7x7 (11. 402)

beyond the edge: the paradox of an infinite Cosmos  

why don’t you come up some time, see me: vocal fry and the valence of husky voices  

the complete commercial artist: the graphic design that informed modern Japan  

urschleim: primordial ooze as animated putty from 1911 

l’urythmics: an anaerobic exercise routine led by jazz dance pioneer Eugene “Luigi 5-6-7-8” Faccuito  

auteur: an omnibus collection of the most beautiful shots in cinematic history from the Solomon Society—including Barry Lyndon—sure to elicit lots of movie memories 

biosigns: an array of telescopes trained on potentially habitable exoplanets confirm a sample size one in a demonstration of its capability

omero nel baltico (11. 401)

Via the New Shelton wet/dry, we are directed towards an interesting academic speculation from amateur historian Felice Vinci who transposes the epic, decade-long, decade-delayed homecoming of Odysseus (see previously here and here) from the Mediterranean to the higher climes of the Baltic Seas. Positing that conditions during the Holocene Climate Optimum during the time of the Trojan War made northern Europe more like Greece, the main battleground was on the plains of Finland, with Circe’s Isle Jan Mayen Island, the Sirens and Cyclops on the Norwegian coast, shipbuilding Aetolian Pylene the German town of Plön and Thebes Stockholm. Though many of the toponyms in Homer’s poem are frustratingly nondescript (most believed that Troy was legendary until it was discovered) and malleable, like the Matter of Britain or Charlemagne’s heritage claimed by many peoples, Vinci’s theory is an intriguing idea but does not seem particularly convincing or rigorous and follows a tradition of projection and syncretism. Much more at the links above.

 

synchronoptica

one year ago:  The Jaywalker (1956), the Great Michigan Pizza Funeral (1973), more needful punctuation plus assorted links to revisit

two years ago: the Iron Curtain (1946), a cinematic preview in retrospect plus translation choices for a global product

three years ago: ultracrepidarian, photographer AL Schafer plus another MST3K classic

four years ago: assorted links to revisit, Sinclair Computers (1981) plus Disney’s back catalogue

five years ago: artist Gunta Slölzl, parcours, Florida Man plus the Odyssey as a cruise itinerary

product placement (11. 400)

Though a bit averse to reposting content from Twitter, this cultural artefact was too good to resist, learning—via Super Punch—that circa 2003 when Chilean television first broadcast the original Star Wars trilogy, sponsors were keen on not taking the audience out of the experience and commercials breaks were subtly (or not so subtly) stitched into the film. This is rather ingenious and wish more networks did the same. Here is an example dubbed in English.  Much more at the link above.

Around 2003 in Chile, when the original trilogy of Star Wars began airing on television there, they did this funny thing to avoid cutting to commercial breaks. They stitched the commercials into the films themselves. Here is one of them, with the English dub added in. pic.twitter.com/wC7N2vPNvv

— Windy 🛸 (@heyitswindy) March 2, 2024

synchronoptica

one year ago: Don’t Stop the Beat (2002), Anti-Flirt Week (1923), cult cinema classics, more puzzling emoji plus Trump’s January Sixth charity recording

two years ago: the high cost of mineral extraction, customised browsing plus Jesus Christ Price

three years ago: Nosferatu (1922), more on the 1918 Influenza Pandemic, a visual search engine, American state birds plus Icelandic names

four years ago: stream-climbers plus Robert Mugabe elected (1980)

five years ago: outsider artist Adolf Wölfli, closed Italian shops, music from a Bosch triptych plus a Brexit phone booth to call Europe

a roll of the dice (11. 399)

Via Clive Thompson’s latest Linkfest (lots more to check out there), we not only learn of the crazy in the 1920s for mechanical dice cards that generated pseudorandom numbers for you—dominoes and playing cards developed from casting lots in ancient times in China and Japan—there is a project in the works to revive these steampunk clicker gadgets. More at the link above—be sure to read about Joy Division’s Unknown Pleasures cover, contranyms and revisit our friend, the Michelin Man.
Whilst researching, we came across another variant of Roman die in the form of a spinning top called a teetotum—still used in gambling in Latin America and later adapted into a dreidel (to distance itself from the wages or wagers). In varying accounts, a four- or six-sided playing piece determined the player’s fate: T for totum when winning the whole pool, A for aufer to draw, D for depone signifying a discard or N for Nihil Dabis when nothing happens. Compare to the Ferengi roulette and certainly rigged game of skill and chance of Dabo and the card-sharks associated with it from Deep Space Nine.

penrose tiles (11. 398)

Given the potential, inevitably of quantum computing to break even the hardest encryption and pose an existential threat to the digital framework of privacy and security that we’ve become accustomed to, a possible reprieve in the form of aperiodic tiling is welcome news. Rather than focus on the symmetrical and repeating approaches to tiling a surface, polymath and Nobel laureate Roger Penrose and others began to study inflation and deflation of imperfect coverage in the 1970s, and anticipating the models of quantum computing, physical qubits and the superimposed virtual states, the never-repeating mosaics are not in themselves a place to hide information but a check-digit redundancy to ensure calculations stay on course. Given the nature of quantum mechanics—measuring the in-between state, neither zero or one and both, will cause the value to collapse, making the circuitry a rather delicate and unreliable thing and could lead to a more robust and internally consistent way for encoding and encryption as we know it. More at the links above.

hair of the dog (11. 397)

With aides believing he had been intoxicated for at least the week prior, drinking heavily throughout and downing at least three glasses of whisky or brandy the morning of the ceremony, vice president Andrew Johnson delivered his drunk inauguration speech on this day in 1865, witnesses describing it variously as rambling, repetitive and self-aggrandising. Kissing the Bible presented to him for the oath of office, Johnson was too incapacitated by the time in came to swear in the incoming class of senators. Upon the assassination of Abraham Lincoln forty-two days later during his second term, Johnson ascended to the presidency, his challenges foreshadowed by this incident. Picking the populist Johnson as his running-mate was a concession to secessionists—the choice turned out to be a rather grave political miscalculation, especially for the post-civil war period of reconciliation and Reconstruction with Lincoln’s own request that the ceremony be delayed until state governments of the readmitted polities were fully operational. Officially trying to cover up his sprees by confining Johnson to his quarters and issuing statements regarding an unspecified illness but the truth soon outed itself. Escorted to the Capitol to be sworn in by the outgoing vice president Hannibal Hamil, Johnson implored the officiator for a stimulant, begging off that he was unwell. Hamil offered that he had prohibited the serving of whisky in the senate cantina but offered to procure him a bottle from an establishment across the street, downing tumblerfuls until time for the event. Though there is no surviving, verbatim transcript of the speech, those present were incredulous at the spectacle as Johnson berated them with an incoherent lecture on the executive branch’s power and called out several present with insults. Hamil finally was successful in getting Johnson to stop when it was past due for the swearing in of Lincoln.

8x8 (11. 396)

a bridge too far: German authorities pledge investigation into embarrassing leak of confidential military talks about Ukrainian aid  

heteronyms: the Portuguese writer Fernando Pessoa with seventy pen-names  

solar symbology: a survey of the various cartographic representations of North America’s upcoming total eclipse  

phrixus and helle: newly excavated fresco in Pompeii retells the myth of the Golden Fleece  

re:design: Jason Kottke unveils his new website with fresh 2024 energy—maybe we could all use a face-lift  

replevin: Trump fraudulently overvalued his Scottish golf course and resort by £200 000 000—see previously 

club remix: annual competition that invites doctoral candidates to dance their dissertation 

airdrop: US begins aid delivery to a beleaguered Gazan population on the verge of famine

 synchronoptica

one year ago: TIME magazine (1923) plus assorted links to revisit

two years ago: more links to enjoy plus the largest capacity cargo plane

three years ago: more links worth the revisit, an artist’s message to get vaccinated plus Rocket Man (1972)

four years ago: the French version of the Dallas theme, Super Tuesday, Nigerian contributions to English plus more on the Human Interference Task Force

five years ago: graphic designer Alvin Lustig, Apollo IX (1969), an example of Celtic Revival architecture, McLaren’s Imperial Cheddar Club Cheese plus artist Pokey LaFarge

shai-hulud (11. 395)

The always excellent Language Log, ruminating over the cycle of linguist extinction and the propagation of artificial or constructed languages after being directed toward a lengthy piece on making fictional dialogue for cinematic features and how Arabic influences and signifiers from Frank Herbert’s original novel were in large part removed from the latest adaptation, afforded us the chance for the same reflection and to revisit linguist David J Peterson, one of the foremost talents in the field of alien speech. Off-world and removed from outside influence for generations, the Fremen are not extraterrestrials but descendants of the original diaspora of Earth settlers and adherents of the fusion Zensunni faith—which is in itself a controversial suggestion of a hybrid faith—and apparently the production crew wanted to blunt some of the Islamic undertones, despite some of the main concepts of the native society of Arrakis being directly derived from Arabic words, creating a diglossia of Chakobsa and their unique, secret language. Set twenty thousand years in the future, Peterson’s challenge was to imagine how grammar and vocabulary might shift over the countless generations within isolated colonies and considering the depth and fullness of time and space, decided when authoring the exchanges, no directly corresponding or recognisable words would remain, causing some to criticise the change as further whitewashing and continuing the colonial narrative. It is a delicate balancing act.  What do you think? Should the Fremen language have stayed truer to Herbert’s vision? There are plenty of other anachronisms and contemporary artefacts that require suspension of belief.