuperating at sanitarium for tuberculosis patients ay Sault Ste Marie in Ontario and honed his skill as an engraver. Settling in Leipzig with a scholarship, he first encountered picture books that were able to convey a narrative without captions and upon returning to New York City developed his portfolio for commission, first in an adaptation of Japanese folk tales.

A series of three classics brought out by Heritage Press in the late 1930s awarded to Ward also included The Count of Monte Cristo and Les Misérables fully established his credentials, avoided by the mainstream publishers for a time over depictions of racial injustice for earlier illustrations referencing slave trade and lynchings, though Ward’s work never shied away from taboo and subversive themes. Similar to the hortatory opening of Homer’s Iliad “Sing, Goddess, Achilles’ rage,” the Old English epic poem starts with the invocation Hwæt!—listen to my story.  Although preferring to work in monotone, the contrast of hot and cold colours for the heroic legend really demonstrate Ward’s mettle.

rare, obc. (12. 861)

Futility Closet directs our attention to a volume first published in 1974, with multiple reprintings over the decades of some eighty thousand entries of preposterous and over-specialised English nonce words—though uncommonly, sometimes only once (see above) glossed in accessible corpora, that is at least outside the fandom of committed logophilia—compiled single-handedly by one Josefa Heifetz Byrne. The author was also a renowned concert pianist, taking her married name from her husband Robert Byrne, an expert pool player and instructor of billiards as well as a prolific humour columnist and civil engineer.  The book covers some of our old favourites, like ucalegon and anatiferous (an arguably useless word), as well as a treasury of terms new to us like foraminous, full of holes (see previously here and here), the Scots word groak for to look fixed at a party eating in anticipation of receiving food, anemocracy, a metaphorical term for governed by the changing winds and quaquaversal, going off in all directions. Click through at the link up top to check out a copy from the Internet Archive and adopt something you see that needs returning to common-parlance.

the machine stops (12. 858)

Expanding on the E M Forester dystopian novella, which first revealed its resonance to many during the COVID pandemic and lockdown when most were confined to a hexagonal cell with creature comforts and on-demand entertainment provided much like the main characters, we appreciated the chance to revisit the story and its litany of predictions courtesy of Better Living Through Beowulf. Written as a rebuttal to HG Wells more utopian and slightly paternalistic vision of the future, Forester wants to emphasise the authoritarian nature of rapid technological advance set in a future then very near to its publication. Most of the human population has gone subterranean after extreme climate change and toxic air has made the Earth’s surface uninhabitable. A benevolent omnipotent, super-intelligence caterers to its kept humans’ every need who in physical isolation only engage in the activity of posting on social media, texting and Zoom calls. Travel is permitted but deemed unnecessary and the super-intelligence, simply the Machine, is worshiped as a god—with orthodoxy reenforced by social creditworthiness. When the Machines begins to malfunction, people accept defects and hallucinations as the whims of omniscient providence until the disruptions become intolerable but unfixable as knowledge of how to affect repairs has become lost, if it was ever understood in the first place. After a catastrophic collapse of its circuits, people slowly reemerge and begin to rebuild civilisation.

synchronoptica

one year ago: Germany’s coalition government faces collapse (with synchronopticæ), an archive of military uniforms, America’s first Red Scare plus assorted links worth the revisit

8x8 (12. 842)

dressed like a priest you was, tod browning’s freak you was: the long legacy of the 1932 pre-code sideshow feature that still prompts discussion on exploitation and othering  

never throw out anything that might be useful: a thoroughgoing interview with author Margaret Atwood (previously) ahead of the publication of her new memoir  

tactical infrastructure: proposed US legislation to open up public lands and national parks to commercial development and harvesting if any part of the designated space abuts borders as a buffer-zone  

grandfather clause: the brevity of the fifteenth amendment to the US constitution belies its impact on voting rights—and shows America has endured such disenfran-chisement before

bee positive: our pollinator friends have the capacity to experience happiness and its contagious—via Strange Company  

they’re simultaneously launching a new game where you get to do chores in a stranger’s house: twenty-thousand dollar humanoid robot fails to preform tasks autonomously and requires teleoperation—see previously—via Super Punch  

let them eat cake: while millions of Americans face hardships due to a lapse in food aid and skyrocketing health insurance premiums during the furlough, Trump remodels the Lincoln Bathroom, plus the Great Gatsby-themed party on the patio that was formerly the Rose Garden at Mar-a-Lago

gorgon: for her annual fancy dress party, Heidi Klum dressed as Medusa—inspired by Ray Harryhausen’s stop-motion monster for Clash of the Titans

synchronoptica

one year ago: assorted links worth revisiting (with synchronopticæ), research vessel R/P FLIP, Alphabet sued by Russia, character amnesia plus a fan super site on Super Mario lore

thirteen years ago: November holidays plus animal crossings

fourteen years ago: dream therapy, liveable communities plus malleable memes

fifteen years ago: America votes 

11x11 (12. 833)

krasnaya polyana: luxury Black Sea ski resort under development linked to Aleksandr Lukashenko—the town makes a good name for the Russian asset in the White House 

bride of frankenstein: tour guide uncovers unknown grave of silver screen legend and horror icon Elsa Lanchester decades after her death 

parlour of prestidigitation: a visit to Hollywood’s Magic Castle in 1978 with tour guide Orson Welles  

kunstformen der natur: the discovery of microscopic marine life informed one of the most influential illustrated books published in the work of Ernst Haeckel  

heptarchy: the realm of the Anglo-Saxons could have just as easily turned out being called Sexland  

🌀:potentially unprecedented in terms of strength and destruction, Hurricane Melissa makes landfall on Cuba and Jamaica  

open house: the real estate industry has entered the era of AI slop for virtual tours

turing patterns: the hypothetical evolutionary mechanism that might explain the emergence of complex geometries in Nature 

fiend without a face: a 1958 scifi horror feature 

if you are a werewolf—and very likely you may be—for lots of people are without knowing: a comedy of manners about a coven of witches is considered a classic of early feminist writing 

neunundneunzig luftballons: Lithuanian forces shoot down dozens of balloons invading their airspace dispatched by Belarus

the farthest shore (12. 828)

As for other authors of the genre, the business of world building is a key first step, and no exception for godmother of high fantasy-fiction Ursula K LeGuin (previously here and here) who meticulously charted out her complex, layered narratives before populating them with her characters. Along the same lines as Le Guin’s pithy quote about how people who deny the existence of dragons are often eaten by them—“from within”—mapping out her domains has an immediate impact: “I saw and named Earthsea and all its islands. I knew almost nothing about the but I knew their names. In the name is magic.” More on the exhibition from Hyperallergic at the link above.

the garden of forking paths (12. 791)

Via the always engrossing Quantum of Sollazzo newsletter, we were at first a bit repelled by this project by Sean Goedecke to build a never-ending Wikipedia, tens of thousands of articles generated by AI—not really understanding what was happening under the hood. The constellation of seed entries of course branch off like a neural network, be that organic or synthetic and contain links, a potential daisy-chain to topics adjacent, like the typical experience of falling down a research rabbithole, except there are no red ones to click on. If the article does not yet exist, it is summoned into being with the user’s interaction and the freshly generated page has its own set of potential connections. Though no replacement for the genuine encyclopaedic project, it does make the paracosm of the large language model a bit more scrutable—like how getting to Philosophy and related challenges illustrate its architecture as well as the nature of interdisciplinary studies. Goedecke, with ample caution for the visitor, compares EndlessWiki to the Library of Babel of Jorges Luis Borges, a pocket universe of stacks holding every permutation of book possible, which by the laws of probability contains a lot of gibberish but also every title ever written and that might be written. Some new languages could also be proposed to make sense of the seemingly random texts—however, despite the search for meaning, the librarians remain functionally ignorant and cultist behaviour and superstition arises that confound and frustrate the infinite task of curation and of culling.

synchronoptica

one year ago: assorted links worth the revisit (with synchronopticæ) 

fifteen years ago: a secret Cold War West German bank bunker 

10x10 (12. 780)

third amendment rights: ICE officers and associates beg to use the restroom  

dance this mess around: Cardhouse’s 2025 mixtape session—see previously 

anti-deficiency act: an omnibus of reports on the US federal government shutdown, including the threat to withhold back-pay from disloyal workers  

any dream of avarice: a historical comparison of the world’s wealthiest individuals—see also  

angry little clouds: Bob Ross paintings (see previously here and here) to be auctioned off to US support public broadcasters after federal funding cut  

the weight of a city: revisiting the idea of gradually x-raying a spot off-limits with ghostly cosmic particles through imagined and inspired celestial espionage  

permanent polycrisis: Curios Brain’s trends for 2026 of sustained chaos counterbalanced with the end of coincidence 

a good mix of the apocalypse and looney tunes: Thomas Pynchon (previously) has been warning us about American fascism his whole literary career 

r u experienced: a glorious re-upload of Devo’s 1984 cover of the Jimi Hendrix song  

in the land of the dollar bill: Trump threatens to arrest the mayor of Chicago for failing to protect immigration agents and invoke the Insurrection Act as he goes full authoritarian

synchronoptica

one year ago: boating on the Röblinsee (with synchronopticæ)

twelve years ago: fiat currency plus extending the sacrament to divorced Catholics

thirteen years ago: making crespelle 

8x8 (12. 751)

crybaby: the myth of the maternal instinct and what infant distress tells us 

i’ve been waiting twenty years for this meeting: Trump issues dangerous medical advice, linking acetaminophen, childhood vaccines with autism  

interflug: vintage Eastern European destination labels 

filtered for birdsong and catnip: the animal internet and archaeo-acoustics  

my dinner with skinner: the Steamed Hams version of My Dinner with Andre—see previously, see also—via Meta Filter 

novelisation: retro book jackets from modern classic cinema—see previously   

justice serviced: Trump ramps up pressure to pursue political enemies through a weaponised department  

non-linear vocal phenomenon: the distracting power of baby cries and dog barks may be overrated

synchronoptica

one year ago: a 1974 tour of Fort Knox (with synchronopticæ) plus assorted links to revisit 

thirteen years ago: a ban on GMO crops in Europe, charted flights plus a superb dragonfly

fourteen years ago: faster-than-light physics 

fifteen years ago: the unbearable whiteness of anti-intellectualism 

8x8 (12. 714)

idf: Israel airstrikes target Hamas officials in Doha—with no forewarning to Trump—as it orders the evacuation of Gaza City 

ripped from the headlines: a Centipede style arcade game played by doomscrolling New York Times articles—via Waxy  

hurdy gurdy: covers performed on an electro-acoustic modified sewing machine—see previously  

2025 pn7: the quasi satellites of the Earth—see previously  

succession: the appointee to the Murdoch media empire 

przestrzeń powietrzna: in a test of NATO solidarity, Poland downs Russian drones violating their airspace   

the evening truth: a resonate 1932 novel about yellow journalism employing a secret weapon called the composograph to fabricate sensational stories  

never again: LA’s Holocaust Museum retracts an denunciation on Israel’s attacks on Palestine—plus the genealogy of the phrase 

synchronoptica

one year ago: assorted links worth the revisit (with synchronopticæ)

fourteen years ago: wildfires worldwide

fifteen years ago: modular furnishings plus America’s competitive edge slipping

 

lexicon recentis latintatis (12. 694)

Regularly published by the Vatican, the title register refers to a list of neologisms invented for modern words and phrases so seminarians and priests can incorporate concepts into their not-quite-dead, working language. Examples include:

weekend: éxiens hebdómada
to slack off on the job: neglegenter operor
to flirt: lusorie amare
snack bar: thermopólium potórium et gustatórium
gangster: gregalis latro
pizza: placenta compressa
snob: homo affectatus

The Opus Fundatum in dictionary form was edited by classical philologist, Augustinian abbot primate and teacher Anacleto Pavanetto and published by the Libreria Editice Vaticana, the publishing house of the Holy See, established in the sixteenth century and becoming a self-governing entity in 1926, is responsible for printing educational material and official documents like papal bulls and encyclicals. The writings of the popes are copyrighted but the institution never laid claim to this intellectual property until the papacy of Benedict XVI (see below) to much controversy and consternation after a book debuted by an independent scholastic published that quoted lightly from the pontiff’s speeches. 

synchronoptica

one year ago: Howard Hughes’ private streaming service (with synchronopticæ) plus Putin in Mongolia

twelve years ago: staycations, reactions to the uncanny valley plus a prefiguring of internet etiquette

thirteen years ago: Bavarian castles plus Baden-Württemberg castles  

fourteen years ago: a papal audience plus a manufactured mountain for the Danish countryside

sixteen years ago: early versions of webpages 

8x8 (12. 641)

practically perfect people never permit sentiment to muddle their thinking: the Art Room Plant presents multiple vignettes on author PL Travers and her most famous character, Mary Poppins  

savage garden: this year’s Edward Gorey envelope art competition has a sinister botanic theme—see previously—via Web Curios 

catsup and fries: potatoes evolved from tomatoes 

🌀: a two-part episode on tempestology—the study of hurricanes, typhoons and cyclones

drowned in sound: reflections on the current state of music discovery and serendipity in general 

liberation day: Trump’s tariffs go into effect—see more hapax: a project tracking every unique English word uttered on Bluesky, including those yet to be used—via Waxy  

society for the protection of underground networks: SPUN has created a subterranean global atlas to map the mycorrhizal connections (previously) under our feet that support the ecosystem above  

傘: the spiritual underpinnings of the umbrella in Japanese society

10x10 (12. 639)

we don’t serve their kind here: “clanker” from the Star Wars franchise has become a universal slur for robots 

jeanine, you’ve changed: a thread about how a consultancy firm in 1987 was responsible for making late 80s and 90s cartoon characters bland and unanimated—via Super Punch 

retrospective: an interview with photographer Dennis Morris whose expansive portfolio of music royalty and documentation of the East End offer a correspondence and symmetry  

do you take this burger to be your dinner: the return after a long hiatus shows that King of the Hill was always about food 

regolith: former reality TV star, Fox News anchor and acting NASA administrator (plus also US Secretary of Transportation) announces the acceleration of the building of a lunar nuclear reactor, as well as freeing commercial drones from line-of-sight supervisor requirements 

ásatrúarfélagið: the resurgence of Norse paganism in Iceland 

bakeneko: superstition and myth regarding cats in Japanese culture—via Nag on the Lake and Everlasting Blört—see previously, see also 

hamburger royal ts: some facts about the McDonald’s Quarter-Pounder  

just another way to claim our attention, so that beautiful certainty we had starts to fade: set in 1984 California during Ronald Reagan’s reelection campaign, the critically polarising 1990 Vineland by Thomas Pynchon (previously) speaks to the present 

flivverboob: a 1922 slur for a careless driver that didn’t not seem to catch on

the stone door (12. 630)

We appreciated the extra insight into the influence and craft of Leonora Carrington through a review of her 1977 surreal novel about World War II narrated with the voices of the displaced and disappeared trying to return to a home and past that no longer exists through characters who vanish from the page as it unfolds—all stories are true; begin. A virtual witches bottle of dreams, the occult and a metaphysical, parasocial relationship between episodic interlocutors, one nameless and unclear who is trapped—much like Carrington’s art—behind the titular barrier, and an attempt to reconcile the rituals that limn the protagonists’ progress that correspond with the occult beliefs of the Nazis and not necessarily the spells of liberation that they sought after with magic just as likely to be found in transformative bureaucracy that made exiles, reducing individuals to stateless persons and statistics. Much more from LitHub at the link above.

lolita express (12. 619)

Half-way into Russian-American author Vladimir Nabokov’s 1955 novel, narrator Humbert Humbert, recounting his obsession, victimisation and eventual kidnapping of a twelve-year old girl after becoming her step-father, pens a poetical classified:

Wanted, wanted: Dolores Haze.
Hair: brown. Lips: scarlet.
Age: five thousand and three hundred days
Profession: None, or Starlet.

Where are you hiding, Dolores Haze?
Why are you hiding, darling?
(I talk in a daze, I walk in a maze,
I cannot get out, said the starling).

Where are you riding, Dolores Haze?
What make is the magic carpet?
Is a Cream Cougar the present craze?
And where are you parked, my car pet?

Who is your hero, Dolores Haze?
Still one of those blue-caped star-men?
Oh the balmy days and the palmy bays,
And the cars, and the bars, my Carmen!

Oh Dolores, that juke-box hurts!
Are you still dancin’, darlin’?
(Both in worn Levis, both in torn T-shirts,
And I, in my corner, snarlin’).

Happy, happy is gnarled McFate
Touring the States with a child wife,
Ploughing his Molly in every State
Among the protected wild life.

My Dolly, my folly! Her eyes were vair,
And never closed when I kissed her.
Know an old perfume called Soleil Vert?
Are you from Paris, mister?

L'autre soir un air froid d’opéra m’alita;
Son félé—bien fol est qui sy fie!
Il neige, le décor s’écroule, Lolita!
Lolita, qu’ai-je fait de ta vie?

Dying, dying, Lolita Haze,
Of hate and remorse, I'm dying.
And again my hairy fist I raise,
And again I hear you crying.

Officer, officer, there they go—
In the rain, where that lighted store is!
And her socks are white, and I love her so,
And her name is Haze, Dolores.

Officer, officer, there they are—
Dolores Haze and her lover!
Whip out your gun and follow that car.
Now tumble out, and take cover.

Wanted, wanted: Dolores Haze.
Her dream-gray gaze never flinches.
Ninety pounds is all she weighs
With a height of sixty inches.

My car is limping, Dolores Haze,
And the last long lap is the hardest,
And I shall be dumped where the weed decays,
And the rest is rust and stardust.

The fragrance mentioned in the seventh stanza Soleil vert (Green Sun, Humbert was previously an ad copy writer for the industry) is a fictional perfume but is also the French title of the 1966 novel Make Room! Make Room! and the cinematic adaptation of Soylent Green set in the year 2022 (close), in possibly another authoritarian manoeuvre to normalisation and acceptance—after all Romeo and Juliet were underage. I suspect that Nabokov did not suspect that his work would, unironically, become such an American cultural touchstone, ignoring the observations on culture and becoming the same monster of incuriosity as the protagonist, sanitised and made family-friendly like what may be yet to come.

8x8 (12. 618)

eight limes, no more: a list is a map, a compass, a prayer—via MetaFilter  

ключевская сопка: volcanic eruption in Russia’s far east sets off earthquake and tsunami warnings  

windrunner: turbine manufacturer—in defiance of Trump’s claim that windmills are killing us—building world’s largest aircraft (see also) to transport huge blades to remote wind-farms  

foredone: useless etymology and some very cromulent words

twin primes: pairs that only are separated by an even number in between grow rarer as one looks at greater ranges of values but no one knows if they run out altogether  

evrópusambandið: Iceland considering resuming accession talks with the supranational body  

this guy is taking people from the spa: Trump reveals to press-pool that falling out with Epstein was over him stealing staff  

an oral history of atlantis: a conversation about metafiction with author Ed Park

red harvest (12. 611)

Robin Bates at the irreplaceable Better Living through Beowulf invites us to try to understand the mentality and modus operandi of Trump and his enablers through the lens of Dashiell Hammett’s protagonists, anti-heroes, particularly in their cultist fantasy of dismantling a system deemed as corrupt and biased against them, despite being the most privileged and unaccountable class and beneficiaries of said system that they would like to see burnt down. A card-carrying Communist that was blacklisted and served time in prison for failing to name names, Hammett’s support was not unconditional and was a vocal critic of Marxism in practise, the author’s hard-boiled detective characters that defined the Noir genre are a type—their foils too—but not the calculating kind, and whilst this flawed authenticity may be appealing, it’s cautionary at best and certainly not a model for analytical thinking. Trump and the people he surrounds himself with are disruptors of the worse kind, destroying what underpins what they don’t understand, unleashing consequences ignored as too difficult to deal with and style themselves as martyrs for an inherence of their own unmaking, like with Ukraine, Gaza, the economy, trade and tariffs, the shrinking of the administrative state—and unlike gumshoe Sam Spade or the crime boss can be checked with commission (mandate), guardrails, shame or blackmail.

synchoronoptica

one year ago: American theocracy (with synchronopticæ) plus a lunar archbishopric 

twelve years ago: a spherical typewriter, more diabolical architecture, whistle-blowers and press-freedoms plus mysteries and Macguffins

fifteen years ago: digital rights management