gaslighting (10. 342)

By dint of search statistics, Merriam-Webster reports that its word of the year is the manipulative, misdirecting term that causes the target to question the surety of their own sanity taken from the title of the George Cukor 1944 classic. Though a perennial favourite of late, look ups are still exponentially high over a range of real and perceived dauntless reasons to doubt credulity. Other terms that caused people to consult the dictionary this past year were oligarch—driven by the Russian invasion of Ukraine and attendant sanctions, codify, as in enshrining laws once taken for settled and loamy—another Wordle-driven hunt (like ‘homer’) though the correct answer was clown.

i am a camera (10. 341)

The title of John van Druten’s theatrical adaptation taken from the first lines Christopher Isherwood’s 1939 Goodbye to Berlin (see previously) that goes on “…with its shutter open, quite passive, recording, not thinking” opened on Broadway in the Empire Theatre on this day in 1951. Also made into a film just over a decade before the second stage adaptation (which this play largely informed, though set primarily in Isherwood’s rented room rather than the night club) starring Shelly Winters as Fraulein Sally Bowles,van Druten’s work did not garner universal praise from critics, prompting the famous three word review from New York Times drama desk editor and playwright Walter Kerr: “Me no Leica.” Yes and the Buggles also recorded the song “Into the Lens (I Am a Camera)” in 1980 from the same quote.

mахновщина (10. 340)

Established on this day in 1918 with the capture of Huliaipole, the home town in the region of Zaporizhzhia and later capital city of the stateless, anarchist society that existed under the aegis, protection of the revolutionary forces of Nestor Makhno, Makhnovshchina (Makhno’s Movement) was under the control of free soviet (unaligned with any party and encouraging workers to self-manage through direct democracy) and libertarian communes until the end of August 1921 when leadership was was forced into exile in Romania. Based on the theories of anarcho-communism, the anti-hierarchical network promoted a government based on popular assemblies and committees and a federated alliance within territories outside of the control of Bolsheviks. The banner of the coalition—white Cyrillic text on a black background—reads “Power breeds parasites. Long live the Anarchy!” Власть рождает паразитов. Да здравствует анархия!

8x8 (10. 339)

truly toastmaster: an elaborate and enduring hoax that shows one should not believe everything on the internet—via Nag on the Lake’s Sunday Links  

cabinet of curiosities: the intro, outro and interstitials of the horror anthology hosted by Guillermo del Toro, which has distinct echoes of Alfred Hitchcock Presents 

oopsie, i did a misinformation: an exploration on how and why Japan does the internet differently than the rest of the world with case study—via Waxy  

plasmonic photocatalysis: researchers engineer a nanomaterial that could allow for power plants to efficiently isolate hydrogen from ammonia using only light  

el peatonito: a champion of the pedestrian and other Super Citizens 

it’s not delivery, it’s digiorno: an interesting short documentary on the history of frozen pizza—via Hyperallergic’s Required Reading   

teal and prebunking: the shortlisted candidates for Macquarie Dictionary Word of the Year  

goncharov: thousands of fan-fic contributors have retcon’d a 1973 Martin Scorsese film starring Robert De Niro that never existed—via Slashdot

li’l folks (10. 338)

Born this day in 1922 in Minneapolis, Minnesota, Charles Monroe “Sparky” Schultz, cartoonist and creator of the characters who would become the Peanuts comic strip (his uncle gave him the nickname after the horse Spark Plug in a daily comic called Take Barney Google F’rinstance) is regarded as a universal influence, informing and defining the modern medium as a legitimate means of psychological and sociological exploration and commentary.

santa claus (10. 337)

First screened in September of 1898, we are directed towards the technical marvel by George Albert Smith considered the first short, silent film about Christmas—with pioneering examples of parallel action and double-exposure—making it one of the most sophisticated examples of filmmaking to date. After two young children are put to bed on Christmas Eve, St Nicholas enters the house through the chimney and start trimming the tree and filling the stockings hung by the fire. After surveying his work, he disappears the same way he came in. The latter innovation already demonstrated, superimposition in cinematography, in two of Smith’s earlier experiments—namely Photographing a Ghost (see also) and The Mesmerist—is a particular segue into the filmmaker’s life and career, chiefly billed as a magic lantern lecturer, hypnotist and psychic ahead of his extensive filmography of short subjects, which Smith turned to after being drummed out of the Society for Psychical Research (see above) over alleged fraud—and possibly contributing to the death of his accuser by overdosing on opium—turning his interest to the nascent movie industry run out of small studios in Brighton and Hove, specialising in special effects and colour processing.

everybody comes to rick’s (10. 336)

Based on an unproduced stage play, prolific Hungarian-American filmmaker Michael Curtiz’ vision of the war time romantic drama starring Ingrid Berman, Paul Henreid, Claude Rains, Humphrey Bogart, Sydney Greenstreet and Dooley Wilson had its premiere in the Hollywood Theatre in Manhattan on this day in 1942, the release rushed to capitalise on publicity of the Allied invasion of North Africa. Telling the story of an expatriate night club owner, a crossroads for refugees as well as enemy officers, who is forced to choose between the woman he is in love with or helping her husband, a Czechoslovakian resistance fighter escape Moroccan city controlled by the Vichy-government and continue his fight against Nazi Germany, the reception and estimation of the iconic work has grown over the decades to secure it a solid spot amongst the greatest films of all time. Much of the emotional impact for contemporary audiences was attributed to the number of exiles and refugees in principal and lesser roles—particularly in the below “duelling anthems” that elicited genuine tears with the realisation that they were all displaced. The singer, who also played guitar to “Tango de la Rosa” earlier in the movie is the uncredited Corinna Mura.

solange der vorrat reich (10. 335)

An Aldi native and a long-time shopper though I tend to patronise other grocery stores within walking distance or at the terminals of my commute, I had never heard of the term ‘Aisle of Shame’ and felt a bit personally affronted until reading on that there was a community of fellow enthusiasts of this ever-refreshed and replenishing smörgåsbord in the central row of food and non-food items available as long as supplies last. Not savouring the task of grocery shopping, I appreciate this serendipity incubator and the cult status accorded to these bargain bins of seasonal and limited edition merchandise and will go specifically to check them out.