🟨▲⚪️ (12. 276)

Having been exposed to the avant-garde artistic performance directed by Oskar Schlemmer beforehand, we enjoyed this omnibus posting on the touring troupe put together for the Triadic Ballet to help spread the ethos of the Bauhaus movement from 1921 to 1929 through its various revivals and re-interpretations of choreographed geometry, privileging the form and function of dance to the level of appreciation for a well-conceived chair or building. Building off of multiples of three, the concept is to introduce and reinforce he unity of design across disciplines, as something transcendent despite and by dint of mass-production, the transformative power of art on industry. Much more at Colossal at the link above, including original costume designs and contemporary productions.

curtain call (11. 986)

Whilst familiar with some of these traditions and prohibitions, like the ghost lights that even burned in theatres when everything was shut down during COVID, we didn’t know the possible origins of the taboos, like not mentioning the Scottish play, and enjoyed reading this overview of backstage customs and lore.

Although sounding superstitious, whistling in a theatre was discouraged as sailors were often employed as stage crew for their skill with ropes and knots and brought with them their jargon of command whistles and an actor would not want to countermand or confuse an order, lest a prop be dropped on their head. First performed during a time when most theatrical companies had a set repertoire, rather than courting bad luck, the suggestion of Macbeth was an admission that perhaps a season’s run with flagging audiences could be turned around with the staging of a really popular piece. Wishing one to “break a leg” has a myriad of possible roots, from understudies politely wishing an accident would befall their respective principals so that they could assume the role, to cross a threshold—“the leg line” of a concealing stage curtain and take a bow before the audience to the most likely etymological source, both Wanderwörte and retronym and a bit of mishearing, with the entertainment industry directly borrowing from the idiomatic wish amongst Luftwaffe pilots during the first and second World War Hals- und Beinbruch, “may you break your neck and leg,” as a corruption of the Yiddish phrase: הצלחה און ברכה—that is hatsloke un brokhe, “success and blessings.” Professional dancers, on the other hand, exclaim “Merde!” to one another, harking back to times when horse-drawn carriages would bring spectators and a lot of dung in the streets of a venue would mean a solid box-office.

8x8 (11. 642)

crazy logic: a rather seamless mashup of Gnarls Barkley, Rockwell, Pink Floyd and Sumpertramp  

ыһыах: the Yakut people of arctic Siberia celebrate New Year on the Summer Solstice  

culicidology: a fascinating two-part discussion of mosquitoes with Alie Ward 

baggage carousel: an animated journey of checked airline luggage 

the phrygian cap: the Paris Games’ mascot with a revolutionary past—via Miss Cellania  

the beige begins early here folks: McMansion Hell (previously) presents another instalment of the American Medieval Revival—via Things Magazine  

re-alignment: just ahead of Solstice celebrations, activists with Just Stop Oil douse the megalithic calendar with orange paint power 

chiroptera: a ballet chroegraphed by Thomas Bangalter, formerly of Daft Punk—via tmn

saut de chat (11. 360)

Via Fancy Notions, we are introduced to the career and filmography of pioneering Soviet Armenia animator Lev Atamanov (Լեւոն Ատամանյան) and director through his 1969 collaboration with composer Alfred Schnittke, Ballerina on the Boat, with choreography help by members of the Bolshoi. Teaching the sailors to be more graceful, the passenger saves the ship during a storm with her moves.  After founding studios in Yerevan, Atamanov later joined Soyuzmultfilm, adapting many classic fairy tales and creating narratives of subtle satire with gentle humour and positive characters.

componibili (11. 142)

Celebrating half a century since their original presentation in a Köln pavilion in 1972 and 1973, the rarely displayed club- and pin-like orbitals by sculptor Roberto Cordone will be gathered for an exhibition near the original grounds to reintroduce the iconic design and symmetry that helped legitimise plastic as a medium to complement traditional public art. Whilst these molecular, tetrahedrons are stationary, Cordone’s most celebrated installations are kinetic, metal elements called perpendicolari and elicoidali that can be repositioned by wind and waves and are self-righting, displayed as permanent outdoor monuments but occasionally adapted for the stage as part of a ballet choreography. Learn more about the showcase, the artist and its sponsors at designboom at the link above.

7x7 (11. 007)

spiral town: AI artistry with geometric patterned medieval villages captivate the internet—via Waxy 

the fabric of civilisation: the fascinating history of sericulture—see previously here and here  

🫠: an informal survey reveals men think about Ancient Rome daily, sometimes to the surprise of their partners 

magic screen: a look at the creative crew behind Pee-wee’s Playhouse 

lennon 2499: hunting down the artist’s famous wristwatch—via Nag on the Lake’s Sunday Links (lots more to check out there)  

hal mooney and his orchestra: ballet standards as lounge music  

everyday yōkai: AI generated Japanese folklore figures hiding in plain sight—see previously

l’oiseau de feu (10. 834)

The premiere work for then virtually unknown composer Igor Stravinsky debuted on this day in 1910 at the Palais Garnier, performed by the company Ballet Russe to critical acclaim, immediately solidifying him through this collaboration with choreographer Michel Fokine as an international figure in operatic productions and orchestral virtuoso. Staging, set and costume designs were quite phenomenal but the music alone was enough to propel Stravinsky’s career, The Firebird (see previously) tells the hero’s journey of protagonist Prince Ivan, based on the folktale, who becomes lost during a hunting expedition, loses his party and strays into the enchanted realm of the malevolent wizard Koschei the Immortal, kept deathless by keeping his soul in a pin in a magic egg. Ivan captures but spares the life of the Firebird, who is both boon and curse for her captors, who offers a feather as a token of gratitude to summon her aid in a moment of dire need, which comes when the prince confronts the wizard.

sugar plum fairy (10. 517)

Featuring pioneering prima ballerina Marie Tallchief (Osage 𐒼𐓣𐓸𐓟𐓤𐓘𐓸𐓮𐓰𐓘𐓸𐓲𐓘) in the principal role, following after her revolutionary performance in Igor Stravinsky’s The Firebird as choreographed by George Balanchine, the premier of The Nutcracker under the same creative team behind the staging by the company of the New York City Ballet on this day in 1954. Enchanting thanks to Tallchief’s magical moves, it has been an annual tradition ever since.

8x8 (10. 508)

musiclm: a Google sandbox experiment for audio generation from rich captions—via Waxy and Web Curios—see previously  

krewe of karens: i would like to see the Mardi Gras manager  

semi-stagionato: an ancient method for surviving the COVID cheese glut made have improved the region’s pecorino cheeses  

taming of the shrew: voles manage to bond and form long-term relationships without the “love hormone” oxycotin  

party (of one): Broadway Barbara’s “Dance for Your Life!”—see also 

 an absurd italian gastronomic religion: the ironical, fascist sauce that outlived the war on pasta—via Nag on the Lake’s Sunday Links—lots more to explore there 

you know i always wanted to pretend that i was an architect: attribute these quotes to either Seinfeld’s George Costanza or GOP darling George Santos  

magic voice: more prompts and audio continuation courtesy of Google’s suite of AI tools

6x6 (10. 433)

shift happens: a comprehensive history of keyboards by Marcin Wichary—via Waxy  

luni-solar: the people who are living in multiple timelines—see previously  

poly canon: a showcase of strange, experimental architectural students senior projects at scale  

hydraulic press interpretive dance: the impressive choreography of Sarah “Smac” McCreanor—see previously  

nangajo: prominent figures of the Japanese design community present their greeting cards for 2023 (see previously), the Year of the Rabbit 

franklin ace 100: the Apple clone (see previously) with a bizarre users’ guide—via Waxy

7x7 (10. 242)

lettuce rejoice: a bit of highly monitored produce outlasts the prime minister 

cincinattus: the real and fraught possibility that Boris Johnson could be brought back as the Tory leader

jazz swing and joy wheel: revisiting the playground and its antique architecture—via tmn  

hive mind: how studying the decision making approach of bumble bees can lend insights into the mechanics of human memory  

on pointe: ballet dancers caring for the tools of the trade  

not another experiment: UK opposition political parties call for a General Election 

every inch of you: a punny produce display

7x7 (10. 229)

symphony of the birds: CBS Radio director Jim Fassett’s 1960 experimental arrangement  

home row: Google Japan develops a long, horizontal keyboard for messy desks—reminded us of the iPhone Taller that doubles a guitar  

benevolent dictator: a profile of President Kevin Baugh and his micronation of Molossia—via the New Shelton wet/dry  

kunstradfahren: a graceful bicycle ballet by a skilled practitioner of this 130 year old sport  

barcalounger: ten homes whose decor is tied together with classic Eames chairs—see previously

unreliable narrator: microbrews and hipster beer names  

peer-reviewed: birdsong helps alleviate human anxiety and paranoia

8x8 (10. 174)

on pointe: an Australian ballet company recites an alphabet of foot poses  

detour: experts urge adding a Venus-flyby to first crewed mission to Mars  

suaviter in modo, fortiter in re: the Royal Mail’s Investigative Branch is the oldest recognized crime fighting organisation in the world—via Messy Nessy Chic  

puffling: with blása Icelanders help to reset sea bird chicks internal compass  

bisexual lighting: the story of a strange picture and other Wikipedia articles in need of an illustration—via Super Punch  

only you could be so bold: whilst Putin invades Ukraine, a studio in Kyiv is creating the voice of Darth Vader

asteroid! coming in from the void: ripped from the headlines 

tiptoe: performer dazzles with their bottle-walking routine

8x8

the fiume endeavour: Neutral Moresnet and other countries that fell off the map 

international male: thirty-three national costumes from the 2022 Mister Global pageant via Miss Cellania  

odette and odile: a diminutive chihuahua and human handler perform Swan Lake  

smpte colour bars: a BBC test pattern jumper and mural—see also  

bad actor mode: an AI normally tasked with developing new, novel medications had its parameters switched seek out toxicity and suggests tens of thousands of chemical weapons and poisons in the space of a few hours—via Slashdot 

 cameo appearance: Georgia gubernatorial candidate Stacey Abrams portrayed the President of United Earth on the season finale of Star Trek and brought the planet back into the Federation 

state-of-the-art: ten breakthrough technologies online now that could change our trajectory for the better—via Kottke  

geopolitics: charting the advance of democracy

idomeneo

Considered one of the greatest operatic works of all time, the Italian language dramma per musica based on a 1705 stage play by French tragedian Prosper Jolyot de Crébillon about the eponymous King of Crete by Wolfgang Amadeus Mozart had its premiere as the opener for court carnival season in München on this day in 1781. The piece in three acts with ballet interludes tells the story of the homecoming of the commander-in-chief who led the Cretan navy into the Trojan War, comrade of Ajax and rebuffed suitor of Helen, Idomeneus (Ἰδομενεύς—like The Odyssey)—grateful for peaceable relations again after decades of fighting, exercises clemency over prisoners of war brought from Troy, including Priam’s daughter Princess Ilia, though Argonaut Princess Electra is not happy about the potential competition to marry into the dynasty. In contravention to an earlier pledge that would have the king sacrifice his son to the sea on condition of a safe return, Neptune relents and spares the life of the king’s son Prince Idamante, on the promise that he relinquishes his throne to the younger generation, with the new king taking the Trojan princess as his queen. All are happy except Electra—her later parricidical frenzy attributed to this early rejection.

7x7

the year that was: Miss Cellania’s Winterval tradition of annual lists—including arts and entertainment, animals and more  

market volatility: unusual vintage shot glasses track ups and downs of the Dow Jones Industrial Average—via Super Punch 

a sight for sore eyes: a coffee table edition from rock royalty The Residents  

where the wild things are: Maurice Sendak directed a darker version of The Nutcracker ballet, truer to the original narrative and far more captivating  

ultimate rendering: Picasso’s first and last self-portraits—see also—via Messy Nessy Chic 

boop: robot reacts to a poke in the nose

lend me your ears and i’ll sing you a song about a sad, dysfunctional d.c.: US president Joe Biden’s first year in review presented by Politico

7x7

the dance of the proletariat: a cultural revolutionary ballet 

reefer madness: an excerpt from “Cocaine, the Princess of Perdition” (1939)  

beef and dairy network: a 1986 board game called “Grade Up to Elite Cow” 

music to moog by: Melbourne’s Electronic instrument museum  

old growth: an anthology of the most memorable trees in the literary canon  

ambiguate: a notable lacuna, lexical gap for a word that ought to have been formed 

rhythm is a dancer: a comprehensive dance music archive covering the recent past—via Things Magazine

9x9

glass menagerie: a Murano bestiary on display in Venice  

glow up: beauty tips from Ancient Roman—via Strange Company’s Weekend Link Dump  

coconußritter: a short about Foley artists and creating soundscapes  

happy little clouds: explore a relaxing gallery of Bob Ross paintings (previously), via Nag on the Lake’s Sunday Links   

culaccino: a database of words that do not readily translate succinctly, like this Italian term from the mark left on a table by a cold glass—via Swiss Miss 

electrobat vi: antique electric forerunners side-by-side with modern EVs  

the perils of everybody: a ‘mistake waltz’ that illustrates the pratfalls all ballet recitals are prone to  

where the buffalo roam: restoring the ecosystem of the North American Great Plains by reintroducing charismatic megafauna  

kitchenette: re-examining Liza Lou’s beaded exhibits

9x9

segmentation and targeting: A/B testing “The Love Song of J. Alfred Prufrock”—see also 

light house customer: we appreciated the chance to revisit a new and improved version Lights at Sea—via Nag on the Lake—both times  

nice.walk.ruined: award-winning global addressing scheme what3words (previously) subject to some juvenile humour with locations mapped in smutty language, both real and bespoke  

isotopia: a high-brow 1950 ballet and pantomime presented to the steering committee of the Atomic Energy Association to extol nuclear power from Weird Universe  

apartment d3: seven printed homes around the world  

l’art de payer ses dettes et de satisfaire ses créanciers san débourser un sou: credit culture in nineteenth century France 

alpha version: drag and drop personal, old school websites from mmm—via Kicks Condor 

sovietwave radio: broadcasting a selection of the sub-genre’s best space age and syntho-pop—via Dark Roasted Blend 

the writers’ block: a suite in Chelsea Carlyle mansion home to Henry James, T. S. Eliot and Ian Fleming on the market

щелкунчик

Debuting in Saint Petersburg on this day in 1892 (Old Style, 6 December), the stage, fairy ballet (балет-феерия) adaptation of the short story by E. T. A. Hoffmann—The Nutcracker and the Mouse King—opened as a double-feature with Pyotr Ilyich Tchaikovsky’s ultimate opera Iolanta, a one-act performance about the Duchess of Lorraine, Yolande de Bar—a romanticised biography of figure who was more retiring and reserved in real life. Though initially not well-received and critics using rather harsh language, the overture and suite that the composer score was an enduring success, with countless Christmas season performances accounting for an incredible forty percent of attendance for ballet companies in North America in normal times.