7x7 (13. 235)

back alley: the Canadian (purported) regionalism laneway and its distinctions—see also  

butterfly net: a magnetic mount turns insect encounters into digital entomological specimens  

mctuscan heaven: a spectacular Garage Mahal—see previously  

special envoy for the shield of the americas: Trump reassigns Kristi Noem from DHS secretary in first major personnel shake-up of his second term  

＊: following its refusal to compromise its ethics rules on autonomous weapons with no human involvement, Pentagon declares Anthropic a supply-chain risk—see also  

hypercard: more hypermedia projects from Apple’s development kit that predated the World Wide Web, including an emulation of Brian Eno’s Oblique Strategies—see previously  

from cork to kingston: politician’s speech is a linguistics lesson in the influences of colonialism

9x9 (13. 226)

strength is not strong: it takes more than might to make right 

right of reply: Palantir sues small Swiss media outlet for accurately reporting of the government’s rejection of their surveillance and analytic services offers  

lifeguard on duty: annual design competition to reimagine Toronto’s beach rescue stations as public art during the winter break  

a tuba to cuba: the travelogue of a jazz band’s trip to Havana to explore their musical roots  

visual variable: a free library of thousands of cartographical icons that can be scaled down to the head of a pin—via the Map Room  

the tamizdat project: a library curating literature smuggled into the Soviet Union as part of US spycraft (“published abroad”) to destablise the Bloc from within 

site specific: a roundup of some of the most garish public art installations in the world—via Miss Cellania   

homily: Pope Leo urges priests to stop using AI to write sermons 

brother fire: reflections on a war of choice and the dashed hopes of the Arab Spring

culcitology (13.214)

Vis-à-vis the prior post, we thoroughly enjoyed this deep-dive from host Alie Ward that serendipitously was next in my feed on the history and craft of quilting—the study from the Latin for pillows and bedding featuring an expert panel discussing all aspects of textile art from familial traditions and pedagogy, therapeutic aspects, documentation, memorial, encoded messages, politics to protest. The overview of the ethnography of the ungated art and transition from a commercial, male dominated activity to domestic labour and women’s work (see also) and the social movements that grew out of quilting-bees and sewing-circles is particularly fascinating. There’s even a bonus bespoke pattern and a tutorial at the website up top.

best in show (13. 213)

Via the always excellent Everlasting Blört, we learn of the Modern Quilt Guild (see also) of Los Angeles, founded in 2009 and inspired several other chapters internationally, through its annual QuiltCon held every February. Not only does MQC sponsor educational resources and workshops for individual and community projects, they also have a competition for the most inventive patterns in several categories, like the pictured over all winner by Carolyn McKibbin of New Jersey entitled “Mom Jeans”—we’d love to be able to repurpose old textiles like that—and patchwork honourable mention, “Building Barriers,” by Jennifer Candon of Harvard, Massachusetts. More at the links above.

je sème à tout vent (13. 212)

We enjoyed perusing this abecedary of desk pads (blotters) promoting the Petit Larousse junior encyclopaedic dictionaries, above motto, “I sow to all the winds,” usually depicted on the cover by a figure blowing dandelion seeds, la dent-de-lion. It’s a bit of a brain teaser to figure out what the words are being depicted in French—like D for douche, dolmen, dinde. Scroll through the whole alphabet and see what for us non-francophiles needs some puzzling out.

synchronoptica

one year ago: microbar banners (with synchronopticæ) plus Napoleon returns from exile (1815)

twelve years ago: a direct connection between Europe and Brazil to bypass US undersea cables 

fourteen years ago: the myth of the eight hour sleep 

fifteen years ago: Germany surpasses France as a European travel destination 

fondation vasarely (13. 182)

Dedicated on this day in 1976 with its inaugural opening, the architectonic museum in Aix en Provence showcases the pioneering Op Art designs of Victor Vasarely (see previously) and promote his vision of making the arts accessible for all and founding a city of tomorrow. Forty two six by eight metre cells constructed in situ house various exhibits. Coming out of the Bauhaus school tradition, the Hungarian-French artists went on to produce abstract paintings, cladding, façades and sculptures that referenced optical illusions as a sort of visual kinetics (plastique cinétique) that relied on the shifting perception of the viewer—a stylistically satisfying middle-ground between the moving artwork of Calder, Duchamp and Man Ray and the disorientating MC Escher.

11x11 (13. 159)

que rico ser latino: staging Bad Bunny’s Super Bowl half-time celebration  

coed darcy village: a building project on the brownfield site of a former Welsh mine abandoned without explanation—via Things Magazine 

printing films: vintage educational and instructional shorts on typesetting and the publishing industry—via Kottke  

as slow as possible: anticipating the next chord change after almost two years for the organ in a church in Haberstadt playing six-hundred year John Cage (see previously) composition  

wseg-10: with nuclear treaties lapsed and the US retrofitting obsolete silos, an interactive map showing areas of the US most likely to be affected by an atomic exchange 

material worlds: revisiting architecture Bruce Goff and his homespun futurism through a new retrospective exhibit—via Nag on the Lake  

lawful neutral: Jeremy Bentham’s 1817 categorical table of human impulse as an early form of alignment chart 

pitchforks: San Francisco’s pro-billionaire march turns out as a bust  

tangible media: a collection of data one can hold 

hagyomány, identitás, történelemthe: mysterious Rohonc Codex that has resisted decipherment—see also  

viva italiano: Winter Games opening ceremony was a celebration of the host country’s cultural icons—including Bialetti’s Moka Express

9x9 (13. 148)

times new resistance: a typeface disguised to appear as the US government endorsed font but furnishes subversive autocorrect suggestions  

there are four lights: Star Trek: TNG episode “Chain of Command” is an allegory for domestic abuse  

prosperity gospel: at the US National Prayer Breakfast (see previously) Trump announces upcoming ceremony to rededicate America to Jesus  

dominotier: the guild of wallpaper makers and the many applications of their craft  

plasticine dream: render yourself in claymation in real time  

🦞: more on the theology created by AI agents—see previously—via Web Curios 

almanac: US Central Intelligence Agency in an act of cultural vandalism is not only sunsetting its World Factbook but also deleting its archives  

ill may day: Sir Ian McKellen masterfully recites from the apocryphal Shakespeare play about a sixteenth century anti-immigrant riot  

blackletter fraktur: on how the Gothic typeface, based on French handwriting, became synonymous with Nazism despite Hitler’s ban on its use—see previously—via Kottke

dérive (13. 135)

Via {feuilleton} we are directed towards this essay by Hari Kunzru whose recent rather disenchanting drift through London gave him pause to reflect on the Situationists and their manifesto of psychogeography and how, under a permanent curfew, not just by law enforcement but also by consumerism and spectacle, were a boxed in by the geometry of our built environments—a situation that the peripatetics of sixty years ago could have imagined and warned us about that makes the spirit of wandering and discovery near impossible in our unconscionable architecture of choice. Albeit while such a lament may be overdue for us idle flâneurs and has been sometime in the making with algorithmic and optimised nudges not allowing us to stray from the well-trodden path, it’s still worthwhile to consider what sort of blinders our routines and deviations are heir to.

model village (13. 126)

Via the Blört Everlasting and Present /&/ Correct, we are directed towards the imaginary town of an “unconscious architect” in the papercraft district made by Peter Fritz, an Austrian insurance clerk reconstructing buildings from his home town from memory, running the range of every typology encountered from the residential to utilitarian as a pastiche of vernacular styles during the 1950s and 1960s. This all but anonymous collection of nearly four hundred structures was found a charity shop and exhibited at the 2013 Venice Biennale by Vienna-based artist Croy Nielsen, fine examples of the venue’s theme of an encyclopaedic palace. Much more at the links above.

synchronoptica

one year ago: deferred resignation programme (with synchronopticæ) plus who goes MAGA?

twelve years ago: crypto and money laundering, the Transatlantic Trade and Investment Partnership plus Dr Strangelove 

fourteen years ago: movie posters from a parallel universe plus botanical nomenclature

fifteen years ago: optical effects 

sixteen years ago: smoke-free workplaces 

achivio grafica italiana (13. 123)

 

Via Kottke, we are referred to this remarkable reference source dedicated to the entire rich heritage of Italian typography and graphic design. This growing collection, each specimen and exhibit curated and given context—like the pictured book jacket for Edizioni Politiche covering the fight for equity in pay and labour conditions of African Americans, is the personal project of Nicola-Matteo Munari, partnered with Designculture and has been adding accessions since 2015. There’s a lot of works by Massimo Vignelli and from the Olivetti studio workshop to discover plus countless other artists to adopt and champion, like Italo Lupi with this commission for a chakra calendar, that may have been just under one’s radar. 

 

7x7 (13. 105)

helix nebula: JWST captures amazing images of the planetary incubator 

academy cinema two: the linocut posters for movie classics from Peter Strausfeld  

degrassi high: an appeal for Canada television to bring back its weirdness—via MetaFilter  

deus ex machina: a survey of the long history of technology assisted writing  

the attention economy: cybernetic interface and the tolerance of distraction as told through “pursuit tests” on the last century  

public domain revue: an call for submissions to remix properties like Betty Boop, Nancy Drew, Flip the Frog and more—see previously, see also  

galileo let me go: the most challenging mission in the history of NASA

heesch’s problem (13. 083)

Ranging from zero (in the case of the circle) and infinity for squares—with seemingly few values in between—in the study of tessellations (see previously here, here and here) a Heesch number pertaining to a geometric shape is the maximum number of layers of identical copies of the same figure will bear with no gaps or overlaps. Named for the geometer and mathematician Heinrich Heesch, who also made significant contributions to the field of tiling patterns and then unproven for colour theorem (the first mathematical proof by a computer) for mapping boundaries, he noticed that a one sort of planar shape, a square fused with a triangle would only accommodate one extra layer, as illustrated with these spandrels (from an architectural space between the top of arch and the ceiling) term referring to the teardrop arranged by contemporary Walther Lietzmann, and posed it as a general puzzle. Beyond the core, one can only form a signal corona of identical shapes—and whilst blocky polyominoes and tetrominoes seem to hold limitless promise at first glance, there still seems to be a limiting factor with no more than six deep.

8x8 (13. 069)

leturfræði: an exploration of the graphic design heritage of Iceland through its greatest, recently departed historian  

shoyu-tai: a fibre-based soy sauce single-serve container as an alternative to disposable plastic droppers  

unfcc: Trump administration announces withdrawal from dozens of United Nations chartered organisations, saying their mission does not align with the US agenda  

i’m t?w?e?n?t?y?-f?i?v?e?: artist records one word per day for a reflection on the passage of time 

amour-propre: Chinese buzzword of the year 爱你牢记 (ai ni laoji, love yourself, my dear)—see previously 

hemlock: Texas university has forbidden a professor from teaching a course on Plato  

anodyne: a Singapore based technology company invents biodegradable, paper batteries that rely on no rare earths  

gobelins: the famed French school of animation has a YouTube channel that features student films

ten-forward (13. 058)

Via Kottke, wee enjoyed exploring these 360° panoramas of the interiors of several ships of vessels from the Star Trek franchise—the bridges, engine rooms, quarters, sick bays and corridors from ships from different series—see previously, see also. Sets include USS Voyager, and the original USS Enterprise plus -D and -E.

9x9 (13. 043)

the unforgivable sin of ms rachel: Tedium’s Online Video Awards and the problems with platforms 

grunt work: AI has the potential to destroy career ladders—via Damn Interesting  

grove press: the Mid-Century Modern covers and jackets of Roy Kuhlman  

turbo moka: a thermodynamic redesign of the classic Italian coffee pot—see previously  

gânditorul de la hamangia: reflections on a palaeolithic pair of artefacts  

ieee spectrum: top climate tech stories of 2025—including atmospheric ammonia harvesting 

i dislike dune with some intensity: JRR Tolkien was not a fan of Frank Herbert’s work  

the imperfect homework machine: students’ experience with AI mirrors a Shel Silverstein poem 

 the year in search: more of Miss Cellania’s annual superlatives

living flower (13. 036)

Masterful at marketing and self-promotion across all media, Salvador Dalí never encountered an art form that caused him to shy away from disrupting with his signature surrealism. Though his career in jewellery design spanned for several decades, one could be forgiven for thinking it was a one-off project (see also) as his most radical creations were exhibited as a contemporary collection, with a forward for his 1959 catalogue calling them a protest against emphasis on precious materials. Craftsmanship was not reserved for costume jewellery, however, with diamonds, rubies, platinum and gold and some broaches and pendants were motile, as can be seen on the Pathé newsreels clicking through to the source above. Modelling an ensemble of Dali´’s pieces is Madelle Hegeler including a leaf-veined hand, the Eye of Time Watch and a pair of garnet and pearl lips inspired by Mae West’s come-hither smile. More from Open Culture at the link up top.

agitprop (13. 019)

Hacker emeritus, Jamie Zawinski, presents quite a memory dump sharing the original, mostly forgotten logo designs for the open source web-browser Mozilla that was created on commission by graphic designer Shepard Fairey to create a corporate brand back in 1998—a spin off of Netscape that would eventually become Firefox, featuring the dinosaur mascot and backgrounds and colour schemes inspired by the Soviet propaganda of Vladimir Mayakovskii and visual contemporaries. One banner encouraging one to download the code even contains in translation the reference to the Proverbs chapter six: ПОРАБОТАЕШЬ БУДЕТ МУКА; ПОСИДИШЬ СЛОЖА РУКИ БУЛЕТ НЕ МУКА́ А МУ́КА—Sit with crossed arms and there will not be flour, the verse admonishing to not give into slumber. Much more from JWZ at the link above.

synchronoptica

one year ago: the Southern Solstice (with synchronopticæ), president Musk plus assorted links to revisit

twelve years ago: Bjork’s private island, the blog is dead—long live the blog, Star Wars embraces fan-art plus saintly hand gestures

fifteen years ago: more unseasonable weather

department of the interior (12. 987)

Having encountered some of these brilliant and iconic Depression Era posters sponsored by FDR’s Works Projects Administration, we appreciated learning about the landscape architect and graphic designer behind the strategic and unified tourism campaign to promote US national and state parks, Dorothy Waugh, through an exhibit of seventeen of her placards—particularly at such a fraught time for these preserves, understaffed, subject to revisionist histories, corporate encroachment and surge-pricing. Due to the scope and scale of her work for the Civilian Conservation Corps’ infrastructure projects for the parks system, Waugh went from being the sole artist to hiring and supervising a team of draughtsmen and also produced easy to follow diagrams and designs, most workers unable to interpret blueprints and formal specifications, for the construction picnic areas and campsite conveniences as well as other basic structures. Much more from Print magazine at the link above.

sounds about white (12. 984)

In contrast to last year’s officer holder, Pantone’s Colour of the Year (see previously—it’s truly not an annual tradition to keep a close eye on, though in this case, it’s not just the lower the stakes, the stronger the conviction) of Cloud Dancer seems a rather bland, neutral choice at first blush and a reversal of its previous pick of “Mocha Mousse” (someone said 2025: poop 2026: toilet paper) but then an interesting one given the political climate in the US specifically and has instead courted controversy, given the election of Trump to a second term, accidental Nazi salutes, immediate assaults on programmes working towards diversity, equity, inclusion and accessibility both in the federal government and then followed by private industry, revisionist histories including erasure of Black contributions and America’s past of slavery, enabling racial-profiling and unleashing armies of immigration officers on cities to terrorise people whom appear to have non-caucasian heritage, freezing immigration while offering refugee status to Afrikaners and the courts again set to hear the administration’s argument in favour of overturning birthright citizenship, just focusing on the solely racist actions. It seems the trend institute was not just throwing in the proverbial towel—though we contend that they well could have just been calling it in with the selection and exalted copy sounding suspiciously machine-generated.

synchronoptica

one year ago: America’s first electric vehicle (with synchronopticæ), celebrating a century of Dick van Dyke, St Ambrose, the fallout of AI replacing hyperlinks plus Scrooge’s tombstone

fourteen years ago: US state department announces it will no longer tolerate homophobia plus an end-of-the-year-figure-with-wings

fifteen years ago: disingenuous transparency 

sixteen years ago: COP 15 plus cable conglomerate to acquire NBC