hsinbyushin

Presenting a particularly woke feature for Public Domain Review, English professor Ross Bullen shows us how carnival barkers of the past too could conjure up a rather indirect but in no way allegorical nor subtle forum for airing racial tensions and expounding on ideas of white supremacy—pointedly in late nineteenth century America just two decades after its civil war.
Circus impresario PT Barnum’s latest acquisition was about to go on display and the public was abuzz with excitement, only that what was billed as a sacred white elephant (which Barnum’s agents had procured at a high price from the Burmese monarch and Barnum himself tried to curb the audience’s expectations) didn’t prove to be white enough with one critic even calling the creature more like a “mulatto.” A figurative meaning was already attached to owning a white elephant as both a blessing and a curse as the prestige of it was also burdensome and impractical but the stock usage of white elephant swaps, the adage that one man’s trash is another man’s treasure or as a commentary on costly to maintain projects (but unable to dispense with) and under-utilised infrastructure really became cemented in common-parlance after this episode. Despite Barnum’s reputation as one to pass along hoaxes and the fraudulent as authentic, this genuine curiosity couldn’t keep his spectators enthralled and precipitated a broadening culture war with elephant bleaching and racist soap advertising campaigns, and those who did come to behold the sacred white elephant were met with the reflection of their perhaps unformulated, unarticulated ideas about identity and the other turned back on them.

igneous

As an update to a project first covered last summer, we learn that an international consortium of engineers and alchemists have brought the first negative-emissions power plant on-line in Iceland.
The scientists and their backers were understandably muted about their works and successes—hoping that industry would do a better job of policing itself and leave direct-air capture—having filters sequester atmospheric carbon-dioxide by transforming it into stone—as an absolute last-resort. Additionally, despite the fact that we’ve probably passed that pivot point and considering what’s at stake, the scientists were also not wanting to seem too pie-in-the-sky considering the prohibitively high costs associated with constructing the facilities—but desperate times call for a symmetrical response and right now with many places battered by climate-change driven natural disasters—hurricanes, wildfires, no price can be too dear. This first prototype plant paired with the geothermal generating station in Hellisheiði (to make it truly carbon-negative) is so far able to reabsorb the annual emissions of an average family home, but a May demonstration project in Geneva captured the equivalent of twenty households with costs coming down.

patrimony

Disturbingly—though the US only rejoined the international body promoting education, scientific research and preservation of cultural heritage from hegemon in 2002 after an eighteen-year hiatus that Ronald Reagan initiated, accusing it of betraying a bias towards Communism—Dear Dotard has unilaterally decided to withdraw America’s membership from UNESCO (also the purveyor of international days of observation and the committee behind the creation of CERN, for starters) predominately over what’s characterised as its anti-Israeli leanings demonstrated by making Palestine a full-member and for (in July) inscribing a site in Hebron to its World Heritage List. Fiduciary concerns were also cited as contributing factors—including some half a billion dollars in back payments that America has yet to repay. Following the US announcement, Israel expressed its intent to leave the organisation as well.

nacht und nebel

We’ve previously confronted the highly disturbing tolerance and even admiration that certain elements of the American populace have displayed (and woefully continue to do so—just now with more abandon and zeal) for the National Socialist political party of Germany and knew of the rally held in Madison Square. It always struck me as a secret, shameful episode that despite mounting anecdotes and evidence was something that was buried and few knew of, so we were grateful to learn that a short, straightforward documentary called “A Night at the Garden” by Academy Award nominated director Marshall Curry has been complied from all available footage. It is absolutely inconceivable to me that with the benefit of hindsight and historical distance, a bunch of Cosplay Nazis are convinced that holding these views are acceptable. 

non verbus, sed rebus

We enjoyed pouring over the pictorial kanji typography from artist Nozzdesu that makes Japanese writing a bit more accessible to the illiterate and reminded us of a similar experiment with Arabic script. The calligraphy (shodō, 書道) of Japan, as with many other places, has gone through many stylistic shifts and some glyphs broach the recognisable and selecting for geometry, colour and style can go further in helping to impart meaning for outsiders. Pictured is the word eiga (映画) for movie.