vox humana (13. 442)

Severely traumatised during his conscription during World War I as a stretcher-bearer and subsequently diagnosed with shell-shock, haunted by from persistent auditory hallucinations of the screaming of injured and dying soldiers, Alfred Wolfsohn did not respond well to treatments offered. We learn, courtesy of Weird Universe, taking his health and mental well-being into his own hands by vocalising an extreme range of sounds, the timbre and flexibility of his voice dramatically augmented by his practise of self-therapy, eventually resulting in what was described as exorcism and catharsis. Amazed that he was able to mitigate his suffering despite no formal training as a singing teacher or psychologist, though well read in Jungian thought, Wolfsohn—fleeing Nazi Germany—wanted to help heal others with his techniques, believing that the added expressiveness to the voice corresponded to increased potential, aptitude in all areas of life. His pedagogy and later performance pieces were considered highly influential and counted Aldous Huxley, R D Laing among others.