9x9 (13. 759)

it-narratives: the imagined inner lives of inanimate objects  

inwats: the history and use-case of the 1-800 number  

du big bang à mardi matin: Claude Cloutier’s overview of the evolution of life on Earth in his signature animation style reminiscent of aquatint printing  

shadowology: more art installations from Vincent Bal—see previously  

the decade you’ve been waiting for: Paste magazine’s contention top hundred songs of the 80s—via MetaFilter, see previously  

after the fire: Los Angeles residents moving entire homes to burnt out, vacant lots as a cheaper alternative to rebuilding 

it’s fantastic! it’s futuristic! it’s fatalistic! it’s science fiction: a 1973 BBC Omnibus documentary by Harley Cokeliss  

escape claudes: two chatbots placed in a recursive loop—see previously 

hack’s law: the hidden maths of rivers that calm the waters—via Kottke

synchronoptica

one year ago: a visit to Geraberg (with synchronoptica), woodblock printer Sekino Jun’ichirō plus the branding of the US Civil Defence Corps

two years ago: a pivotal moment in the Star Trek timeline, aspiring travel-writers, assorted links worth revisiting, a trip to Schwickershausen plus the largest aerospace exhibition 

three years ago: ten-thousand digits, danger signs, the Goring Gap plus more links to enjoy

four years ago: a banger from Tina Turner plus legibility and semi-vowels

five years ago: an attempt was made with AI for a mash-up, the Carrington Event (1859), the Cod Wars (1958) even more links plus reskilling as a swan

six years ago: a Banksy-sponsored rescue boat, Church rejects modernism plus saints named Hyacinth 

lucky shot (13. 748)

Via ibidem—whilst readily admitting that the profusion of photography competitions is something we’ve bemoaned in the past to the point that PfRC has considered launching its own, thinking about the opened-hand slap of a comment that a college classmate of mine expressed thirty years ago, “Well—who wouldn’t have taken a picture of that,” which I think about every time I photograph something patently photogenic and already on everyone’s Instagram feed, and that smartphone contests really ought not to be a category apart given their ubiquity and automatic and deskilling obliquity that optimises now without consent we did quite enjoy scrolling through these superlative images from the nineteenth annual IPPAWARDS crediting the photographer’s eye rather than their equipment, acknowledging that the latter does define the former and who gets to call themselves an auteur with cameras at the ready for billions, presented in a format similar to the photo app of the iPhone with minimal details and specifications. Take a gander and let us know your favourites.

9x9 (13. 725)

⛒: the mostly true story of hobo code—see previously here and here  

bury the axis: an independent 1943 anti-fascist stop-motion film   

blackball: a variation on the grandfather paradox with billiards  

cow comes: roundly ridiculed Niu Lai (牛来) becomes a box-office hit  

home taping is killing music: the banality of streaming and the lost joy of music piracy—via Things Magazine—see previously  

diesel dazzle: GM archives reveal costume designs from the Golden Age of industrial musicals—see previously  

casserole culture: Melissa Joseph’s woollen impressions of Midwestern niceties 

lampchop after dark: ventriloquist Shari Lewis‘ raunchier days on the comedy circuit  

hailing frequency: a 1951 prototype beeper in the form of a wearable garter buzzer

synchronoptica

one year ago: a banger from Midnight Oil (with synchronoptica) plus the Dumbarton Oaks conference (1944)

two years ago: assorted links to revisit 

three years ago: Cars by Gary Numan

four years ago: the rules of chess, more links to enjoy plus a banger from Oasis

five years ago: rude toponyms plus The Baltics are Waking Up (1991) 

six years ago: limited patronage, Comrade Gulliver, antique ballots, Italy’s Hundred Horse Chestnut plus vintage Japanese boxed meal wrappers

9x9 (13. 570)

general magic: an ambitious project to create the smart phone (see below) in the early 1990s failed over lack of constraint and too much freedom, not lack of vision, talent or technology

odyssey: charting the great journeys of fiction—see also  

humphrey’ executor: US supreme court strikes down federal laws that prevent the president from firing heads of (some) independent agencies—see previously  

don’t swear jerry—and don’t bleed in the sink, i’ve just cleaned it: actor and comedian Penelope Keith has died, aged 89  

🧸: Nuigurumi Jinja (Plushie Shire) dedicated in northern Kyoto for honouring beloved stuffed animals—see also here and here 

keedoozle: the grocery store vending machine of the 1930s 

 île de peliz: the solitary natural islet of Lake Geneva, with room for a plane tree  

hypergraphia: history’s most prolific writers 

how about this: 1960s housewife and the pocket phone of the future

synchronoptica

one year ago:  a walk along the beach at Gârves (with synchronoptica) plus assorted links to revisit

two years ago: a visit to the Rocco di Caldè 

three years ago: animatronic Trump, an updated We Didn’t Start the Fire plus US supreme court strikes down affirmative action for college admissions

four years ago: goodwill ambassador Samantha Reed Smith 

five years ago: cartoonist Thornton Hee plus a record-setting Van Gogh auction (1987)

six years ago: Quo Vadis,  the feast of SS Peter and Paul, the debut of the iPhone (2007), a chiptune classic, exotic crisps plus Japanese train station jingles

9x9 (13. 533)

biometrics: the after effects of gamification of physical activity—sometimes I want to launch my pedometer and everything else into the Sun 

sovereign wealth fund: Bernie Sanders’ proposal to cede control and profits of AI to the American public  

cinecope: an archive of rare and rarefied films—via Web Curios  

battle of the bit: an authoritative archive of chiptune and MIDI renditions  

otome: the rise of synthetic, choose-your-own-adventure romance  

a privet matter: a farmer hacks down China’s lonely tree—see also here and here  

chromacity: the colours on the spectrum that your screens cannot deliver—via MetaFilter  

a show of hands: designing more finger-friendly haptics for our devices—plus dispelling old myths, via Waxy  

dark flow: how your scrolling addiction was built off casino gambling

accessibility settings (13. 524)

Via Boing Boing, we learn that the operating system for iPhones have had a feature for a couple of years now called Vehicle Motion Cues that makes it more comfortable for a car passenger and potentially lessens the effects of motion sickness from staring at one’s phone by taking readings from the device’s gyroscope and accelerometer and placing flecks on the edge of the screen that harmonises with the motions of the automobile. When I am the passenger seat, lately, I am usually too enamoured with the passing scenery to even glance at my phone, but the author, whom road-tested it during an extended excursion—a working-vacation, swears by the magic dots and it could offer some relief (see also) during a bus ride or for a moment’s research and consultation, when I can feel the nausea creeping up trying to focus on one thing for too long.  Motion sickness comes about when our own gyroscope, the inner ear, detects that we are moving but the eyes, fixed on something static, presents a contradiction.

maplemusic (13. 345)

As the world looks to disengage and untangle itself from the increasingly unreliable and lamentable American hegemony over the rentier economy, the most tenacious gain of purchase for US tech and fintech conglomerates, we appreciated learning about this pioneering experiment from the Toronto creative scene that predates iTunes and Apple music and the pervasiveness of YouTube for music on demand that sought to promote local artists for free with the gratuity of creating a portion of paying subscribers through the nascent vehicle of e-commerce and digital content, first germinating in the late 1990s. Whilst not originally a record label or distributor per se in this new environment, MapleMusic—with its spinoff MapleSolutions, a website design service and domain-registry—was an innovator very much ahead of its time. Surviving the Dot-Com bubble by maturing and splitting into different subsidiaries that still exist today as champions and promoters of different artists through Puretracks and Moontaxi. Whilst subordinate to the current ecosystems striving to retain their dominance at all costs, this early success story demonstrates that the current algorithmic regime was not inevitable and cannot be toppled. Represented artists include Alabama Shakes, Gogol Bordello, Minus the Bear, the Old Crow Medicine Show and Radiohead. More from the Walrus at the link up top.

wm-9 (13. 211)

Via the always excellent Present /&/ Correct (check out their sundries), we enjoyed perusing this comprehensive archive that has catalogued over a thousand portable audio players—the Walkman introduced by Sony first in 1979 and manufactured through 2010 (see previously here, here, here and here) and courting many imitators and innovations over the years as a genericised trademark with many other competiting brands. We had find trying to hunt down a specific model we had and discovering along the way others, each entry having detailed specifications, notes on features, manuals, family-trees accessories and advertising.

dérive (13. 135)

Via {feuilleton} we are directed towards this essay by Hari Kunzru whose recent rather disenchanting drift through London gave him pause to reflect on the Situationists and their manifesto of psychogeography and how, under a permanent curfew, not just by law enforcement but also by consumerism and spectacle, were a boxed in by the geometry of our built environments—a situation that the peripatetics of sixty years ago could have imagined and warned us about that makes the spirit of wandering and discovery near impossible in our unconscionable architecture of choice. Albeit while such a lament may be overdue for us idle flâneurs and has been sometime in the making with algorithmic and optimised nudges not allowing us to stray from the well-trodden path, it’s still worthwhile to consider what sort of blinders our routines and deviations are heir to.

gossip bench (13. 119)

Via fellow internet peripatetic, we are referred to the item of furniture developed over time out of necessity and convenience, popular during the 1930s to the 1950s—also known as telephone tables—when their use was became commonplace and a fixture in any household. Cumbersome and non-portable, phones were usually placed in a central location, without affording much privacy or discretion, and craftsmanship adapted to the tethered situation with a comfortable chair and sideboard for storage—directories, calendars, magazines. Such a piece would be a useful vintage addition for the home office and might prevent me during the walk-and-talk from wandering into dead-zones (Funklöcher) in the house. See more examples from Messy Nessy Chic’s latest turn around the internet with much more to explore besides.

cabina telefónica (12. 954)

Shortly following a reversal of government policy seen to have been an abuse of public resources and encouraged waste with free running water for household use (now limited through use of meters to 20 litres per person per day), Cuba ended its practise, in place since the 1959 Revolution, on this day in 1976 of allowing toll-free calls from public telephones—see also. Local calls would now cost five cents for a three-minute conversation.

giorno poetry systems (12. 829)

Courtesy of Weird Universe, not only do we learn about the public multimedia experiment (see also here, here and here) started by artist and activist John Giorno in 1968—initially introduced as an installation before being deaccessioned by the Museum of Modern Art in New York after complains over its catalogue being weighted towards counter-cultural polemics and a subsequent FBI investigation into potentially subversive language before retreating into different iterations and media, we learn that the service is still active and one can dial-a-poem—or visit the its web presence for a random selection (or with directory assistance per app), sourced from the original exhibit (collaborating with John Cage, Allen Ginsberg, William S Burroughs, Patti Smith and others) with many more contributors added in the decades since.

t1 (12. 543)

Hardly preoccupied with shuttle diplomacy though none the less busy, Trump has chosen this moment to launch, along side his crypto-grift and peddling access with his branded merch, an eponymous mobile his signature poorly executed fashion, not only with a logo suspiciously similar to Deutsche Telekom’s but the coverage map failed to label the Gulf of Mexico as the Gulf of America, since redrawn, the flagship wireless package, dubbed the 47 Plan ($47.45 per month under a contract not easily broken), provides only nominal savings and piggybacks on national carriers, and these Freedom Phones touted as an American made, gold-coloured (only available for preorder, no refunds given) alternative to Apple’s iPhone, cheaper through Trump’s own tariff-subsidies and re-shoring of manufacturing. The latest venture, yet to deliver, is seen as a cheap knockoff (that also is raising privacy concerns) and a licensing agreement rather than anything innovative or patriotic.

air gap (12. 511)

We enjoyed these collected reflections from The Curious Brain on how genuine experiences and inauthenticity has broken trust and belief in what formerly was upheld as evidence but in that betrayal has sparked not regression or aversion necessarily but rather an appreciation for what’s not flawless and frictionless (whether we’ve asked for it or not) and in this post-verification era when seeing is not believing, distancing ourselves with presence and identify and define oneself with showing up and—despite the fraughtness and frailty of memories and expressions otherwise not committed to documentation and curation, made less reliable when seen through a distorting and optimising lens—“I was there.” In this age, authenticity it’s free—it’s currency. It’s status. It’s luxury.

you may need rendering support (12. 490)

Despite being last updated in 2012, the announcement from Japanese wireless carrier Docomo (a subsidiary of Nippon Telegraph and Telephone) that it is officially discontinuing support for its emoji set marks the end of an era that spanned decades and played a foundational role in emoji communication and native texting environments. Beginning in 1995 with the simple inclusion of a ❤︎ icon that could be displayed on pagers (see previously)—and the user outcry when the option was quietly removed in a subsequent update demonstrated to the concern public interest not only in symbolic shorthand but also a way to accent missives when not communicating face-to-face, the reaction informing the glyph collection to come. In 1999, Docomo introduced a set of one hundred seventy-six character syllabary of supplemental monochrome, twelve-by-twelve pixel icons designed by Shigetaka Kurita (栗田 穣崇), which inspired by universal street signage, pictograms and the mood and emotional cues employed for manga protagonists called manpu (漫符, a bead of sweat to signal accomplishment or apprehension), created the base lexicon and grammar that Unicode adopted later. Although limited to the network, the emoji set, growing colourised and more articulated, saw its legacy enlivened by platforms with greater interoperability and customisation and is honoured as a linguistic fossil and the emoji equivalent of Latin.

synchronoptica

one year ago: more adventures in the Thüringer Forest (with synchronoptica) plus a notable Shiba Inu passes away 

seven years ago: between distraction and anxiety, Dune product tie-ins plus digitising the Munch Museum

eight years ago: Elton John and Bernie Taupin, Trump calls NATO partners deadbeats plus preparing for a short sabbatical 

nine years ago: shooting stars on demand,  Wundarr the Aquarian plus rabbits doing violence in medieval manuscripts

ten years ago: a visit to the Neckar valley plus assorted links to revisit

… (12. 446)

At the end of last month, one of the few remaining telegraph stations in China prepared to shut down, thousands traveled to Hangzhou in far eastern Zhejiang province to pay their respects and dispatch last missives (see previously). We enjoyed the shared memories of workers and patrons as told through the story of one individual who undertook a rather epic journey on a slow train east to send his first and last messages. Writing out their notes by hand, character by character, people sent telegrams to themselves, friends and relatives both yet to be born and departed and operators recalled the echoing cadence of the office and specific numerical sequences used to encode words and phrases. The once vital communications network has all but disappeared, although during the last day of operation, the station, which had in recent years only been sending an average of twenty-five a year, processed nearly six-thousand telegrams. Memories are not so far removed as China has had telegraphy technology since the nineteenth century, it remained popular and the only guaranteed method of reaching someone urgently until peaking in the late 1980s when more than forty million messages were sent annually, individual stations handling on average a hundred thousand each.

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Beatified and with the confirmation of a second miracle attributed to his intercession, the canonisation of blessed Carlo Acutis, a teenager and avid gamer (though imposing limits on himself to an hourly weekly as an ascetic) and burgeoning influence (whose bandwidth is increased in the repose of the saints, noted for his devotion to the Eucharist, hitting when the time is ripe for inculcating into trad- and pious ways which appeal to many), was originally scheduled to be canonised on this day but the death of Pope Francis means the matter is left to his predecessor. I wonder who played the devil’s advocate for this hearing. Sadly succumbing aged fifteen to leukaemia, Acutis had created several websites for local parishes for outreach and volunteer engagement and another prize-winning project that documented all miracles, guardian angels and Marian apparitions, demonstrating from a young age a keen interest in hagiography, particularly the life of St Francis of Assisi, where he was eventually entombed in the Sanctuary of the Spoliation of Santa Maria Maggiore, his funeral and memorial mass attended lapsed Catholics, especially young people that had abandoned the Church. It is not yet determined what Acutis’ patronage will be exactly but one can make educated guesses. His relics and body on display exhibit the incorruptibility of the holy—some of which is owing to an expert embalming job. 

synchronoptica

one year ago: assorted links to revisit (with synchronoptica), the Hobby Computer Club of Leiden plus Lego Lost at Sea

seven years ago: the Japanese domestic automarket, nightingale floors, North and South Korea accords, a unique bicycle design, America’s balloon lobby plus typographer Herb Lubalin

eight years ago: der Kuss, AI safeguards, an AI outfitter, the skies of The Scream plus a pop-up recycling facility

nine years ago: longer-lasting batteries plus taxidermied mermaids

ten years ago: the Jonbar Hinge

10x10 (12. 405)

hug, marry, kill: internet roasts muttonhead JD Vance for his audience with Pope Francis—more here  

kegsbreath: US defence secretary poised to be replaced and other news and developments from Superpunch—see more  

trump slump: populist politicians over the globe are distancing themselves from MAGA  

yolo: search data for Anglophone texting abbreviations  

oh aunt jess: Angela Lansbury in fine art—via Miss Cellania  

technics: an obstacle course for LEGO walkers  

zwiebelfisch: a treasury of printers’ terminology, as in the German for a character misprinted with a dif𝚏erent font, and more including wayzgoose 

one if by land, two if by sea: Heather Cox Richardson speaking at the two-hundred fiftieth anniversary of the midnight ride of Paul Revere  

education for death: Walt Disney’s 1943 film on how fascists are made 

a good book can help us weather the storm: Francis’ defence of literature for spiritual and mental enlightenment—see also this papal playlist

11x11 (12. 263)

broadband equity, access and deployment: Trump administration thinks the BEAD programme of the Infrastructures Investment and Jobs Act is too woke   

fermata: a thousand artists release a ‘silent’ album to protest changes to UK intellectual property rights to attract AI companies interesting in training their models on copyrighted material—via the New Shelton wet/dry—also more music without sounds 

late stage capitalism: Washington Post owner Bezos will only allow editorials that defend “free markets” and “personal liberties”—see also   

annual reformulation: important meeting of the US Centres for Disease Control to discuss strains for next season’s influenza vaccine cancelled, confirming fears that the new health secretary will pivot away from proven preventative medicine 

rif me daddy: what Trump’s AI enhanced shitpostings reveal about the administration and plans for the future of Palestine 

absalom, absalom: William Faulkner’s record-setting run-on sentence 

torus and tokamak: a German fusion startup is lauded for its plans, peer-reviewed, to launch a functioning power plant   

only the markets can save us: America’s total economic boycott planned for the last day in February 

touch grass: an app that blocks screentime and doomscrolling until one has proven one’s gone outside—via Waxy  

snoopers’ charter: Apple’s capitulation to the UK’s Investigative Powers Act is Chekov’s Gun for privacy worldwide   

by the people and for the people: dossiers of the people working for the Department of Government Efficiency

synchronoptica

one year ago: ceramicist Yoonmi Nam (with synchronoptica) plus the age of ludicrous inventions 

seven years ago: A Million Random Digits plus assorted links to revisit

eight years ago: more misattributed quotes 

nine years ago: Sàmi tone poems

ten years ago: theodicy, get anything delivered, more links to enjoy plus RIP Leonard Nimoy

endless feed (12. 216)

Having pinned the obsession with our devices and the dopamine hits that they provide to the allegory of Narcissus—and by extension a Sisyphean task—and thinking it went no further, we appreciated being able to expand the metaphor and look at the insatiable compulsion another way with what the Greeks proverbially describe as the “Tantalean punishment” ( Ταντάλειοι τιμωρίαι)—the mythological figure’s eponym synonymous not only with what’s tantalising, eternally tormented by the sight of something desirable but just out of reach but also for those who have good things but cannot enjoy them and teased with aroused expectations that fail to satisfy. Consigned to the lowest level of the Underworld, Tartarus, Tantalus is made to stand in a pool of inviting water with fruit-laden boughs just above his head, the refreshment sought to slake his thirst and quell his hunger receding from his grasp, as divine retribution for having abused the hospitality of the gods and stealing ambrosia and nectar from the table of the Olympians and bringing it back to his people—also for trying to test the gods’ omniscience by butchering his son and serving him to them, whom was later mostly reconstituted. The torture maps quite aptly with the addictive saturation of social media with unending scrolling and no clear exit point by design for finishing a conversation or the consumption of a piece of culture, with tributes, remixes and tangents. Fittingly, our tragic figure is also the namesake of the rare earth element tantalum, an essential component of smart phones and other electronics with some forty milligrams of the substance in the palm of one’s hand right now.