she put the miss in misdemeanour when she stole the beans from lima (12. 404)

Although a bit too old for the PBS game show continuation of the franchise—though I’d defy anyone to not declare the theme song from house band (“Do it Rockapella!”—inspired by “Been Caught Stealing” by Jane’s Addiction) an absolute banger, I do remember the original educational computer game, Carmen Sandiego, released on this day in 1985 by Brøderbund software (whose catalogue includes Mavis Beacon Teaches Typing). Though upon reevaluation deemed edutainment, Carmen Sandiego and later incarnations were meant to teach geography in response to a significant portion of US children demonstrating a lack of basic knowledge when it came to the globe and atlas and questions were vetted and fact-checked by the National Geographic Society, a major underwriter of both the game and television version from 1991. The objective was for fledgling gumshoes of the ACME detective agency to thwart the organised crime ring of international art thieves headed by the titluar character using geography. The series was rebooted 2021 (see above) and Rockapella reprised their theme, though the production team criminally used another song. She’s a double-dealing diva with a taste for thievery.

*     *     *     *     *

synchronoptica

 

one year ago: the lost mixtape (with synchronoptica) plus assorted links worth revisiting

seven years ago: more links to enjoy, David Bowie’s self-portraits plus Plain People on vacation

eight years ago: more bad flags, more terror attacks in Germany, a concept flying car, Trump dismisses the surgeon general plus Billy Butcher on love power ballads

nine years ago: breathing exercises plus pavement level pedestrian signals 

eleven years ago: populist politics plus TTIP and reciprocal tariffs

kitchen sink realism (12. 390

The production team behind the difficult Netflix series Adolescence about incel culture has announced it will reboot the incredibly bleak Cold War mini-series Threads (see previously, see also), aired in 1984 that depicted Sheffield harrowed by a nearby nuclear strike. BBC documentary filmmaker Mick Jackson, behind the original screening will participate in crafting episodic drama which the network feels whose time has sadly returned four decades on.

use case (12. 384)

Keith Houston of Shady Characters, who has just published a new book on the evolution of the face with tears of joy emoji (previously), reports on their repurposing as featured in a new streaming series (which we’ve started) that explores incel and misogynistic online culture through in-group coding. Such coopting is nothing new (see previously here and here) but the collective autobiographical vocabulary is noteworthy if not dispiriting, like using 💯 for the prevalent idea that twenty percent of men attract eighty percent of women and thus the latter are blameworthy for their lack of success. Kidney beans are somehow also a part of the mansophere.  In related news, Houston also highlights how all office chatter is the same and peppered with emoji—no matter the context or gravity—through the lens of the “Houthi PC small group”—which was not so small even before the accidental inclusion of a journalist into the war room—with reactions like 👊🇺🇸🔥 and 🙏 celebrating airstrikes and potentially compromising national security.

a-story, b-story (12. 375)

During a recent episode of The Simpsons (S: 36, E: 783), Homer pressures Bart to pursue a career as a celebrity disc-jockey, but the ensuing noise and chaos of the abortive effort lead to an irreconcilable rift with their neighbours the Flanders, Bart incorporating a sample of Ned’s complaint into the mix. The gang from The Hood Internet were behind the DJ’ing and also the end credits mashing up memorable Simpsons musical numbers including Do the Bartman, Dr Zaius, Mr Plow and the Monorail Song.

strangers with candy (12. 347)

Born on this day in 1961 in Endicott, New York, writer, comedian, actor and sister of author and humorist David Sedaris, Amy Louise Sedaris. Disposed to making pranks and working as a waitress in a comedy club in Chicago, Sedaris toured with Second City’s company by the late 1980s, eventually moving to New York and joined with fellow member Stephen Colbert a fledgling cable television venture, Comedy Central, as a sketch artist, eventually given her own series, portraying a middle-aged woman, Jerri Blank who goes back to high school, based on her impression of 1970s era motivational speaker Florrie Fisher, a cautionary cult figure who lectured to students about her lurid past warning them about sex and drugs and falling under the influence of radical charismatics—a sort of scared straight scenario. More active than even, Sedaris has multiple roles, titles and accolades to her name.

kalaallit nunaat (12. 338)

As the autonomous overseas territory has been garnering some welcome and some unbidden attention lately with the US determined to annex the artic island and sending an entourage to engage in election interference and meddle with self-determination, Tedium presents a celebration of Greenland’s unique pop culture, informed but untethered from its history as a colonial dependency. From the first piece of cinema entirely produced on the island with a cast of local actors to the psychedelic, prog rock band Sumé, critical of the Danish government, past policies of assimilation and an anthem for the independence movement, the national artistic output is couched on the struggle for recognition but also stands on its own outside of any context. There’s a coda linking back to the US vice-president through Richie Cunningham’s character enlisting in the army stationed at Ultima Thule—to get away from Happy Days—and director Ron Howard assaying Vance’s autobiography. Much more at the link above.

synchronoptica

one year ago: AI search (with synchronoptica)

seven years ago: gerrymandering, suicide prevention plus the buccaneers of America

eight years ago: a coopted meme, studio MUTI plus more on technological redundancy

nine years ago: ambitious Hyper-Loop plans for Europe 

ten years ago: crusaders sack Constantinople, a roundup of patriotic cartoons plus the rise of the smart-watch

sylvanian families (12. 328)

First eleased on the Spring Equinox in 1985 and marketed elsewhere as the most concise translation of the play-figure line, Pleasant Friends of the Forest Epoch System Animal Toy (森のゆかいな仲間たち エポック社 システム・コレクション・アニマルトーイ・シルバニアファミリー after the Roman god of the woods Silvanus), I recall that haunting refrain (the jingle now come home to roost again) from the commercials and never really understood the concept, having missed out on their backstory as presented in a cartoon series by Haim Saban exclusively on American family-friendly/evangelical programming networks a couple years after their debut. Now, however, we’ve occasion to take a peak into the rather elaborate lore and legacy, thanks to Happy Mutant contributor Popkin, who informs that there is a theme park in Osaka (see also) that gives visitors an immersive experience of the franchise, set in Shirubania originally somewhere in North America though later revised as Great Nature patterned off of Richard Scarry’s Busy Town with firmly middle class anthropomorphised hedgehogs, foxes, deer, mice, rabbits, raccoons, etc running successful local businesses or with professional callings with a certain 1960s aesthetic with their nuclear, four-member families that were never inter-species. The characters, despite the decline of the toyline has been sustained throughout with a series of video games (see above), theme-restaurants and making the discontinued family clans mascots for various corporations and events.  Accessories sold separately.

synchronoptica

one year ago: truth windows (with synchronoptica), the HTML Review plus pharmaceutical contraindications 

seven years ago: assorted links worth revisiting, Outlook snitching on leakers, typographer Herb Lubalin plus Biden’s threat to beat some sense into Trump

eight years ago: The End of History, an appreciation of the VW bus plus Trump dismantles NASA

nine years ago: Walk of Life improves any movie ending, algae as a plastic alternative plus a terror attack in Belgium

ten years ago: more links to enjoy

tv.garden (12. 326)

Via the always stupendous Web Curios we are directed to a rather amazing resource that brings together thousands of live-streaming stations from around the world, covering nearly every country with dozens of free-to-air broadcasting for each. Point to a country and flip through the channels for a compelling glimpse of local reporting, talk-shows, soap operas, music videos and commercials with the obligatory home shopping networks. I’m not one to have television on in the background generally or with the patience to channel-surf but found this surprisingly absorbing and like a mini-vacation with a much broader selection than on hotel tv.

10x10 (12. 325)

isolated dictatorship: Canadian MP urges citizens to avoid travel south of the border  

sykkelinfrastruktur: an amazing bike tunnel in Bergen  

incel camino: a new make and model for the Swasticar for all the domestic terrorists 

four of swords: Hyperallergic’s tarotscope for the coming of Spring  

fabio and the goose: Bobby Fingers (previously) reconstructs the encounter of harlequin novel author and pin-up’s encounter with a migrating bird whilst on a rollercoaster  

arbour day: tree planting activities cancelled over anti-DEI posture  

cats in outlines: the strangely gratifying effect of felines freezing in place 

sorry—not sorry: a study of apologies gleaned from reality television 

scylla and charybdis: the millennia-long aspirations to link Sicily with the mainland may soon come to pass  

pin: an unnerving psychosexual horror Canadian horror film from 1988

the hostess with the mostess (12. 311)

Dying on this day in, aged 76, in 1975 at her home in Oklahoma City, Perle Meste heiress to an oil fortune from her late husband—widowed since 1925 from the one of the original participants in the Land Rush of 1889 on the former Indian territory (Boomer-Sooner)—is best known in Washington, DC high society for her lavish parties that included artists, celebrities and national political figures from both parties and was portrayed in the title Playhouse 90 CBS anthology feature by Shirley Booth, as well as by Ethel Merman on Broadway and the cinematic adaptation of the Irving Berlin musical Call Me Madam. Eventually relocating to the capital in 1940, feeling out of place elsewhere, Mesta was active in the National Women’s Party, an early champion of an Equal Rights Amendment and an ardent campaigner for Harry S Truman—for which the administration awarded her the ambassadorship to Luxembourg out of gratitude. An invitation to one of her many gala parties was highly coveted and a sign that one had reached the upper echelons of DC high political society, bringing together senators and congressional representatives from both sides of the aisle. And while continuing to host glamorous soirées through the 1960s, Mesta ceded her role to Jacqueline Kennedy when it came to bipartisan entertainment. Featured on the cover of Time magazine (note the candelabra on the Washington monument), the Black Russian was created by barman Gustave Tops in 1949 as Mesta’s signature cocktail, who frequented the Hotel Metropole in Brussels during her time as ambassador.

10x10 (12. 306)

i don’t belong here: reactions of first time listeners to Radiohead’s “Creep” 

auragraphs: a look at the psychic paintings of Flora Marian Spore, received visions from departed relatives—see previously  

overton window: why some find humour in embracing fascism—see also, see previously  

all in the wrist: a memorable mnemonic device for learning the carpal bones from Michelangelo’s Snowmen—see also  

i’m just gonna dance all night: a joyful behind the scenes peek at SNL writers’ room from a decade ago—via MetaFilter

orbital group: astronomers find Saturn has one-hundred twenty eight additional natural satellites

the pen is mightier than the sword: the end of the Bulwer-Lytton Fiction Contest (previously) after forty-two years—via Miss Cellania

persona non grata: US state department expels the South Africa ambassador, buying into Musk’s false narrative of confiscating land from white plantation owners 

the medium is the message: Alan Turing and other Cambridge academics obsession with ghosts and spiritualism 

hootie & the blowfish: an oddly effective mashup with The Smiths

synchronoptica

one year ago: assorted links worth the revisit (with synchronoptica), the first AI lab, Geoguessr savants plus serendipitous directories

seven years ago: The Inland Printer, Trump’s fabricated trade imbalances with China and Canada, the Anthropocene era’s golden spike plus more links to enjoy

eight years ago: embodiment and Singularity, LEGO tape plus Australian war time propaganda

nine years ago: more Liartown, USA, English as the official language plus Sir Thomas Moore

ten years ago: the Comic Code plus further crusading misadventures

7x7 (12. 267)

dromedary: Ze Frank’s True Facts (previously) about the camel 

client state: secretary of defence Hegseth orders Cyber Command to halt Russian contingency planning  

baud: a pair of AIs code-switch once they realise that the humans aren’t part of the conversation  

rosmålning: the decorative doll houses of Amy Balfour—via Messy Nessy Chic 

pulmonic ingressive affirmative: the Gaelic Gasp or how the Irish inhale their yeses  

hydro integrator: Vladimir Lukyanov’s unique water computer designed in the 1920s to improve the durability of reinforced concrete 

musk or us: lessons from the ostracising of apartheid South Africa is a resonant learning moment lesson in how boycotts can overcome evil  

capri candela was some ginchy chick, daddy-o: Wilbur’s Place from Peter Gunn—see also

12x12 (12. 237)

little sisyphus: a challenging NES-style side-scrolling game—see previously—via Waxy  

behind every robot that turns evil there’s an engineer that installed red diodes in its eyes in anticipation: Meta wants to create AI powered robots to do your chores 

quipu: the largest known superstructure in the Cosmos, named for the corded knot accounting of the ancient Inca culture—via Strange Company  

parataxis: storytelling loves a list  

i will say this only once: John J Hoare responds to a video take-down notice for reposting an old clip—that suggests that YouTube is focused on hate speech against Nazis  

pantograph engraving: the unseen typeface all around us—via the new Shelton wet/dry 

pump and dump: nothing to see here, just another perfectly normal president pulling the rug out from under his country with a memecoin 

return to forever: Chick Corea and friends at the forty-third Jazzaldia festival 

stairwell of the quarter: more on the design efficiency of alternating tread stairs  

nanook of the north: Robert J Falherty’s 1922 documentary on the Inuit  

how many department of government efficiency employees does it take to screw in a lightbulb: a look at DOGE at work—via Nag on the Lake  

windows, icons, menus, pointers: a cursor dance party—via Pasa Bon!

advance compliance (12. 229)

Disney, amid a board shift in DEI posture among American corporations, having already relented with a fifteen million dollar settlement plus profuse apologies for character defamation when an anchor said the garbage sex-pest had been found liable for rape rather than abuse, we learn via JWZ has reverted from the more thoughtful content warning introduced in October of 2020 for its vintage catalogue: This program includes negative depictions and/or mistreatment of people or cultures. These stereotypes were wrong then and are wrong now. Rather than remove this content, we want to acknowledge its harmful impact, learn from it and spark conversation to create a more inclusive future together. Disney is committed to creating stories with inspirational and aspirational themes that reflect the rich diversity of the human experience around the globe—to its previous terse disclaimer for classics that haven’t aged well, “This programme is presented as originally created and may contain stereotypes or negative depictions.”

we have this unelected fourth, unconstitutional branch of government (12. 225)

Journalists from the Associated Press were barred from attending an Oval Office event, a signing ceremony for yet another executive order—newsworthy for its magnitude and ineptitude—with Elon Musk in attendance to announce agency heads were to undertake preparations, working with DOGE to drastically reduce the size of the federal workforce after “billions and billions of dollars” in fraud, waste and abuse had been uncovered, for not referring as the Gulf of Mexico as the Gulf of America in its syndicated articles, and reporters would continue to be excluded from the White House press pool until such time as wire service aligns its language with that of Trump’s. An EO banning the use of paper straws in federal facilities was also signed.  Several news organisations have rallied to the AP’s defence, saying that the president cannot dictate reporting or editing decisions. This follows other attacks against the press, including suits for supposed libel and deplatforming and banishing several outlets from the Pentagon, including the New York Times, the Washington Post, CNN and NPR as well as threatening the same group’s broadcasting licenses over newsroom and network diversity, equity and inclusion initiatives characterised as promotion “invidious forms of discrimination” that will not be tolerated.

11x11 (12. 214)

traitor tots: Musk’s merry band of pickpockets and the corporate raids behind the Putsch and purge 

temper tantrum: extinction burst behaviour is one accounting of the ascendancy of MAGA intolerance  

fifty-first: Trudeau warns Trump is serious about annexing Canada—insultingly offering it statehood before Puerto Rico and DC 

isolation mode: after three decades, Baltic nations are switching to the EU power grid, getting off the Russian network

nosotromo: the high school play adaptation of Alien   

endless jeopardy!: hourly answers, honours go to the best, most creative questions—via Waxy   

expo 67: revisiting centenary celebrations in Montreal—see previously 

re-apartheid: Trump administration launches volley of complaints against South Africa, cutting of foreign aid and promote the “resettlement of of Afrikaner refugees”   

center for the performing arts: Trump declares himself chairman of the Washington, DC cultural institution and dismissing board members who disagree with his taste 

hr@opm.gov: unencrypted mass email to CIA operatives offering them the chance to resign may have compromised the agents’ identifies with serious counterintelligence concerns   

federal communications commission: Trump threatens to shut down the CBS television network, calls for the firing of journalists critical of the administration and for doxxing one of Musk’s minions

 synchronoptica

one year ago: vintage hotel luggage tags (with synchronoptica) plus a banger from Billy Ocean

eight years ago: assorted links worth revisiting plus augmented metrics

nine years ago: the Electronic Frontier Foundation’s charter, neologisms and nomonyms plus the Lunar New Year

ten years ago: LARPing at large plus more links to enjoy

eleven years ago: targeted political advertisement, Russian ban on genetically modified foods plus sugar-based batteries

be my valentine, charlie brown (12. 190)

Premiering on this day in 1975 on the CBS television network, the thirteenth prime-time animated special based on the Peanuts comic strip, deals with the subject of rejection and heartbreak when Sally first misinterprets Linus’ heart-shaped box of chocolates for his teacher as an overture for her non-requited affection and our protagonist receiving only one treat, a chalky candy heart with the message “FORGET IT KID!” during the class party—the teacher departing early with her boyfriend. A belated greeting arrives from the Little Red Haired Girl and Charlie Brown gets a regifted card from Violet. Optimistic that these pity Valentines might sustain a trend and he’ll get more next year, but Linus warns his friend not to get his hopes up. The score with the opening theme “Heartburn Waltz” was recorded by Vince Guaraldi’s Orchestra. The card which Sally reads and acted out by Snoopy is the entirety (see also) of Elizabeth Barrett Browning’s Sonnets from the Portuguese (№ 43), which opens with “How do I love thee? Let me me count the ways.”

synchronoptica

one year ago: USA for Africa’s We are the World (with synchronoptica) plus the zombification of the abandoned internet

seven years ago: pedometers and privacy, Thamesmead Housing Estate plus Aloha Wanderwell

eight years ago: governance per Tweet, assorted links worth revisiting plus Little Englanders

nine years ago: a time-capsule apartment in Chicago, ranking passports plus the game Go

ten years ago: hydrophobic materials plus a superb cartographical collection

13x13 (12. 185)

embossed: turn of the century tactile teaching aids for the visually impaired for lessons on nature and geography  

lab-leak theory: US Central Intelligence Agency embraces controversial vector for COVID-19 pandemic, discounting zoonosis factors 

ghostwatch: the supernatural horror BBC mockumentary broadcast on Halloween (see also) 1992 and never shown again due to the panic it elicited  

sb593: Oklahoma legislature introduces bill to “restore moral sanity” and criminalise production, distribution and possession of adult material—see previously 

minimoog: a fully-functional analogue synthesiser in LEGO  

haptics and macros: an idea to add gait gestures to one’s smart phone—we can hardly do the right kind of fake kick to open the rear hatch on our car 

mox nix: language borrowings from German propagated by US and UK soldiers stationed there post WWII  

electric garden: a run-down lodge transformed into a living museum mapchat: interact with AI shopkeepers for local businesses—results may vary 

wassergöttin: prehistoric figurine from the Hallstadt culture found in 2022 in Lower Franconia goes on display at the Bavarian State Archaeological Museum in München  

walk without rhythm and you won’t attract the worm: graboids—see also—the other in-jokes that Tremors leans into  

underrepresentation: as part of order to eliminate DEI programmes, US Food and Drug Administration curbs clinical trials aimed at diverse populations for cancer research 

 switchmen: the sign language of railroad workers

info nuggets (12. 183)

We really enjoyed this appreciation from Open Culture of VH-1’s Pop-Up Video, the sister-network and alternative to MTV launching on New Year’s day 1985, premiering over a decade into the channel’s run in October of 1996, pitched as antidote to shortening attention spans attributed to rise of MTV itself with barely the audience stamina for suffering a four-minute music video. The parent company expressed initial scepticism as then owners Blockbuster rental outlets felt they knew little enthusiasm for foreign films interpreted as viewers not wanting to read on screen dialogue in subtitles. The pilot, featuring Tina Turner’s “Missing You” with other standards on rotation, nonetheless, proved compelling and the show continued, expanding its profile with anecdotes and facts (classified by the above title), of varying relevance, sublimating as dialogue bubbles—all before there were forums for such trivia, requiring a good deal of research and cold-calls to artists, producers and grips involved in production. The meta-commentary was compared to the contemporary phenomenon of MST3K (see previously), as a programme for “TV-people who-are-sick-of-TV.”

the man from another place (12. 193)

We enjoyed this appreciation of the soundscape of the filmography of transcended director David Lynch compiled by NPR correspondent Hazel Cillis. Covering Lynch’s own composition “In Heaven” from Eraserhead to the orchestral soundtrack to Dune (see previously), all tracks from Toto (the band best known for their hit “Africa”) except Brian Eno’s ambient contribution in the “Prophecy Theme” and all moody and atmospheric numbers in between, the playlist embodies the surreal and mysterious essence of the creator, especially in the use of standards to disabuse the audience from thinking they know what they’re hearing just because it’s familiar.