asemic writing (11. 560)

The above describing wordless or meaningless text intended to invite the reader to divine a message through the symbolisms rather than to convey a message—though these carefully recorded compositions that suggest mathematical and chemical formulae certainly encoded a meaning that was perhaps only known to the artist—and could be certainly applied to the verisimilitude (see also) of the collected works of outsider artist Melvin May, a bassist who returned to New York City to study informatics but his career path was sidelined by a schizophrenia diagnosis and subsequent drug use, landing him in a men’s shelter on Randall’s Island whilst seeking treatment. Way’s discipline was discovered through art workshops sponsored by the shelter, dense and intricate sketches with ballpoint pens committed to found scraps of paper, often carrying around works-in-progress on his person, protected with a layer of scotch tape. More on this retrospective—and sadly posthumous by only months—and Way’s life at Hyperallergic at the link above.