s01:ep01 flutes & horses (11. 774)

Via ibīdem, we are treated to the pilot for AI or Die—with wholly generated video segments narrated likely by a team of human comedy writers, a sort of imprompt sketch show I guess. And while there’s some off-putting moments of AI body horror to be endured, there’s some funny moments—particularly with Watermelon Wednesdays and Tommy G, master flautist whose instrument sounds more like a saxophone. Filled with non-sequiturs and what’s approaching “yes and”-ing, it’s a bit reminiscent of classic Adult Swim or Liquid Television.

tramsterdam (11. 773)

 Via the always excellent Web Curios, we are directed to the latest Sim City-type, model railroad builder from Matt Stark (see previously) that allows one to reconfigure the streets and canals of the Dutch capital with houses, parks, paths and a public transportation network. Once limned fully for the route to make a circuit, you can watch the tramcars trundle from station to station. The structures become bigger and more articulated the higher the concentration. Give it a try and be sure to share your creations.

synchronoptica

one year ago: assorted links to revisit (with synchronoptica) plus Wagner’s Ring Cycle

seven years ago: revisiting Oppède plus the truths of Buddhism

eight years ago: weaponising the ionosphere, survivor trees, rituals to keep mosquitoes away, more on stashed cash plus more adventures in Goslar

nine years ago: a crafty spider plus a visit to Mother Meera

ten years ago: re-discovering podcasts through the History of Rome, a mindfulness app, know thy selfie plus more on the Roman Empire

absaroka (11. 772)

With the notable exceptions of Alaska and Hawaii and those that successfully petitioned for partition from larger territories like Kentucky and West Virginia and Vermont—Maine was created from the Massachusetts exclave district of the same name that existed until the War of 1812 when pro-British sentiments prompted the separatist movement—every state in the union has had its share of break-away polities, but none as we learn courtesy of Strange Company had consisted of counties of three different states proposing to reincorporate like the above coalition, named after an endonym of the Crow people (“children of the large-beaked bird) though no one consulted the indigenous population despite being formed in large part from reservation land. The movement for Absaroka—whose seriousness is disputed as either an earnest attempt at secession or a publicity stunt that achieved their desired goal—began in the mid 1930s during the Depression and attendant dust-bowls when rural residents far removed from their respective capitals protested that their governments were not doing enough to extend NewDeal federal aid to farmers and ranchers. Distant residents of Montana, Wyoming and South Dakota did not feel that Helena, Cheyenne and Pierre had their best interests in mind. The street commissioner of the city and county of Sheridan Wyoming, halfway between Yellowstone Park and Mount Rushmore (further encompassing the Bighorn and Great Teton ranges and Devil’s Tower and thus the motto the Nation’s Playground) spearheaded the drive for independence and recognition, later proclaiming himself governor of the unrecognised forty-ninth state in 1939, issuing their own license plates, choosing a Miss Absaroka in a beauty pageant and inviting the king of Norway, Haarkon VII, to visit as part of his tour of the region to signal formal and diplomatic recognition and even debate in congress about the order of accession and wanting Hawaii to be admitted first. Though abandoned with the outbreak of World War II, the movement achieved its goal of having state governments responsive to their farthest reaches.

anti-mimesis (11. 771)

Via Meanwhile, we thoroughly enjoyed perusing this gallery of images curated by Jonathan Hoefler (previously here and here) of actual instances of images that would now be mistook—absent other context or familiarity—as telling AI-generated missteps.
These pictures uncannily prevision the now acquainted superfluidity, reduplication, skewed perspectives, a-historicity, attention-grabbing and portrait-studio aesthetic that’s a buggy feature of computer-made art. What do you think it means that this thinking is becoming our default reaction? A picture broadly does not seem worth a thousand words any longer.  Much more at the links above.

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 synchronoptica

one year ago: greenlighted (with synchronoptica)

seven years ago: Trump’s very fine people plus manipulative social media

eight years ago: the stave church of Goslar, early hominids and tolerance for smoke, safety and Helvetica Man plus assorted links worth revisiting

nine years ago: rent parties plus more links to enjoy

ten years ago: writers protest against the book market, the future of shopping plus the unfair labelling of weeds

8x8 (11. 770)

received pronunciation: expectation for Romans (and more broadly villains) with British accents in film  

bardcore: Teenage Engineering debuts a beat sampler for making Middle Ages-style music 

misery rankings: how painful would Olympic events be for average non-athletes—via tmn  

mpox: World Health Organisation declares latest outbreak an international health emergency  

growing up underground: the autobiography of Steven Heller  

a fable for the mind’s eye: the making of Star Wars as a radio drama 

radiophonic workshop: pioneering artist and engineer Daphne Oram—previously—introduces electronic music  

madonna odigitria: medieval icon of the consecrated Pantheon restored

the lower the stakes, the bigger the fight (11. 769)

To put forth PfRC’s style guide at the outset, we’d use Harris’ and Walz’ campaign for the US presidency—but we are really enjoying the outbreak of pedantry over the placement of the apostrophe (see previously) for the names of the candidates and how it’s an interesting case of overlap of grammar and morphology. While conceding that in conversation I may pronounce it Harrises platform or Walzes career, I think the construction is superfluous for names ending in s, z, x, ß (the medial ſ is never terminal unlike the former Esszet), ch and j (as the affricatives tʃ, dʒ), though the instruction if you say it, spell it does seem like a good rule to apply to spare oneself some grief. Should Harris win (otherwise we could all be Ofdon and Ofjamesdavid—the genitive case is weird), she will become only the fourth holder of high office to have such a surname ending (the last being Rutherford B Hayes), but a more recent contender, Michael Dukakis, interviewed for the article recalled no such controversy back in 1988 and agrees it should be s, apostrophe and that’s it.

crossing the line (11. 768)

In contrast and correspondence with the previous post, also on this day the following year, in 1962, twenty-one year old US army private first class Joe Dresnok (제임스 조새프 드레스녹), feeling hopeless, recovering from a recent divorce, and facing a court-martial for forging his commanding sergeant’s signature for passes to leave the army base at night, dashed across the minefield of the Demilitarised Zone into North Korean territory. The defector was apprehended instantly and taken to Pyongyang for interrogation, eventually resolved to settle there. Dresnok along with six other American service members taught English and participated in propaganda campaigns to entice more US soldiers at the border to join them. Praising Dear Leader and vowing to never return to the West, Dresnok became a celebrity, cast in several domestic films as an American villain—including a very popular 1978 mini-series called Nameless Heroes (along with fellow defector Charles Robert Jenkins as Dr Kelton, the fictional mastermind behind the peninsular conflict) in which he played the role of lieutenant colonel Arthur Cockstud, commander of a prisoner of war camp, with most North Koreans calling him “Arthur” after his character.  Dresnok died of a stroke in November 2016, confirmed by his sons the following year in an interview on state-run television. 

mauerspringer (11. 767)

East German Bereitschaftsvolkspolizei (People’s Police Alert Units, a paramilitary regimen of the German Democratic Republic for riot control and counterinsurgency) non-commissioned officer Konrad Schumann was given the duty assignment on this day in 1961 to “take control and protect the border from enemies of socialism” on the third day of construction of what would become the Berlin Wall, which at the time consisted of a single coil of concertina wire. Standing at his post on the corner of Bernauer and Ruppiner Straße, Schumann was berated relentlessly by West Berliners, the nineteen year old came to the realisation that he would spend the rest of life as a prison guard and a prisoner himself—solidified by witnessing a young woman hand a bouquet of flowers over the barrier to her mother, apologising for not being able to visit in person. A crowd of protesters had massed by noon and began to rush Schumann’s position, but reinforcements arrived before he had to act, armed but resolved not to open fire on the crowd. Protests continued as construction materials arrived and waiting for the right moment, Schumann stamped on a section of wire and leapt into West Berlin. The action was photographer Peter Leibing and the visual documentation is included in the opening montage of the 1982 Disney movie Night Crossing.