Very much enjoying these tales of recycled props and sets (see previously here and here), we were thrilled that not only did the author get to see his namesake disaster flick on the big screen for the first time, that cinematic experience allowed him pinpoint the provenance of elements of the decor. The golden panels that clad the walls of the cruise ship’s mess were repurposed from Cleopatra, and feature Egyptians and hieroglyphics although the boat is named the SS Poseidon after the Greek sea god for a bit of mixed mythology. The skylight “ceiling” of the ballroom is also the backdrop of the Harmonia Gardens number featured in Hello Dolly!—both the Taylor and Streisand films being a huge expense for the studios, it made sense to do some double-dipping. Much more from Poseidon’s Underworld at the link above.