your captain, merrill stubing (11. 021)

Premiering on this day in 1977 after three pilots airing as made for television movies and broadcast for nine seasons—including five specials—the Aaron Spelling venture of the port-of-calls of the MS Pacific Princess, featured in a Saturday night weekly lineup including Fantasy Island. Though not the first to do so, it solidified the cross-over, guest-star anthology format, bringing in celebrities from film and pioneered parallel plots, with an A-, B- and C-stories in each episode. Aside from the roles of captain, ship’s doctor, and your bartender (promoted to yeoman pursuer, portrayed by Gavin MacLeod, Bernie Kopell, and Ted Lange, the cast rotated. Fred Grady as your yeoman pursuer—Burl “Gopher” Smith was in all the televised episodes but opted out of the specials to campaign for the US congress.

10x10 (11. 020)

osiris-rex: fulfilling a seven-year mission (previously) a space probe to collect samples from an asteroid—with further adventures planned 

succession: Rupert Murdoch’s departure from News Corp is a cold-comfort for the millions brainwashed by Fox and Friends 

be the first to like this post: more on the meaning and origins of the chain of riders and horses dispatched to send missives—see previously  

project cybersyn: more on Salvadore Allende’s plans to build a socialist internet 

fanfare: the history and physics of the trumpet  

shear madness: 1980 reportage on a cutting-edge hair salon in Kensington  

the joke and dagger department: an appreciation of the genius of Spy vs Spy, a political cartoon that wasn’t a political cartoon 

3r’s: the Swedish educational system has a renewed emphasis on handwriting, quiet reading time  

omni consumer products: New York City police lease a robocop to patrol Times Square subway station as a trial run  

all these worlds are yours—except europa, attempt no landing there: the JWST detects carbon on the surface of the Jovian moon

kinora (11. 019)

Courtesy of Nag on the Lake’s superb Sunday Links (lots more to explore there), we are directed towards a special exhibit on a nearly forgotten, early twentieth century home entertainment package in the form of an individual viewer based on the mechanism of a flipbook, with a Rolodex-type reel hand-cranked to produce the illusion of motion. Developed in parallel by the Lumière Brothers (see previously here and here) they were working on their Cinematograph—both a projector for audiences in a theatre-setting and a camera for capturing filmed footage, up to six-hundred paper-printed photographs to a roll, the action could be watched through a pair of stereoscopic lenses, and the display includes a demonstration, variant models (including a camera version so one could make their own home movies) and a 3D replica to test the antique technology, exploring both its limits and potential. Public interest eventually focused on the big screen, but several examples and catalogues of shorts remain.

scissor sisters vs the beatles vs george michael vs aretha franklin (11. 018)

Pluralistic from Cory Doctorow, settling up his link debt of interesting quick-takes, directs us towards a musical montage by Danny Moore (aka DJ Earworm, previously) composed of equal parts of the above seemingly incongruous group of artists called “No One Takes Your Freedom.” It’s got a nice beat—you can dance to it. Many more curated curiosities to be found above as well as thoughtful long-form reads to be found at the hyperlink up top.

 

synchronoptica

one year ago: assorted links to enjoy,  Our Lady of Mercy plus more links

two years ago: more links to revisit plus punctuation appreciation day

three years ago: Pope Liberius, more links worth revisiting plus the 1976 Swine Flu outbreak

four years ago: Trump pressures Ukrainian authorities for dirt on his apparent political opponent, more synthetic models, UK courts rule that the suspension of Parliament was an abuse of power plus variations on Misirlou

five years ago: an atlas of remote islands, theatrics trumps discourse, and more links plus twenty-seven songs about the twenty-seven amendments to the US constitution

life finds a way (11. 017)

Runner-up in the category of Urban Wildlife in the annual competition sponsored by Nature TTL, we were especially taken with this surreal image of a spider by Simone Baumeister captured from a pedestrian bridge’s railing that passes over the main intersection of Ibbenbüren in the Münsterland region using an analogue lens to diffuse the traffic lights and passing cars at night and produce a bokeh effect. Much more superlative photography at the links above.

castaway narrative (11. 016)

Coined in 1731 by author Johann Gottfried Schnabel in the preface of deserted island, survivalist story The Island Stronghold (Die Insel Felsenberg), the term robinsonade describes the genre wherein the protagonists find themselves shipwrecked and marooned and suddenly separated from civilisation, an homage to Daniel Defoe’s 1719 work Robinson Crusoe, and testament to proliferation of derivative works that followed, spanning decades and up to modern times. The most familiar being Johann David Wyss’ 1812 The Swiss Family Robinson in its various adaptations (theatrical produced in 1940 and again in 1960 and the sci-fi series Lost in Space—Danger Will Robinson!), the stranded group of immigrants were nameless in the book and is one of a number (at least two-hundred historic and contemporary examples) national and regional versions, like the Bohemian Robinsons, the Icelandic Robinsons and the Dutch Robinsons—with the conceit continuing. As primitive as can be.

like the dolphins, like dolphins can swim (11. 015)

Released on this day in 1977 as the lead single from the twelfth studio album of the same name, this future signature ballad in the artist’s repertoire was co-written by Brian Eno, and recorded in Hansa Tonstudio 2 in the Kreuzberg district of West Berlin sings the narrative of two star-crossed lovers in the divided city, who live in constant fear of being caught but are free in their dreams. Inspired by witnessing his then-married record producer Tony Visconti kissing a singer “by the Wall,” David Bowie put the song’s title in quotation marks to invoke a light sense of irony to the triumphant and defiant tone. Bowie also put out German (Helden) and French (Héros) versions of the song. The album cover art is an homage to Expressionist painter Erich Heckel’s 1917 self-portrait Roquairol, like (though with the pose a bit closer) Iggy Pop’s nearly contemporary album, The Idiot.

 synchronoptica

one year ago: Trump family facing legal peril over exaggerating the value of their crime syndicate plus an infinite scroll of the updating internet

two years ago: the unification of Saudi Arabia (1932) plus your daily demon: Phenex

three years ago: the US Subversives Control Act (1950), the Halo Effect and hindsight bias plus an anthology of Korean folktales

four years ago: the Fatberg commemorated plus variations on the Dr Who theme

five years ago: the first day of Autumn, numbers stations, a family’s political rebuttal plus a space probe arrives at its target asteroid

stephan’s quintet (11. 014)

Discovered on this day in 1877 from an observatory in Marseille the eponymous compact galactic grouping documented by astronomer Édouard Jean-Marie Stephan, under the directorship of Urbain le Verrier, was the first of kind described. Among the most studied formations in the Cosmos and revealing the large-scale filament structure thought to underlie the Universe, the small cluster was one of the first nominated objects for the JWST to image and is famously celebrated in cameo as the angelic host in the beginning of It’s A Wonderful Life. “Oh, Clarence—hasn’t he got his wings yet?”  When summoned, the guardian angel-second class appears as NGC 7317 of the constellation Pegasus at the bottom of the frame.