i guess it means there’s trouble until the robins come (12. 194)

Via tmn, we appreciated this corresponding pair of brief encounters that reporter Adam Nayman shares on the entertainment beat of departed director that strike one as about as Lynchian as it gets. The first exchange took place in a hotel room during the 2001 Toronto Film Festival with Mulholland Drive on the circuit and the creator holding a succession of interviews with various outlets. Asking an unvarnished question about the director’s intent that went unanswered, David Lynch delivered a quotable coda after the tape recorder had been switched off of “A thing is what it is—and that’s what it wants to be.” Retreating to a corner of the room after his allotted time was over, Nayman repeated it on tape so as not to forget but inadvertently mimicked Lynch’s cadence in doing so. Overhearing him, Lynch shot him a thumbs up. Five years later, Nayman secured a more extensive session with the release of Inland Empire over the phone, asking more seasoned and nuanced questions to draw out better responses. After it concluded, however, Nayman discovered to his horror that only one side of the conversation had been recorded, with a deafening lacuna present where the responses should have been, not dead air exactly but more “like the whirl of an overhead ceiling fan—or the roar of the ocean as heard through the cochlea of a bloody, discarded human ear” or like how a speech coach was hired to help with enunciation for The Man from Another Place for the lines of reverse-speech not knowing the actor playing the role, Michael J Anderson, a computer technician for NASA’s space shuttle mission control before his acting career, already knew how to talk backwards, having used it as a secret language in school—and in a panic called back Mr Lynch’s assistant to puzzle out the technical difficulties or repeat the interview. The assistant said that his schedule was full but placed Nayman on hold for an interminable length of time before finally returning to explain, “David says he’s sorry—he says that you can say that he said whatever you like, however you remember it is fine.” Lynch’s body of work is not just experiences, those films live with one for years and decades. Much more at The Ringer at the link above.

the man from another place (12. 193)

We enjoyed this appreciation of the soundscapes of the filmography of transcended director David Lynch compiled by NPR correspondent Hazel Cillis. Covering Lynch’s own composition “In Heaven” from Eraserhead to the orchestral soundtrack to Dune (see previously), all tracks from Toto (the band best known for their hit “Africa”) except Brian Eno’s ambient contribution in the “Prophecy Theme” and all moody and atmospheric numbers in between, the playlist embodies the surreal and mysterious essence of the creator, especially in the use of standards to disabuse the audience from thinking they know what they’re hearing just because it’s familiar.

field recording (12. 192)

For COP16 held in Cali, Colombia back in October 2024, a team of scientist and musicians went an expedition to nature reserves across the country to sample the cries and calls of forty-one species of native birds, moneys and whales and transform the cacophony of animals sounds of one of the most biologically diverse places in the world into a natural version of the stirring national anthem, adapted from a 1850 poem set to music to celebrate the dissolution of Gran Colombia and the emergence of the independent nations of Colombia and Panama, whose lyrics unfortunately don’t reference this abundance of wildlife but do mention centaurs and the Battle of Thermopylae. Read more about its making and the environment of the host country from Smithsonian magazine at the link above.

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synchronoptica

one year ago: Eastern European vintage animation (with synchronoptica) plus the passage of different units of time

seven years ago: surveying 1950s Americans about the Cold War, unfolding tweetstorms, US dispensaries making their own generic versions of drugs plus Brexit commemorate stamps

eight years ago: defeating an internet censorship bill but speech is still under assault, psychic warriors plus legislating and/or

nine years ago: teletext pages plus the carillon of Oslo’s city hall honours recently departed musicians

ten years ago: Marilyn Monroe building drones plus AI card tricks

12x12 (12. 191)

dyson trees: lesser known than his eponymous sphere, a hypothetical genetically engineered plant could be grown inside a comet and provide a self-sustaining habitat for space-faring 

cold case: US retailer regrets installing advertising screens in its frozen food section and is struggling to get out of the contract—see also 

fourth-wall: a filmmakers’ dilemma about the unseen camera’s point-of-view  

decipherment: a solicitation for cursive users to transcribe and classify two centuries of undigitised documents—check the comments section—see previously  

why this is hell, nor am i out of it: Trump, like Satan, doesn’t get away with it 

drawing board: the Nokia Design Archive of prototypes never put in production

twentytwentyfive: George Orwell is to be honoured with a commemorative ￡2 coin for the seventy-ftfth anniversary of his death

erythrosine: US federal drug administration bans Red Dye 3 as food colouring and other business news—see previously  

onite clam discrepancy: personal AI-chatbots yield more problematic advice—see previously 

a stone only rolls downhill: a new music video from OK Go shot on sixty-four phones for sixty-four one take pieces  

the toasters are flying: a history of screen-savers—see previously  

☄️: meteorite strike caught on a doorbell camera in Prince Edward Island

movin’ on up (12. 190)

One of the longest-running sitcoms in television history and the second spin-off of All in the Family—after Maude—Norman Lear’s The Jeffersons premiering on this day in 1975 follows the lives of the former neighbours of the Bunkers who were able to relocate from Queens to Manhattan (a deluxe apartment in the sky) due to the success of the couple’s dry-cleaning chain. The Jeffersons itself had one short-lived spin-off featuring their housekeeper, Florence, who takes a job as the team chief of a luxury hotel cleaning crew, and has continuity with the hospital drama E/R (the CBS production, lasting only one year, before being picked up by NBC a decade later in 1994 as ER, as developed by writer Michael Crichton, with the same cast of principals of George Clooney and Mary McDonnell). A traditional sitcom, the show occasionally had episodes covering serious subjects, like racism, gun-control, gender-identity and alcoholism and generally high ratings—though suffering from switching time-slots—it was ignominiously cancelled by the during the summer-break of its eleventh season in July 1985 without warning to the cast, Isabel Sanford and Sherman Hemsley, and without a series finale.

fight for the future (12. 189)

On this day in 2012, over one hundred thousand popular (and unpopular, we figured out how to draw the curtains too) sites joined Wikipedia, Google and other prominent social media platforms in solidarity with a twenty-four hour web blackout in protest, formalised and coordinated under the above grassroots aegis, against two bills in the US congress, the Stop Online Piracy Act and the PROTECT IP Act. Privileging copyright security over online freedom of speech and making hosts, particularly non-domestic ones liable for infringement, the mass movement garnered millions of signatures for a petition as well as millions of constituents contacting their representatives in the American government to express their opposition and ultimately defeated both SOPA and PIPA as senate sponsors withdrew their support.

synchronoptica

one year ago: theosophical Though Forms (with synchronoptica) plus assorted links worth revisiting

seven years ago: White House imposes creative input on mission patches

eight years ago: the relics of war plus an atmospheric death ray

nine years ago: the Cosmological Constant plus more links to enjoy

ten years ago: Lovelace and Turing, the Satanic Children’s Big Book of Activities plus German currency harmonisation

9x9 (12. 188)

:): :an emoticon generator to create custom expressions—unless your interface automatically turns them into emoji—via Web Curios 

amicus brief: US supreme court upholds TikTok ban—whose enforcement is punted to Trump—in violation of right to free speech but fact-checking is now censorship 

optics: Trump inaugural to be held inside the capitol rotunda, citing the weather—see Monday’s post  

my dear, clawsette, i love you very much: the 2018 SNL sketch ‘Diner Lobster’ garnered numerous accolades including an award from the People for Ethical Treatment of Animals and inspired many sequels  

artist in residence: the rotating helm of a digital creator’s demesne 

hall of fame: though a bit premature, Bob’s Big Boy’s (a favourite haunt of his) obituary for David Lynch is superlative in detail, a believer in reincarnation, Lynch “life is a short trip. We’ll all meet up again”—via Super Punch  

boosterism: EU orders X, the platform formerly known as Twitter, to surrender it recommendation algorithm with a retention directive for purview on future changes  

lol’d into submission: general reaction to the recent shooting death of the pizzagate theorist suggest that there has been a paradigm shift regarding conspiracy 

the war of iron swords: Israeli security council ratifies Gaza ceasefire agreement after a dicey delay with Trump taking credit but not responsibility if the multi-part deal crumbles, like the agreement to withdraw troops from Afghanistan, which cursed his successor 

.---- ----. ----- ....- ..--- —..: a Morse Code clock—with optional sound—via ibīdem

canonicity (12. 187)

Via Web Curios, we are referred to this rather incredible resource from Joi Massat that has compiled dozens of series pitches and show bibles for cartoons including Dungeons & Dragons, He Man and She-Ra, Spongebob, Ren & Stimpy and many other classic Nicktoons. Linked documents include character specifications, episode samples, lore and backstories and as a whole presents a pretty good guide on how to go about packaging and promoting one’s own animated ideas with a nice supplement that outlines the presentation and pick-up process, selling the premise and refining their stories.