clear & quick (13. 109)

From Sixth Tone, we appreciated this update on the long-lost prototype unit for the MingKwai experimental typewriter since it was discovered in a basement in Arizona of famed novelist Lin Yutang (林語堂) about a year ago. The relatives knew Lin was able to retire young and relocated to the States from royalties earned from best-sellers but had not known that fortune also funded his passion for inventing and that the early models, which whilst patented never went into mass production. Most active as a writer at a time when the advances in telegraphy and print had accelerated global exchange of information in the first half of the twentieth century, Lin realised acutely that China, despite having introduced publishing to the world, was at risk of failing behind due to framework of Western technologies designed for the Latin alphabet and not the ninety-thousand characters of his native language. Though not inventing the typewriter, Lin did devise and patent a more intuitive and portable format that anyone could learn to use, spending as much time reflecting on language and word frequency as he devoted to the mechanics. The seventy-two key layout (multilingual with shifting carriages that also printed in Cyrillic, Japanese as well as English and Chinese and became pivotal in the study of machine aided translation during the Cold War) also featured a preview window, a Magic Eye that narrowed the possible choices from deconstructed stroke elements displayed on each key. Revolutionary as it was, the the MingKwai (the name means the title) proved unmarketable due to a collusion of factors—geopolitics, the complex engineering that went into the character indexing system of this mechanical marvel and the burgeoning computer industry—though the same limitations and alphabetical privilege again came into play. Much more at the links above.

synchronoptica

one year ago: a utility station wagon (with synchronopticæ), Thailand legalises same-sex marriage, internationalisation and localisation plus informing fonts with ancient inscriptions 

fourteen years ago: the Year of the Water Dragon plus artist Rashad Alakbarov

fifteen years ago: a visit to a local Wasserschlöss 

seventeen years ago: cognitive dissonance plus a nuclear reactor outside the window

7x7 (13. 105)

helix nebula: JWST captures amazing images of the planetary incubator 

academy cinema two: the linocut posters for movie classics from Peter Strausfeld  

degrassi high: an appeal for Canada television to bring back its weirdness—via MetaFilter  

deus ex machina: a survey of the long history of technology assisted writing  

the attention economy: cybernetic interface and the tolerance of distraction as told through “pursuit tests” on the last century  

public domain revue: an call for submissions to remix properties like Betty Boop, Nancy Drew, Flip the Frog and more—see previously, see also  

galileo let me go: the most challenging mission in the history of NASA

112 ocean avenue (13. 086)

Having moved in less than a month earlier, on this day in 1976, newly-weds with three children from a previous marriage, George and Kathy Lutz, claiming to have been terrorised by paranormal phenomena fled their home in the Amityville neighbourhood on the south shore of Long Island New York. The the five-bedroom Dutch Colonial property on a canal was vacant for a little over a year after a brutal mass-homicide of the former residents, the DeFeo family killed by their second-eldest son, and the realtor whom sold the house disclosed this gruesome murder to the couple before closing the deal—with the discount asking price too good to pass up. The place came fully furnished with much of the DeFeo family possessions included, and an acquaintance of Lutz’, having learned of the notorious history, convinced them (Kathy was a lapsed Catholic and George a non-practising Methodist) to have the home blessed by a priest as they were moving in. Father Pecoraro, a psychotherapist and lawyer for the ecclesiastic court residing in the local rectory, giving the benediction in a room on the first storey heard a gruff, disembodied masculine voice demanding he get out but refrained from letting the couple know until a week later on Christmas Eve to avoid that space, which was planned to be a sewing room after developing a sort of stigmata on his hands and wrists. Nothing unusual was experienced by the family at first but by mid-January the horrors became intolerable, declining to relate all the details so as not to relive the fright and left, abandoning all their possessions, once a brackish slime began covering the staircase. An editor of publishing house, Prentice Hall, a year afterwards introduced the Lutz family to writer Jay Anson, whom acquired the rights to the story, novelising the account, which was turned into a cinematic franchise in 1979 with several sequels and reboots. Subsequent owners of the property when it returned to the market reported no usual occurrences, other than the nuisance caused by the book and movies. The Shinnecock Nation, a tribe of the Algonquian Native Americans and indigenous residents of area, further objected to the suggestion that the address (now slightly altered to 108 to discourage visitors) was the site of what has since become a trope in the genre being an ancient Indian burial ground. An open-house was held after its most recent sale in 2010 but no one was allowed upstairs or in the basement.

synchronoptica

one year ago: assorted links to revisit (with synchronopticæ), earthstreak plus an auroral almanac

twelve years ago: a professional footballer comes out 

fourteen years ago: sovereign debt crises plus US forces in Germany 

fifteen years ago: realigning the zodiac 

7x7 (13. 080)

good vs ice: Jesse Welles’ (previously) ballad for the woman murdered by an immigration agent in Minneapolis  

what fresh hell is this: an appreciation of Dorothy Parker  

specimen: over the decades, forty thousand individuals have claimed 078-05-1120 as their US social security number 

things to come: a look at Taliban censorship after a new law comes into effect banning images of people and animals  

spicy mode: Elon Musk won’t shut down his non-consensual deepfake generator until faced with legislation  

whodunit: a rare interview with Dame Agatha Christine revisited on fifty years since her demise  

fed chair: Jerome Powell responds to the Trump administration’s threats of indictment—see previously

synchronoptica

one year ago: Trump indicted for misuse of campaign funds for hush money (with synchronopticæ), the prescience of George Orwell, the Great Game, MAGA infighting plus US neighbours snap back

twelve years ago: a pedestrian bridge for the Thames plus monograms and ciphers

thirteen years ago: lost infrastructure plus hen parties 

fourteen years ago: GMOs and food safety 

fifteen years ago: The Blow Monkeys 

sixteen years ago: saunas for a frigid day 

cordiform (13. 079)

Via {feuilleton} we are directed to an analysis of the origin of the inverted pear-shaped symbol representing the heart (see previously) ahead of Valentine’s Day through a catalogue of heart-shaped books from the fifteenth century, like the small bound volume held by St Catherine of Alexandria seating with St Jerome (replete with their respective visual attributes) in this anonymous painting from Bruges or Brussels. Such an elaborate manuscript was probably a secular songbook featuring verses on courtly love, the now familiar iconography and association of the organ as the seat of romance cemented in popular culture by the early Renaissance in part by its appearance on playing cards. Though there’s no definitive answer for the origin of ❤️—some speculate it may be inspired by other anatomical features, like breasts or the buttocks that have more to do with carnal thoughts whilst others suppose it might drawn from the shape of ivy leaves long associated with fidelity or to the seeds of silphium—the now extinct herb being both an aphrodisiac and a form of contraception—with others arguing that the iconic heart is not that far-removed from the beating organ with the fovea, the dip at the top between the auricles being the chief feature transmitted through the circles of early medicine, regarding as the most vital because of its pulsating.

pale ale (13. 050)

As our faithful chronicler informs, on this day in 1876, the red triangle logo of the Bass & Co became the first colophon to be logged under the 1875 Act to establish a Register of Trade Marks when it came into force on New Year’s Day—which according to company lore, had employees queuing outside bureau offices on New Year’s Eve to be the first—strange for a bank holiday and Public Domain Day, as a demonstration of the brewery’s pioneering prowess in international branding and marketing. The iconic logo, simple yet pervasive, has been featured in over forty works by Pablo Picasso from his Cubist period as well as more contemporarily in James Joyce’s Ulysses, Leopold Bloom noting the triangle in the “Oxen of the Sun” (The Cattle of Helios in the Odyssey) episode and in Édouard Manet’s final painting (see also) Un bar aux Folies Bergère with the beer bottles depicted instantly recognisable and their conspicuous presence interpreted as an allegorical expression of anti-German sentiment following the Franco-Prussian war. Further achievements accomplished under the logo include being among the first corporate sponsors, licensing for production by foreign distributors and the earliest export entrant into the Japanese beer market.

pepperidge farm remembers (13. 049)

With acknowledgment to Tom Whitwell and other franchises that have gotten into the tradition, Nancy Friedman presents fifty two more things she gleaned week by week in 2025. Trivia facts and lessons, among our favourites meriting further investigation were the etymology of plonk—cheap, disappointing wine—coming from British soldiers stationed in France during WWI mispronouncing vin blanc, the Old English term for affable is wordwynsum, the industry awards for excellence in podcasting are called the Ambies—from “ambient sound,” Samuel Clements considered other pseudonyms before settling on Mark Twain, including Rambler and W Epaminondas Adrastus Blab, Elon Musk is named for a character in a novel by Wernher von Braun called Marsprojekt, an orphan-crushing machine is a shorthand term for human interest stories that praise resilience and charity (like retirees working at fast food restaurants or successful funding campaigns to pay for vital medical procedures) that fail to question the underlying societal conditions that make such heroism needed to begin with, the Kellogg’s brand has a rooster for its mascot—connoting a hale and hearty early riser—but also suggested by touring Welsh harpist as ceilog is a homophone for the breakfast cereal magnate and that Goldfish crackers were inspired by zodiacal sign the original Swiss creator’s wife, a Pisces.

9x9 (13. 043)

the unforgivable sin of ms rachel: Tedium’s Online Video Awards and the problems with platforms 

grunt work: AI has the potential to destroy career ladders—via Damn Interesting  

grove press: the Mid-Century Modern covers and jackets of Roy Kuhlman  

turbo moka: a thermodynamic redesign of the classic Italian coffee pot—see previously  

gânditorul de la hamangia: reflections on a palaeolithic pair of artefacts  

ieee spectrum: top climate tech stories of 2025—including atmospheric ammonia harvesting 

i dislike dune with some intensity: JRR Tolkien was not a fan of Frank Herbert’s work  

the imperfect homework machine: students’ experience with AI mirrors a Shel Silverstein poem 

 the year in search: more of Miss Cellania’s annual superlatives

9x9 (13. 024)

participation, in this context, is a kind of alignment: the Vanity Fair photo shoot of Trump’s cabinet 

escape velocity: a super-massive runaway black hole has been ejected from its home galaxy and is careening through space—via Kottke 

that thoth over there: a guide to the messy divine family of Egyptian mythology  

beyond the last-minute gift guide: the year of Tedium wrapped  

no-one comes to casablanca for the waters—you were misinformed: every drink in the 1942 classic (see previously, oddly no gin)—via MetaFilter  

capital allocation: on the social uselessness of finance, creating winners and losers  

homecoming: a preview of Christopher Nolan’s adaptation of Homer’s Odyssey—see also 

intraterrestrials: subsurface microbes have geological lifespans 

unreliable narrator: Epstein and company as Nabokov’s Humbert Humbert—see previously

engine, engine forty-nine (13. 014)

Finding some needed solace in the writings of Thomas Pynchon during the rise of MAGAists’ conspiracy theories in the figure of Oepida Maas, a sort of anti-John Galt, Better Living through Beowulf, now has to question like the protagonist of their own sanity whilst weaving together a plot that beggars belief, which seems a bit rudimentary in comparison to Trump’s own arc of narrative. The paranoia of The Crying of Lot 49 has a veneer of truth (see above) and so does the career-trajectory of Trump, framed as agent Krasnov, promulgated as a successful businessman now beholden to organised crime with a litany of knock-on events that lead to our present conundrum, whose nomenclature matches with Genghis Coen, Mike Falloopian, Mucho Maas (the heroine’s DJ husband) and Dr Hilarius with corresponding real-life characters unmatched nearly six decades on with corresponding Dickensian-named figures like heroes Reality Winner and villains Laura Loomer, Elon Musk or Reince Priebus and the White House lawn used as a venue for a wrestling match plus a list of dozens of other things not on ones bingo card for 2025.

7x7 (13. 003)

it cuts up a man’s youth and vigour most horribly: Jane Austen invented the wellness guy  

maplewashing: the deceptive practise of making things seem more Canadian than they actually are narrowly beat out “elbows up” for Canadian English Dictionary’s inaugural Word of the Year  

antipodes: Rothera Antarctic research station gets a new Royal Mail postbox 

genai.mil: Pentagon installs a chatbot on all DOD computers—immediately concludes that Hegseth is a war-criminal—via Super Punch  

dayton accords: a look back at the peace negotiations to end the war in after the collapse of Yugoslavia three decades on  

cut spelng: English orthographer Christopher Upward’s failed proposal for language reform through elimination of redundant letters—see previously, see also 

little wars: HG Wells’ contribution to table top role play games

synchronoptica

one year ago: Vince Collins celebrates the US bicentennial (with synchronopticæ), Intershop (1962) plus assorted links worth revisiting

thirteen years ago: IKEA instructions for that dapper monkey 

sixteen years ago: drug money helped banks weather the Great Recession 

mister fezziwig (13. 001)

Though each time I picked up on the narrative again, telling myself I don’t have time to listen to a two-and-a-half-hour podcast, I did make it all the way through this dramatic reading of Charles Dickens’ A Christmas Carol. In Prose. Being a Ghost Story of Christmas from The Allusionist host Helen Zaltzman. The novella, divided into five chapters—which Dickens calls staves, reflects and informs the zeitgeist at a time when Victorian England was reevaluating holiday customs and was his fourth attempt at the subject, first a serialisation called “Christmas Festitivies,” then a short story under the title “A Christmas Dinner” that appeared in his illustrated anthology Sketches by Boz and an episode in The Pickwick Papers, “The Story of the Goblins Who Stole a Sexton”—a sacristan, a church superintendent charged with care and maintenance of the building and cemetery grounds, misanthropic but after being ransomed by the creatures undergoes a conversion, similar to Scrooge. Capitalising on its success, Dickens wrote another four holiday themed novels (The Chimes, The Cricket on the Hearth, The Battle of Life and The Haunted Man and the Ghost’s Bargain) but none of the franchise as beloved as his 1842 iteration. Familiar adaptations are true to Dickens but I realised I had never listened to original narrative in its entirety, rather excellently delivered (with a few, non-intrusive short asides to gloss antiquated meanings) and really enjoyed the decision to voice the Ghost of Christmas Present aptly as a South Park character. It is a banger of a story and of course you have time to indulge.

10x10 (12. 973)

no time for dancing or lovey-dovey: David Byrne’s ensemble Tiny Desk concert—see previously  

bathing beauties: the nautical folk art of Kyler Martz—via Messy Nessy Chic  

ac/dc: the unlikely friendship of Mark Twain and Nikola Tesla 

warrior ethos: the Canadian publisher of the beloved children’s book series Franklin the Turtle strongly objects to US Secretary of War’s depiction of him firing on boats of supposed narco-terrorists 

the downfall of joann: the US craft and hobby economy ruined by private equity—via MetaFilter—see previously  

steerage: turned upside down, this grainy photograph of a third-class cabin appears to expand into a grand stateroom  

not even a squib of an entry: a steeple chase of an etymological mystery that may have arisen out of a case of mis-division—see also 

exalting the beauty of an overcast sky: Luke Howard (previously) on cloud-modification and his correspondence with Goethe  

nuns on the run: a rebel sisterhood who escaped from a nursing home to return to their abandoned convent refuse to give up their social media accounts as it would deprive them from the protection of an interested public 

chanson pour tout le monde: “Song for the Children” was by Jimmy Buffet, released on his 1979 album Volcano

ginx’ baby (12. 950)

Whilst working on commission for Charles Darwin for his third volume—a masterpiece overshadowed by his other works on evolutionary theory The Expression of the Emotions in Man and Animals—Swedish-British photographer Oscar Gustave Rejlander captured this unnamed image of what would be the poster-child of “Mental Distress” around 1871. Due to publishing technology at the time, photographic plates were prohibitively expensive but all representative pictures were used, making the book one of the first scientific illustrated treatises.  At the same time, using the reproduction methods for inexpensive postcards, Rejlander was able to capitalise on his proto-meme, building off the popularity of barrister and Liberal Party politician J Edward Jenkins’ satirical novels, the instalment, Ginx’s Baby: his birth and other misfortunes—about an unwanted thirteenth child, coinciding with the black-and-white print, christened after the title character, amassing a small fortune—praised for its expressive quality and good-timing—beating out of studio-sessions of contenders, only emerging decades after its sensation that the image was not exactly genuine but a series of tracings. For the naturalist’s part, Darwin was particularly keen on raw feelings prior to socialisation (see also), confident that the discomfort of children would be a particularly useful heuristic to explore the role of non-verbal communication in the survival of individuals. Rejlander’s picture was seen by reviewers as threatening to overshadow both the other examples and the author himself, the postcards selling in the tens of thousands and referenced in calling cards and other contemporary literature and even a polka by the same name that long outlived the popularity of Jenkins’ books.

one flew east, one flew west (12. 892)

As our faithful chronicler reminds, on this day in 1975, Miloš Forman’s cinematic adaption of Ken Kesey’s 1962 novel was released in the United States, starring Jack Nicholson as newly arrived patient at a mental institution, Randle McMurphy feigning mental illness in order to avoid a sentence of hard labour following a series of crimes including statutory rape, and Louise Fletcher as the abusive and sadistic Nurse Mildred Ratched (77 Sunset Strip and spiritual leader Vedek Winn on Star Trek: DS9, much like the part of head nurse) with a supporting cast of inmates featuring Christopher Lloyd, Danny DeVito and Will Sampson, Jr as Chief Bromden. In development hell for thirteen years prior (primarily due to the Warsaw Pact invasion of Czechoslovakia—the Communist party was Forman’s Nurse Ratched) to shooting in Salem Oregon, the project originally called for Kirk Douglas and either Angela Lansbury, Anne Bancroft or Jane Fonda in the lead roles, One Flew Over the Cuckoo’s Nest was critically acclaimed and remains ranked among the best films ever made, netting five Oscars for Best Picture, Best Actor, Best Actress, Screenplay and Director. Recognising the subversive presence of the new arrival as a threat to her authority within the ward, Ratched scales back patient privileges—only causing more rebellion. Rehearsed on location at Oregon’s state public psychiatric hospital, the cast observed the daily routine prior to filming to get into character, including sessions of electro-shock therapy and stayed overnight in the wards among the criminally insane.

et in aradia ego (12. 884)

Though the authenticity and authorship of the received gospel of the witches studied and published US folklorist and journalist Charles Godfrey Leland in 1899 is disputed by later historians and ethnographers, what Leland through his intermediary and research assistant Donna Roma Lister—a widely respected British writer on the occult and accomplished medium in her own right, believed to be genuine religious text of a Tuscan coven has played an unimpeachably large role in informing and influencing contemporary Wiccan and Neopagan movements. Syncretic and secret, the practise and spellcraft continued in parallel to the rituals of Roman Catholicism but hidden in plain sight as sort of a liberation doctrine to subvert and counter the oppression of the Church orthodoxy and social order.
The titular messianic figure, similar to the Italian form of the name Herodias—the wife of Herod Antipas whose real genealogy was buried in the belief of early Christianity, a characterisation of course propagated by witches themselves, that for her complicity in the death of John the Baptist her spirit was condemned to wander the Earth forever and only permitted to rest in treetops between midnight and daybreak, whereas Erodiade was a continuation of the ancient Roman cult of Diana and her nymphs, a daughter sired by prideful angel Lucifer and sent by the goddess to be a teacher unto women and men who would break from the yoke of enslavement—see also—and the real proto-witch. The gospel in fragmented form was completed by Lister’s interviews and channelling to fill in the gaps. Much more, particularly on our collaborator and ghost-writer, from Public Domain Review contributor A D Manns at the link up top.

we call that delegation of authority (12. 869)

First in print on this day in 1961, the debut novel of Joseph Heller, often cited as one of the most significant literary works of the twentieth century, follows the narratives of fighter pilots and bombaries of a US army airforce squadron based on an island off the west coast of Italy during the waning years of World War II, struggling to maintain sanity and professional bearing while fulfilling increasingly elusive service requirements in order to be discharged and reintegrated back home. Relayed with a unique, non-chronological third person omniscient voice to develop separate perspectives and forward the plot along with the timeline for the course of events. Replete with paradox and flashback and shifting points-of-view, the antihero Captain John Yossarian comes to fear his commanding officers more than the enemy as the required number of combat missions keep increasing and though Yossarian once met that prerequisite, the requirement is retroactively raised, and cannot escape due to contradictory rules and conditions—the bureaucratic rule never stated fully, if it is even in written regulation, follows the illogic that one can be deemed unfit to fly by reason of insanity—incapacity demonstrated by willingness to participate—but as one has to apply to be excused from further mission, the appeal itself betrays a sound mind and self of self-preservation, refuting the reason for being grounded. With parallel themes of theodicy and why a benevolent god would allow evil in the world, Heller’s working title was Catch-18, referencing the the Hebrew letter and symbol chai (חַי ) which in Jewish numerology, gematria—assigning a number value to each letter—this sort of secret message to piece together being more prominent in earlier drafts, signifies being alive, but publishers Simon & Schuster urged the author to change it to avoid confusion Leon Uris’ recent Mila 18 and seventeen also rejected for its proximity to another contemporary in Stalag 17. Twenty-two encoded as tav—truth—as the last letter of the alphabet and the doubling (picked by the editors) evokes the feeling of déjà-vu and disjointedness with episodes replayed again and again from different angles.

duces wild (12. 867)

Having gotten his political start as secretary of the labour party in for the city of Trento in Sud Tirol under the Austro-Hungarian empire with an editorial role with the partisan newspaper, L’Avvernire del Lavoratore (The Future of the Worker), Benito Mussolini was eventually deported back to Italy for several incendiary essays but not before having the opportunity to publish several pieces of his own academic and creative writing works around 1910—fancying himself to be quite the well rounded intellectual, with travelogues, literary theory and even a serialised romanzo storico, L’amante del Cardinale. Possibly ghost-written and loosely based on a historic papal affair and scandal from the seventeenth century, the lurid novel was a violent, anti-clerical invective and though tripled circulation for the publication, it was forgotten just as quickly as Mussolini trajectory barrelled towards fascism (compare to the water-colours aspirations of Adolf Hitler) but was compiled and reissued in 1928 in English translation as a sort of curiosity of purple prose—during the interbellum, many in UK and the US extending approval and tacit tolerance for Mussolini’s efforts to modernise and stabilise the country (dissolving and unifying the Papal States, the Pope was confined to the Vatican—see previously here and here) and its north African colonies despite his authoritarian tendencies, but some, particularly in academic circles, were less charitable and recognised the author for what he was. Dorothy Parker (previously) was especially biting with her criticism and saw right through the pretence. More from Print Magazine’s Daily Heller at the link up top.

grendel’s mom (12. 864)

We very much appreciated the introduction to artist and wordless novelist Lynd Ward through the lens of his 1939 hand-tinted woodcuts for his graphic novelisation (pioneering the genre) of the classic tale of Beowulf. Also working with the media of lithography and mezzotint, Ward was inspired to take up illustration when a teacher pointed out to him that his surname was “draw” backwards whilst recuperating at sanitarium for tuberculosis patients ay Sault Ste Marie in Ontario and honed his skill as an engraver. Settling in Leipzig with a scholarship, he first encountered picture books that were able to convey a narrative without captions and upon returning to New York City developed his portfolio for commission, first in an adaptation of Japanese folk tales.

A series of three classics brought out by Heritage Press in the late 1930s awarded to Ward also included The Count of Monte Cristo and Les Misérables fully established his credentials, avoided by the mainstream publishers for a time over depictions of racial injustice for earlier illustrations referencing slave trade and lynchings, though Ward’s work never shied away from taboo and subversive themes. Similar to the hortatory opening of Homer’s Iliad “Sing, Goddess, Achilles’ rage,” the Old English epic poem starts with the invocation Hwæt!—listen to my story.  Although preferring to work in monotone, the contrast of hot and cold colours for the heroic legend really demonstrate Ward’s mettle.

rare, obc. (12. 861)

Futility Closet directs our attention to a volume first published in 1974, with multiple reprintings over the decades of some eighty thousand entries of preposterous and over-specialised English nonce words—though uncommonly, sometimes only once (see above) glossed in accessible corpora, that is at least outside the fandom of committed logophilia—compiled single-handedly by one Josefa Heifetz Byrne. The author was also a renowned concert pianist, taking her married name from her husband Robert Byrne, an expert pool player and instructor of billiards as well as a prolific humour columnist and civil engineer.  The book covers some of our old favourites, like ucalegon and anatiferous (an arguably useless word), as well as a treasury of terms new to us like foraminous, full of holes (see previously here and here), the Scots word groak for to look fixed at a party eating in anticipation of receiving food, anemocracy, a metaphorical term for governed by the changing winds and quaquaversal, going off in all directions. Click through at the link up top to check out a copy from the Internet Archive and adopt something you see that needs returning to common-parlance.