the herculoids (11. 759)

Better known by his stage name of DJ Kool Herc, Clive Campbell of the Bronx is credited with the invention of hip-hop, alternating between two turn-tables to isolate percussive instrumental portions of recordings, switching from one breakbeat to another overlayed with his rhythmic, syncopated announcements and exhortations to his dance troupe of break- boys and girls (further anticipating rap and competitive breakdancing when the house parties were taken to the streets) on this day in 1973, co-hosting an event in their apartment building’s recreation room with his younger sister Cindy to raise some funds (with a small entrance fee) for back-to-school shopping. Herc played staggered copies of James Brown’s funk album Sex Machine and his emceeing indelibly influenced artists like Grandmaster Flash and the Sugarhill Gang who forwarded the genre. His crew were named after the 1967 Hanna-Barbera animated series about space barbarians.

13x13 (11. 744)

hot clipmalabor summer: a Scots language translation of the latest trend 

the pudding: AI makes a data-driven visual story—via Kottke  

désolé! taking a mental health year: American vs European out-of-office auto-replies  

the paris games: a look back at the other times the French capital hosted the Olympics—via Nag on the Lake

faustian bargain: Russian “Tiergarten Killer” released as part of prisoner-swap 

the lord house: a tour of a home designed by architecture Richard Neutra—see previously 

take me to the water: James Baldwin and the roots of the Palestinian-African American solidarity movement 

hop, skip and a jump: e-bikes for one’s legs  

dressage: Snoop Dogg as head Olympic cheerleader 

securing the peace: US mobilising to shore up defences in Middle East 

minoritarian rule: US in democracy self-destruct mode  

yay newfriend: a linguistic look at the new AI pendant companion 

emdunks: the internet’s infatuation with the Second- and possibly future First-Gentleman

one-trick pony (11. 740)

Medalling for Team USA for the first time in the category of men’s gymnastics since 2008, it was fun to read the profile of this newly hailed hero, Stephen Nedoroscik, and his achievement on the pommel horse. Usually for the all-around competition, national teams choose an assortment of generalists for a range of events but for this summer’s Games, the American squad reserved one of those slots for a specialist to compete on the notorious challenging apparatus—originally a Roman teaching aid for mounting and dismounting and included in the ancient Olympic Games and was revived in its modern form in the nineteenth century by members of the Turnverein, garnering notice whilst waiting his turn on the sidelines during his teammates’ matches. Qualifying for the finals with a bronze, Nedoroscik is going for gold over the weekend.

7x7 (11. 732)

autotopia 2000: a consumerist satire from animation team Halas and Batchelor, best-known for their adaptation of Animal Farm 

broligarchs: the Trump-Vance tax proposal that is courting the support of Silicon Valley billionaires 

supermarket sweep: a monograph on graphic designer Ted Eron, who was responsible for the aesthetics of the food aisle  

kamal holding vinyls: Ms Harris will display your favourite album covers—via kraftfuttermischwerk  

run: an appreciation of the consequential and formative programming language BASIC—see previously—via Damn Interesting’s Curated Links  

i’m a little teapot, short and stout: the analogy from Betrand Russell that shifts the philosophical burden of proof to the party making unfalsiable claims  

goalball: a team of animators illustrate explainers for Paralympic events

synchronoptica

one year ago: Christian comics (with synchronoptica), assorted links worth revisiting plus Molson Ice Rocks for Canada

seven years ago: Ottoman bird palaces plus superstitious etiquette

eight years ago: the Vegetable Lamb of Tartary and other mythical beasts plus custom automatons

nine years ago: Esperanto enthusiasts plus a helpful cheese chart

ten years ago: William Barker’s Schwa

ambrosia (11. 730)

The Olympic Committee issued an apology for a tableau during the Paris Olympic’s opening ceremonies that some claimed was deeply offensive to Christian communities and blasphemous—notably the shrillest outrage from US conservatives—for depicting The Last Supper with drag queens. Except it was not inspired by Da Vinci’s depiction of Jesus and his apostles, as the spectacle’s director explained—though few could hear it over the social media torrent—and the performance had to be regrettably recanted, but rather by Le Festin des Dieux, a seventeenth century work by painter Jan van Bijlert prominently displayed in the national gallery in Dijon. While the Dutch artist himself was referencing Leonardo’s earlier work and one sees what one wants to see, the mythology figures are patently recognisable, including Apollo, Pan, Mars, Minerva and Dionysus, the father of the Gallo-Roman goddess Sequana (and whose totem spirit, familiars are ducks), the deification of the Seine, sourced in Côte-d’Or is not far from Dijon.

pont d‘austerlitz (11. 723)

Overcoming the chaos of an arson attack that sabotaged rail transport into the city and a downpour of driven rain—and a few skeptics who believed the four-hour long spectacle that spanned six kilometers along the Seine with thousands of performers was too ambitious, Paris pulled off the Games’ opening ceremonies with excitement and fanfare and kitsch that embraced and celebrated gentle French stereotypes, poking fun at themselves.

The rooftop dancing and roving torch-bearer combined with the flotilla of boats carrying the national teams down the river, along with the individual numbers, were quite impressive.

synchronoptica

one year ago: a banger from Peter Gabriel (with synchronoptica), art appreciation with the Flop House plus RIP Sinéad O’Connor

seven years ago: AI scours Street View for aesthetic photographs,  assorted links worth revisiting plus Soviet election interference

eight years ago: gumption and the complacent class,  feline delusions, artist Victor Vaserely plus Russian election interference

nine years ago: TTIP negotiations plus stress and emotional capacity

ten years ago: ephemeral social media, Croatia Week, Croatia’s founding, tiki couture plus Croatia’s natural wonders

9x9 (11. 722)

circumlocution: a useful synonym for circular logic  

we choose freedom: Kamala Harris’ first campaign advertisement reclaims the Trump GOP’s “so much freedom”  

hitchcock presents: the director’s cameos over five decades  

homobone: why an impact with our humerus hurts so much and is not so funny  

art but make it sports: finding classic analogues in modern day competitions  

forget it jake—it’s chinatown: the reason behind the common aesthetic dating back to the 1906 San Francisco earthquake—via Card House  

in memoriam: a mid-year obituary of those celebrities we have lost  

ε ind ɑ: JWST directly observes an massive exoplanet a dozen light years away but shouldn’t be where it is  

multum in parvo: the Flemish Academy concocted Snelpaardelooszonderspoorwegpetrolrijtuig for horseless-carriage for those who had never encountered one

shoestring budget (11. 672)

Via Miss Cellania, we are afforded a quite fascinating look at the 1948 London Games, the first Olympics held after Munich’s 1936 event and the marking their post-war resumption, which compared to the current expense and corporate sponsorship is not only remarkable for the level of thrift and resourcefulness—a make do and mend attitude with athletes stitching together their own uniforms and college campuses and military bases acting as the Olympic Village—but also how the spectacle was pulled off in the name of international sportsmanship and provided much needed relief with the fighting in fresh memory and rationing and austerity continuing for many.

 synchronoptica

one year ago: half the world in the sun (with synchronoptica)

eight years ago: proxemics plus machine mirages

nine years ago: a maths sleight of hand plus ghost malls and the Gruen Transfer

ten years ago: border security, home and abroad

eleven years ago: US-EU trade disputes

de arte natandi (11. 670)

Via tmn, we are directed towards a survey of aquatic skills and refinements classically considered as a mark of functional literacy on par with being un-lettered by Plato as a sign of miseducation with the entrée of a water ballet performed by Benjamin Franklin in early summer of 1726 on the Thames, bucking the contemporary mindset that despite maritime adventuring that staying afloat was somehow taboo for a man overboard. Without managing to change conventional education, Cambridge theologian and avid swimmer Everard Digby (better known as a conspirator in the Gunpowder Plot) had propagated the embrace of swimming and lifeguarding in his late fifteen-hundreds treatise, though either centuries ahead of or millennia behind the times, as thermæ we condemned by Christian society, whether for healing, hygienic or hedonistic purposes, and was something to shun and fear with even buoyancy enough to earn the judgment of witchcraft.

8x8 (11. 642)

crazy logic: a rather seamless mashup of Gnarls Barkley, Rockwell, Pink Floyd and Sumpertramp  

ыһыах: the Yakut people of arctic Siberia celebrate New Year on the Summer Solstice  

culicidology: a fascinating two-part discussion of mosquitoes with Alie Ward 

baggage carousel: an animated journey of checked airline luggage 

the phrygian cap: the Paris Games’ mascot with a revolutionary past—via Miss Cellania  

the beige begins early here folks: McMansion Hell (previously) presents another instalment of the American Medieval Revival—via Things Magazine  

re-alignment: just ahead of Solstice celebrations, activists with Just Stop Oil douse the megalithic calendar with orange paint power 

chiroptera: a ballet chroegraphed by Thomas Bangalter, formerly of Daft Punk—via tmn

mnemonic movements (11. 492)

Via fellow internet peripatetic Messy Nessy Chic, we discover a 1983 self-defence manual authored by Australian Bob Jones—a martial arts instructor who invented (along with fellow consultant, fight choreographer and stunt artist Richard Norton) his own technique called Zen Do Kai a decade earlier and which is still in practice and chief security detail for the Beatles, the Rolling Stones, Joe Cocker, ABBA, David Bowie and Fleetwood Mac—inspired by protection and training he had provided for Christine McVie and Stevie Nicks during their world tours. Learning of her bodyguard’s side project with this book based on a series of reflexive, subconscious kicks and thrusts perfected as second nature under threat by repetition and recitation, Nicks immediately agreed to contribute and helped demonstrate, appearing in a spread of photographs throughout the volume as well as on the cover. It is unclear whether it was Nicks’ stage-routine that influenced some of these actions or the other way around. More at the links above. FEAR—that is, false estimate of the actual reality.