9x9 (11. 243)

sine cure: many jobs in the tech sector are busy work and inducements to stymie the competition—via the New Shelton wet/dry  

smooth operator: one-hundred eighty songs and other cultural touchstones turning forty this year 

shake your hips, puppet legs: a David Byrne dance tutorial—via Nag on the Lake  

crackberry: a physical keyboard attachment for one’s smart phone  

the rise and fall of ziggy stardust: the chance encounter with Vince Taylor, the inspiration for the David Bowie persona 

 long live friendship: the Cantonese version of Auld Lang Syne (see previously) performed at the handover ceremony of Hong Kong in 1997  

the (disco) sound of music: a Meco-like dance rendition of the classic tracks (see previously) from Sarah Brightman  

pole position: the Vectrex, the 1982 revolutionary but mostly forgotten video game console, gets a second look 

mobile aloha: an off-the-shelf, DIY robot that can perform complex tasks and chores—via Waxy

synchronoptica

one year ago: US mid-term elections

two years ago: two Star Wars adjacent films set in 2022,  Twelfth Night plus building the Golden Gate Bridge

three years ago: Waiting for Godot, Moonstone plus an unusual patent-filing

four years ago: puffy planets, the asteroid Eris, mobile car-chargers plus Nazi name mandates

five years ago: notes on Dante plus animal sounds in other languages

like the dolphins, like dolphins can swim (11. 015)

Released on this day in 1977 as the lead single from the twelfth studio album of the same name, this future signature ballad in the artist’s repertoire was co-written by Brian Eno, and recorded in Hansa Tonstudio 2 in the Kreuzberg district of West Berlin sings the narrative of two star-crossed lovers in the divided city, who live in constant fear of being caught but are free in their dreams. Inspired by witnessing his then-married record producer Tony Visconti kissing a singer “by the Wall,” David Bowie put the song’s title in quotation marks to invoke a light sense of irony to the triumphant and defiant tone. Bowie also put out German (Helden) and French (Héros) versions of the song. The album cover art is an homage to Expressionist painter Erich Heckel’s 1917 self-portrait Roquairol, like (though with the pose a bit closer) Iggy Pop’s nearly contemporary album, The Idiot.

 synchronoptica

one year ago: Trump family facing legal peril over exaggerating the value of their crime syndicate plus an infinite scroll of the updating internet

two years ago: the unification of Saudi Arabia (1932) plus your daily demon: Phenex

three years ago: the US Subversives Control Act (1950), the Halo Effect and hindsight bias plus an anthology of Korean folktales

four years ago: the Fatberg commemorated plus variations on the Dr Who theme

five years ago: the first day of Autumn, numbers stations, a family’s political rebuttal plus a space probe arrives at its target asteroid

station to station (10. 856)

After the penultimate show of his Ziggy Star Dust world tour in 1973, David Bowie who was then suffering from a fear of flying took a ship from Yokohama to Vladivostok and then the Trans-Siberian Railway back to England, with various whistle-stops along the whistle stops along the way, including the May Day Victory Parade in Moscow. This week-long trip was documented by Bowie himself, with a 16mm videography entitled “The Long Way Home” and by friend and bandmate Geoff MacCormack (also known by the stage name Warren Peace)—meeting fans, drinking sessions with soldiers and sailors and giving impromptu performances, and is on exhibit at the Wende Museum of the Cold War in Culver City, California with an especially curated soundtrack.

ziggy played guitar (10. 852)

After one hundred eighty two concert performances and eighteen months of touring, David Bowie, with only bandmate and guitarist Mick Ronson knowing in advance, announced on this day in 1973 during live show at Hammersmith Odeon in London that he would be retiring, just before the final song “Rock ’n’ Roll Suicide,” “Of all the shows on this tour, this particular show will remain with us the longest, because it is not only the last show of the tour, but it’s the last show we’ll ever do”—only to clarify to shocked fans and the rest of his band that he meant the persona of Ziggy Stardust and the Spiders from Mars backing band. This final concert for Stardust was the subject of a documentary by D A Pennebaker and later released as a motion picture a decade on.

south america! (10. 842)

Originally planned as a live satellite simulcast for the iconic duo but abandoned once it was realised there would be a split-second delay and would necessitate one to lip-sync the part (which neither was having), David Bowie and Mick Jagger recorded a cover version of Martha and the Vandellas 1964 hit and civil rights anthem on this day in 1985. Charting in the UK and reaching number one on the US Billboard Hot 100—Jagger’s only song to reach that height and Bowie’s last, remarkably, incredulously, and proceeds went to the charity Live Aid for famine relief. The accompanying video by David Mallet was shot after the marathon recording session—both track and music video were completed within thirteen hours during the short time that the artists had for the duet, and was filmed at the derelict Millennium Mills, a flour processing plant built at the turn of the century, in the London docklands.

synchronoptica 

one year ago: Samantha Reed Smith visits the Soviet Union at the personal invitation of the General Secretary (1983) 

two years ago: the cartoonist T Hee plus van Gogh’s bridge in Arles

three years ago: Quo Vadis, the Feast of SS Peter and Paul, the debut of the iPhone (2007), more Old School blogging, unusual cereal flavours plus chiptune trains

four years ago: a Disney heiress petitions for better treatment of workers plus BC/AD or Common Era

five years ago: the European Union flag adopted (1985) plus Trump’s Supreme Court

7x7 (10. 778)

omnes vanitas: the puzzling thanatopsis of the paintings of David Bailly 

hbo in space: music made for television—see previously here and here  

journey to the west: in the Hall of the Monkey King 

trompe-l’œil: the hyper realistic paintings of John Frederick, see previously—via Messy Nessy Chic  

outside the frame: using LLM and AI to hear the rest of the story–not that we needed to 

velvet goldmine: the art collection of David Bowie—see previously here and here  

memento mori: an elaborate lie-detection apparatus from the 1920s

put on your red shoes and dance the blues (10. 758)

The artist’s first song to top the charts on both sides of the Atlantic, the lead single off the fifteenth studio album of the same name (also with the tracks “China Girl” and “Modern Love”) climbed to number one on this day in 1983 and features the instrumental talent of sessions blues guitarist Stevie Ray Vaughan—David Bowie only contributing vocals for the first time in his recording career. The album was first released on 14 April followed a few days later by the music video by David Mallet (previously), filmed in New South Wales, premiering on the UK rock show The Tube with Jools Holland, is a metaphor for the hegemony of Western culture. This release kicked of Bowie’s “Serious Moonlight” world tour.

the thin white duke (10. 490)

Released on this day in 1976, David Bowie’s tenth studio album was the major vehicle for the above stage persona and enjoys a legacy, building on the commercial success of his previous record Young Americans to allow more creative liberties in the direction he took this next transitional collection of songs, reflecting an interest in the occult and Aleister Crowley and Nietzsche’s Übermensch, as a departure but still among his most significant works—with exploration of new styles fully articulated in his Berlin Trilogy of the following year. Recorded in Los Angeles after completing shooting for The Man Who Fell to Earth, Bowie adapted the arc of narrative in the album from a partly autobiographical collection of short stories called The Return of the Thin White Duke he had written while off camera.

regal zonophone (10. 488)

Composite artist and computer collaborator—I think these partnerships are called centaurs or reverse centaurs depending on one’s perspective on who is doing the driving—Wen Wormhole sits down for an interview with Messy Nessy Chic to talk about the alternate reality of a “Glam Rock Sci-Fi Universe,” with a touch of wrestle-mania energy added to the prompt, that he’s has helped craft with the power of artificial intelligence—see previously.  Learn more about the creative process, techniques and compounding inspiration at the links above, which Wormhole compares to being an art director of a project. What fusions of reality and alternate universe would you create with the help of AI?

the lower third (10. 464)

Coinciding with the release of the single under the label Pye Records and at the suggestion of his manager and publicist the singer and artist born Davy Jones changed his stage name on this day in 1966 to Davie Bowie—to distinguish himself from the up-and-coming act the Monkees and their Davy Jones. Bowie re-recorded the song for his album Toy after performing it live at a concert in 1999.

thunderbolts and lightning, very, very frightening me (10. 328)

Beginning on this day in 1975 and lasting for nine weeks, Queen’s Bohemian Rhapsody, the six-minute, multi-part musical suite referred by author Freddie Mercury as a “mock opera” released as a lead single (B-side, “I’m in Love with My Car”) from their studio album A Night at the Opera hit the top of UK’s charts. For the promotional video—credited with spurring on the complementary medium—and for the band’s UK tour, Mercury played on a Bechstein concert grand piano, which was—according to lore—the same one that Paul McCartney used for recording “Hey Jude” and David Bowie’s “Hunky Dory.”

what you need you have to borrow (10. 283)

Artist David Bowie had his US television premiere on this day in 1975 on the Cher Variety Hour  (previously) performing the song Fame, recently composed during a jam-session with flatmate John Lennon (the two lived together during the former Beatle’s period of estrangement from Yoko Ono) and session guitarist Carlos Alomar. One of the most popular features on CBS in the mid-70s, the interview show that lasted for one and one-half seasons came about during her acrimonious split with Sonny Bono which put an end to their Comedy Hour but gave the former couple their own series on the network until they reconciled in 1976 and revived The Sonny & Cher Show.

7x7 (10. 176)

moonage daydream: an interview with Brett Morgen on the subject of his latest documentary—see previously 

rupture: Nordstream pipelines have sprung a leak, sabotage suspected 

afforestation: a volcanic eruption is helping to rewild island  

eyewall: Hurricane Ian’s path of destruction as it reaches Florida 

omnishambles: the budget plan of PM Truss and Chancellor Kwarteng garners rebuke from Germany, the US and the IMF as the Pound Sterling approaches parity with the dollar  

mahsa: the death of a young woman in the custody of Iran’s morality police has touched off protests against the government  

let all the children boogie: an Australian museum brought the original hand-written draft of David Bowie’s Starman at auction

glastonbury fayre

The free four-day concert hosted in Pilton—the second Glastonbury festival, opened on this day in 1971 with the venue of a special Pyramid Stage, a one-tenth scale model of the one at Giza constructed of sheet metal and positioned over a water source discovered with dousing and was documented by filmmakers Nicolas Roeg and David Puttnam—released the following May. Performances included numbers by Melanie, David Bowie, Traffic, Fairport Convention, Tonto’s Expanding Head Band, Mighty Baby and Hawkwind.

the rise and fall of ziggy stardust and the spiders from mars

Released in the UK on this day in 1972, the loosely connected concept album presented as a rock opera relates the arc of narrative in eleven tracks of David Bowie’s titular alter ego sent to Earth to avert an impending apocalyptic event who himself falls short after succumbing to his own inflated ego. Members of the backing band include Trevor Bolder, Mick Ronson and Mick Woodmansey. Ziggy introduces himself in the third song below, Moonage Daydream, as “an exotic hybrid of rock’s past and mankind’s future” among other colourful epithets after the first two numbers present the coming doomsday and characters reacting to unavoidable disaster.

curtail call

On this day, Easter Monday, in 1992 Wembley Stadium, broadcast live to an estimated global audience of one billion spectators, hosted a tribute concert to Freddie Mercury (previously), whom had died of AIDS-related complications the previous November with proceeds launching an AIDS charity trust. The first part of the concert featured musicians performing short-sets of songs influenced by Queen and the latter section featured performances with the remaining members of the band, including Elton John on piano for “Bohemian Rhapsody” the iconic duet of Annie Lennox and David Bowie singing “Under Pressure.” The final number, “We are the Champions,” was led by Liza Minnelli and included everyone who had participated in the concert.

7x7

improper fraction arena: Via friend of the blog Nag on the Lake’s superb Sunday Links and the depths of Wikipedia comes a list of articles submitted and ultimately rejected by dint of insanity  

possible to express in words: a useful term with a surprisingly sparse corpora 

reprise: another look at Davie Bowie’s 1973 The 1980 Floor Show through some raw footage—see previously 

a moveable feast: a look at the mode, median and mean dates for Easter and the method of computus  

a kitty bobo show: Kevin Kaliher’s pilot that went ungreen-lit in favour of Kids Next Door  

micromachines: researchers developing tiny molecular motors that could be deployed en masse to suck carbon from the air, supplement our own organs—via Slashdot  

did you know: from the depths to the Main Page

i had to phone someone so i picked on you

Announcing his sexuality in an interview with Melody Maker magazine reported Michael Watts, published on this day in 1972, David Bowie’s statement, “I’m gay and always have been,” was not unnoticed but failed to register with more mainstream audiences until his performance of Starman with Mick Ronson on Top of the Pops in July of the same year. The article continues: “He despises all these tribal qualifications. Flower Power he enjoyed, but it’s individuality that he’s really trying to preserve. The paradox is that he still has what he describes as ‘a good relationship’ with his wife. And his baby son, Zowie. He supposes he’s what people call bisexual.”

low

The first of three collaborations known as the Berlin Trilogy with Brian Eno and producer Tony Visconti, David Bowie’s eleventh studio album was released by RCA on this day in 1977 and is an exploration of ambient and electronica, influenced by experimental and progressive German bands, like Kraftwerk and Tangerine Dream. A departure from the artist’s usual music-the project started when Bowie and Iggy Pop moved to the French countryside to get away from the temptation of drugs in Los Angeles and sober up and recorded the first tracks at Château d'Hérouville before relocating to West Berlin-reception was initially divided but the album was a commercial and critical success and is credited with giving rise to the post-punk style with groups like Joy Division, Human League and Orchestral Manoeuvres in the Dark in that musical genre. The lyric “Don't look at the carpet-I drew something awful on it” is in refenence of Bowie’s habit of drawing the Tree of Life diagram on the studio floor during breaks into between sessions, having cultivated an interest in Qabalah and Thelema during that period.

6x6

curiosity cabinet: virtually explore the museum house of Sir John Soane (previously)—via Things Magazine  

glitchy terrain: users and clients report bugs in fly-over features (see previously)—via Super Punch  

debate club: let’s thrash out these ongoing arguments once and for all  

low, heroes, lodger: a look at the Eastern European literature that influenced David Bowie’s Berlin trilogy and beyond  

medico-mechanical gymnastics: the nineteenth century work-out regiment of Gustave Zander—see previously 

 ex libris: a look into some of the great libraries of Germany, Switzerland, Italy and Austria