radio ripping (11. 144)

The campaign given its soft-start the month prior, the British Phonographic industry trade group under the chairmanship of Christopher Wright began placing its slogan in the press on this day in 1981, believing that the rise in the availability and popularity of the cassette and recorder would cause a precipitous decline in record sales—recruiting a few celebrity spokespeople to support their initiative against the new media, like the Boomtown Rats and Elton John. Others, like Bow Wow Wow, the Dead Kennedys, Devo and Sonic Youth actively encouraged the practise, some releasing titles with blank b-sides for the buyer to record whatever they wished. The propaganda and rhetoric (often subject to parody over the manufactured hysteria) have re-appeared numerous times as an invective against VCRs, “Don’t Copy that Floppy,” and file-sharing even for art and entertainment that’s meant for public enjoyment and made more robust by its channels of propagation and retention.

 

 synchronoptica

one year ago: assorted links to revisit plus Makhno’s Movement (1920)

two years ago: an AI take on traditional wedding gifts

three years ago: an Italo Pop nonsense song meant to sound like English plus St Josaphat

four years ago: a font inspired by Trump’s handwriting, VR for happier cows, St James Intercisus plus a Monkees’ movie

five years ago: CARE packages, the collaboration between Stan Lee and Pablo Ferro, another Trump Dump plus Misinformation as Word of the Year

7x7 (11. 143)

sonic deconstructions: 1950s radio broadcaster’s album of Foley art, “Strange to Your Ears”  

onfim’s homework: a Wikipedia rabbit hole inspires an individual to get a tattoo of an eleventh century Novgorod pupil’s writings and illustrations discovered preserved on birch bark—via Hyperallergic’s Required Reading  

year in review: Time magazine’s one hundred top images of 2023—via Nag on the Lake’s Sunday Links (lots more to explore here) 

amaterasu: scientists detect an ultra-high energy cosmic ray—the most powerful in thirty years of observation 

<!--: a collection of historic HTML innovations—see also  

kenough: the story of Denny Fouts, hustler and literary muse for Truman Capote, Gore Vidal and Christopher Isherwood  

pie hole: a silly twenty-year-old vocal exercise that holds up

componibili (11. 142)

Celebrating half a century since their original presentation in a Köln pavilion in 1972 and 1973, the rarely displayed club- and pin-like orbitals by sculptor Roberto Cordone will be gathered for an exhibition near the original grounds to reintroduce the iconic design and symmetry that helped legitimise plastic as a medium to complement traditional public art. Whilst these molecular, tetrahedrons are stationary, Cordone’s most celebrated installations are kinetic, metal elements called perpendicolari and elicoidali that can be repositioned by wind and waves and are self-righting, displayed as permanent outdoor monuments but occasionally adapted for the stage as part of a ballet choreography. Learn more about the showcase, the artist and its sponsors at designboom at the link above.

brothers grimmaverse (11. 141)

Apparently there’s a not so subtle effort on the part of Disney to retroactively canonise their range of intellectual property to make every character a part of the same cinematic, fairy tale paracosm. In the new musical fantasy film Wish (made to celebrate the company’s centenary), the protagonist Princess Asha and her rival King Magnifico (with plenty of other references to Snow White) have a final encounter (spoiler alert, I guess) to stop the corrupt sorcerer ruler in this wish-granting based economy concluding as an origin story with the former becoming the Fairy Godmother to Cinderella and the latter trapped in a mirror dimension for eternity and the servant, council of the wicked and cold-hearted stepmother of Schneewittchen. We wonder what other connections might be forced (to get in on the Pixar Theory where events do seem to occur in a shared univere) down the road and mucking about with the timeline. Bibbidi-bobbidi-boo.

synchronoptica

one year ago: Aldi’s aisle of shame, Casablanca (1942), the first Christmas film (1898) plus a century (+ 1) of Charles Schultz

two years ago: an undeciphered message hiding in plain sight, assorted links to revisit, a flag-pole maker plus When Harry Met Santa

three years ago: another MST3K classic, more links to enjoy, a sketch a day plus an Austrian village with an explicit name

four years ago: calling a contested presidential election (2000), Anarchy in the UK (1976), criticism directed towards the partition of the Ottoman Empire, the aesthetics of vapourwave plus IKEA designs homeware for Martians

five years ago: merit-based immigration, a map of Britain’s fictional places, the Scandinavian “snowflake” pattern, clever Christmas decorations plus more links worth the revisit

l’etoile du nord (11. 140)

The state flag of Minnesota, as TYWKIWDBI informs, is undergoing a redesign (see previously here and here and here) to modernise the banner and refine the jumble of tiny symbols emblazoned within, keeping the lodestar but to the regret of many residents forgoing the loon and happily removing the imaging the of the Native American riding off into the sunset with a settler ploughing the field in the foreground. Subject to public input, the redesign will be finalised by the committee from a selection of six finalists by the new year. The clean abstract look reminds me of the flags of the prefectures of Japan—which whilst not uniform, do have a cohesive look to them and wonder if the rest of the American states ought not to follow this example of vexillological reform for more of a corporate branding. The flags of the German states, notwithstanding the coats-of-arms—which can be complicated affairs but follow the rules of heraldry or blocks of patterns, and are like the rule-of-thumb prescribes, recognisable and can be drawn from memory. More at the links above.

you ain’t got to feel guilt just selfless—give a little help to the helpless (11. 139)

Recorded on this day in 1984 at a studio in Notting Hill, the charity album written by Bob Geldof and Midge Ure to raise money for famine relief in Ethiopia, the title single by the Band Aid supergroup, comprised of artists including Phil Collins, George Michael, Boy George and members of Spandau Ballet, U2, Kool & the Gang, Bananarama, Duran Duran and the Police (with messages from David Bowie and Paul McCartney on the B-side), released on 3 December became the fasting-selling single in chart history—until surpassed by Elton John’s tribute song “Candle in the Wind 1997.” Far outstripping expectations, it raised over eight million pounds within the first year and the model led to a series of reprisals and other fund-raising ventures, like the Live Aid concerts and the “We Are the World” recordings. Whilst consistently ranked among most favoured Christmas songs, the song contains tropes of colonialism, evangelising and a simplistic view of Africa (Bono had to be begged to sing the line “Well—tonight thank God it’s them instead of you”), Geldof later laments being responsible “for the two worst songs in history”—the other being the above US-based “We Are the World,” but it wasn’t about the music but rather the spirit of the season.

la fiancée hésitante (11. 138)

An 1866 depiction of an auto-décrit reluctant bride being prepared for her nuptial ceremony by academic, neoclassical artist Auguste Toulmouche, known for his subjects that focused on domestic life of the bourgeoisie and sumptuous interiors, has become a meme, an outlet to express the general exasperation—and coaching condolences—of what women, despite decades separation and advancements still have to suffer and endure. More from Hyperallergic at the link above. 

 synchronoptica

one year ago: a bird’s eye view of Mont Saint-Michel, the Sinking of the White Ship plus assorted links worth revisiting

two years ago: another MST3K classic, more links to check out, Saint Catherine of Alexandria plus the musical stylings of Moxy Früvous

three years ago: an AI snowclone, a very un-Puritanical colonial settlement, the US civil war plot to burn down New York City, the debut of The Mousetrap (1952), finding my own mystery monolith plus a Tunisian Brutalist hotel that inspired the sandcrawler of the Jawas

four years ago: more links to enjoy

five years ago: decorating for 1. Advent plus a Thanksgiving commentary

oh no—my own dog, gone commercial (11. 137)

Via Waxy, we are directed to another soundtrack from Louie Zong (see previously) for a fictional albeit believable 1970s style Peanuts holiday special complete with Vince Guaraldi inspired jazz that captures the ethos not only for the shoppers but those working on Black Friday. Other musical segments include Cyber Monday Blues, Buyer’s Remorse, A New Week and Snoopy vs Capitalism. One could imagine the anti-consumerism messages of the limned out television special plus the harried cashiers and store workers just out the frame speaking with muffled trombone voices.