the stone door (12. 630)

We appreciated the extra insight into the influence and craft of Leonora Carrington through a review of her 1977 surreal novel about World War II narrated with the voices of the displaced and disappeared trying to return to a home and past that no longer exists through characters who vanish from the page as it unfolds—all stories are true; begin. A virtual witches bottle of dreams, the occult and a metaphysical, parasocial relationship between episodic interlocutors, one nameless and unclear who is trapped—much like Carrington’s art—behind the titular barrier, and an attempt to reconcile the rituals that limn the protagonists’ progress that correspond with the occult beliefs of the Nazis and not necessarily the spells of liberation that they sought after with magic just as likely to be found in transformative bureaucracy that made exiles, reducing individuals to stateless persons and statistics. Much more from LitHub at the link above.