now, how your daddy don’t mind (11. 891)

Inspired by the memory of trying to encourage a date to remain out past her curfew, Maurice Williams penned the tune seven years earlier, aged fifteen as the more compelling argument came to him all of a sudden lyrically, in 1960 recording the song as a demo track with his doo-wop group the Zodiacs. Picked up as a single by the label Herald Records and re-recorded (removing the verse “Let’s have another smoke,” so it could be played on commercial radio) in August, on this day that same year, “Stay” entered the Billboard Hot 100 on its way to top the charts on 21 November. The lightly pared down version at one minute and thirty-six seconds (extended recent rendition by the band below) is the shortest tune to reach the number one spot. Inclusion on the soundtrack for Dirty Dancing revived its popularity. 

 

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synchronoptica

one year ago: assorted links to revisit plus the US Speaker of the House ousted

seven years ago: who played It better,  a uniquely American problem plus EU jargon

eight years ago: the physics of light-sabres, shifting zodiacal signs plus the US Motor Voter Act

nine years ago: the Crimean War, the voice acting talents of Paul Frees, actor Melina Mercouri plus more links to enjoy

eleven years ago: America in turmoil over Obama Care

big horn (11. 890)

Reminiscent of the bonkers Nazi plan to produce a quarry worthy of Nazis to hunt by bringing back the extinct aurochs, we learn that a gentleman in the US state of Montana has been sentenced and fined for his efforts to create a giant hybrid sheep though cloning and selective husbandry with Asian sheep as big game. Struggling to find a punishment to fit the crime, the judge settled on a suspended term—for lack of a criminal record—and imposed a hefty remittance to the US Fish and Wildlife Service for the upkeep of the Montana Mountain King, confiscated and in care until it can be transferred to a zoo, to discourage others from meddling with ferrel populations for trophy hunting.

we had a bomb scare in the bronx yesterday, but it turned out to be a cantaloupe (11.889)

Released on this day in 1974, with its title derived from the subway train’s radio call-sign, the downtown number 6 express originating from Pelham Bay Park station at 1:23, the hostage thriller by Joseph Sargent and Peter Stone, based on the eponymous novel from the year prior was acclaimed by critics and audiences alike. Starring Walter Matthau, four men in disguise ransom the passengers, eighteen hostages, demanding a sum of one million dollars be delivered or in an hour lest one will be killed every minute that handover is delayed. The score by David Shire (Saturday Night Fever, All the President’s Men) was also lauded for its inventive nature. Most of the filming took place at the abandoned Brooklyn Court Street station, the location of several movies including Death Wish, The French Connection and the 2009 remake and later becoming the Metropolitan Transit Authority Museum, the MTA at first not cooperating with the production as it reflected badly on city governance and retired that particular call-sign. The colour-coded ransomers names is paid tribute in Quentin Tarantino’s Reservoir Dogs.

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synchronoptica

one year ago: the dissolution of the Papal States (with synchronoptica)

seven years ago: Catalonian session

eight years ago: the debut of Peanuts,  Trump cashes a cheque, the etymology of culprit, assorted links to revisit plus Miss Cora Gated

eleven years ago: Swiss war-games plus more on the US surveillance state

thirteen years ago: banking elsewhere plus exposing Brussels lobbyists

upselling (11. 888)

Although to an extent we get why both websites and increasingly waitstaff, dependent on positive reviews, recommendation, and the former sidelined, scraped, abandoned, bereft of revenue and cajoled into a subscription model, places and spaces one has given a minute of their attention to voluntarily are not enough and demand another minute amongst the vortex of algorithmically curated feeds and forced notifications—and the minute after that, no longer allowed to engage and explore on one’s own terms. Nick Heer presents the very apt allegory of a dining experience ruined by an aggressively intrusive server:

Would you like to see the menu again? Here, try this new thing. Here, try this classic thing we brought back. Here is a different chair. How about we swap the candles on the table for a disco ball? Would you like to hear the specials again? Have you visited our other locations?

Such an encounter is highly relatable and corresponds with newsletters, paywalls, diversions that lock one into walled-gardens and promoted content and detract from the whole venture.

bop spotter (11. 887)

Via JWZ, we learn of Riley Walz’ project that coopts the rather depressingly insidious programme called Shotspotter (™️ presumably and run by subcontractor touting benefits for public safety and security but failing to deliver) that detects and ranges gunfire by arrays of microphones installed in cities across America—though some police forces have cancelled their subscriptions due to cost and the diminishing returns on investment of random bullets—with a hidden phone attuned to picking up songs from street level perched somewhere high above San Francisco’s Mission District. Shazam is an application that can identify music from a short clip and adds the song to the playlist. When first launched in 2002 in the UK, people would text “2580” on their mobile phones and hold it up to the radio or television to get a piece recognised, getting a text back with the title and artist.

botober (11. 886)

Back by popular demand, our trusty AI Wrangler, Janelle Shane (previously), produces a list of art prompts for the month of Drawtober, traditionally a daily sketching challenge (see below), generated by AI. This time however the list is an homage to the early days of very tiny language models and neural networks—not gluttonously siphoned from the public internet but rather hand-feed from carefully curated data, including past exercises like heirloom apples and Halloween costumes. Predictably no fun, here is the illustration that ChatGPT came up with for today’s cue, Collide Loopstorm. Maybe it would be more perplexed by some of the others like Deathmop, Hallowy Maples or Hobbats but these must be worked in chronological order, lest one awakens the curse. Much more at the links above.

digital divinity (11. 885)

Via Waxy, we enjoyed reading excerpts from this series of articles from the Rĕst ôf Ŵǭrld’s correspondents on how technology intersects with religion and is transforming the way people around the world worship and find communion in an illuminated manuscript that documents how communities are using platforms for outreach and influence as well as revitalise ancient faiths. The accounts are categories by faith and topic, presented in the the Book of Altered Reality, the Books of Apps, the Book of the Unexpected, the Book of AI and the Book of Influence. The virtual shires, electronic tithing and the TikTok monks and nuns seem especially interesting.

 synchronoptica

one year ago: botober (with synchronoptica), the life and times of Claire Rayner plus an introduction to the Holy Roman Empire

seven years ago: a master of disaster, tweets into poetry plus turning leaves

eight years ago: continuing resolution plus a celebration of physical knobs, dials and buttons

nine years ago: Count Lucker—Sea Devil,  assorted links to revisit plus electric cars dominate trade shows

ten years ago: a celebration of grandparents, venerable trees plus slabs of the Berlin Wall

8x8 (11. 884)

glamos: Switzerland and Italy agree to redraw their borders due to melting glaciers 

a purrfect storm: the childless cat lady trope goes back to the origins of female suffrage and political participation—see previously  

main character syndrome: a need for recognition and validation fuelled by technological change drives self-mythologising whether or not there’s an audience—see also  

daily affirmation: fifty years of Saturday Night Live title cards and graphic design  

viscawide-16: a Wiki dedicated to vintage and antique cameras—via Pasa Bon!  

ultraviolence: Trump proposes sanctioning a day of lawlessness, akin to the plot of The Purge or Kristallnacht to end criminal behaviour  

we are the trampions: the annual European street car driver competition—see previously  

industrial age: UK shutters last coal-fired power-plant, ending a one hundred forty two year era