må jeg skjære ham i fingeren? må jeg rive ham i håret?

Synchronised to a two-dimensional physics simulation, animator DoodleChaos’ line-rider rendering of Edvard Grieg’s (previously) In the Hall of the Mountain King was a rather thrilling sled ride. You should definitely have the speakers on full blast for this one and watch it through to the end when it gets really harrowing.

rogues' gallery

While previously on PfRC we were exposed to the teaching and methodology of Inspector Alphonse Bertillon whose research into how anthropometry could be applied as systematic way of identifying repeat offenders and informed our notions of biometrics, we hadn’t actually seen his superbly complex diagrams and composite “mug-shots” until now.  First working as a transcriptionist for the Paris police department, Bertillon grew frustrated with informal, instinctive forensic techniques that were failing to reduce recidivism rates—and encouraged bolder criminal behaviour since it appeared unlikely one would be caught and the potential reward made the risks acceptable ones.
No doubt Bertillon was a dedicated pioneer whose legacy lives on in all precincts, but something about him strikes me as very Inspector Javert (from Les Misérables who became obsessed with capture and punishment of Jean Valjean) especially considering his growing eccentricities and loss of credibility when he claimed that there was a mathematical infallibility to his technique (when there demonstrably was not) and his false testimony was used to sentence Alfred Dreyfus (of the divisive Dreyfus Affair, a study in anti-Semitism and grave miscarriage of justice in which a captain was incorrectly accused of treason whilst his superiors, the real culprits, deflected the blame) to exile and imprisonment. Eventually Bertillion’s comprehensive system of markers was collapsed into the complementary but competing method of dactyloscopy, once the inspector himself perfected a way to retrieve latent fingerprints from smooth surfaces.

exemplum

Treating the needlework sampler as the record of a life overlooked, the Fitzwilliam Museum of the University of Cambridge has curated a collection of over one hundred of these crafty examples (both words have the same Latin root) from the sixteen hundreds up until modern times—often with the morose realisation that these creations made to demonstrate literacy, stitching skills as a future home-maker and cottage-industry entrepreneur are the only trace of their existence remaining. The exhibition also explores how symbolism and subject shifts with time and how in depth research centred around these artefacts—which also were the makers’ creative outlet—can reveal further details about the fortune and circumstance of the individuals and their families.

mossery (with frippery to taste)

Researching the subject for another recent post, I came across the Victorian craze for ferns and mosses (dubbed pteridomania) which went beyond collecting and on to cultivation.
This particularly fine and verdant specimen cleaving to a stone wall near home, dabbled in just the right mix of light and shadow, reminded me of the nineteenth century garden-feature known as the mossery, a covered slatted wood box with northern exposure. Samples stuck into the cracks would grow and fill the box if moistened regularly. Though not able to find plans for a mossery—like a guide for building a proper beehive for apiculturists—I think we’ll experiment and report on success. Meanwhile and alternatively there’s a wide range of moss-centric terrariums and moss-centric forums for one’s emendation—with ostentation and folly (sunken ships and treasure chests in aquaria) to taste.

7x7

microcosm: an annual photography competition invites us to explore the world around us just below the threshold of the naked eye

the luwians and the trojan war: the intriguing tale behind the lost frieze that may document the collapse of the Bronze Age

point and shoot: using algorithmic processes to inform the shutter when a photo-worth opportunity presents itself, one internet and technology giant is offering an automatic camera for home use—relatedly

gastaloops: one hundred day push to create gorgeous, encircling animations—via the Everlasting Blört

high rate of staff turn-over: activities offered at the White House adult day care facility

extinction cos-play: crocheted costumes for the common pigeon to highlight the importance of biodiversity and fighting to protect endangered species—via Nag on the Lake

trek ‘splaining: a visual physics lesson on the problem-fraught workings of as seen on TV teleportation