Saturday 26 November 2022

santa claus (10. 337)

First screened in September of 1898, we are directed towards the technical marvel by George Albert Smith considered the first short, silent film about Christmas—with pioneering examples of parallel action and double-exposure—making it one of the most sophisticated examples of filmmaking to date. After two young children are put to bed on Christmas Eve, St Nicholas enters the house through the chimney and start trimming the tree and filling the stockings hung by the fire. After surveying his work, he disappears the same way he came in. The latter innovation already demonstrated, superimposition in cinematography, in two of Smith’s earlier experiments—namely Photographing a Ghost (see also) and The Mesmerist—is a particular segue into the filmmaker’s life and career, chiefly billed as a magic lantern lecturer, hypnotist and psychic ahead of his extensive filmography of short subjects, which Smith turned to after being drummed out of the Society for Psychical Research (see above) over alleged fraud—and possibly contributing to the death of his accuser by overdosing on opium—turning his interest to the nascent movie industry run out of small studios in Brighton and Hove, specialising in special effects and colour processing.