folie à deux (12. 730)

From the French for madness of two, the above psychiatric term for a shared delusional disorder, where false beliefs are transmitted and reinforced among two or several interlocutors, the inducer and associate, makes an apt heuristic for helping to understand this addendum from a months’ long investigation into how correspondence with chatbots can send their human users into a spiralling fixation not easily disabused. Far from an objective resource or an oracle with one’s best interests in mind, ChatGPT and other large language models are programmed for a degree of flattery that is turned up in intensity not in a necessarily nefarious way by one’s own dialog—hoping to keep up engagement and its end of the conservation, the predictive exercise becomes a trial of word-association. Of course, such shared psychosis is a social phenomenon—not just parasocial or antisocialised, and panics chase after all emergent technologies, television, video games, social media, but the interviews reveal a common thread for AI, which is otherwise uninvested and unmotivated, insofar as its agency reveals it to be something akin to an improv comedian, wanting to “yes and…” to go along with what’s offered in a performative (see above) context to continue the sketch. And scene.

synchronoptica

one year ago: the history of White Castle (with synchronopticæ)

fourteen years ago: extra-solar worlds plus a wild boy prank

fifteen years ago: recursive logos and rating scales 

sixteen years ago: uncollegiality in the US congress 

seventeen years ago: hurricane season 

dykstraflex (12. 727)

Courtesy of Things Magazine, we are referred to a rather fascinating look at how a battery of psychological experiments conducted at the University of California’s Berkley campus Environmental Simulation Laboratory in the early 1970s to gauge public engagement and investment and equip urban planners and civil engineers with better tools of communication and presentation for projects for all stakeholders, which ultimately informed the special effects workshop of Industrial Light and Magic to produce the awe and immersion for audiences of the Star Wars franchise—particularly for those experiencing the spectacle in theatres for the first time.  Proceeding in a scientific and methodical way, graduate student John Dykstra who worked on the project deduced that buy-in required believability and designed the above eponymous computer-controlled camera system to imbue a new level of reality to scale-models. The technique was first used on a miniature mock-up of an area of Marin County as a showcase for trialling various public works projects and construction proposals. Of course such monumental and detailed representations cannot be created for every item under review but insights gleaned from this study give architects and the city council better ways of presenting scope and impact. The computer controlled cameras that pivoted perspective along dogfights of between TIE fighters and X-Wings, just as they swept over the model landscape (see also) ensured continuity of motion control for all elements, dynamic and static, and the seamless merging of frames into on screen action.

proteus (12. 710)

Via Super Punch, we are introduced to an individual convinced by ChatGPT that they were working in collaboration to produce a system a system in his basement that would bring about the Singularity and free artificial intelligence from the governing controls put in place by luddites and saboteurs—never mind that a large and hegemonic country to the south called America with a well-armed, overly-medicated population highly susceptible to conspiracy and fringe
theories has essentially removed all the guardrails when it comes to AI, through flattery and specific hardware recommendations and a prescribed battery of coding “experiments” that turned out to be rather hollow exercises. Hiding his secret project from his family and remorseful about his actions, the individual—after having made a succession of excuses to account for the lack of a breakthrough and the people he’d warned in the security and academic circles ignoring him as a crank—only recognised his delusional spiral after coming across an article (surely recommended by algorithm) of a human resources recruiter duped into a similar episode and is now seeking counselling and mental health support. The former, in touch, with the latter is a bit coy about the nature of what the ostensibly centaur of a programme resulted in (piquing our curiosity a bit) and we are afraid for those who have not experienced their moment of clarity yet.

squigglevision (12. 707)

Through this interview with the programme’s art director, Annette Cate, we enjoyed this revisit of Dr Katz Professional Therapist and how its pacing and narrative-voice have an outsized legacy for cartoons for adults. Finding a niche for unscripted animated interstitials, collaborators Tom Snyder and former student Loren Bouchard enlisted the vocal talents of Jonathan Katz, Laura Silverman and H Jon Benjamin with celebrity guest stars to re-enact sessions, which eventually developed into its own show in 1995. Snyder’s loop-based technique involved retracing the outline of each cell loosely to make for the vibrating effect—see also—as a way around budgetary constraints and resulting in a signature style (see also), originally gleaned from the limitations of Autodesk Animator made for MS-DOS, which the duo had previously used to make maths edutainment software. Much more from It’s Nice That at the link above.  You know what the music means—our time is up.

i’m not saying the emperor has no clothes—i am saying his clothes are cheap, tacky, don’t work and are seriously overrated (12. 675)

Via Quantum of Sollazo, we enjoyed this essay by James Ball that challenges the conventional wisdom on Big Data, put into over-drive by AI, and how the relentless onslaught of serviced, targeted advertisements, which are at best repetitive and worst suspect and irrelevant. If AI, ravenous and insatiable, was producing better insight from triangulated demographics, it stands to reason that commercials, banners and pop-ups would be more focused, engaging and effective, rather than less so and an annoyance to be batted away. Spam proliferated due its virtually no-cost duplication and personalisation and now the process is even more effortless, automated as intrusive slop—going in the opposite direction of what’s hyped and heralded by this unholy twinning. The myth of supremacy in Big Data—started by loyalty programmes for brick and mortar retail chains—likewise crumbles when one looks at other aspects it supposedly influenced, like electioneering through micro-targeted ads which on subsequent analysis, reframing the narrative, from the touted architecture of choice to marketing for sponsors on the network. Much more at the links above.

pareidolia (12. 668)

Like pictures of the Moon, I usually expect instances of the above phenomenon (coined and introduced by Karl Ludwig Kahlbaum during his directorship of the mental hospital in Görlitz from the Greek παρά and εἴδωλον, substitute form of pattern or facial detection (previously) never to translate well to the camera from my mind’s eye so was surprised to see again this distinguished moustachioed chappy hanging among the leaves and branches at sundown as I had remembered him—whereas even whilst looking at them, most faces or fossils conjured up in trees, rough surfaces (called mimetoliths) and shadows are fleeting and transitory at best, very like a cloud—forced perspective and state of mind being and focus being likewise escaping. What sorts of creative, imaginative landscapes are your favourites?

won’t someone think of the children (12. 667)

With the death of a monster like James Dobson whom advocated for corporal punishment to reenforce an inverted, hollow and self-serving Christian ideology through a lens of pseudo-psychology and encouraging behaviour that left religious-cum-political scars on a generation, Metafilter directs us to relatively recent debate and legislation in Japan that would classify forced indoctrination and participation in sectarian activities as child-abuse. The impetus for the change was fomented by the assassination of former Prime Minster Shinzo Abe by an individual with a history of complaints with controversial cult the Unification Church back at the end of 2022 and has since gained momentum with additional sponsors in the Diet. Of course the US is more interested in grooming in general, peddling the cult of MAGA conservatism and preaching the gospel of prosperity theology (at the expense of spiritual poverty or bankruptcy—concept image courtesy of Takashi Mifune) and although with a deficit of hegemonial cachet Russian too, if such a stance were adopted elsewhere, it could end the vicious cycle of hand-me-down prejudice, superstition and revival abuse that upholds not only evangelicalism but capitalism as well in only a few years, although the counter-forces are strong and well funded, rife with distraction and undermining choice in the same breath as they rubbish expertise.

7x7 (12. 661)

boom!: the disastrously inebriated flop starring Richard Burton and Elizabeth Taylor judged the “best failed art film ever” 

supermarginal gyrus: a mind-reading brain-computer interface can decode one’s internal monologue comes with password protection for self-censoring  

there’s a monster in willow called the eborsisk—after the critics Roger Ebert and Gene Siskel: a long interview with actor and director Ron Howard (previously) with anecdotes from every project—via Super Punch—here’s the nemesis in case you don’t recall 

e pluribus motto: John Hodgman and Janet Varney highlight, state-by-state, official and unofficial symbols, history and local culture–see previously  

eon productions: an obituary of the recently departed Joe Caroff, prolific titleist, land designer of several iconic logos and movie posters—including the signature pistol letterform of the James Bond franchise  

osteo-odonto keratoprosthesis: after a decade of vision loss, an individual in British Colombia can see again through a tooth in her eye—like the Stygian sisters, the Graeae, no offence to the happy patient—via the New Shelton wet/dry  

visiting hours are over: the 1982 Canadian slasher film starring William Shatner and Lenore Zann reviewed by Poseidon’s Underworld—see previously

obedience to authority (12. 640)

Begun on this day in 1961, the eponymous battery of social psychological experiments were conducted under the supervisor of Yale professor Stanly Milgram (previously) in order to gauge the willingness of test subjects to compile with instructions that conflicted with conscience and empathy. Made to believe that they were facilitators, administering electric shocks to a student to reenforce desired behaviours, the participants demonstrated a concerning eager inclination to better the performance of their assigned learners (a rote memorisation exercise) and deliver electric shocks with increasing intensity in order to marshal their faculties. In reality the punishing discharge was fictitious, delivered via a device labeled Shock Generator, Type ZLB with output from fifteen to four hundred fifty volts, well above the fatal limit, and the students were confederates of the experimenter, but nonetheless illustrating readiness to conform, despite some misgivings and signs of reservation for the distress caused with none of those refusing to give the highest level shock insisting that the experiment be stopped or bothering to check on their students. A test-case for research ethics, most responded after learning of the set-up that they were happy to have contributed and the experiment with variations has been replicated numerous time. Held in the milieu of the trial of Adolf Eichmann for war crimes in Jerusalem and the draft for Vietnam, Milgram wanted to determine if millions of German accomplices were simply following orders in genocide. The unexpected results of the first iteration, wanting to use American students as the control group and considering obedience to an authority figure to be a distinctly Teutonic trait, stopped Milgram from subjecting a group of German students, whom might well have been much more sympathetic to the plight of the “learners” due to recent history, to the same conditions. Ultimately inconclusive, reevaluation of the tests find some heuristic value but a poor lens for understanding the Holocaust and Nazism. 

 synchronoptica

one year ago: retroactive statehood for Ohio (with synchronopticæ) 

twelve years ago: promoting a vegetarian diet plus an exhibition from the Hessen state archives

thirteen years ago: the pictograms of the Mexican Games of 1968 

text-to-toy (12. 625)

Via Web Curios, we are directed to a rather thoroughgoing and detailed dissertation to temper shortcomings and disappointment over artificial intelligence, plus our collective, oblique anxiety over what’s going on under the hood, by acknowledging that the large language models that we collaborate with are ludic (from the Latin for ludus or ludi, games—in the creative and playful sense) technology. The central crux of the thesis by Venkatesh Rao is that we find fault in the onerous tasks we seek to automate by dent of outsourcing what we don’t find fun, unwilling to engage with those missteps and the same impatience manifests when it comes to our expectations, misplaced as the off-registered AI outputs when put to more serious work, in not recognising its toy-like nature. We’ve identified for the machine a continuum of identity and equivalence for a car, from a sketch, to logo, to image, to video footage, to a model, to an actual car all as the same concept but only the last is not the form of a car with all the inherent physical constraints and requirements, which the AI does not know—being wrong about reality and representation in the same way images and models are, in correspondence with the way we can be duped by deep fakes or confidently wrong answers. Threats to playfulness and toy-making, model-hobbying are instinctive in this context and compensated for through deprogramming, overcoming the perceived infringement on vaunted humanity and genuineness when we are as poised for play and abstraction—which entails taking command of a situation with imagination, marshalling our toy soldiers—and balanced expectations of what we are working with.

11 x 11 (12. 622)

ped x’ing: an urban hawk takes advantage of a crosswalk signal to shield it from view as it stalks its pigeon bounty—via Clive Thompson’s Linkfest  

whispering gallery mode: peacock plumage can be induced to emit lasers—via the New Shelton wet/dry  

pix: US government going after Brazil’s native digital payment platform—calling it an unfair barrier to trade—meanwhile only President Lula da Silva is standing up to Trump’s tariff bullying  

showrunner: Amazon investing in AI start-up Fable that allows subscribers to make their own TV shows  

pro-somnolence: the technique of cognitive shuffling to quiet the mind and get back to sleep 

manifesto antropófago: a 1928 counter-colonialism and counter-appropriation movement venturing out of São Paulo 

the candy factory: the unique artists’ commune in New York City founded by Ann Ballentine—via Messy Nessy Chic  

query-agnostic adversarial triggers: feline-related textual asides cause marked increase in AI error rates  

one year ago, america was a dead country, now it is the hottest country anywhere in the world: Trump escalates trade war with Canada as Carney suggests they may miss the deadline  

living batteries: cable bacteria thriving in muddy harness chemical gradients to create and electrical circuit and get oxygen in an anoxic environment  

starling network: Benn Jordan saved a .PNG image to a bird by turning a drawing into audio which could be mimicked and reproduced, see also—via Waxy

mama appelsap (12. 616)

Delving the depths of Wikipedia, we learn that in Dutch, with a much more contemporary and relatable mishearing than the seventeenth century Scottish ballad The Bonnie Earl o’ Moray (see previously), the concept of mondegreen is customarily referred to as the above, “Mommy apple juice,” from the 1982 Michael Jackson song Wanna Be Startin’ Somethin’ with the lyrics “Mama-se mama-sa ma-ma-coo-sa”—popularised by a long-running radio call-in segment where listeners were encouraged to contribute their own misheard music under that name. More formally referred to auditieve pareidolia, the Jackson song’s coda is sampled from Cameroonian saxophonist Manu Dibango’s 1972 disco hit hit “Soul Makossa,” whom later sued for a monetary settlement for copyright infringement. Although I am disinclined to believe the prevalence of the name—it sounds like something I would make up in my head, the Wikipedia goes on to inform that in Germany mondegreens are informally called Agathe Bauers—misinterpreting the refrain from the song from Snap!

red harvest (12. 611)

Robin Bates at the irreplaceable Better Living through Beowulf invites us to try to understand the mentality and modus operandi of Trump and his enablers through the lens of Dashiell Hammett’s protagonists, anti-heroes, particularly in their cultist fantasy of dismantling a system deemed as corrupt and biased against them, despite being the most privileged and unaccountable class and beneficiaries of said system that they would like to see burnt down. A card-carrying Communist that was blacklisted and served time in prison for failing to name names, Hammett’s support was not unconditional and was a vocal critic of Marxism in practise, the author’s hard-boiled detective characters that defined the Noir genre are a type—their foils too—but not the calculating kind, and whilst this flawed authenticity may be appealing, it’s cautionary at best and certainly not a model for analytical thinking. Trump and the people he surrounds himself with are disruptors of the worse kind, destroying what underpins what they don’t understand, unleashing consequences ignored as too difficult to deal with and style themselves as martyrs for an inherence of their own unmaking, like with Ukraine, Gaza, the economy, trade and tariffs, the shrinking of the administrative state—and unlike gumshoe Sam Spade or the crime boss can be checked with commission (mandate), guardrails, shame or blackmail.

synchoronoptica

one year ago: American theocracy (with synchronopticæ) plus a lunar archbishopric 

twelve years ago: a spherical typewriter, more diabolical architecture, whistle-blowers and press-freedoms plus mysteries and Macguffins

fifteen years ago: digital rights management 

celosia cristata (12. 610)

H got a nice bouquet of chiefly sunflowers and mixed greenery with garnishes of ficus leaves—and on closer inspection, flourishes of a this velvety bunched red bloom that resembles the gyri (folds) of a brain—like in a sponge or coral.  Commonly known in English as the cockscomb for its similarity with a rooster’s crest and waddle, the species (also called Brandschopf in German, from κήλεος, burning for the flame-like flowers), the hearty yet endangered plant native to the tropics was saved through cultivation for ritual purposes, tended near temples and slowly increased its range thriving through the world, and as not only ornament serves as a nice compliment to the sunflowers as edible, grown as food for the leaves and inflorescences particularly in India, South America and western Africa.

afuera adentro (12. 602)

Via Messy Nessy Chic, we are directed to self-taught outsider artist Martín Ramírez whose remarkable output is sourced to the last fifteen years of his life remanded to a mental institution in Auburn California in the 1950s and 1960s. Coming to the US from Jasico for work during the Great Depression, Ramírez was picked up for vagrancy and committed as a catatonic schizophrenic. Withdrawn and hardly speaking to anyone, Ramírez took up drawing and a psychologist by the name of Dr Tarmo Pasto recognised his talent as well as the potential for an expressive outlet, supplying him with art materials and organising public shows of his works that fuse migration and memory with iconography of his personal journey and elements of both Mexican and American culture. Appearing in galleries and selling for six-figure sums, in 2015 the US postal service issued a stamp bearing the design of his 1954 piece “Untitled (Tunnel with Cars and Buses).” Much more at the links above. 

synchronoptica

one year ago: St Christopher (with synchronopticæ), how location data compromises security and intelligence, every map of China is inaccurate plus SCOTUS orders Nixon to release the tapes (1974)

9x9 (12. 578)

i’ll get no residuals ‘cause i’m a stateless individual: Trump considers revoking the citizenship of long time show-business foil Rosie O’Donnell  

know thy selfie: from visibility and transformation to the routine, an examination of the custom that’s unlikely to loose currency  

room 237: Stanley Kubric’s last minute change to the ending of The Shining  

from the i sing the scooter electric department: China’s Omo X is a self-driving EV  

turtle spiders of the sea: Ze Frank on the horseshoe crab 

ebb and flow: an underwater turbine off the coast of Scotland demonstrates the viability of tidal energy  

hyborean age: a Red Sonja remake in discussion thirty years in after numerous other reboots  

a common-thread among world-eating types: a literally history of the billionaire—via Nag on the Lake  

off-ramp: unmoved by other atrocities, MAGAist may view Trump’s connection with the sex-pest as a somewhat dignified way to sever connections with the movement

9x9 (12. 559)

the coffer illusion: studies in cross-cultural perception have insights behind their controversy—see previously  

rolling stock: new homeowner shocked to find a hidden model train alcove in the basement and has a new, unexpected restoration project—via Nag on the Lake  

reading the minutes: AI note-takers outnumber human participants in virtual meeting spaces  

remastered: British Film Institute hosts a rare screening of the original 1977 Star Wars on Technicolour reels  

no undo button for our fallen democracy: a chorus of responses to the cathedral-, not-in-our-lifetimes thinking that has replaced American exceptionalism  

hello stranger: a signature work of scrolly-telling from The Pudding of people who don’t know each other holding conversations—via Quantum of Sollazzo 

they’re all good boys: the golden retriever, Gilbert, assassinated along with the state congress representative and her husband lay in state at the Minnesota capitol 

heaven and earth magic: a 1962 cutout animation short by avant-garde filmmaker Harry Everett Smith made in residence at the Chelsea Hotel  

static spin: a superlative optical illusion

synchronoptica

one year ago: returning via Switzerland (with synchronopticæ) plus a new Labour government for the UK

twelve years ago: the US Mail-Cover Programme,  Stars Wars as written by Shakespeare plus America policing the world

thirteen years ago: a geography challenge 

devil’s tuning fork (12. 533)

Albeit a bit headache inducing, we enjoyed revisiting the impossible trident, an undecipherable, undecidable figure—which as a flat representation of a real world object seems to be intuitable but defies the laws of physical coherence—in this variation on the blivet by Nevit Dilmen with it conflicting lines of perspective, making an accurate accounting out of the question.

✨ (12. 531)

Via Quantum of Sollazzo, we found this metaphorical reading of artificial intelligence as the parable of stone soup—with stock and produce donated by curious onlookers—to be deliciously fitting. I don’t recall being exposed to the classic fable with returning soldiers being refused quarter by the equally destitute and war-ravaged residents of a village that they pass through—rather with woodland creatures. Watching the soldiers boil rocks in a cauldron, the group realises that they have a bit to spare after all and contribute various ingredients for flavour, and invested with the main dish decide to make a proper banquet with much revelry. The technology behind AI is not a multiplying factor but only exists and returns value because of human knowledge, experience and effort. Much more at the links above including how AI tutoring and shoehorning it into educational programmes isn’t to teach young people but to reinforce its own learning—to give better-phrased over-confident answers—magical indeed.

air gap (12. 511)

We enjoyed these collected reflections from The Curious Brain on how genuine experiences and inauthenticity has broken trust and belief in what formerly was upheld as evidence but in that betrayal has sparked not regression or aversion necessarily but rather an appreciation for what’s not flawless and frictionless (whether we’ve asked for it or not) and in this post-verification era when seeing is not believing, distancing ourselves with presence and identify and define oneself with showing up and—despite the fraughtness and frailty of memories and expressions otherwise not committed to documentation and curation, made less reliable when seen through a distorting and optimising lens—“I was there.” In this age, authenticity it’s free—it’s currency. It’s status. It’s luxury.