9x9 (13. 759)

it-narratives: the imagined inner lives of inanimate objects  

inwats: the history and use-case of the 1-800 number  

du big bang à mardi matin: Claude Cloutier’s overview of the evolution of life on Earth in his signature animation style reminiscent of aquatint printing  

shadowology: more art installations from Vincent Bal—see previously  

the decade you’ve been waiting for: Paste magazine’s contention top hundred songs of the 80s—via MetaFilter, see previously  

after the fire: Los Angeles residents moving entire homes to burnt out, vacant lots as a cheaper alternative to rebuilding 

it’s fantastic! it’s futuristic! it’s fatalistic! it’s science fiction: a 1973 BBC Omnibus documentary by Harley Cokeliss  

escape claudes: two chatbots placed in a recursive loop—see previously 

hack’s law: the hidden maths of rivers that calm the waters—via Kottke

synchronoptica

one year ago: a visit to Geraberg (with synchronoptica), woodblock printer Sekino Jun’ichirō plus the branding of the US Civil Defence Corps

two years ago: a pivotal moment in the Star Trek timeline, aspiring travel-writers, assorted links worth revisiting, a trip to Schwickershausen plus the largest aerospace exhibition 

three years ago: ten-thousand digits, danger signs, the Goring Gap plus more links to enjoy

four years ago: a banger from Tina Turner plus legibility and semi-vowels

five years ago: an attempt was made with AI for a mash-up, the Carrington Event (1859), the Cod Wars (1958) even more links plus reskilling as a swan

six years ago: a Banksy-sponsored rescue boat, Church rejects modernism plus saints named Hyacinth 

little computer people (13. 742)

Via MetaFilter, we are directed towards this rather incredible exhibit from the Internet Archive of early computer software that purports some aspect of artificial intelligence with the programme acting as task-masters, adversaries or interlocutors—illustrating the some of the first interactions between humans and machines. Not only does the curated collection feature text-based adventures (see more) with graphical interfaces, like the 1985 titular game (also branded for some markets and systems as House-on-a-Disk) considered the precursor to The Sims, multiple iterations of the Game of Life and interactive and a few franchise quests, each exhibit has detailed information on its play and provenance plus an emulator to (re)experience them—a few however have an appropriately vintage protocol to run the programme which, on a QWERTZ Mac keyboard—press Scroll Lock and then F2—was at a loss to puzzle out and would be nigh impossible on a Handy. Do poke around and let us know what you find.

8x8 (13. 736)

a comparison using like or as: a treasury of simile and metaphor from Ross MacDonald’s private detective Lew Archer 

mario v pareto: a scrolly-telling illustration of efficiency and optimisation—via Quantum of Sollazzo   

siamese wins: Thailand avoided colonisation through diplomacy and cultural synthesis  

world famous gopher hole museum: a visit to an usual tourist attraction in a tiny Albertan hamlet  

biblioclasm: Amazon’s AI book-pulping division has a cartoonish evil logo 

count coudenhove-kalergi: the Austro-Japanese politician and diplomat who championed the movement of European integration and was the inspiration for the character of Victor Laszlo in Casablanca—plus nominated Ode to Joy as the theme for the united continent 

balloon banjo: a 3D printed heuristic tool for experimenting with acoustics  

ounce dice trice: a garland ring of unusual words that ends up where it starts out

synchronoptica

one year ago: assorted links to revisit (with synchronoptica) plus a cache of vintage picture postcards

two years ago: a quick weekend get-away plus the Formosa Straits crisis of 1958 

three years ago: the US Republican primary debates plus more links to enjoy 

four years ago: even more links plus Ukraine re-establishes itself as an independent state (1991)  

five years ago: assorted links worth the revisit, ant architecture plus Bohemian Rhapsody (1975)

six years ago: cocktails for remote learning, superlative garden photographs plus re-sampling Soviet pop

art in the age of the artificial (13. 733)

Best experienced rather than attempted to be explained, the selected portfolio of Diepholz artist with the Künstlernamen Moe P Wellington, via Web Curios, explores the paradoxical relationship between UI and AI—input designed to be understood and assayable for humans with the output constructed by artificial intelligence whose simulacrum only provides the illusion of understanding logic, intention and convention. The resulting schema is unrevealed upon inspection and has the disorientating feeling of a manual that one cannot quite gain a purchase on—like a prelude to an arcade game with the rules and operation behind an arras and strikes us how dreams, those repetitive ones that are are markers for anxieties where some simple task or misplaced accessory suddenly becomes impossible and sisyphean, degrading with each iteration until one wakes up, seem to be a parasomnia that mirrors  (we don’t want this disturbing our slumber) the downgrading effects of engagement with the machine.  There are pre-tests in the repetoire and the ability to generate one’s own work.

latent diffusion (13. 677)

Via Web Curios, we are directed towards this excellent dissertation by Kevin Kelly (KK＊) that without recourse to analogy provides one of the most satisfying account—but not explanation since what’s going on under the hood is a mystery to its architects—of how large language models arrange information and build connections through the lens of the latent space—my metaphor, the synapses between neurones—as a potential new medium for artistic exploration. Conceived originally for translation only, the three terminological components of LLMs have semantic meanings behind them: large for containing all the knowledge of Wikipedia and whatever else can be gleaned digitally, language refers to the intent for automatic interpretation drawing on the sum of human writing and applying autocomplete rather than teaching the neural network grammar and the rules of individual tongues to synthesise and imitate and model for the compression routines that for efficiency marshalled concepts in vectors to contain all this statistical data of the next word locally, in the laboratory or on one’s own phone without the need to venture online for what’s on the tip of the tongue—a new kind of abstraction, mindfulness in the billions of rays shooting off in all directions. Researchers were shocked that not only did their experiment yield passable translations without being pre-programmed with the linguistic structure but without containing copies of the collected works of Shakespeare (only the metadata) could render their response in the form of a sonnet and could indeed compose an “original” work in the style of the Bard. Everything, all at once intersects eventually mapped out with an address a multitude of coordinates long. Maybe PfRC has been scraped but only in the sense that it’s not really plagiarised but only adding to an increasingly long, long register of relative whereabouts). Some in the industry maintain that for the model to make new connections and new insights requires data-centres, countless circuits working in concert—something not every one agrees on, with diminishing returns like prospecting for bitcoins, and push for open-source scalability—especially when no one knows where the spark, insight (if it can even be called that) comes from. The artistry enters in the triangulation, stream of conscious style, in that liminal space where the AI shows its work (in theory at least and can be conduced to) and can be dialled up along any lines of reasoning, more poetic, more understandable, coherent, etc without broaching the question of understanding.

double indemnity (13. 672)

While the argument that generative AI tools democratise certain fields to an extent by allowing non-professionals to bypass the gatekeeping of jargon and unnatural language is not without merit, we’ve seen too many slapdash hallucinations leaking out into the real world with no proofing or editing that does not exactly instil trust or confidence in the output—see previously. We had under appreciated the consequence of DIY, vibe-coded projects in the field of cartography however until reading this post by Jonathan Crowe of the Map Room, whom despite his long experience and interest in the subject is an avowed amateur in the best sense. The intersection of demographics data and our built environment is already fraught with biases and assumptions, based on one’s postal code, and can disadvantage some in terms of loans and credit just for their neighbourhood—and of course false data makes surveying for ethnographic outcomes and opportunities garbage. Among several poignant observations, there was one particular account of an online brochure—or perhaps even a printed handout—for an insurance underwriter (those rates are determined to by one’s address—see also) whom could not be bothered to represent the geography of their covered area correctly that inspired us to test it out. The prompt was “Can you please (it is important to ask politely) create for me an accurate actuarial map of the continental US with the states and major cities labelled?” and the results, though first draft and raw were pretty disturbing. Although the general bounds and borders, recognisable to many, but otherwise all over the map—and it gets worse the more one studies it (compared to this non-AI antique one), from the unfathomable legend, Dopulation, • Tucson, to New York City in Quebec, to Connecticut where Wisconsin should be, Milwaukee on the eastern seaboard, to made up polities like Wyomina, Flahia, Missisgloo and Ballingiore—some others too garbled by Zalgo text. More from Map Room at the link above.

synchronoptica

one year ago: the disappearance of Jimmy Hoffa (with synchronoptica), assorted links to enjoy plus Lolita

two years ago: more links worth revisiting plus Monty Hall enlightenment 

three years ago: virulent evangelising, even more links plus SARStock (2003)

four years ago: assorted links 

five years ago: Freyja’s Day plus recreating classic screen-savers

six years ago: a French microcar, oceanographer Marie Tharp, a Canadian mint honour, fashion designer Kansai Yamamoto, another goth saint plus local keepsakes

day one-hundred forty-six (13. 669)

Following an impassioned appeal by Zelenskyy, who was in Washington for the funeral of Lindsey Graham (as was Netanyahu), the US senate passes landmark sanctions on Russia. American and Saudi forces launch strikes against Iranian affiliated targets in Iraq. Ukraine hits more Russian bound Iranian cargo ships in the Caspian Sea, calling them indirect combatants. China is accused of supplying Iran with shoulder fired missile launchers. US Central Command announces joint AI working group in partnership with the UAE, the task force called Talon Synapse aimed at integrating artificial intelligence in military applications and cyber security. Negotiations still stalled with Trump claiming some “good” talks, the US president threatens Tehran with a fresh wave of strikes on civilian infrastructure if no deal is reached. 

9x9 (13. 646)

free play: the false nostalgia of the child-rearing in the 1980s 

it ends: capitalising on the popularity of liminal spaces, we discover the next trend, being trapped on an infinite trail  

eco chamber: the personal library of semiotician, philosopher and author Umberto Eco (previously) opens to the public in his Tuscan villa  

from the prepare-for-everything-to-get-very-stupid-and-xenophobic-department: USA to enforce same protectionist, nativist policies exercised in the Tik-Tok ban for open-source AI 

war & cheese: stalled European Union sanctions package for Russia exposes persistent divisions in the Bloc—see also 

the cemeteries are full of indispensable people: the dash to fill an America-shaped void  

hot merfolk summer: besting one’s holiday hashtags aspirations with Miss Margaret Morris’ choreography   

end of the road: uncelebrated termini and the Roman god of boundaries  

unquantified self movement: bucking the trend of maxxing and wellness-optimisation

the diffusion pilot (13. 645)

We enjoyed this interrogation of the medium that reflects on artistic control and authorship partnered with the rapid pace of the infusion of generative AI in everything, neither celebrating nor wholly condemning the technology, in this animated short by Aurelijus Čiupas. By turns overpowering and empowering, the piece, divided into two distinct halves seems to ask, if the traditional animator creates the magic motion out a series of static images, what is their role with an infinite number of them? Caution, the video below contains flashing images. More from Aeon Magazine at the link above.

*    *    *    *    *

synchronoptica

one year ago: the bicycle from Pee-wee’s Big Adventure on display at the Alamo (with synchronoptica) plus the Epstein files

two years ago: enduring lessons of technology plus a thistle cousin

three years ago: Mary Magdalene 

four years ago: the Firth of Cromarty, a banger from Take That plus the North Coast 500

five years ago: Plan 9 from Outer Space 

six years ago: white Jesus 

8x8 (13. 637)

founder and ceo of edgars industries: 1995 episode of Babylon 5 sums up the political situation in the US rather eerily  

decoy: an ambiguous, superimposed typeface that hides from AI  

add “crack spread” to your economics vocabulary: an explainer on the disconnect on the price of crude versus petroleum-derived products  

presque vu: the latest batch of new emoji seem familiar—via Waxy  

my father was a barn burner: a PSA from the Norwegian Consumer Council on why we can’t have nice things—see previously  

benford’s law: the counterintuitive observation that helps catch financial fraud—via Quantum of Sollazzo  

dazzle camouflage: more on adversarial apparel, clothing designed to confound and encourage public dialogue on the surveillance state and privacy—via MetaFilter—see more 

it’s show-time, synergy: the Flop House on the quintessentially 1980s cartoon—the funniest lines came out over the mid-season theme song replacement, to the tune of Fame, “Jem—I’m gonna live forever! I am a hologram!”

synchronoptica

one year ago: Sylvanian Families sues over defamation (with synchronoptica) plus a mothballed West German army garrison 

two years ago: assorted links worth revisiting plus Geraldine Ferraro accepts her party’s nomination (1984)

three years ago: a banger from Genesis (1986), English occupations in 1881 plus assorted links worth revisiting 

four years ago: a ferry to Newcastle, the 1980 Moscow Olympic Games plus arriving in Scotland

five years ago: a visit to Bohuslän 

six years ago: the Upping of the Swans plus a tour of Rhöngrabfeld 

i often wonder what the vintners buy—one half so precious as the goods they sell (13. 618)

To gain purchase on the sophistry of scammers, grifters and gurus and proffer the question on the greater fraud of our time—why isn’t the artificial intelligence industry in direct competition with their consumers—Cory Doctrow starts with the lasting imprint of the enigmatic verse from The Rubáiyát of Omar Khamyyám, completing the couplet as translated by Edward FitzGerald:

And much as Wine has play’d the Infidel,
And robbed me of my Robe of Honour—well

to probe what the purveyors of the promise of wealth and success could possibly benefit from the exchange—be they winesellers or in his illustration booksellers, infidel or otherwise—with their wares already better than anything else money could buy. 

In other words: if someone had discovered the secret to generating all the wealth, even if willing to share in the munificence, what would they need with another’s, unless the pyramid scheme was baked in from the beginning? Venture capitalists and AI evangelicals might cite their work in progress needs funding to achieve godhead but fails to to address the fundamental question for both buyer and seller. If there’s a better vintner, why not establish one’s own vineyard? If there’s a large language model that can educate better than human teachers, why license it to a school district instead of opening up an academy? Late-stage capitalism has shifted our willingness to question motives of gospellers in the estranging drive not make but abstract—the rentier economy made more meta by options eschewing work and exposure—rather than driving a taxi, buying stock investing in a ride-share concept or prospecting for land to build a data-centre on, being the very friction and middlemanning that AI strives to remove.

synchronoptica

one year ago: the return of the ground-effect vehicle (with synchronoptica), Live Aid (1985) plus assorted links to revisit

two years ago: claim-jumping in the Arctic, reproductive care in international waters, a local air show plus a failed assassination attempt on Donald Trump

three years ago: potential biomarkers on Mars plus the Hollywood sign (1923) 

four years ago: a banger from Bryan Adams plus a summer research project on artificial intelligence (1956)

five years ago: Småland plus Sweden’s Crystal Kingdom

six years ago: more links to enjoy plus 1970s HiFi equipment

the innovator’s dilemma (13. 604)

Despite the early acquisition of DeepMind and a bit contrary to the overall consensus regarding the quality of search that’s a bit poisoned by AI tangents (the AI underpinnings should be disclosed but it has a visibility problem—not in its inscrutability—but it making it seen, many problem don’t benefit from shoehorning it into everything and putting it on display in a why that overshadows its potential use as a sounding board or a brainstorming interlocutor), Google has consistently fallen in second place in the field of artificial intelligence. A Planet Money interview with an author profiling the founder and current chief executive officer of the company’s AI research laboratory, now called Google Brain, Demis Hassbis, aside from covering the computer scientist’s lofty and noble ambitions and striving for fundamental understanding, the author also puts forward an intriguing set of reasons that might account for the tech giant’s self-sabotage. As with the case-studies of industry leaders developing potential disruptive innovations—Kodak inventing the first digital cameras, Blockbuster’s early partnership with Netflix, Xerox’ pioneering of the personal computer—likewise for Google, whose business model is based on reliable search results and serving advertising, it may have perceived a threat to its reputation should those answers be seen as something below what we’ve become accustomed to and reluctance to deviate from a proven formula. More from the NPR podcast at the link above.

synchronoptica

one year ago: assorted links to revisit (with sychronoptica) plus Campus Crusades for Christ

two years ago: Savage Curtain, impressions of West Berlin in the summer of 1977 plus Project 2025

three years ago: more links to enjoy 

four years ago: TRON (1982), the first animated Hobbit, Choreography for a Copy Machine, Prague’s Charles Bridge plus even more links

five years ago: pets’ past lives regression, more on the Know Nothing Party plus underway to Sweden

six years ago: Bernkastle-Kues, more of Mittlemosel plus the Republic of Palau (1981)

9x9 (13. 563)

pennsylvania dutch: an ethnographic profile of the Deitsch speaking Amish—see also  

it’s 1100 pm—do you know where your ai agent is: Janelle Shane (previously) on agentic artificial intelligence, vibe-coding and the need for guardrails  

hunshandake sandy land: battling creeping desertification with an army of chickens 

ethnic cleansing: US supreme court rules that the country can refuse asylum-seekers at the border and can begin the deportation of Syrian and Haitian refugees under temporary protected status        

⚙️⚙️⚙️🦑⚙️⚙️⚙️: manoeuvre your marine mollusc through an environment resembling dungeon levels from Zelda with Bubble Bobble type puzzles—via MetaFilter  

rainbow plaques: an alternative to Blue historical markers appear across London, honouring LGTBQ+  personages

final descent: the iconic airliner, the Boeing 747, is being phased out 

jerry’s world: a map of an imaginary land limned over decades using a deck of cards for procedural generation—see also  

despicable me: the influence of Minionese on the slang of Gen Alpha—see previously

8x8 (13. 550)

add to dictionary: a remembrance of the departed Tony Krueger, the software engineer that introduced red squiggles to word-processing to indicate a potential error  

seen by the machine: AI scores one’s relative importance by billions of datapoints called “the weights”—please consider the environmental impact before googling oneself—via MetaFilter 

drain the swamp: a meme roundup on the Lincoln Memorial Reflecting Pool  

cancon: musical acts propelled to stardom over minimum requirements for domestic content on Canadian airwaves—via Miss Cellania and Nag on the Lake  

reading the room: a moment of silence observed before interviews with filmmakers to take in the room tone as a supercut from Criterion  

a la carte: US history told in early restaurant menus—see previously  

able mabel: a robotic maid from 1966  

usa a-ok: more than amplifying random statistical noise, an interesting look at Americans’ misspellings mapped

synchronoptica

one year ago: the Carnac Stones (with synchronoptica) plus a trip to Belz

two years ago: exploring Maccagno  

three years ago: artist and freedom fighter Willem Arondéus, a revolt and march toward Moscow plus the last Emperor

four years ago: Germany legalises abortion plus a work cruise on the Rhein

five years ago: artist Robert Rotar, the goddess of luck, the bells of Bad Hersfeld, assorted links to revisit plus Cubist cars

six years ago: an orchestra for houseplants,  the Battle of Bamber Bridge (1943), tourists not welcome plus the Pontiac Ghost Car

9x9 (13. 533)

biometrics: the after effects of gamification of physical activity—sometimes I want to launch my pedometer and everything else into the Sun 

sovereign wealth fund: Bernie Sanders’ proposal to cede control and profits of AI to the American public  

cinecope: an archive of rare and rarefied films—via Web Curios  

battle of the bit: an authoritative archive of chiptune and MIDI renditions  

otome: the rise of synthetic, choose-your-own-adventure romance  

a privet matter: a farmer hacks down China’s lonely tree—see also here and here  

chromacity: the colours on the spectrum that your screens cannot deliver—via MetaFilter  

a show of hands: designing more finger-friendly haptics for our devices—plus dispelling old myths, via Waxy  

dark flow: how your scrolling addiction was built off casino gambling

you made this? (13. 530)

Knowing it was ongoing project, I was not completely surprised to see references to John Koenig’s Dictionary of Obscure Sorrows circulating on the internet but we did not realise that the revival was not due to a reissue or a follow up edition by the author but rather an act of wholesale plagiarism. Whilst nonsensically including the entire text of the book and all his neologisms for universally felt emotions that we don’t have the words to express (not the best marketing strategy to sell a book), the slick impostor website, which includes blurbs and a biography and links to purchase the dictionary, absent were any of the illustrations to accompany the definitions, instead replaced with unpolished AI-generated images and a feature to gin up a new sorrow with the help of GPT-4—which seemed pretty off-brand for the writer and the attempt to limn lacunas of human experience. Every submitted sorrow is a bit rubbish and unneeded with fussy and overcomplicated etymologies and pronunciation guides (see also). Andy Baio of Waxy got in touch with Koenig and tracks down the mystery of this unauthorised “tribute” site. Vibe coded, I suspected that this might have been a case of spontaneous generation but arguably more tragic, malicious and pervasive, the bootleg site siphoning off profits from another’s creativity is a marketing agency feeling entitled. There ought to be a word for this sad state.

10x10 (13. 523)

nine days in june: landmark US supreme court decisions of years past and upcoming cases during this busy time of the year  

mcmodernslopecore: AI-generated architecture—via Miss Cellania  

photovoltaic: a brief tutorial on how solar panels work—via Kottke  

linguist fingerprints: every AI talks with an accent  

i am not on harry mudd’s client list—stop talking about it, i don’t even know him: the Federation’s war with the Romulans was a total success 

defender of the realm: profiles of medieval warrior women  

dialog society: a trove of leaked documents reveals the activities of Peter Thiel’s secretive cult, prepping for WWIII with a breeding programme—see previously  

spacex: a plan to deploy a million satellites in Earth orbit would ruin the night sky for everyone  

parc güell: Antoni Gaudí’s 1926 failed housing estate has become one of Barcelona’s public spaces  

51st state: rural Illinois citizens petition to eject Chicago and split into two polities—see also 

synchronoptica

one year ago: the G7 in Alberta and the Israeli-Iran war (with synchronoptica) plus the Trump phone 

two years ago: a synthesiser performance piece , OJ Simpson flees police (1994) plus tragic children’s names

three years ago: NASCAR celebrates Pride plus a werewolf exorcism (1983)

four years ago: Star Trek: TAS retcon, the Watergate break-in (1972) plus assorted links to revisit

five years ago: Iceland reforms its naming rules, ASCII standards published (1963), the musical stylings of the Sons of Kemet plus calendrical dating formats

six years ago: US supreme court erodes the Civil Rights Act, the East German uprising of 1953, Beyond the Valley of the Dolls plus Trump sues to stop publication of a tell-all exposé

ux (13. 521)

Vis-à-vis a recent post airing online exasperation, we felt this expanded list of rage-inducing shortcomings in networking and technology, via Kottke, to be quite resonant and an thorough examination of what’s a bug and what’s a feature and wither and wherefore the friction and disconnects occur. Through the lens of Pope Leo’s first encyclical, On Human Diginity (known by its incipit Magnifica Humanitas), a lengthy treatise about the struggle to uphold our universal commitment to society when awash in alienating artificiality, we look at that frustration and fatigue that grinds us down with the mill of a thousand micro-interactions that don’t need to be—not exactly a force majure or existential crisis, in a landscape where many are possible, in isolation but taken together nonetheless inform out experience and seep out into the real world: touchscreens in cars, having to scan a QR-code to read a menu—or having menu items reshuffle themselves whilst one is ordering at a kiosk, being lectured to about the Anti-Christ, shoehorning AI into everything, forced updates at the worst possible time. The final items on the list do address the industry’s insatiable drive to commodify and fetishise everything, which is a bad thing, and though maybe not a direct consequence of the litany of disruptions for the end-user, peppered with rubric—Jesus wept, but possibly of supplanting the frictions and imbalances of capitalism (see above) with new obstacles, leaving the experts and agents nowhere to go. Much more from Brian Phillips and The Ringer at the link above.

someone like you (13. 515)

Published posthumously as a collection of YA short fiction from the author’s adult corpus among The Umbrella Man and Other Stories, problematic fav Roald Dahl in The Great Automatic Grammatizator (1954) deals with a mechanically-minded engineer (named Adolphe Knipe, almost certainly a lightly-veiled reference to Dahl’s own US publisher, Alfred A Knopf, who reasons that the rules of language are fixed by certain mathematical principles, like the advances in calculators he has recently delivered on commission for his employer, and applies this exploit by creating a mammoth machine able to create a best-seller (see also) in fifteen minutes. Ending on a cautionary note, writers from around the world are left with no choice but to license their authorship, and by extension, human creativity, to the machine, spurned by the industry that rejected his moonlighting endeavours and taking his revenge by making all writing mediocre and formulaic at best, acknowledging that quantity bested quality in the final reckoning.

forget it jake, it’s clankertown (13. 514)

Stealing the title from the OP at MetaFilter because it couldn’t be improved upon—a favourite snowclone of mine lately that usually withers away as I have to explain it to younger coworkers, though in a way that works on a level since I can repeat, “Forget it Jake, it’s Chinatown,” without substituting the place where we work or the client’s location—we enjoyed this analysis of social media gatekeeping, accusation culture with ‘AI slop’ rising to the top along with other strawman invectives like sockpuppet, astroturf and shill but without the overall calling out of fallacy not increasing in aggregate. Whilst not suggesting that online discourse may be plateauing with a new baseline of civility, findings may intimate that we are just more weary of feeding the trolls and know that it lies behind every engagement. AI shaming should definitely exist but labelling one a bot, especially falsely (which seems to happen more and more often) can also stifle or silence an honest conversation. What do you think? I wouldn’t invite a large language model to polish or tarnish my writing—for what it’s worth (even at work, despite it constantly being jammed down or throats), though I know it could always stand a second pass for proofreading purposes. More at the links above.