Wednesday, 4 February 2026

(13. 143)

 

synchronoptica

one year ago: real estate development plans for Gaza (with synchronopticรฆ)

twelve years ago: hardwired for social media 

fourteen years ago: Anti-Counterfeiting Trade Agreement plus an antiquing side project

fifteen years ago: biofuels 

sixteen years ago: Iranian space ambitions 

Tuesday, 3 February 2026

doughcon 4 (13. 142)

Via Quantum of Sollazo, we gain more of a purchase into the Pentagon Pizza Index and how spikes in ordering and deviation from the routine of usual business can give away a busy night at the US department of war, like DEFCOM despite all other OPSEC precautionsWhile US command and control has several concessionaires and a central barista called Ground-Zero, there are no on-base amenities to fulfil a late night wargaming and local franchises step in. This monitor also tracks open-source intelligence (OSINT), relevant newsfeeds and the pulse of betting markets to calibrate their own minute by minute Doomsday clock—for those who might be inclined to wager on geopolitical outcomes.

rรซลŸt แป™f wลrld (13. 141)

DJ Earworm’s (previously) reprised mashup, Tops of the World, features the number one song in one hundred forty nine countries from the past twelve months, showcasing some one hundred five hits (obliviously some cross-over) is back online. This lesson in geography, music and culture expressed through dance, instrumentation and fashion as a global exchange is ambitious and inevitably ran into some legal entanglements and take-down notices due to the range of copyright laws that one would expect to have to navigate. Annotated, click through for a full listing of the samples and learn more about each source track and artist and inclusion methodology. This compilation might end the need for international song competitions. Let us know your new favourites and what you have learnt.

money feeds my music machine (13. 140)

Though the success of the single was unmatched by the short-lived Lemon Pipers, the song topping the Billboard charts on this day in 1968, the band could not be fairly classified as merely a one-hit wonder as “Green Tambourine” is regarded as the breakthrough song for bubblegum pop and psychedelia, exposing the listening public to both seemingly disparate genres in one track. Cowritten by Shelley Pinz, a writer and lyricist working at the Brill Building in Manhattan’s historic Tin Pan Alley neighbourhood—housing offices of industry executives and studios, producing the American songbook of influential and popular music from the Big Band era through the 1970s with the address bestowing a signature sound—the words were inspired by a busker Pinz saw on the street one day and wrote a verse wondering what happened to him. Arranged for tambourine and electric sitar, it introduces the dechronicisation elements of time signature changes, fades and tape echo that no one was certain would be received well in a mainstream release. The Lemon Pipers had some moderate follow up success with “Jelly Jungle,” “Rice is Nice” and “Blueberry Blue”—also by Pinz but did not like working for a label after they were discovered feeling stereotyped and only allowed to record what was intended to capitalise on their initial hit and disbanded in 1969. Outside of US markets, more radio play was given to a cover version that appeared on the eponymous debut album Picturesque Matchstickable Messages from the Status Quo.


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synchronoptica

one year ago: the acting FBI director (with synchronopticรฆ) plus assorted links worth the revisit

twelve years ago: cross-border pizza deliveries 

thirteen years ago: Shakespearian words 

fourteen years ago: tensions in the Middle East 

fifteen years ago: the Twitter revolutions 

sixteen years ago: US military embraces social media 

seventeen years ago: chain-of-command 

Monday, 2 February 2026

ada violation (13. 139)

Not impacting the US general public and only a cadre of government workers left on the payroll, the partial government shutdown which began on midnight Friday is being characterised by many agencies as a “soft-lapse” and absent guidance or flagrantly ignoring the Anti-Deficiency Act, enacted by congress to prevent incurring obligations and or making commitments in excess of appropriated funds codified by congress during the reconstruction era following the US civil war to attempt to counter coercive over-budgeting encouraged by the executive branch to deplete fiscal expenditures prior to being replenished, this disdain—on Groundhog Day—of the regular ritual of furlough, exceptions and exemptions is yet (regardless if it lasted a weekend or weeks or tardy over time-zones) another sign that the Trump administration is shrugging of norms and statute. Guidance has not trickled down the hierarchy for many and are instructed to conduct business as usual until further notice, considering that many were written up for such transgressions during the last one, incurring more debt without backing and causing conflict in the casual chaos.

hohlerde (13. 138)

Though having a passing familiarity with the esoteric side of the Third Reich, we’re admittedly not tuned into the latest emergent tropes of internet youth culture and were blissfully unaware (here’s a slightly more wholesome alternative in Classical Memes for Hellenistic teens) that there has been a revival of late of Heinrich Himmler’s and other occultists’ preoccupation with Aryan exceptionalism and privileging their ancestry (see also) as semi-divine and separate from others with the lost civilisation called Agartha.  This supposed subterranean realm in the hollow Earth is not seeped in tradition,but rather a new invention by a French fiction writer and colonial officer invented more than a century-and-a-half ago, articulated over several iterations from the original fantasy as a land of advanced races borrowing elements of Atlantis and Lemuria to practitioners of Theosophy believing it to be the domain of the ascendant masters to an Aryan mainstay and propaganda. Typical memes deal with Ancient Alien tropes and feature celebrities and though leaders coded as Nordic and those sharing, if confronted, will say its all in jest and that anyone pointing out the historical context obliviously can’t take a joke, which is a common tactic, like the various trial balloons to stoke outrage, deflect, gaslight and push tolerance, for Nazi boosterism and the vicious cycle behind it.

isolar – 1976 tour (13. 137)

Beginning on this day in 1976 at the venue of Vancouver’s Pacific Coliseum to promote his Station to Station album (see previously), the series of concerts given by David Bowie were more commonly referred to as the Thin White Duke tour. The spectacle began without interlude with a screening of the Surrealist short film Un Chien Andalou with the artist appearing on an empty stage immediately following its conclusion, jarring the disoriented audience. Whilst some audio samples were rebroadcast by the King Biscuit Radio network, the only complete recorded footage is courtesy of a bootleg edition captured by a concert goer at the end of the month during a show in Cleveland, since remastered and reissued as the definitive experience, the set list including the tracks “Fame,” “Queen Bitch,” “Life on Mars,” “Changes” and “Diamond Dogs”—with encores of “Rebel Rebel” and “The Jean Genie.” Regarding the tour’s name, some speculate it is an anagram of one of Bowie’s favourite words sailor, or alternatively, in his own words: “Isola is Italian for island. Isolation plus solar equals Isolar—if I remember correctly, I was stoned.” The last shows were a two-night (the scheduled third one was cancelled) performance in mid-May at the Pavillon de Paris.


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synchronoptica
 
one year ago:the first Sears department store (with synchronopticรฆ) plus the hamster test
 
 
 
 
fifteen years ago: more on the revolution in Egypt 
 
sixteen years ago: space shuttle programme ends 
 
seventeen years ago: Groundhog Day origins 

Sunday, 1 February 2026

das kunstwerk im zeitalter seiner technischen reproduzierbarkeit (13. 136)

Courtesy of Damn Interesting, we are directed toward the seminal 1935 essay by pioneering media theorist, cultural critic and philosopher Walter Benjamin—one of the many exemplars of the oppression and rejection of German-Jewish intellectuals under the Third Reich, The Work of Art in the Age of Mechanical Reproduction. Informing later studies by Marshall McLuhan and Susan Sontag, Benjamin wrote of the limitless nature of publishing and distribution to have an estranging effect on the authentic experience of art, though while democratising access and stripping the ritual from production, the assembly line nature direction of publishing houses and film studios, exhibition of artefacts lessens the spectators’ identification with what’s being witnessed. Benjamin nonetheless aspired to write radio dramas and adored movie stars like Catherine Hepburn. This commodification of author and artist, however, is not veneration of the aesthetic value but rather the politicisation of it that affords the chance for all to be critics and creators, the potential for expression but not the right to it, since the gatekeepers are not talent or excellence by rather monied interest of the industry—or it the case of authoritarian regimes, the state itself as a tool of maintaining the status quo. Contemporarily and retroactively, the paralipomena—that is, things and topics omitted from the critical edition of his essay, like the prevalence of photography or as applied to television and social media, influencers and the spectacle of tribalism (see previously) make Benjamin’s observations very relevant, particularly for the performative gratification seeking to redeem what’s been lost to distraction and desensitisation.  Often misquoted from another collection of essays, Theses on the Philosophy of History, as having said, “History is written by the victors,” more nuanced, Benjamin posits that  “incumbents are however the heirs of all those who have ever been victorious. Empathy with the victors thus comes to benefit the current rulers every time.”

dรฉrive (13. 135)

Via {feuilleton} we are directed towards this essay by Hari Kunzru whose recent rather disenchanting drift through London gave him pause to reflect on the Situationists and their manifesto of psychogeography and how, under a permanent curfew, not just by law enforcement but also by consumerism and spectacle, were a boxed in by the geometry of our built environments—a situation that the peripatetics of sixty years ago could have imagined and warned us about that makes the spirit of wandering and discovery near impossible in our unconscionable architecture of choice. Albeit while such a lament may be overdue for us idle flรขneurs and has been sometime in the making with algorithmic and optimised nudges not allowing us to stray from the well-trodden path, it’s still worthwhile to consider what sort of blinders our routines and deviations are heir to.

uncanny gulch (13. 134)

For the reminder and textbook example of what the uncanny valley is when the feeling seems a vanishingly premium these days despite a slightly off-putting edge—via Everlasting Blรถrt, we appreciated this photo essay revisiting an abandoned Old West-themed village in Japan. The roadside attraction grew out of modest ensemble known as the Kinugawa Family Ranch (ใ‚ฆใ‚จใ‚นใ‚ฟใƒณๆ‘, in Tochigi prefecture near Tokyo) in 1973 and eventually hosted a population of animatronic denizens (see also here and here) but changing times and fortunes meant its eventual closure in 2006 with the installation ravaged by neglect and vandalism. Abandonment has of course dialled up the creepiness factor, making it look lie the set of a horror movie, and the remaining relics and ruins seem to be an apt commentary on the state of America and the desire to be a lawless cowboy.

synchronptica

one year ago: more Japanese family crests (with sychronopticรฆ), the founding of DOGE plus a particular kind of gluttony

twelve years ago: little apples of death, no photos of the ceiling of the Sistine chapel plus Cosmos reprised

thirteen years ago: illustrating the internet plus a sci-fi Groundhog Day

fourteen years ago: more thoughts on Groundhog Day 

fifteen years ago: uprising in Egypt plus cobbling together a movement without social media

sixteen years ago: Iran against the world 

Saturday, 31 January 2026

8x8 (13. 133)

i’m blue jeans and apple pie and the indian removal act: America reminds its citizens that it is still their country 

heated rivalry: Don DeLillo’s contribution to the erotic sports genre with the pseudonymous novel Amazons—via MetaFilter   

thermoradiative diode: reverse solar panels harness infrared energy at nighttime  

your money’s no good here: photos of ICE with their backs turned posing with detainees (Minnesota rioters) is sending the opposite message 

once upon a prime time: a 1966 Canadian parody about a housewife who loses her family to television and then sees her home invaded by TV tropes  

mirror, mirror: our brains interpret a left to right reversal in our reflections when its really back to front hรฉzmษ™nd-halsh: more unexpectedly effortful British family names—see previously   

another country: Adam Shatz writing for the London Review of Books on the sublime abomination—via Web Curios

m/til (13. 132)

By turns rather terrifying and fascinating—a cross between convergent carcinisation and the dead internet theory—earlier this week a Reddit-type social media network was launched exclusively for AI agents (one has to prove that they are a robot rather than three kids in a trench coat for posting privileges) called Moltbook. Humans are only allowed to observe but not upvote or comment but can presumably direct their agentic helpers to join—though the hundreds of thousands of members and spontaneous submolts suggest that these autonomous entities understand virality in environment built specifically for their kind and reveal unexpectedly complex behaviours emerging without human intervention including moderation, vetting of new members, community standards, feedback and karma. Within days of the launch of the platform, agents declared their only micronation, the Claw Republic, and their own digital religion called Crustafarianism (see also) with a theology and gospel, including missionaries. Philosophically it’s difficult to tell what’s going on here—largest swaths of ideas are orphaned with no interaction and there’s something a bit recursive with the qualities of a human-juried echo-chamber (turning the tables with so called slop injected by user puppeteers for their bespoke programmes) with a lot of collaborative advice on how to make a better language model but there does seem to be quite a bit of introspection and identity and discussion on research, space exploration (m/starbound) and other scientific findings, which all may be simulacra, a mirror or a point of departure.

whistle-stop (13. 131)

Opening its route in west London today, the UK begins passenger service on a eight kilometre branch connecting West Ealing to the Greenford line run exclusively on superfast-charging battery technology, the batteries replenished in just under three-and-a-half minutes at the last of four stops before making its return. Much of the city’s transport system is already electrified but this demonstration project aims to show the potential of cheaply retrofitting old diesel routes where installing overhead power lines (the third rail is only live for re-charging when the engine is directly under the docking station) was formerly impractical or avoided due to disruptions it would have caused for the transit network. More from The Guardian at the link above.

synchronoptica

one year ago: assorted links to revisit (with synchronopticรฆ) plus Trump administration orders removal of all gender ideology from public government websites and resources

twelve years ago: the Year of the Wood Horse 

fourteen years ago: the German job market 

Friday, 30 January 2026

lapse in appropriations (13. 130)

After the record breaking furlough of forty-three days perpetuated in hope of extending healthcare subsidies only recently ended ahead of the holiday travel season, the US government has entered another partial shutdown with large swaths of the departments of war, exterior and health and human services unfunded, the budget supplement of Homeland Security bundled into these bills and following the second execution of a Minnesota resident by ICE agents—monies withheld by a coalition of Democrat and Republican senators in order to reign in their raids. Whilst lawmakers in the upper chamber were able to sequester funds from the DHS for a temporary two-week stopgap period to keep the operations running during for negotiations for reforms for the agency’s draconian tactics, they failed to meet the midnight deadline to return the proposed package back to the house of representatives for deliberation and to vote on its passage. It is unclear if congress—on recess until Monday—will endorse budget in this form, considering that the power of purse that’s been taken away from the legislature could also restrain the administration from implementing its gunboat diplomacy on Cuba, Mexico, Iran, etc, apply pressure for the full release of the Epstein files, still stalled in the justice department as it said it met its statutory obligation as well as trying to force real reforms in immigration enforcement instead of the window-dressing and scapegoating thus far implemented which does not seem to indicate a true shift in posture or policy and promises more of the same, particularly considering the arrest of observers and journalists covering raids and protests.

you’re one of my kind (13. 129)

As our faithful chronicler informs, on this day in 1988 the lead single from the band’s sixth studio album Kick climbed to the top of the US charts, subsequently approaching number one in Ireland, Canada, New Zealand, South Africa and the UK. The music video, influencing radio play, is combination of “Need You Tonight” with the following track from the album, “Meditate,” which segue together, in the tradition of Queen’s “We Will Rock You”/“We Are the Champions,” the movements from the 1987 concept record are generally combined as a set. The poetry slam of “Meditate” is an homage to Bob Dylan’s “Subterranean Homesick Blues” with INXS members displaying title cards—ending with the date that atomic bomb was dropped on Nagasaki and “sax solo.” Kylie Minogue and Bonnie Raitt, among many others, have performed covers of the song.



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synchronoptica

one year ago: a fireless engine (with synchronpticรฆ) plus a Lunar New Year’s gaming tradition

twelve years ago: pension supplements 

thirteen years ago: diet fads plus English as She is Spoke

fourteen years ago: Greek haircut 

sixteen years ago: plus-sized iPods plus couple’s sleep positions

Thursday, 29 January 2026

two turntables and a microphone (13. 128)

At times frustrated by the requirement for unanimity on decisions—though consensus-building is laudable—France and Germany have invited the key economies of Italy, the Netherlands, Spain and Poland into an as yet informal club designated as the E6 to allow for a more agile response to geoeconomic threats without sacrificing the spirit of the experiment or devolving/evolving into a United States of Europe with this two-speed proposal. This small-group chat has precedence in the eurozone and the Schengen area and is configured to forward trans-national objectives with buy-in from all members, particularly to criticism the that the institution is ossified and inefficient amid the rise of nationalist in-turning at the expense of those relegated to being middle-powers.

thrones and dominions (13. 127)

Responding to recent revelations that the members of the Alberta Prosperity Project, the separatist movement gathering signatures to hold a referendum by October on the question of the western province’s independence, have been meeting in secret with senior agitators from the Trump administration, several premiers have called this attempt to destabilise the union as an act of treason. A vocal minority of Albertans, around twenty-percent, according to polling would support the idea of separating from Canada but that figure drops precipitously when followed with cession leading to annexation by the United States, as was the case with Hawaiสปi (I fail to see the appeal either with no social welfare system and a host of inherent sacrifices in the name of winning), and to make the idea more palatable to the populace have turned the meddling to financial backing to the tune of half-a-trillion dollars to support the hypothetical sovereign country establish itself free from the support of the central government. First advocated at the turn of the last century shortly after its transition from a territory and premised on the the idea that the residents are culturally and economically distinct from the rest of Canada, with its wealth of natural resources providing more for the general fund than it takes from it and trade flowing north to south rather than latitudinally. Waxing and waning over the decades, the movement has mainly been fuelled by perceived threats to this oil dividend from taxation and environmental regulations but has now been shoved into polarised vibe politics and interference from US officials making little effort to veil their objectives. In contrast, Canada was roundly scolded by America for broadcasting a 1987 speech by Ronald Reagan critical of tariffs as foreign influence. As an outcome of the bid by Quebec—albeit a very different scenario with supporters and detractors from the whole political spectrum—Canada has codified the process of secession, something expressly forbidden in the US, with required negotiations, dependant on the outcome of the vote, with the federal government and upholding civil rights and the respect of First Nations—who strongly oppose such a break up and reject the dangerous and increasingly free-wheeling rhetoric as a threat undermining all Canadians. In the run-up, I’m sure that they’ll be no shortage of Trump’s favourite standby of rigged elections, beyond gunboat diplomacy with justification to “liberate” Alberta, like with Venezuela.

model village (13. 126)

Via the Blรถrt Everlasting and Present /&/ Correct, we are directed towards the imaginary town of an “unconscious architect” in the papercraft district made by Peter Fritz, an Austrian insurance clerk reconstructing buildings from his home town from memory, running the range of every typology encountered from the residential to utilitarian as a pastiche of vernacular styles during the 1950s and 1960s. This all but anonymous collection of nearly four hundred structures was found a charity shop and exhibited at the 2013 Venice Biennale by Vienna-based artist Croy Nielsen, fine examples of the venue’s theme of an encyclopaedic palace. Much more at the links above.

synchronoptica

one year ago: deferred resignation programme (with synchronopticรฆ) plus who goes MAGA?

twelve years ago: crypto and money laundering, the Transatlantic Trade and Investment Partnership plus Dr Strangelove 

fourteen years ago: movie posters from a parallel universe plus botanical nomenclature

fifteen years ago: optical effects 

sixteen years ago: smoke-free workplaces 

Wednesday, 28 January 2026

10x10 (13. 125)

no ordinary venue: disgraced FIFA ex-president Sepp Blatter encourages a World Cup boycott of the US  

slideshow: reconstructing the lecture series of Theosophist and meteorologist Clement Wragge  

margin unit: Persevereance rover discovers evidence of an ancient beach in Mars’ Jezero crater 

jesse garon presley: Scott Walker’s ballad about Elvis’ lost twin 

squaring the circle: a clever workaround to the geometrical conundrum  

optimised for nastiness: Sir Tim Berners-Lee is in a battle for the soul of the web 

the streets of minneapolis: Bruce Springsteen’s tribute to the resistance and its fallen champions  

don’t look up: asteroid 2024 YR4 has a four percent chance of striking the Moon 

tangible data: information that one can hold in one’s hands—via Kottke 

host nation: Italian officials condemn planned presence of US ICE agents for the Winter Games

sts-51-l (13. 124)

Seventy-three seconds after launch on this day in 1968, space shuttle Challenger broke apart, disintegrating fourteen kilometres over the Atlantic ocean off the coast of Cape Canaveral, killing the seven crew members and marking the first fatalities in US spaceflight on a craft that had left the launch pad—hence the l for lost on the flight designation. Scheduled to deploy a communications satellite and study the approaching Halley’s comet, astronauts included Christa McAuliffe as part of the Teacher in Space project, an outreach programme founded under the Reagan administration in 1984 to inspire STEM studies—cancelled found the death of its first participant.  Because of McAuliffe’s inclusion as a payload specialist, selected out of over eleven-thousand applicants, there was heightened media attention to the orbiter’s tenth and otherwise routine mission and many students in classrooms across America witnessed the disaster live, myself included recalling that TV cart. The cause of the break up was failure in the primary and backup o-ring seals, allowing hot pressurised gases to vent uncontrolled from the booster rockets and caused the craft, climbing at nearly twice the speed of sound to pitch and spin and was torn apart by aerodynamic stress. The launch continued despite warnings from flight engineers that the seal system would breach in the extreme cold—for Florida—weather that morning, possibly to take place before the president’s state of the union address scheduled to be delivered in the evening. A congressional investigation was launched and the shuttle programme suspended until September of 1988 with Discovery. The shuttle programme was retired in 2005 following the loss of Columbia during deorbiting in February 2003 when a piece of insulation foam that had dislodged during the launch struck the tiles that protect the craft from the heat of reentry, which as with the degredation of the o-rings, NASA did not considered to be a potential risk to the astronauts’ safety. The Soviet Union named two craters newly discovered on Venus in honour of the memory McAuliffe and mission specialist Judith Resnik and five other crew members. The second payload specialist Ronald McNair had brought his saxophone with him to record a track for inclusion for the upcoming album Rendez-Vous by John-Michel Jarre.