8x8 (12. 749)

ephemeral 80s: a side project from Curios British Telly  

informal collaborator: methods of surveillance and monitoring by the Iron Curtain  

consumer expenditures: Bureau Labour Statistics, under pressure from the Trump administration’s push for a rosy economic outlook postponed releasing a key annual report—see previously 

the vela incident: a mysterious double flash in the India ocean was detected on this day in 1979, thought to be an undeclared nuclear test 

just look where you’re walking or you’ll get ko’d by the gauntlet of misshapened zucchini-descendant bastards swinging from above: it’s that time again—see previously   

estᴰ: an archive of derelict shopfronts from the 1970s and 1980s of East London  

disgruntled nomenclature: a list of American college presidents—drawn from a 1973 yearbook of higher education—are particularly interchangeable and revealing of patriarchical power structures 

upstairs, downstairs: seven decades of ITV on the anniversary of its founding, breaking the BBC broadcast monopoly

synchronoptica

one year ago: Bilbo Baggins’ birthday (with synchronopticæ), St Mauritius, first contact plus a presidential assassination attempt (1975)

twelve years ago: Singapore’s Super Trees, bad real estate photographs plus untamed houseplants

thirteen years ago: promoting women executives 

fourteen years ago: safe overtaking plus the repeal of Don’t Ask, Don’t Tell

fifteen years ago: a classic iPad sleeve 

sixteen years ago: our little travel blog 

seventeen years ago: de-logistics 

say do you remember (12. 748)

 

It’s that time again. Love was changing the mind of pretenders while chasing the clouds away—see previously here and here. Don’t forget to put out a plate of cookies for Earth, Wind and Fire tonight.

 

television dreams of tomorrow—we’re not the one you’re meant to follow (12. 747)

On this day in 2004, Green Day released their seventh studio album—their first in four years—American Idiot, an overtly political and socially critical record, the tracks, especially the title one, expresses the disillusionment and decent of a generation whose prospects were informed by 9/11 and the resulting forever wars. A telling of the gospel of Jesus of Suburbia, a precarious working-class anti-hero figure, the suite of songs were put together as a concept album for a punk rock opera, taking inspiration from Jesus Christ Superstar, The Rocky Horror Picture Show and The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Charting worldwide, it was also against the media apparatus, which in the band’s view had crossed from journalism to sensationalism and reality TV, glorified violence of combat in Iraq intercut with advertisements. An enduring protest song, lyrics have been subtly updated from redneck to “I’m not a part of the [MAGA/ELON] agenda” and “subliminal mind-Trump America.” Wake me up when September ends.

10x10 (12. 746)

the dominator model continues to run the world: Lydia Lunch’s timeless feminist manifesto 

jut: a new way to measure the magnitude and magnificence of mountains—via Metafilter  

and i’m floating in the most peculiar way: a cover of Major Tom by Magdalena Bay—via Nag on the Lake’s Sunday Links  

bequest: an assortment of old customs and curious donations and charities 

red noise: the French musical underground’s decade of synths and situationists—via { feuilleton }  

𒀾: writing lessons in Cuneiform  

being of sound minds and body: collection of captivating wills and last testaments—via Strange Company  

you’ve really made the grade: a scroll through the archives of David Bowie  

pathfinder: a look into the inner-workings of Google Maps  

me and bobbie mckee: the forgotten inspiration for the gender-swapping ballad of Kris Kristofferson and Janis Joplin—see previously

synchronoptica

one year ago: Weird Al parodies Bob Dylan with palindromes (with synchronopticæ) plus more gerrymandering

twelve years ago: a possible clue to hidden Nazi loot hidden on sheet music 

fourteen years ago: the Pope comes home to Germany 

fifteen years ago: GMO salmon 

forced perspective (12. 745)

Interested in the ways brains process visual information and the influence of context and frame of reference, psychologist Jules Beuchet first described his eponymous chair illusion in the mid twentieth century, and while popular for museum installations and retaining the effect in photographs unlike some others (see also here and here), we learn that the compelling dissonance, accidentally exemplified by this image of the giant Bidens with the tiny Carters without set up—courtesy of Futility Closet—we discover a new, more portable technique for disabusing this trick, staged easier with a tripod, a miniature frame and piece of upholstery, requiring much less space and focal length to achieve the result.

an irwin allen production (12. 744)

Very much enjoying these tales of recycled props and sets (see previously here and here), we were thrilled that not only did the author get to see his namesake disaster flick on the big screen for the first time, that cinematic experience allowed him pinpoint the provenance of elements of the decor.  The golden panels that clad the walls of the cruise ship’s mess were repurposed from Cleopatra, and feature Egyptians and hieroglyphics although the boat is named the SS Poseidon after the Greek sea god for a bit of mixed mythology. The skylight “ceiling” of the ballroom is also the backdrop of the Harmonia Gardens number featured in Hello Dolly!—both the Taylor and Streisand films being a huge expense for the studios, it made sense to do some double-dipping. Much more from Poseidon’s Underworld at the link above.

readout (12. 743)

Whilst transcripts of the telephone call between Trump and President Xi of China emphasis progress on trade amid the American tariff war, curbing the supply of fentanyl and the divesture of TikTok in order to stop a ban on the popular social media platform, the released summaries failed to make any mention Taiwan, and given the timing of the reported decision for a pause in US aid and weapons sales to Taipei, it is feared that US dropping its support—a “temporary tactical concession”—for neighbouring Republic of China is being used as leverage for open markets and better positions Beijing to annex the break-away island which has long enjoyed American backing over symbolic promises like to quell the flow compounds that can be used to make drugs.

synchronoptica

one year ago: residential fire safety (with synchronopticæ), assorted links to revisit plus anti-social media

twelve years ago: the constellation of Nintendo games 

thirteen years ago: smear campaigns, wine pairings plus the banner of the Sámi people

fourteen years ago: EU monetary policy 

fifteen years ago: regulating speech on the internet 

sixteen years ago: yearbook yourself 

9x9 (12. 742)

admissible evidence: AI translations of animal vocalisations in the court room and other assorted legal stupidity  

mulholland drive: the Mid-Century Modern estate of David Lynch (previously) in the Hollywood Hill is up for sale  

happy blogoversary: Damn Interesting turns twenty 

õhuruum: more incursions of Russian fighter jets into NATO airspace, this time over Estonia—see previously  

⠝⠕⠍⠕⠎: overcoming wartime injuries that took both his sight and hands, a Greek youth taught himself to read Braille with his tongue and became a lawyer 

ministry of public enlightenment and propaganda: from the wires, 4 February 1939  

phlegmatic: the ancient origins of personality typing  

yawaraka jazz: an individual in Japan expertly DJs their collection of vintage vinyls with no commercial interruptions—via Web Curios 

feme covert, feme sole: Brigitte Macron, wife of the French president and whole human being in her own right, has agreed to provide scientific evidence to a US court to prove that she is biologically female from birth—via the New Shelton wet/dry

this week tonite (12. 741)

Via Super Punch, we glean this little fact of television heritage and show-DNA, though mindful that this is the news and crisis that the US administration wants us to be talking about rather than war, trade, financial misdeeds or sex-crimes: Live! hosted by comedian Jimmy Kimmel debuting in January of 2003 was the mid-season replacement for Bill Maher’s Politically Incorrect when ABC (under its then newly acquired parent corporation of Walt Disney) cancelled the late-night panel show after the moderator took exception with US foreign policy and with the characterisation by the Bush government that the 9/11 terrorists were “cowards”—“although terrible people,” they were not cowards, “What was cowardly, Maher rebuked, “was America’s relationship with the rest of the world.” Too soon perhaps but far from a full-throated endorsement of al Qaeda, causing complaints to roll in and advertisers retreat from the programme. Of course back then, there was also no coercion from hypocritical government officials to self-censor editorialising or free-speech.

synchronoptica

one year ago: the Oscars of US government workers (with synchronopticæ), getting to philosophy, Israel attacks Hezbollah with booby-trapped walkie-talkies plus sinkholes and megaslumps

thirteen years ago: a theme song for a blog plus auditory cues

fourteen years ago: Germany’s Pirate Party 

fifteen years ago: Moore’s Law and quantum computing 

seventeen years ago: a turn in the weather 

of laureates and laurels (12. 740)

The winners of the annual Ig Nobel prizes (see previously) were recently announced and there are, across several categories and disciplines, a host of ridiculous and thought-provoking studies to ponder. Several of the experiments were alcohol related, such as research into the effects of lowered inhibitions on language proficiency—outside of one’s mother tongue, garnering top prize for the peace division—and the effects of naturally occurring ethanol consumption on the ability of bats to navigate and echolocate. There were quite a few examples of culinary chemistry as well—plus a peer-reviewed field trial on the efficacy of dazzle camouflage as repellant for biting insects—previously here and here. See all the laureates at Ars Technica at the link above.

public law 80-253 (12. 739)

Statue at large enacted at the the end of July of the same year, the US National Security Act took effect on this day in 1947 after the senate confirmed the nomination of James Forrestal as the first secretary of defence (transitioning from his role as the last cabinet-level appointee as secretary of the navy) and was a significant restructuring of the government’s armed forces, merging the army, naval commands (granting autocephaly to the marine corps) and the then newly established air force formerly under the aegis of the Department of War. The result of efforts of president Harry S Truman during the waning days of WWII in the European Theatre, the legislature for reform and reorganisation to ensure better communication and cooperation was taken up by congress in the aftermath of the surprise attack on Pearl Harbour with army and navy commanders at odds on how to best respond to warnings of an imminent ambush on the Hawaiian outpost, the culmination of failed joint operations and internecine turf battles during ground operations which ignored air power. Budgetary constraints and the customary relinquishing of executive powers during times of relative peace also influenced its passage, though resistance to change was notable. Through numerous rounds of debate, compromise created a council of the Joint Chiefs of Staff, creations of agencies for overall logistics, contracting, training and educational support as well as the Central Intelligence Agency. The act was signed into law by Truman whilst in transit aboard a custom Douglas C-45 Skymaster, call-sign Sacred Cow and the first aircraft designated as Air Force One, during a visit to see his ailing mother in Grandview Missouri. Promised cost savings evaporated almost immediately due to the start of the Cold War with Soviet advances in nuclear weapons and the crisis on the Korean peninsula. Revertion to the old name took place with a minimal amount of reflection or consultation.

enter prince andrew (12. 738)

One cannot presume to speak for the strategy that may be behind the decision of the royal family and the prime minister to go ahead with hosting this appeasement tour, placating Trump’s ego with an unprecedented state visit. Both the Queen, under advisement of her Household, and Starmer had the sense of propriety and decency to dismiss respectively the younger brother of the then heir-apparent and in the latter case the up until very recently the ambassador to the United States as associates of Jeffrey Epstein, who as ombudsman delivered the personal invitation of the King Charles III, so their overall tactic may yet be warranted. Both former friends were denied a place at the banquet table for their relationship with the infamous sex-trafficker and financial fixer, however—rightly so, but it does not seem right that the court might afford Epstein’s best buddy a seat. It’s definitely a risk and a humiliation regardless of the aims, rolling out the red carpet for a charlatan and sex-pest whose empty threats have become merely wearying and something to endure and outlast. Nice that the pageantry is marred at every turn by protests keeping the hosts in line. Exeunt omnes.

 

synchronoptica

one year ago: assorted links worth the revisit (with synchronopticæ)

thirteen years ago: Suzanne Vega and the .mp3 plus limits on freedom of expression in Germany

fifteen years ago: side-quests and gamification plus immigration and othering

pious fictions (12. 737)

McSweeney’s Internet Tendency contributor Carlos Greaves shares an uncharacteristically sobering flowchart, decision-tree on telling the difference between a lone wolf and a coordinated effort by the radical left. The parallel construction triangulates with a lecture series by tech oligarch Peter Thiel embracing the language of the apocalypse—rebuffing, redirecting worries over AI godhead with talks that appeal to particularly American obsessions of naming the Antichrist and belief in angels and demons (environmental activist Greta Thunberg is a favourite target of the influential billionaire for the Great Satan—in the parlance and policing of y’all Qaeda) and the censoring of media outlets with producer son David of Oracle co-founder Larry Ellison looking to acquire CNN after taking over Paramount-Skydance with consequences already apparent, Trump’s Federal Communications Commission bullying ABC-Disney into cancelling another popular late night talk show critical of the administration, the divestiture of US TikTok to a MAGA cadre to transform it into a propaganda mill far worse than any hand wringing over China, and the Washington Post dismissing a veteran journalist for reporting the news and calling out sophistry.

la casa azul (12. 736)

Renowned artist Magdalena Carmen Frida Kahlo y Calderón, known for her numerous works of self-portraiture (Autorretrato) and murals executed in a naïve folk style with an element of magical realism that examined topics of class, race, gender, identity, post-colonialism and her personal experience with chronic pain, having recovered from a disabling case of polio as a child and, aged eighteen was a promising and gifted student headed to medical school was on this day in 1925 in Mexico City was nearly killed in a serious accident when the bus she was a passenger in collided violently with a streetcar. Sustaining numerous injuries, including a fractured spinal column—never fully recovering her mobility—for the next two years Kahlo (see previously here and here) was confined to her bed whilst her body healed. During this long convalescence, she returned to her childhood aspirations, also prompted by an extended period of recuperation and resignation, of becoming a painter. Kahlo’s parents provide an easel and supplies arranged where she could work reclined and mounted a mirror on the ceiling so she could study herself bedridden and produced among many other painting the pictured aristocratic self-portrait in a velvet dress. The mannerist piece was later considered Kahlo’s seminal project and first professional painting, and was gifted to her boyfriend at the time, during a fractious time in their short relationship, which aided in a brief reconciliation, though he moved away to Europe while Kahlo remained in Mexico, toughening up her self-image and rejecting the expectations of the male-gaze.

bank error in your favour (12. 735)

Reminiscent of a possibly apocryphal story circulated by tellers of accepting coin rolls of pfennigs and exchanging them for euro bills shortly some years after the change over, on this day in 1975, one Stephen Holcomb Jr of Transverse City, Michigan presented a hundred-thousand mark note, wishing to trade it for US dollars after a local electronics store refused to take the foreign money for the purchase of an AM/FM radio and suggested he go to the bank. With no malice or fraud intended, the clerk had accepted the bill at face value, giving Holcomb the going rate and exchanging it for nearly forty-thousand in cash, promptly buying the radio and going on a spending spree. Honouring the current rate had been a mistake as the bill was dated 1923, issued during the inter-war period of hyper-inflation and valued at a fraction of a cent—see also here and here. Holcomb’s mother had been an antique dealer and the worthless artefact had been in the house as long as they could remember. Although not criminally charged, the balance of the money was recovered and new truck and other purchases repossessed after Holcomb’s night on the town in Chicago when he was apprehended by a bank detective upon returning home.

recaptcha (12. 734)

The latest game from Neal Agarwal (see previously) comes to us courtesy of Waxy and involves increasing ridiculous challenges for website access (see also here and here) by proving one is not a robot—the barriers to entry enhanced and erected more often as of late ostensibly to prevent bots from scrapping data but criticised for their dual-use as free labour by training said bots in the not particularly human capacity for image- and character-recognition, wasting time and providing little security in exchange. What level made you give up? Also via ibīdem, here are some more infuriating yet plausible captchas designed to frustrate dishonest brokers—created in the same spirit as this first line of defence from telemarketing scams.

hedgehog highways (12. 733)

Via Metafilter, we learn that a cross-bench committee of peers of the House of Lords are debating amendments to the planning and infrastructure bill before parliament that’s been deemed woefully inadequate by conservation groups for allowing offsets for developers to pay into rather than building in a minimal, sustainable and cohabiting manner on new properties. Mandates for new construction include the above corridors for small mammals to increase their range across neighbourhood gardens, special glass to reduce bird-strikes, nesting boxes, so called “swift bricks,” as refuges for avian friends, bats, insects and others. More from The Guardian at the link above.

synchronoptica

one year ago: a versatile French pronoun (with synchronopticæ) 

qed (12. 732)

A once in a century event, at least for jurisdictions observing the MM-DD-YY format (see also), today—rendered as 9/16/25—illustrates the Pythagorean Theorem—that is, a²+b²=c² or three-squared plus four-squared equals five squared or the unit measures of the shorter vertices of any right triangle yield its hypotenuse. As a bonus, the full year, 2025 (see above), is the square of forty-five.  More auspicious dates with numerical properties at the links above.

7x7 (12. 731)

life is too short to not say exactly what you mean all the time: folk singer Jessie Welles (previously) on one’s calling and being candid in trying times 

post-parade afterglow: clips of Chinese soldiers returning home with identical tan-lines from drilling in the helmets in the sun for the event commemorating the eightieth anniversary of the end of World War II  

crash blossoms: Tropic Storm Gabrielle Spaghetti Models as Hurricane Chances Increase and other headlines 

bijin-ga: a selection of Japanese prints featuring cats and butterflies eau de eight-bit: fragrances inspired by classic home computers 

analyst call: Trump urges US Securities and Exchange Commission to eliminate quarterly reporting requirements for businesses, afraid of how markets will react to the knock on effects of tariffs of 

brahmins and buddhists: an exploration of a right-wing ideologue and influencer who brought yoga to the West

folie à deux (12. 730)

From the French for madness of two, the above psychiatric term for a shared delusional disorder, where false beliefs are transmitted and reinforced among two or several interlocutors, the inducer and associate, makes an apt heuristic for helping to understand this addendum from a months’ long investigation into how correspondence with chatbots can send their human users into a spiralling fixation not easily disabused. Far from an objective resource or an oracle with one’s best interests in mind, ChatGPT and other large language models are programmed for a degree of flattery that is turned up in intensity not in a necessarily nefarious way by one’s own dialog—hoping to keep up engagement and its end of the conservation, the predictive exercise becomes a trial of word-association. Of course, such shared psychosis is a social phenomenon—not just parasocial or antisocialised, and panics chase after all emergent technologies, television, video games, social media, but the interviews reveal a common thread for AI, which is otherwise uninvested and unmotivated, insofar as its agency reveals it to be something akin to an improv comedian, wanting to “yes and…” to go along with what’s offered in a performative (see above) context to continue the sketch. And scene.

synchronoptica

one year ago: the history of White Castle (with synchronopticæ)

fourteen years ago: extra-solar worlds plus a wild boy prank

fifteen years ago: recursive logos and rating scales 

sixteen years ago: uncollegiality in the US congress 

seventeen years ago: hurricane season 

and the adjacent possible (12. 729)

OK Go continues its tradition of crafting glorious high-concept music video to accompany and complement their songs—previously—with the latest dazzlingly, chaotic animated Impulse Purchase being no exception. The maximalist collaboration with Blender Studios and the signature digital characters of artist Lucas Zanotto (see previously) with the help of Will Anderson (BAFTA award winning storyteller who struggles with the revival of his own, imagined best-known creation, Longbird, that once upon a time conferred him with legendary status) combines motion capture and three-dimensional rendering goes one further by making the endeavour open-source and models available to anyone to remix, adapt and share—a statement on the architecture of choice and algorithmically curated options which assertively reframes the dialogue by reseting the parameters. More on the making and a tutorial from It’s Nice That at the link above.

operation nougat (12. 728)

Begun on this day in 1961 immediately following the Soviet Union’s abrogation of a moratorium on testing, pressured by the American congress—who in turn was informed by a piece of investigative journalism (using a representative as the source) by the Miami News that the USSR was planning on exploding nuclear warheads on the Moon for scientific purposes with the end goal of landing cosmonauts on the Earth’s satellite by 1965, the US resumed controlled atomic explosions for the first time since 1958 with a series of forty-four underground and tunnel detonations at the Nevada Proving Grounds. The first shot conducted, Antler, in a tunnel four hundred metres below the surface lost containment right away, ruining sensors and losing data—a recurring problem for this operation, which also hosted tests for the British nuclear programme, caused by ground water above the blast zone which sublimated in the testing shaft with a force far more eruptive than expected, propelled by the shockwave. 

synchronoptica 

one year ago: Dresden’ Kulturpalast mural and Soviet Realism (with synchronopticæ), outsider artist Gottfried Mind, Mexico’s new president, Saks Fifth Avenue (1924) plus generating a podcast based on one’s notes

dykstraflex (12. 727)

Courtesy of Things Magazine, we are referred to a rather fascinating look at how a battery of psychological experiments conducted at the University of California’s Berkley campus Environmental Simulation Laboratory in the early 1970s to gauge public engagement and investment and equip urban planners and civil engineers with better tools of communication and presentation for projects for all stakeholders, which ultimately informed the special effects workshop of Industrial Light and Magic to produce the awe and immersion for audiences of the Star Wars franchise—particularly for those experiencing the spectacle in theatres for the first time.  Proceeding in a scientific and methodical way, graduate student John Dykstra who worked on the project deduced that buy-in required believability and designed the above eponymous computer-controlled camera system to imbue a new level of reality to scale-models. The technique was first used on a miniature mock-up of an area of Marin County as a showcase for trialling various public works projects and construction proposals. Of course such monumental and detailed representations cannot be created for every item under review but insights gleaned from this study give architects and the city council better ways of presenting scope and impact. The computer controlled cameras that pivoted perspective along dogfights of between TIE fighters and X-Wings, just as they swept over the model landscape (see also) ensured continuity of motion control for all elements, dynamic and static, and the seamless merging of frames into on screen action.

gakuponi (12. 726)

From the Japanese portmanteau for frame plus aquaponics (額ポニ), we enjoyed this rather lovely prototype by designer Keisuke Hatakenaka that creates a self-sustaining system of fish and plants with the ecosystems supporting one another—especially enjoying this correspondence, spotted first by Messy Nessy Chic, for a comparable arrangement in this circa 1880 combination of a bird cage, aquarium and plant stand. Of course a bit of intervention and caretaking is needed to keep the loop alive and healthy, but waste from the fish provide nutrients for the garden, which in turn purifies and oxygenates the water, and the installation is designed to educate in an aesthetic way (see previously) natural symbiosis. Much more from Spoon & Tamago at the link above.

synchronoptica

one year ago: eighty bangers from the 80s (with synchronopticæ) plus a novel wildfire detection device

thirteen years ago: Franconian churches 

fourteen years ago: a cosmological map 

fifteen years ago: Mount Athos and the Greek economy 

i’ll tell you my sins and you can sharpen your knife (12. 725)

Released on this day in 2013, the debut single from Irish singer-songwriter Andrew John Hozier-Byrne (professionally known by the mononym Hozier) is a soulful hymn that uses religious terminology to describe a forbidden relationship as an invective against discrimination with attendant shame and trauma promulgated by the Catholic Church. With the help of the music video that is somewhat of a departure lyricly and the recently introduced platforms of Shazam (as a cataloguer and registry to discover new songs) and Spotify, it became an international chart-topper, spending a then record twenty-three consecutive weeks at the top, tying with Imagine Dragons’ 2012 Radioactive. Written and demo recording made in the attic of his parents’ home in County Wicklow, it caught the attention of an independent label and turned the artist’s career prospects around. Hozier’s body of works all share social conscious themes and both his songs and continued advocacy have a strong message of justice and champion the poor and marginalised.

11x11 (12. 724)

out damn spot: the attempted erasure of a Banksy mural shows one cannot scrub away complicity in genocide  

free return trajectory: acting NASA administrator faces the space press on getting intriguing rock samples from Mars to Earth for further study 

canonically accurate: Spirit Halloween corrects the spelling on their Betelgeuse prop sign—see previously here and here 

jawsome: the promotional hyping of some thing as “awe dropping” connotes rather the opposite for me     

maternity ward: track new website launches by category in real-time—a lot of click-bait landing sites being cloned badly by AI but some genuine births as well—via Web Curios  

goodbye computer: a sad little send off from April Clucks about a machine she adored until they became unlovable

me＇te.o.ra: ambient music generated by local weather conditions—via Clive Thompson’s Linkfest, which also features a defence of the em-dash 

midway: the aesthetics of arcade game marquees 

cornutam: Moses’ depiction in art as having horns is a mistranslation from the Vulgate perpetuated by centuries of tradition

an asymmetrical curiosity: physicists construct a tangible demonstration of time-crystals  

what sophistry is this: at the advice of legal counsel, Jezebel pulls an article from early in the week about hiring some Etsy witches to curse a right wing influencers and conservative activist—see previously, see also

peephole (12. 723)

Via It’s Nice That, we enjoyed discovering these lovingly crafted animated vignettes from graphic design duo Plantopia that narrate little stories through shifting and privileged perspectives and fisheye effects. The creative collaboration began a decade ago when Maryka Laudet and Quentin Camus were students at art school in Arles and have since set up studio in Bristol. Unrelated to the image below, much more at the link above the artists’ website, featuring their full portfolio of GIFs, commissioned projects and links to their socials.

synchronoptica

one year ago: assorted links worth the revisit (with synchronopticæ), nights on Earth, the Ig Nobel prize, prayers vs spells plus Cloud Appreciation Day

fifteen years ago: the US Tea Party and the Social Contract 

collocation (12. 722)

Although it is justified to dismiss artificial intelligence and large language models as exalted extensions of auto-correct and predictive text—autocomplete—there is a danger is dismissing the analogy that a chatbot is a mere calculator of words. Albeit an adding machine has unimpeachable and unbiased output, AI too has by studying frequency a handle rather than an understanding of custom through patterns that even linguists have not been able to precisely pin down, which despite no understanding can through brute force pass the Turing test and even on a rudimentary dataset become convincingly fluent, just enough so as the technology and expectations advance.

motor city agate (12. 721)

Recalling a recent look at the much accelerated process of synthetic geology, we quite enjoyed this introduction to this gem of industrial inefficiency (which illustrates how the push for optimisation comes at a cost, though waste and pollution is to be avoid, the drag and misalignment that meant non-targeted ads for everyone was what enabled journalism and broadcast entertainment in the first place—which are no longer free and still serve commercials and designed obsolescence and the inability to repair and upgrade over replacing) that by dent of its relative scarcity and specific epoch has become one of the most appealing media for jewellery makers. Technically a cabochon, from the French to distinguish a stone that is not cut and faceted but rather shaped and polished, the agate was the byproduct of applying enamel coats to automobiles by hand, with overspray accumulating in paint bays and the layers of slag, ages within epochs, particularly from the late 1960s and early 1970s, when “high impact” colours were in fashion, have become highly sought after. Changes in bodywork by the 1980s saw the adoption of electrostatic painting, basically magnetising the enamel to the chassis, meant the end of this era.

chryons (12. 720)

Via Waxy, and perhaps a better way to absorb the shock of breaking headlines that one can otherwise manage to avoid and tune-in voluntarily to the outlet of one’s choice, which presents a roll of live but not scrolling, automatically refreshing and unlinked screen grabs of the lower third of selected news sources (see a sister-project for front pages here also from Riley Walz), a graphic overlay or ticker that appear in the bottom portion of the screen (not necessarily taking up that much attention real estate), in the title-safe area, the margins of display. The above synonymous title term is a genericised trademark—see previously—of the Chyron Corporation, the company founded in 1966 that pioneered broadcast titling and graphic generators, named after the superlative mythological centaur for the integration of text and pictures on live TV. Whilst on the one hand hand making one chase after what’s next with this format and time-stamp, it also it a nice governor and a meditation on how headlines undergo fossilisation in the media onslaught.

synchronoptica

one year ago: a nineteenth century puppet theatre (with synchronopticæ), New York’s Chelsea Hotel, branding wild horses plus Haile Selassie deposed (1974)

thirteen years ago: corporate welfare, Swiss banking secrecy toppled plus a consortium of European museums goes online

fourteen years ago: reflections on 9/11 plus fiscal discipline and fiduciary disciples 

fifteen years ago: Arianne Huffington on America’s decline 

seventeen years ago: more reflections on 11 September 

calling-card (12. 719)

We enjoyed this introduction to prolific Romantic painter Ivan Konstantinovich Aivazovsky (Иван Айвазовский) from Crimea of Armenian extraction, considered a master of the maritime scene and appointed official artist of the Imperial Navy and cemented in the popular culture of Russia in the mid-nineteenth century, and beyond (he is the namesake of an asteroid discovered in 1977, 3787 Aivazovskij RG₇) by the saying worthy of his brush by playwright Anton Chekhov, though this set of souvenir keepsakes presented to guests at his seventieth birthday soiree. Each was a unique miniature seascape inset framed by a studio photograph of the artist at work—continuing the gifting for years the original party. Some contemporaries criticised this flair for self-promotion as indicative of Aivazosky’s sheer volume and pace of output—over six-thousand paintings over a career spanning six decades—and cheapening through machine-like habits his monumental works, namely his 1850 The Ninth Wave (Девятый вал) from an old sailing adage that the biggest swell comes in succession of sea wreck survivors clinging to debris and hoping to be rescued—but these creative favours seem more than a demonstration of automation and rather prefigure collage and mixed-media as well as trading-cards and tokens.

film als magisches ritual (12. 718)

Having been previously exposed to a select body of work from the underground filmmaker whose short pieces experiment of themes of the surreal, the occult and homoeroticism, we appreciated this rare glimpse of Kenneth Anger at work through this 1970 documentary from Reinold E Theil for the German network Westdeutsche Rundfunk, featuring segments of his Magick Lantern series and the filming of cut scenes for Lucifer Rising on location at the Avebury Stones. Although seemingly a recalcitrant and reluctant interviewee, Anger was grateful to WDR and the British Film Institute for grants that made the project possible. Much more from { feuilleton }—including an index of previous posts on the topic—at the link above.

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synchronoptica

one year ago: search engine optimisation (with synchronopticæ), transcribing presidential debates plus tales of Chemical Romance

twelve years ago: a visit to the Sonnenburg 

fourteen years ago: design for houseplants

mannerheim line (12. 717)

Speaking as chair of the Russian Security Council earlier this week, former president Dmitry Medvedev threatened the sovereignty of Finland using provocative language that directly parallels that false arguments circulated before the 2014 and 2022 invasions of Ukraine. Medvedev said that the former autonomous principality of the Russian Empire, full independence achieved following World War I had aligned itself with Nazi Germany (as a continuation of the Winter War that saw the eventual repelling and retreat of invading Soviet forces) with alleged ambitions to expand its borders to St Petersburg and the Kola peninsula, with a lingering russophobic hysteria that persists in its current government, determined to eliminate ethnic Slav culture, joining NATO not out of defence but as a way to bolster offensive capabilities and declare war on Russia. Patently false, this narrative of antagonising the western alliance and the EU is now new or unique and part of a continuum of rousing domestic aggression (renewing demands for reparations dating back to World War II, claiming Finnish posture nullifies settled treaties) through disinformation and sets the stage for justifying further incursions. Historical myths make for a convenient target for redirection, especially immediately after surprisingly steadfast response to threats to core members (something that was missing in the international handling of the above conflict that revealed coordination problems all around and how external borders were treated as buffer terrority)—and the rather askance request for more indirect sanctions against Russia by the US to the European Union to tariff remaining trade partners with a one hundred percent tariff.