i’m gerald ford…and you’re not (13. 358)

 

Invited by Al Franken, former NBC war-correspondent and nightly news anchor White House press secretary Ron Nessen became the first political figure to host SNL (then called “NBC’s Saturday Night”) on this day in 1976, with Gerald Ford declining the offer in the midst of an election campaign.  Nessen had replaced Ford’s first spokesperson after Jerald terHorst resigned less than a month into the administration in protest after Ford’s pardon of his predecessor Richard Nixon. And while Ford did not appear on stage, the president did take part in three pre-recorded segments and and introduced the show with the tagline,“Live from New York, it’s Saturday Night!” and responded to the above running jokes of Chevy Chase’s portrayal of him. The musical guest was Patti Smith.

 

synchronoptica

one year ago: the first public exhibition of a giant squid (with synchronopticæ) plus international plug and socket standards

 

thirteen years ago: a mysterious Iranian factory in Germany 

daddy, what’s sundowning? (13. 351)

The most memorable and harrowing instalment of the series of commercials from Time-Life, aired first in December of 1985, the twenty-five volume serialisation of the conflict bookended the Reagan administration, released from 1981 to 1988, The Vietnam Experience sought from a mostly American perspective to bridge the rifts across the Greatest Generation, the Baby Boomers and generations next through exposure of tactics, cultural gaps, secret, parallel waging of conflicts by assaying the social and political aftermath and reckoning. To these ends, the two-minute spot features a plaintive question as father and son (the other timely response is “Look it up, dear” promoting Encyclopaedia Britannica from the following year and maybe prompting a generation of independent-research) whilst touring the newly dedicated and controversial veterans’ memorial wall of Maya Lin. The gravelly narration is provided by Martin Sheen, delivered with the intonation of his role as CPT Willard in Apocalypse Now, framed as a “question a child might ask” and followed by several others in the same vein, “Daddy, did we win?” and portentously warning that these queries must not go unanswered. Though in the fullness of time technically not forever wars as eternity will eventually embrace the Sun’s supernova, we have to wonder what cold-comfort we might offer in terms of explaining what’s a late night rage tweet, what’s a golden shower, covfefe, self-own, projection, deflection, hamberder, etc to someone who has not directly lived through these time.

advanced avionics (13. 337)

Appearing on German broadcaster RTL (Radio Télévision Luxembourg, the cosmopolitan media group founded as Compagnie Luxembourgeoise de Radiodiffusion as one of the first private programmers in 1931 and representative of the broader spirit of transnational cooperation) on this day in 1976, Belgian prime minister Leo Tindemans (to the right of Helmut Schmidt and Luxembourg PM Gaston Thorn), previously charged with defining what the European Union was to be as a political entity with his eponymous report that helped to guide the formation of the EU and its institutions, defended the country’s decision to purchase US fighter jets rather than French Dassault Mirages, in the context of forming a common defensive strategy for the continent. Despite what was interpreted as a slight by the domestic aerospace industry at the time, later that year Tindemans was awarded the international Charlemagne prize for his contributions towards unity, economic integration and the strengthening of citizen rights.

10x10 (13. 316)

carry on patriots: US secretary of war Hegseth nullifies probe into unauthorised helicopter fly-by and salute of Kid Rock  

feiqian: centuries old networks of underground banking provide the freedom from government oversight and privacy that crypto has failed to deliver  

road-trip: after a two year hiatus, Tom Scott returns to YouTube  

der orchideengarten: the first horror and sci-fi magazine—see previously 

the c-word: US scientists are speaking in code, the so-called “climate hushing” to continue their research 

general ledger accounting codes: an appreciation of Excel and how the spreadsheet reshaped business  

laudatio canis: a late fifteenth century testimonial about the virtues of dog-ownership—see previously  

mergers and acquisitions: Larry Ellison’s Oracle lays of thirty thousand workers in a cold-call dismissal after Paramount takeover of Warner Brothers leaves parent company in debt and without backers  

påskekrim: the Norwegian tradition of settling back with crime novels over the Easter holidays  

send in the flying monkeys: a music video with elements of Monty Python and Hieronymus Bosch that addresses the current US state of the union

jazzy spies (13. 295)

Also known by the above for the closing undercover lineup, the Jazz Number series was a collaboration between Jefferson Airplane singer Grace Slick,whom provided the vocals after her then husband, Jerry Slick of San Francisco animation studio Imagination, Inc, was commissioned to produce the segments for the new Children’s Television Workshop show Sesame Street. Slick’s team of animators were also behind the noonee, noonee typewriter guy and this upbeat psychedelic interstitial certainly belongs on the pantheon of nostalgia along with the pinball count and Multiplication Rock! More from Open Culture at the link up top.

when you’re rolling out the dough (13. 292)

 

Debuting on this day in 1986, the mismatched-cultural sitcom relationship of midwestern aspiring journalist Larry Appleton compelled to cohabitate with distant cousin Balki Bartokomous, a shepherd from the fictional Mediterranean island of Mypos, has far too much free real estate in my head, to my mind.And whilst Perfect Strangers is not worthy of nostalgia, which I maintain, a tweet twittered in the midst of wholesale cultural reboots pandering to a specific age plugging continuation in which Bronson Pinchot’s character, having married his fitness coach girlfriend Mary Anne Spencer (having baby Robespierre-Boinki Bartokomous for the series finale), decide as a family to return to Mypos, plot a violent revolution and rule in the style of Nicolae and Elena Ceaușescu. Now we do the Dance of Joy!

synchronoptica

one year ago: the complete listing of Trump’s atrocities, part the second (with synchronopticæ) plus the granularity of Chinese foodways

thirteen years ago: defragmenting dreams 

fourteen years ago: repair cafes 

fifteen years ago: vide-poche 

according to our new arrival (13. 269)

As our faithful chronicler reminds, Mr Belvedere debuted on ABC on this day in 1985, and while having scant affection, nostalgia or memory (except maybe for the nightly journaling) for this culturally mismatched sitcom, a posh British, world-travelled butler engaged by a nouveau-riche American family living in the suburbs of Pittsburgh as a mentor and caretaker, in the tradition of Family Affair from two decades earlier and inspired by the character created by novelist Gwen Davenport at the end of WWII with the displaced coming to the aid of the dysfunctional, just like with antecedent and precedent series like Charles in Charge and Who’s the Boss?, I do have a fondness for the theme song as performed in ragtime style by Leon Redbone throughout its relatively short and ultimate shelved run, whose full franchise was ultimately aired in syndication, a rarity for a show that was cancelled and on the cusp of expository intros. Belvedere himself was adapted cinematically several times before the pitch for television was made and failing until being buoyed up by the above thematically similar shows.

8x8 (13. 217)

guesse and the automaton: a long lost film by George Méliès (previously) featuring a magician battling a robot in slapstick fashion discovered in the stacks of the US Library of Congress  

pizzagate: Hilary Clinton deposed behind closed doors for seven hours of repetitive and off-topic questioning by House Oversight Committee  

spazieren in berlin: walking the streets of the metropolis with committed flânuer (see previously here and here) Franz Hessel in the 1920s 

lubbock lights: an unexplained sighting from 1951  

the cruelty is the point: the state of Kansas invalidates the drivers’ licenses of all transgender individuals—via Miss Cellania  

once posted: a growing curation of vintage post cards—via Web Curios  

let fly the claudes of war: a round up of AI ethics and pressure from the Pentagon  

mergers and acquisitions: Netflix drops its bid for Warner Bros Discovery with Paramount Sundance poised to take over the studio—see previously

9x9 (13. 183)

chinamaxxing: sinophiles dominate online forums  

next sunday a.d.: Mystery Science Theater 3000 to reunite almost all of the original cast and crew  

blue monday: analysis of the quintessential 80s drum beat  

sol invictus: unique Mithraic altars uncovered in Scotland go on display—see previously  

bloqueo: US regional tactics fomenting rebellion in Cuba—see previously—with siege strategy  

the golden road: Sanskrit and Tamil inscriptions uncovered in ancient Egyptian tombs 

orchestral strike: you know this sound but not its name  

just to be safe, here’s a scrollfrog: Cabel Sasser on one of the most incredible XOXO talks ever—see previously—via Waxy 

lilliputian hallucinations: a common dietary mushroom, if undercooked, causes diners to see tiny humans on their plates—via Kottke

synchronoptica

one year ago: a papal bull on artificial intelligence (with synchronpticæ), the purge of US civil servants plus the foundations of ancient London

thirteen years ago: horsemeat and an explosive meteor 

fourteen years ago: a mascot for the eurozone plus a Vatican political thriller

fifteen years ago: sovereign debt 

seventeen years ago: lint eggs from the laundry fairy 

 

circle star theatre (13. 177)

First broadcast on Valentine’s Day in 1973—though I seem to have a distinct memory of this made for TV movie, actually the feature length pilot of an unsold comedy series, perhaps with some Mandela Effect factoring in—the would-be satanic sit-com with Sammy Davis Jr and Christopher Lee revolves around a bungling demon vying for a promotion and trying to earn his horns by convincing a hapless San Francisco accountant (played by Jack Klugman) to enter into a Faustian bargain, a sort of reverse premise of It’s a Wonderful Life. Despite the prospect of instant wealth and an albeit temporary temporal existence with luxury and security, the account has a last minute change of heart and retains his immortal by a technical breach in the contract. The project was inspired by Davis’ own membership in the Church of Satan, ceremonially elevated to the rank of honorary warlock second degree shortly after Poor Devil first aired.  Clips from Dangerous Minds at the link up top.

 

synchronoptica

one year ago: assorted links worth revisiting (with synchronopticæ), playable video clips plus EU berated at the Munich Security Conference 

thirteen years ago: sixteen-year olds get to vote in Hamburg plus Valentines greetings

fourteen years ago: a proposed tax on the childless plus more Valentines greetings

fifteen years ago: a backlash against multiculturalism 

sixteen years ago: Star Wars travel posters 

seventeen years ago: tending ugly plants 

 

das kunstwerk im zeitalter seiner technischen reproduzierbarkeit (13. 136)

Courtesy of Damn Interesting, we are directed toward the seminal 1935 essay by pioneering media theorist, cultural critic and philosopher Walter Benjamin—one of the many exemplars of the oppression and rejection of German-Jewish intellectuals under the Third Reich, The Work of Art in the Age of Mechanical Reproduction. Informing later studies by Marshall McLuhan and Susan Sontag, Benjamin wrote of the limitless nature of publishing and distribution to have an estranging effect on the authentic experience of art, though while democratising access and stripping the ritual from production, the assembly line nature direction of publishing houses and film studios, exhibition of artefacts lessens the spectators’ identification with what’s being witnessed. Benjamin nonetheless aspired to write radio dramas and adored movie stars like Catherine Hepburn. This commodification of author and artist, however, is not veneration of the aesthetic value but rather the politicisation of it that affords the chance for all to be critics and creators, the potential for expression but not the right to it, since the gatekeepers are not talent or excellence by rather monied interest of the industry—or it the case of authoritarian regimes, the state itself as a tool of maintaining the status quo. Contemporarily and retroactively, the paralipomena—that is, things and topics omitted from the critical edition of his essay, like the prevalence of photography or as applied to television and social media, influencers and the spectacle of tribalism (see previously) make Benjamin’s observations very relevant, particularly for the performative gratification seeking to redeem what’s been lost to distraction and desensitisation.  Often misquoted from another collection of essays, Theses on the Philosophy of History, as having said, “History is written by the victors,” more nuanced, Benjamin posits that  “incumbents are however the heirs of all those who have ever been victorious. Empathy with the victors thus comes to benefit the current rulers every time.”

8x8 (13. 133)

i’m blue jeans and apple pie and the indian removal act: America reminds its citizens that it is still their country 

heated rivalry: Don DeLillo’s contribution to the erotic sports genre with the pseudonymous novel Amazons—via MetaFilter   

thermoradiative diode: reverse solar panels harness infrared energy at nighttime  

your money’s no good here: photos of ICE with their backs turned posing with detainees (Minnesota rioters) is sending the opposite message 

once upon a prime time: a 1966 Canadian parody about a housewife who loses her family to television and then sees her home invaded by TV tropes  

mirror, mirror: our brains interpret a left to right reversal in our reflections when its really back to front hézmənd-halsh: more unexpectedly effortful British family names—see previously   

another country: Adam Shatz writing for the London Review of Books on the sublime abomination—via Web Curios

10x10 (13. 118)

write his merits on your mind: a fitting eulogy for murdered ICE victims from eighteenth century poet William Drennen on the persecuted and defamed activist William Orr 

drizzle: the controversial conservatory teacher Li Jinhui (黎錦暉) who brought jazz to Shanghai 

sons of torum: the dreamtime legends of the vast taiga 

fungus among us: the sociophonetics of the mushroom kingdom—from the Roman legal Latin res fungibiles, replaceable things 

the life aquatic: a tribute to David Bowie on the tenth anniversary of his passing with beautiful Portuguese covers of the classics 

arsenal and armoury: a new exhibit examines global traditions of battlewear, beyond white knights  

stooky bill: a visit to the London address where television was first demonstrated—see previously—a hundred years ago today 

deluge: British Museum curator on the “ark tablet” and the universal myth of the Great Flood  

chill session: a set of deep cuts from Daft Punk 

border czar: Trump dispatches Tom Homan to Minnesota to manage the campaign of state terror

cathode-ray tube amusement device (13. 115)

Patented on this day in 1947 by co-inventors Estle Ray Mann and Thomas Goldsmith Jr, television pioneer at DuMont Labs, the first interactive electronic game consisting of a vacuum tube with electron gun and an oscilloscope, inspired by radar displays employed during World War II, the schematic of the filing describes a game in which the player can control the trajectory of the a missile, the focus of the electron beam, to hit target represented by paper overlays on the screen. Never brought to market and only a couple of prototypes produced due to equipment costs and financial problems at the network, the project was abandoned and forgotten until 2002 when researchers came across some artefacts and ephemera in Goldsmith’s archives. Given that rediscovery and the device’s analogue and mechanical construction, it is thought that this use of a graphical display input interface did not did not have any influence on the development of video games, with the first home gaming console, the Magnavox Odyssey—see also, one of the twenty-eight games bundled with the system was the forerunner for Atari’s arcade version—released in the UK in 1972.

synchronoptica

one year ago: Trump administration stops all work at USAID (with synchronopticæ), the Fugio cent plus an appreciation of Pop-Up Video

thirteen years ago: smart roads 

fourteen years ago: proposed warnings for disinformation plus the unforeseen consequence of clothing donations 

fifteen years ago: plans to transform former Tempelhof airport into a farmers’ co-op 

hot l baltimore (13. 113)

Via our faithful chronicler, we are reminded that the Norman Lear sitcom (see previously), named after the cheap and perceived as seedy residential accommodations with the neon E flickering out on the marquee and never replaced, premiered on this date in 1975. Based off a 1973 off-Broadway play by Lanford Wilson with a cast of regular guests that included sex-workers, undocumented immigrants and American television’s first gay couple, the show, like in the beginning with All in the Family, carried a disclaimer before the introductory credits warning viewers about mature themes. Starring Lee Bergere (Dynasty), Al Freeman Jr (The Mod Squad, Kojak and Maude), Conchata Ferrell (The Love Boat, LA Law, Two and a Half Men), James Cromwell, Charlotte Rae (The Facts of Life) and Dick Van Patten (Eight is Enough) and championed by the network, it failed to secure an audience and was cancelled after thirteen episodes—the midseason replacement was Karen, a vehicle to launch the actor’s career, starring Karen Valentine (Room 222) working in a liberal lobbying group in Washington DC and uncovering corruption, which was also cancelled after thirteen episodes—and Maryland affiliate declined WJZ-TV declined to air the programme out of concern for the public image of the city.

8x8 (13.110)

board of peace: German chancellor declines to be a party of the administration of Mandatory Palestine, joining several other regrets-only by world leaders, and Canada being disinvited 

irl: attempts at recreating sloppy AI-generated advertisements  

📺: as the medium celebrates its centenary with the first public demonstration in 1926, we reflect on one hundred of its greatest moments  

fighting nazis since 1996: former special prosecutor Jack Smith (previously) inadvertently re-platformed and given the chance to argue his case that Trump engaged in criminal activity that was removed from the docket—more here—via Meta Filter—and thanks a Capitol police officer in the gallery wearing a Drop Kick Murphys shirt 

snowmageddon: half the US braces for a colossal winter storm  

controlling share: TikTok parent company divests itself to avoid US ban—see previously 

a word on thinking for yourself: the existential threats of AI eschatology—via Duck Soup 

stayed a little back from the front lines: a global chorus repudiates Trump’s remarks about NATO contributions in Afghanistan

7x7 (13. 105)

helix nebula: JWST captures amazing images of the planetary incubator 

academy cinema two: the linocut posters for movie classics from Peter Strausfeld  

degrassi high: an appeal for Canada television to bring back its weirdness—via MetaFilter  

deus ex machina: a survey of the long history of technology assisted writing  

the attention economy: cybernetic interface and the tolerance of distraction as told through “pursuit tests” on the last century  

public domain revue: an call for submissions to remix properties like Betty Boop, Nancy Drew, Flip the Frog and more—see previously, see also  

galileo let me go: the most challenging mission in the history of NASA

9x9 (13. 084)

foreverware: Eerie, Indiana was the Stranger Things of the late 1990s 

correlation is not causation: the mullet index of South American regime change—via Quantum of Sollazzo  

thirty-six views of the eifel tower: Henri Rivière’s woodblock prints inspired by the ukiyo-e scenes of Hokusai—via Messy Nessy Chic  

yakity-yak: prolific toy inventor Eddy Goldfarb at 104—via Damn Interesting  

the high price of exceptionalism: America’s problems are solved problems  

classifieds: an appreciation of the enduring earnestness of Craigslist, one of the few remaining refugees of the early internet before everything was commodified  

waggle dance: an optical compass inspired by bee navigators  

business in front, party in back: an annual hairstyle competition at the Pennsylvania Farm Show in Harrisburg  

mr burns: a post-electric play: post apocalyptic Simpsons stage show to have cinematic adaptation

always try to be nice—but never fail to be kind (13. 077)

Miss Cellania directs us to a treasury of rather profound words to live by compiled from the various regenerations of the Gallifrean and companions, many of the sagest quotations attributed to writer Steven Moffat who joined the series after its sixteen year hiatus in 2005 but there are jewels to be found across the continuum. “Should there be another, I’ll explain to you in great detail whick of the many time laws I am not allowed to transgress.” “Life’s like that—best thing to do is to just get on with it.” “Some people live more in twenty years than others do in eighty.” “Nine-hundred years in time and space and I’ve never met somebody who wasn’t important.” “There’s no point in being grown up if you can’t be childish sometimes.” “And if there is any hope for any of us in this giant explosion in which we inhabit then surely that’s it: intellect and romance triumph over brute force and cynicism.” What’s your favourite? Click through for the video compilation with eras and episodes cited. Would you like a jelly-baby?

star trek: phase ii (13. 065)

We’ve covered before the disappointment expressed by fans of having that five-year mission curtailed and production limbo of the first cinematic adaptation of the franchise and now courtesy of Miss Cellania and Damn Interesting we learn that what became Star Trek: The Motion Picture was primarily reworking of material developed for a planned televised revival series, drawing on the popularity of the original show in syndication and cast members on the convention circuit that arose in the early 1970s not long after cancellation. Although Spock was not to return for the continuing voyages as a regular character, most of the main crew did with a few additions, first officer Will Decker, Deltan navigator Ilia and Vulcan science officer Xon and scripts and storyboards for at least nineteen episodes were drafted though to never go into production. Some narratives fed directly into the movie’s plot and premises were rewritten for TNG, but many with elements of impostor infiltration and time-travel throughout were never developed further—including a dangerous, covert bit of shuttle diplomacy to the Klingon homeworld to negotiate with the child emperor in order to avert galactic war. Much more about each episode and their writing teams at the link up top, including a conceptual arc from Jerome Bixby, science-fiction author with Star Trek and Twilight Zone teleplays to his credit.