bi-stable curious (13. 440)

Celebrating the return of his favourite recurring character with his latest panel, frequent cartoon contributor to the New Yorker Paul Noth, as we are informed by Things magazine, shares his fascination with optical illusion, including his signature duck-rabbit, first appearing in the humour publication Fliegende Blätter by an anonymous artist in 1892 and soon being ensconced in common parlance by Ludwig Wittgenstein, describing the phenomenon as a bi-stable (or multi-stable) percept, philosophically put “seeing that” versus “seeing as” with an intermediate study in psychology and the original paradigm shift. Much more at the links above.

blacklight special (13. 418)

The aesthetic associated with a certain lifestyle and very much of an individual age particular era, we are introduced to the ubiquitous output of a defunct company in Houston, Texas that was once the biggest producer and distributor of experiential and mostly ephemeral wall art in the blacklight poster, printed with phosphorus ink that fluoresce when exposed to the otherwise invisible ultra-violet spectrum. Though the Day-Glo Colour Corporation had produced the pigment in 1932 with mainly military applications, it was the Houston Blacklight & Poster Company founder in 1969 that solidified the technique’s association with counterculture and drug use, popular in dormitory rooms, garage hangouts and advertising in concert venues, as something that could simulate and stimulate the visual distortions and hallucinations produced by an LSD experience or marijuana high. Regarded as disposable and a relic of the 1970s—though seeing somewhat of a revival in recent years, the city’s university special collections library, aside from rare books and ancient manuscripts, also holds, as we learn courtesy of { feuilleton }, an extensive archive of the company’s posters, ranging from the puerile to the promotional to the truly transfixing, with a tour arranged by a docent or trip-sitter now that the the behaviour has been pulled from the fringes of society whose talent, influential, went on to work in the animation field, bringing their style to Star Trek: TAS among others after the company dissolved within a few short years.

the house of mouse (13. 404)

Via Messy Nessy Chic, we are directed towards this illustrated strategic plan and sales pitch (click to embiggen) that Walt Disney presented to investors in 1957 showing revenue streams and how the company would work just as the empire was forming, Disneyland opening just two years prior, financed in part by syndicated anthology series, the Mickey Mouse Club—the variety show for children also a talent pool for the studio’s live-action stars, and a mini-series on frontiersman Davy Crockett with a tie-in ballad becoming a best-selling record. The entire juggernaut of merchandising (coonskin caps included) was complete and unprecedented, becoming firmly ensconced in American and later worldwide culture.

that’s so maven (13. 381)

Reprising a classic post with updates for 2026 when kill-bots have entered the chat with the US military integrating AI into its tactical decisions with Project Maven and the push for algorithmic warfare, Nancy Friedman takes a fascinating look at the once obscure Yiddish term—originally from the Hebrew mēbin (מֵבִין) as an expert, a knowledgeable person and echoing the rabbinical kaon, “he who understands will understand” (ha-mevin yavin)—but also with derogatory connotations of a know-it-all and a soi-disant authority. Like chutzpah and kvetching, the word was confined to certain circles before garnering acceptance in common-parlance, beginning in the 1960s, promoted to a large extent by an advertising campaign for canned herring, voiced by actor Allen Swift, as the self-proclaimed fish maven, and vocal talent behind Mighty Mouse and other cartoon characters. The following decades saw authors including William Safire take up the mantle, former speech writer for Richard Nixon and also a propellant for the term pundit, and cemented into mainstream language with Malcolm Gladwell’s 2000 The Tipping Point as a linguist lacuna that prefigured influencer as a career choice and our social betters. Much more from Fritinancy at the link up top.

inventive genius makes great discovery (13. 357)

The reason why we use the hole emoji as a tag for cartoons, as our faithful chronicler informs, on this day in 1955, the Robert McKimson Looney Tunes short premiered. Among the handful of Warner Brothers’ animated features not to include their usual cast of characters. Despite disapproval from his wife, Gertrude, scientist Calvin Q Calculus continues his research and develops a portable hole. The achievement publicised in a newsreel, a thief pilfers the professor’s briefcase containing the stock of his invention for nefarious purposes. The debut directorial work of McKimson for the studio convinced producers to revive their animation unit that was in the process of slowly shutting down since 1953, but lack of funding prevented other animators being recalled to contribute, with McKimson doing all of the work himself.

ex’23 (13. 318)

Courtesy of fellow peripatetic Messy Nessy Chic’s latest batch of finds, we are acquainted with pioneering theorist and consultant Faber Birren (whose given name, from his maternal grandmother’s surname is a flourish of nominative determinism, a close anagram of Luxembourgish for colour) whom after an adolescent period of experimenting with dyes and painting murals pursued a a programme of pedagogy at the University of Chicago. Unable to surrender his conviction in the importance of colour, regarding it as an article of faith, and dissatisfied with the lacking curriculum in his field of study, Birren dropped out and began a course of self-study in 1921, publishing several influential articles on putting chromatics and contrast to use, eventually establishing his own firm with clients including Monsanto, General Electric, DuPont and the US military. Birren was later contracted as a consultant colourist for Disney advising animators for the schemes of Bambi, Pinocchio and Fantasia and with the outbreak of World War II, Birren was conscripted to make work environments safer for the influx inexperienced workers coming to factories to replace the workforce diverted to the war effort. The coding conventions Birren prescribed are still in use today with the best preserved examples being the sea-foam green used for control panels (the object of this investigation and conserved in museums and legacy installations and universally adopted, also with fire-extinguishers), the lighter shades being used on walls and consoles to reduce visual fatigue. The title nom de plume is from Birren’s colour scale of reflected light in the most calming spectrum and sourced from his trade range colour.

jazzy spies (13. 295)

Also known by the above for the closing undercover lineup, the Jazz Number series was a collaboration between Jefferson Airplane singer Grace Slick,whom provided the vocals after her then husband, Jerry Slick of San Francisco animation studio Imagination, Inc, was commissioned to produce the segments for the new Children’s Television Workshop show Sesame Street. Slick’s team of animators were also behind the noonee, noonee typewriter guy and this upbeat psychedelic interstitial certainly belongs on the pantheon of nostalgia along with the pinball count and Multiplication Rock! More from Open Culture at the link up top.

hot spot (13. 290)

Courtesy of Miss Cellania, we are directed to a 1945 instalment in a series of animated instructional films produced by Warner Brothers and featuring PVT Snafu stationed this time in Iran as the logistics hub for delivering materiel to the Soviet Union during the waning days of war in Europe. Intrigued by reports of scorching temperatures, which first dismissed as propaganda, Satan, voiced by Mel Blanc, inspects the supply lines whilst our private bears the brunt of the burden in sizzling conditions. Bugs Bunny makes a cameo appearance in the gazetteer that the devil consults.

7x7 (13. 205)

merrie melodies: Turner Movie Classics (TMC) has acquired Looney Tunes and will begin pairing the animated shorts with the main features from Warner Brothers studios as they were originally shown in theatres  

el mencho: Mexico deploys thousands of troops to quell violence after death of cartel boss 

taco tuesdays: Trump global tariffs come in at a lower ten percent rate 

there’s no grace period so that’s a way in which i see us losing the interstitial: arguments for deplatforming oneself 

slava ukraini: Zelenskyy’s address to the nation on the fourth anniversary since the Russia invasion, extending an invitation to Trump to see who the real aggressors are  

i’m sorry but you can’t just name a weather event bombogenesis: tracking the winter storm slamming the North American eastern seaboard and other news 

all ages: the concert archive of Lynn Fisher—via Waxy

synchronoptica

one year ago: the Ukraine war enters its fourth year (with synchronopticæ), assorted links worth the revisit plus Marbury v Madison

twelve years ago: revolutionary plaza plus positive psychology

thirteen years ago: Freistaat Flaschenhals plus the waning potency of pesticides

fifteen years ago: arch villains  

sixteen years ago: spending priorities 

i’m like a minus, she’s like a plus (13. 161)

With the music video inspired by the scene from Anchors Aweigh when Gene Kelly dances with the cartoon mouse from Tom and Jerry, the lead single, “Opposites Attract,” from the debut album of Paula Abdul, Forever Your Girl, rose to number one and number two on the US and UK charts respectively on this day in 1990. The rotoscoped, animated feline character (a collaboration of both Disney and Warner Brothers studios) was voiced by the duo the Wild Pair with an addition rap bridge performed by Derrick “Delite” Stevens would go on to win that year’s MTV Music Award for Breakthrough Video and garnered a Grammy in 1991. MC Skat Kat and the Stray Mob went on briefly with a musical career, featuring Abdul in another video, “Skat Strut” and were spokespeople (along with Melba Moore, Ozzy Osbourne, Bette Midler, et al) for a recycling campaign, “Yakety Yak - Take it Back!”

*    *    *    *    *

synchronoptica

one year ago: a latter day prophet of peace (with synchronopticæ), assorted links worth revisiting plus The Ugly American

twelve years ago: Swiss vote on immigration policy 

thirteen years ago: pharmaceutical vocabulary plus more on Germany’s renewable revolution

fourteen years ago: splintered support for EU IP bill 

fifteen years ago: stock market mergers 

sixteen years ago: elections in Ukraine 

seventeen years ago: stimulants and sedatives 

9x9 (13. 148)

times new resistance: a typeface disguised to appear as the US government endorsed font but furnishes subversive autocorrect suggestions  

there are four lights: Star Trek: TNG episode “Chain of Command” is an allegory for domestic abuse  

prosperity gospel: at the US National Prayer Breakfast (see previously) Trump announces upcoming ceremony to rededicate America to Jesus  

dominotier: the guild of wallpaper makers and the many applications of their craft  

plasticine dream: render yourself in claymation in real time  

🦞: more on the theology created by AI agents—see previously—via Web Curios 

almanac: US Central Intelligence Agency in an act of cultural vandalism is not only sunsetting its World Factbook but also deleting its archives  

ill may day: Sir Ian McKellen masterfully recites from the apocryphal Shakespeare play about a sixteenth century anti-immigrant riot  

blackletter fraktur: on how the Gothic typeface, based on French handwriting, became synonymous with Nazism despite Hitler’s ban on its use—see previously—via Kottke

rede an den kleinen mann (13. 144)

Having a passing familiarity with one of the more radical and controversial figures in the field of psychiatry, Wilhelm Reich, we were rather absorbed with his 1945 illustrated essay, Listen, Little Man!—call-out quotations limned by cartoonist William Steig (best known for his 1990 children’s book Shrek! and the basis of the animated movies) a personal friend and originally self-published by Reich’s Orgon Press. Aligned with overarching philosophy that neuroticism, self-destructive behaviours and fascism were rooted in sexual frustrations, the tract, translated with multiple reprintings and influencing the likes of Saul Bellow, William S Burroughs and Norman Mailer and Joan Didion among others as writers of creative non-fiction, documents the evolution of a psychoanalytical session from the point of view of the derided therapist, Reich himself as a stand-in for the whole backlash against the industry and skepticism towards expertise in general, from bemused naïvety, amazement to panic and horror about how resistant the patient can be to being disabused, esteeming his enemies and persecuting allies, becoming crueler than through grievance than the power structure one hopes to supplant. Much more to discover at the links above.

10x10 (13. 100)

the cameraman’s revenge: a 1912 stop-motion film featuring taxidermied insects by Ladislas Starevich—see previously  

collateral damage: Trump’s seizure of Venezuela has deliberate knock-on effects for Cuba 

the monkey’s paw curls: prediction markets and betting on everything  

a spirit of dialogue: the World Economic Forum begins its summit in Davos (previously) in moment of geoeconomic warfare 

il tormento di sant’antonio: an examination of Michaelangelo’s juvenilia, the painting (more on the subject) not attributed to the artist for half a millennium  

bic cristal: the flagship product of the French sundry firm turned seventy-five—see previously  

mercator projection: famed Flemish cartographer believed that there was a magnetic mountain, Rupes Nigra, at the North Pole, accounting why compasses point towards the arctic—see also  

snow crash: Facebook quietly discontinues the Metaverse  

vanity project: Trump has formed an intergovernmental agency to oversee reconstruction in Gaza called the Board of Peace as an alt-UN with billion dollar membership dues—see previously here and here 

how now, brown cow: back-scratching bovine causes animal behaviourist to reassess their intellect—see also

why, he’ll have you back here before you can say schicklgruber (13. 085)

As our faithful chronicler reminds, not long before the collapse of the Third Reich the Merrie Melodies animated short film, the penultimate in their anti-Nazi propaganda series, premiered in theatres with news reels before the main feature on this day in 1945. After a prologue describing the downfall of Nazi Germany, a furrow ending in a rabbit hole emerges in the woods with Bugs Bunny, realising he is in the Black Forest laments that he knew he should have “taken that left turn at Albuquerque”—the first occurrence of the catchphrase. A chase ensues with Hermann Göring pursing his quarry, hoping for a bit of relaxation and distraction but Bugs manages to evade capture whilst eliciting some anti-Hitler sentiment. Musical, operatic interludes from Wagner’s Tannhäuser (see also here and here) and Strauss waltzes punctuate the encounter. Though not banned per se from the studio’s catalogue, the cartoon only saw limited releases in 2001 and 2007, likely due the amount of footnoting when the bounty presented to the Führer emerges as Bugs disguised as Joseph Stalin with the question “Does your tobacco taste different lately,” a reference to popular advertising campaign for pipe-smokers.

8x8 (13. 069)

leturfræði: an exploration of the graphic design heritage of Iceland through its greatest, recently departed historian  

shoyu-tai: a fibre-based soy sauce single-serve container as an alternative to disposable plastic droppers  

unfcc: Trump administration announces withdrawal from dozens of United Nations chartered organisations, saying their mission does not align with the US agenda  

i’m t?w?e?n?t?y?-f?i?v?e?: artist records one word per day for a reflection on the passage of time 

amour-propre: Chinese buzzword of the year 爱你牢记 (ai ni laoji, love yourself, my dear)—see previously 

hemlock: Texas university has forbidden a professor from teaching a course on Plato  

anodyne: a Singapore based technology company invents biodegradable, paper batteries that rely on no rare earths  

gobelins: the famed French school of animation has a YouTube channel that features student films

9x9 (13. 024)

participation, in this context, is a kind of alignment: the Vanity Fair photo shoot of Trump’s cabinet 

escape velocity: a super-massive runaway black hole has been ejected from its home galaxy and is careening through space—via Kottke 

that thoth over there: a guide to the messy divine family of Egyptian mythology  

beyond the last-minute gift guide: the year of Tedium wrapped  

no-one comes to casablanca for the waters—you were misinformed: every drink in the 1942 classic (see previously, oddly no gin)—via MetaFilter  

capital allocation: on the social uselessness of finance, creating winners and losers  

homecoming: a preview of Christopher Nolan’s adaptation of Homer’s Odyssey—see also 

intraterrestrials: subsurface microbes have geological lifespans 

unreliable narrator: Epstein and company as Nabokov’s Humbert Humbert—see previously

public domain review (13. 021)

In anticipation of Public Domain Day 2026 (previously), here is a preview of the selection of literary and artistic works from 1930 and musical compositions from 1925 (under US jurisdiction, songs have a full century until IP lapses under current law) whose copyrights expire and are released to whomever and for whatever purpose. Artists’ works include Piet Mondrian’s Composition II, the pictured untitled work by Sophie Taeuber-Arp and Abel Lafleur’s Jules Rimet Cup—the original trophy of FIFA, along with countless works in the Art Deco movement registered in that year. Among dozens of cinematic works, All Quiet on the Western Front, the Three Stooges’ Soup to Nuts, The Marx Brothers’ Animal Crackers and Savadore Dalí’s and Luis Buñuel’s L'Âge d’or are counted in, as well as audio recordings by the Gershwin brothers like “I Got Rhythm” and “Embraceable You,” “Georgia on My Mind” by Hoagy Carmichael, “Dream a Little Dream of Me,”Leo Robin’s “Beyond the Blue Horizon,” the inspiration for the Star Trek theme (see also) and “Sweet Georgia Brown.” Comics and cartoons include Betty Boop, Disney’s first appearance of Pluto (as Rover) and Flip the Frog and other characters created by Ib Iwerks after he left the studio. More from Duke Law School at the link up top.

kalle anka & c:o (12. 986)

Mental Floss brings us reporting on another imported holiday tradition (same procedure as every year) in the annual ritual on the afternoon of Christmas Day in that liminal time-slot after dinner and before super after the excitement of the gifts are baked in with over a third of the households in Sweden sitting down on the sofa to engage in a bit of nostalgia by watching the broadcast of a 1958 made-for-tv Disney anthology clip show called From All of Us to All of You, hosted by Jiminy Cricket, known locally as “Kalle Anka och has vänner önskar God Jul”—despite Donald Duck being only one character out of a cast of many. First aired on the Sweden channel SVT1 in 1960, it has grown into a yuletide custom more or less without change or commercial interruption for over six decades.  The entire programme can be found here.

synchronoptica

one year ago: the Unwort of the Year (with synchronopticæ), King William College’s Winter Break quiz plus the narrative murals of a luxurious Roman villa

fourteen years ago: memes of the year 

fifteen years ago: carbon chauvinism  

sixteen years ago: a visit to Colditz 

9x9 (12. 872)

climate change is no longer a threat of the future—it is a tragedy of the present: COP30 opens in Belém at the edge of the Amazon rainforest  

splice: following resignations, Trump threatens to sue BBC for one billion dollars over January Sixth documentary  

french windows: the animation of Ian Emes that defined Pink Floyd’s signature visual style 

epoch and era: geologists reject the Anthropocene age but it is still a valuable lens for understanding our present and future  

industrial organisation: the perpetuated belief that vertical monopolies and monopsonies are good for the consumer  

victory is mine again trebek: a clip reel of a Jeopardy! category  

so you’ve been bitten by a radioactive spider: a survival guide for the Marvel universe 

punt: anything other than a clear CR, US senate concludes debate and return the bill to congress for passage to reopen the federal government—including provisions for members to seek half-a-million dollars in compensation for having their phones searched for the January Sixth investigation (plus more pardons) and a ban on hemp  

money talks: Bill Gates apparently reverses stance on near-term emission reduction goals

synchronoptica

one year ago: AI espionage (with synchronopticæ), RFK Jr’s future role in Trump’s cabinet plus the lead narrows in the US congress

thirteen years ago: toothpaste for dinner, the architecture of choice plus making an animated gif

fourteen years ago: double-eleven 

sixteen years ago: new wheels 

8x8 (12. 862)

rat-race: a cartoon about the frenetic pursuit of happiness—at least from a merchant’s perspective 

close encounters: a 1976 meta-analysis of the surnames of UFO abductees—see also  

caleb weatherbee: venerable Farmers’ Almanac to be discontinued after a two hundred eight year run—see also  

endtimers: Artificial General Intelligence and the Singularity just around the corner has many manic street preachers, cult members and historic antecedents 

lost arcade: an archive conserving unreleased and cancelled video games since 1999, including source code and emulators, see also here, here and here—via Web Curios  

mckinsey in a box: pretty convincing AI-generated consultancy slop with an instant Power Point presentation for the business of one’s choosing  

fringe theory: more examples of the conspiratorial narrative trope—see previously—via MetaFilter 

au 8ème jour: a 3-D animated short illustrating the thread of life in a unique stop-motion, felted style

synchronoptica

one year ago: Trump’s transition team (with synchronopticæ) plus assorted links to revisit

thirteen years ago: the history of the boardgame Monopoly, transportation infrastructure plus a premium spoon rest

fourteen years ago: the Aeneid as an economic allegory plus contention over a Russian gas pipeline to Western Europe 

fifteen years ago: US-EU trade policy