6x6 (11. 858)

second-hand baloney boys: director Bong-Joon-ho’s Mickey17 explores indentured immortality with his expendable space colonists—like the duplicates paradox of teleportation 

r/no burp: a Redditor community brings recognition to an undiagnosed but pervasive syndrome 

ultimate world cruise: the social media coverage of a trip to seven continents plays out like reality television  

the ladies annual journal; or, complete pocket book for the year: the 1776 diary of Susannah Dalbiac kept in the back of an almanac 

twenty-eight years later: latest instalment of Danny Boyle’s zombie franchise was filmed entirely on iPhones 

sanewashing: how journalists can resist normalising outrageous and radical ideas—via the New Shelton wet/dry

8x8 (11. 821)

i voted: the state of Michigan let the internet choose the redesign of its election sticker given out at the ballot box and it’s a werewolf clawing off its own shirt  

selective foresight: the “marshmallow longterism” of conservatives—see also  

turn on subtitles: animated videos using only the closed captioning feature  

psycho a capella: Korean ensemble MayTree shows off their vocal abilities with an excerpt from the film’s tense main theme—via Everlasting Blört  

backchannel: YouTube removes Tenet Media content following US justice department indictment linking them to Russian election interference  

slipstream: the amazing achievements of cyclist José Meiffret 

eidophone: voices made visible by Welsh singer and scientist Margaret Watts Hughes  

the kamala and tim show: the Democratic ticket is bringing 80s sitcom energy—via Kottke

9x9 (11. 814)

unpodcasted: one hundred ninety nine ideas about etymologies, idioms and eponyms that Helen Zaltzman has not produced an episode for—yet  

book club: Oprah Winfrey’s upcoming special on Artificial Intelligence with Sam Altman, Bill Gates and other AI-evangelists has critics of the tech sector up in arms  

blue chip index: Intel’s earnings slump could see it removed from the Dow, possibly putting a wrench in plans to increase US domestic manufacturing

sleepy grendel’s mother: Beotrump by Christopher Douglas  

jevons paradox: even if autonomous vehicles worked perfectly, they will still lead to more pollution, congestion and accidents—see previously—via tmn  

oslo—is it even a city: a wonderful bit of anti-advertising for the Norwegian capital plus more news and jokes 

intel inside: Pentium microprocessor as Navajo weaving—via Waxy 

nanowrimo: the organisation behind National Novel Writing Month criticised over labelling aversion to generative texts as classist and ableist 

unblogged: fellow flâneur Diamon Geezer lists a month’s worth of explorations not posted

 synchronoptica

one year ago: The Eye of the Tiger (with synchronoptica),  Kenneth Anger’s first film plus hot labour summer

seven years ago: the Little Ben of Victoria station

eight years ago: a visit to Churfrankenland plus an ant colony thriving in nuclear waste

nine years ago: assorted links to revisit plus algorithmic eavesdropping

eleven years ago: Germany votes plus pirate patches

night owl (11. 812)

Wanting to garner greater influence in Nevada feeling past his prime in California, a reclusive and withdrawn Howard Hughes (see previously), at sixty, took up permanent residence at the Desert Inn of Las Vegas, occupying both upper storeys of the hotel—eventually to the proprietor’s consternation over the extended stay to which Hughes responded by purchasing the entire building—and remained holed up there. An avid fan of television, particularly movies, Hughes’ tendency towards insomnia turned into an acute frustration, given the limited choice of three networks and broadcasters signing off at 2300. Leaning heavily on his preferred local CBS affiliate KLAS (channel eight on the dial), Hughes had his employees often make requests to the station, Westerns or aviation dramas, and even would have regularly scheduled programming preempted or replayed if he happened to miss a part. Rather than dealing with upset sponsors, the network’s manager eventually suggested that Hughes buy the station and run things his way, which in 1967 he did, essentially turning it into a personal streaming service. The daytime schedule mostly stuck to CBS shows but late nights (the station airing on a twenty-four schedule) were Hughes’ playlist, to the confusion of other viewers, with films (including ones still in theatres through special deals with studios, owning RKO Pictures personally) sometimes paused, rewound or switched to an entirely different one without warning. It sounds like a more benign version of other contemporary vanity projects though just as audacious. More from Mental Floss at the link above.

synchronoptica

one year ago: the life of a DJ (with synchronoptica)

seven years ago: a top-down review of quantum mechanics plus a trip around the Rhön

eight years ago: the Frank Reade Library specialising in the genre of science fiction

nine years ago: the myth of medieval torture chambers, assorted links to revisit plus the Albigensian Crusade

ten years ago: the gig-economy versus registered taxis, accommodations 

9x9 (11. 807)

city corridor: Metropolitan Museum of Art to exhibit the built and unbuilt visions of architect Paul Rudolph—see previously  

move over miss marple: German television mystery series imagines what the former Chancellor is doing with her retirement 

batteries not included: peruse the complete catalogues of Radio Shack produced over its six decades of business—plus this theme song 

mizzenmast: experimental solar sail prepares for its first voyage—see previously 

a copy of a copy: AI’s synthetic data is its downfall—via Damn Interesting’s Curated Links  

marshmallow test: the heuristic for delayed gratification and executive functions is fraught with bias and harmful assumptions—via Hyperallergic  

preowned platform: IKEA launches a second-hand marketplace to become a circular company within the decade—via Nag on the Lake  

substantially worse than random chance: seemingly counterintuitive probability puzzles are perplexing social media—see previously  

cerceri d’invenzione: the aesthetic and romance of imagining ruins of foregone civilisations

crossing the line (11. 768)

In contrast and correspondence with the previous post, also on this day the following year, in 1962, twenty-one year old US army private first class Joe Dresnok (제임스 조새프 드레스녹), feeling hopeless, recovering from a recent divorce, and facing a court-martial for forging his commanding sergeant’s signature for passes to leave the army base at night, dashed across the minefield of the Demilitarised Zone into North Korean territory. The defector was apprehended instantly and taken to Pyongyang for interrogation, eventually resolved to settle there. Dresnok along with six other American service members taught English and participated in propaganda campaigns to entice more US soldiers at the border to join them. Praising Dear Leader and vowing to never return to the West, Dresnok became a celebrity, cast in several domestic films as an American villain—including a very popular 1978 mini-series called Nameless Heroes (along with fellow defector Charles Robert Jenkins as Dr Kelton, the fictional mastermind behind the peninsular conflict) in which he played the role of lieutenant colonel Arthur Cockstud, commander of a prisoner of war camp, with most North Koreans calling him “Arthur” after his character.  Dresnok died of a stroke in November 2016, confirmed by his sons the following year in an interview on state-run television. 

7x7 (11. 761)

popp horlage: the network of pneumatic clocks of fin de siècle Paris 

just get me eight-hundred thousand votes: Elon Musk interviews Trump on X—see more 

home row keys: a documentary on Mavis Beacon  

porte-clés: the French youth craze for key-rings  

josuushi: counting-markers in the Japanese language, nuanced by rank, size and sentience—see previously, see more—via tmn 

homo naledi: chance discovery reveals more branches in our family tree  

death-slot: revisiting broadcast television’s dumping grounds  

spear-fishing: reportedly a group of hackers with ties to the Islamic Revolutionary Guard of Iran were able to break in to the Trump campaign’s database 

us patent application 10/953212: a training regimen to harvest hyperspace energy and pass through solid items

synchronoptica

one year ago: a classic from Lynard Skynard (with synchronoptica) plus a tour through the Geratal

seven years ago: classic cartoon What on Earth?! plus diagrams of parliamentary seating

nine years ago: keeping stashed cash safe 

ten years ago: Mexico ends state oil monopoly plus more humanitarian airstrikes

eleven years ago: histomaps plus ages of the US Founding Fathers

7x7 (11. 758)

pop quiz: extended CVs of classic game show hosts  

pass the mayo: condiment’s dynamic nature could help solve containment challenges for nuclear fusion  

wingnut: a South Berkley salvage store turned museum—via Nag on the Lake’s always excellent Sunday Links  

cocónonós: a Bogota-based fusion band—possibly named after the ill-fated Tiki drink shared with Geordi La Forge and Christy Henshaw on their first date  

bias towards coherence: Trump’s latest on rally attendance and his greatest hits  

the type specimen of humanity: the designated permanent reference for Homo sapiens is Carl Linnaeus  

magick show: Richard Metzger’s latest occult project

 synchronoptica

one year ago: cutting archived content for the sake of SEO (with synchronoptica), a racist brawl in Alabama plus multi-hyphenates

seven years ago: reproductive awareness

eight years ago: ant wars, Martian landscapes, disproportionate and xenophobic calls for burqa bans, a floating home in Canada plus Facebook and clickbait

nine years ago: Liberia and the US 

ten years ago: a party at Neuseenland plus the geopolitics of terrorism

8x8 (11. 755)

hillbilly eulogy: the producer’s apparent misjudgement in adapting JD Vance’s memoir—and suggestion that Ron Howard might be playing the long-game to torpedo the MAGA ticket’s chances of ever returning to power—via Miss Cellania  

feint and parry: Ukrainian incursions into Russian territory catches Moscow off guard  

rarissima: bibliolyte, a destroyer of books, and other bookish terms  

veepstakes: the question of casting the nominees on the upcoming season of Saturday Night Live—see previously  

grit and glitter: new Museum of London logo of a pooing pigeon is dividing opinions—via Strange Company—see previously  

schrimp jesus: the origins and drivers (including Meta’s own incentives) of Facebook AI slop—see previously   

human shields: Israeli air strike on Gaza school sheltering the displaced leaves almost one hundred dead—the IDF claiming the building was being used by Hamas agents 

tim walz will teach you how to parallel park: the VP pick’s Midwestern dad energy plus the not so Midwestern origins of ope

ceefax (11. 752)

Via Web Curios, we are referred to a rather stupendous gallery of screen-grabs of broadcast teletext pages (see previously), first introduced in 1974 in data hidden in the signals at the extremes of the TV screen, with an assortment of nostalgic advertisements, closed-captions, games, viewing guides, alpha-mosaic art and news supplements whose rollout preceded and provisioned the internet with this ASCII grid of twenty-four by forty characters with some limited interactive capabilities (in partnership with a phone call usually) accessed by remote control. I remember exploring occasionally these embedded channels (which are mostly still available and offer programme synopses and transcripts) when the parallel online world was not so readily accessible.

synchronoptica

one year ago: a classic from The Small Faces (with synchronoptica)

seven years ago: work makes us passionate quitters plus reflections on a total eclipse

eight years ago: misadventures in tourism, Dr Who remixed plus Dr Teeth live in concert

nine years ago: assorted links worth revisiting

eleven years ago: the origin of kids’ menus and the family restaurant

hasenpfeffer incorporated (11. 751)

While pursuing the long-tail of a rumoured solution to try to satisfy two Hollywood egos both demanding top-billing and one possible and now pervasive compromise, known in the industry as the Laverne & Shirley card, we got the opportunity to revisit The Art of the Title (see previously here and here) and explore some of the creative and contractual considerations that go into opening sequences. And while fascinating to learn about the more elegant and efficient way to make concessions to rising talent (bottom left and top right gives two stars more or less equal prominence), the hook was really the unique stalemate of the 1987 Arthur Hiller Outrageous Fortune comedy featuring Bette Midler and Shelley Long (or Long and Midler) with neither willing to concede to be second-billed. Strangely aligned with the film that takes its title from Hamlet’s “…slings and arrows…” about two acrimonious acting students who are dating the same mysterious individual, unbeknownst to each other, and manages to keep their shared tryst secret, the production studio commissioned two sets of promotional materials and title sequences for distribution in US East Coast and West Coast markets, in the respective actors’ home turf presumably with neither being the wiser—movie lore confirmed by a visit to the last video rental shop in Atlanta. Much more from 99% Invisible at the link above.

 synchronoptica

one year ago: artist Karla Knight (with synchronoptica)

seven years ago: a proposed canal in Malaysia plus radio for dogs

eight years ago: assorted links to revisit, mass-transit upholstery plus Olympic typography

nine years ago: the Happy Birthday song plus presidential merch

eleven years ago: US government lapse in appropriations plus thoughtful souvenirs

8x8 (11. 746)

divi recap: the obfuscating vocabulary of finance and corporate take-overs 

ch₄: methane removal may prove as the most effective way to curb the climate collapse  

anima and archetype: an overview of the thought of Carl Jung—see previously  

mamala: Maya Rudolf returning to the cast and reprising her role as Kamala Harris for the fiftieth season of Saturday Night Live—via Miss Cellania  

v. to remove monks from: demonachise and other infrequently used words  

wall flowers: increased appreciation of complex and nuanced botanical behaviour leads a new branch of plant philosophy  

rewiring: if billionaires truly wanted to save the planet, they’d buy heat-pumps for every home—via Kottke 

big brother and the holding company: the spiteful origins of Berkshire Hathaway and corporate hard-pivots

midnight special (11. 731)

As our faithful chronicler informs, the Dick Ebersol production for NBC, previously in the role of Director of Late Night programming, debuted the music video and variety programme to capitalise on the popularity of MTV on this day in 1983, airing for nearly two decades though in the end mainly featuring stand-up comedians. Having co-created Saturday Night Live with Lorne Michaels and displacing the Canadian-import sketch-show SCTV, this segue block on broadcast television was far more widely available than its cable originator and was further simulcasted on affiliate radio for a stereo listening experience. Popular segments included the “Video Vote” request line and celebrity cohosts, often pairing network celebrities, like the casts of The Cosby Show, The Facts of Life, Kate & Allie, Growing Pains, Cheers and Family Ties as well as prominent musicians as video-jockeys.

and always twirling, twirling, twirling towards freedom (11. 729)

In more meme news, the presumptive Democratic nominee made a surprise showing during the conclusion of the San Diego Comic-Con panel on The Simpsons, reciting a slogan from the Treehouse of Horror VII special from 1996, the short Citizen Kang, about the recurring alien characters interfering in the then upcoming contest between Bill Clinton and Bob Dole, eventually replacing the candidates with themselves. While unclear if Harris endorsed this message specifically for the weekend’s forum—or if it was an older clip that a group of political science students arranged when tasked with getting a politician to make a statement about America’s two-party system (see above), her appearance nonetheless energised the crowd. A self-described superfan of the long running show—and maybe this fellow GenXer also pretends it ended circa 1997 instead of entering its thirty-sixth season, which is probably the best approach—Harris’ other solid Simpsons association comes from the 2000 episode Bart to the Future, wherein a similarly dressed Lisa succeeds Donald Trump as US president—which seems a bit more prescient than it was, Trump having been a serial candidate before finally securing the Republican party’s nomination in 2016.

we shape our tools and then the tools shape us (11. 708)

Subtitled An Inventory of Effects and co-created by media analyst who coined the phrase referenced Marshall McLuhan in 1967, the collaborative best-seller experimentally formatted had the imprimatur of McLuhan himself to call out how various outlets massaged our senses in order to maintain currency and hold interest—with some anecdotes that it was a typo that stuck—arguing that technologies, from the wheel, to the loom, to the printing press and beyond rather than their content as an extension (and increasingly necessary aid thereto in order to function therein) of our perceptions of the world, informed by the same progress. The recording is not exactly an audio book but rather a montage of main statements punctuated by dissonant sound-effects meant to suggest the fragmentation of the listening experience.

10x10 (11. 707)

the institute for controlled speleogenesis: an fictional organisation designing artificial caves  

indecent proposal: the infamous 1994 advertising campaign, Love Letters from Fiat 

a river runs through it: the consequences of taming—and rewilding—the Los Angeles River (see previously)—via Nag on the Lake  

amazombies: online retail giant’s affiliate programme for customer returns are overtaxing for brick-and-mortar partners  

one hundred days of cultural clarity: an exploration of recent memes and trends  

bootstraps: JD Vance as the toxic byproduct of America’s obsession with rags-to-riches narratives  

polkamania: Weird AI (see below) drops a new new medley of song parodies  

posse: publish (on your) own site, syndicate elsewhere  

fiddler on the forum: male exploitation on the Carol Burnett Show—see also 

nietzsche and the noonday demon: the fictitious French philosopher, Jean-Baptiste Botul, whose writings are often cited

amusing ourselves to death (11. 699)

Using the 1985 bestseller by educator Neil Postman, which draws on the dichotomy of the dystopian futures envisioned by George Orwell in 1984 and Aldous Huxley in Brave New World with the public stripped of rights by totalitarian governments in the narrative of the former and people voluntarily self-medicating and foregoing their liberties in an induced and voluntary state of blissful ignorance in the

latter, Boing Boing contributor Mark Frauenfelder presents an analysis of this dilution, delusion of news, culture and politics repackaged as commodities in our present forms of media, our soma. Presentation and format—“the medium is the metaphor,” see also—makes everything entertainment and a passive and non-critical one at that, written at a time when another celebrity held the office of US president, impressed on the general psyche not in words but in glancing television images and photo opportunities and carefully staged soundbites. Frauenfelder’s excerpts, like the below citation are addressing the fragmentation-effect of network news but accord perfectly with social media as well, TikTok substituted here:

“Now … this” is commonly used on radio and television newscasts to indicate that what one has just heard or seen has no relevance to what one is about to hear or see, or possibly to anything one is ever likely to hear or see. The phrase is a means of acknowledging the fact that the world as mapped by the speeded-up electronic media has no order or meaning and is not to be taken seriously. There is no murder so brutal, no earthquake so devastating, no political blunder so costly—for that matter, no ball score so tantalising or weather report so threatening—that it cannot be erased from our minds by a newscaster saying, “Now … this.” The newscaster means that you have thought long enough on the previous matter (approximately forty-five seconds), that you must not be morbidly preoccupied with it (let us say, for ninety seconds), and that you must now give your attention to another fragment of news or a commercial.

Much more at the links above.

the unchained goddess (11. 698)

Open Culture directs our attention towards the highlight of the Bell Systems Science Series, nine television specials originally broadcast between 1956 and 1964, with the first four written and produced by award-winning filmmaker Frank Capra (previously), recently having found himself “retired” from Hollywood due to being blacklisted as a communist sympathiser over his body of work (previously here and here)—despite being holding rather conservative political views himself, with the AT&T sponsored commissions being viewed in retrospect as a quiet means of rehabilitating his image and reputation, with the 1958 examination of weather. Though somewhat less well received by critics and audiences than Capra’s previous three instalments (perhaps the topic considered too pedestrian in comparison with the others on the circulatory system, the sun and cosmic rays), The Unchained Goddess is indelible and enduring with a prescient message about the effects of Anthropogenic climate change and the cascade of the warming atmosphere and sea-level rise. Much more at the links above.

* * * * *

synchronoptica

one year ago: photos of the Anthropocene (with synchronoptica) plus a continued blockade on Ukrainian grain shipments

seven years ago: swimsuit models, Voltaire’s science-fiction, the premiere of SpongeBob plus the Golden Submarine

nine years ago: assorted links to revisit plus Merkel’s immigration policies under scrutiny

twelve years ago: climate change and too much water plus a branded look for US Commanders in Chief

fourteen years ago: a trip to the Baltic coast

7x7 (11. 684)

fernwood 2 night: Martin Mull (RIP) interviews Tom Waits on first talk show satire  

dead heat: polls indicate that the US presidential race is virtually tied, unchanged after the debate performance 

alberta bound: the Great Canadian Song Map—via Web Curios  

tropic of cancer: some of the US falls outside of NATO’s geographic scope—see also  

moved permanently: North American telephone area codes that are also HTTP response headers—see previously—via Kottke  

shelley’s heart: Charles McCarry’s eerily prescient 1995 political thriller  

now benson, i’m going to have to turn you into a dog for a while: Taika Waititi is serialising Terry Gilliams’s 1981 Time Bandits for television

your good and your evil use the same methods, achieve the same results (11. 674)

Bob Canada presents a highlight reel of some of the more bizarre images that the crew of the Enterprise saw on the ship’s viewscreen during the course of the original run of Star Trek: TOS, with their encounter with Space Lincoln in “The Savage Curtain” (S3:E22) with the super-intelligent rock-like Exclaiban having created the presidential look-alike (along with a facsimile of the renowned Vulcan philosopher Surak) to better explore the concepts of good and evil, pitting these two upstanding figures against a cast of villains, including Genghis Khan and Klingon warlord Kahless with Kirk and Spock as seconds in the duel. Despite knowing that the great statesman is an artifice of matter-energy conversion, the Captain accords his personal hero with full honours upon boarding the ship.

synchronoptica

one year ago: assorted links worth revisiting (with synchronoptica)

seven years ago: neutral facial posture plus the fall of Constantinople

eight years ago: Stephen Hawking’s stalker plus a short hiatus

nine years ago: absquatulate, cartoon tropes plus Freedomland, USA

ten years ago: peace vigils in Germany