tunnel vision from the outsider’s screen (11. 894)

Whilst returning to his Park Avenue apartment on this day in 1986, veteran news anchor Dan Rather was assaulted by an individual demanding to know, “Kenneth, what is the frequency?,” repeating the question and pummelling and kicking Rather, the bizarre and dubious encounter remained a mystery for more than a decade until a television critic connected the suspected assailant to man convicted of killing a gaffer working for a rival network’s morning show in 1994 for the stagehand’s alleged complicity in beaming messages into the attacker’s brain, storming the studio to try to ascertain the frequency so he could block it. The escalated inquiry was the subject of the REM track from their ninth album Monster, released the same year as the manslaughter incident that solved the earlier mugging. When the band came to Madison Square Garden for a concert in the venue, Rather was invited to rehearsals and the outtakes were aired on late night talk show David Letterman.

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synchronoptica

one year ago: a visit to Marktbreit (with synchronoptica)

seven years ago: the continent of Zealandia plus assorted links worth revisiting

eight years ago: cocktails as still-life paintings, a vintage interior design catalogue plus St Dymphna

nine years ago: a visit to the Bamberg fleamarket

ten years ago: a visit to the Bamberg fleamarket 

einheitswippe (11. 893)

Long in planning, the Freedom and Unity Monument slated for Berlin (see previously) has missed another opportune inauguration and seems to be teetering towards collapse amid contract disputes with its designers. Conceived as a sort of seesaw where when enough people congregated on one side it would pivot towards revolution and reconciliation, it was planned to open in 2019 in deference to 1989, and while the foundations for the ramp has been installed and ready for the steel shell, the architects have had disputes with subcontractors and federal government fearful of what a failed dedication—with one’s thumb on the scales, so to speak—might project.

hello ghosties (11. 892)

Via Waxy, we find that Laura E Hall, for the tenth year in a row uploading the tradition, is issuing her occasional, popup newsletter chocked full of spooky and ghoulish citations for the season. Like a zombie hand emerging from the grave, it is reanimated every October, withdrawing as the enchantment of the month recedes to return next year. So far there are some seasonal soundtracks, a primer on David S Pumpkins and a survey of haunted hydrology.  Follow along at the link above.

now, how your daddy don’t mind (11. 891)

Inspired by the memory of trying to encourage a date to remain out past her curfew, Maurice Williams penned the tune seven years earlier, aged fifteen as the more compelling argument came to him all of a sudden lyrically, in 1960 recording the song as a demo track with his doo-wop group the Zodiacs. Picked up as a single by the label Herald Records and re-recorded (removing the verse “Let’s have another smoke,” so it could be played on commercial radio) in August, on this day that same year, “Stay” entered the Billboard Hot 100 on its way to top the charts on 21 November. The lightly pared down version at one minute and thirty-six seconds (extended recent rendition by the band below) is the shortest tune to reach the number one spot. Inclusion on the soundtrack for Dirty Dancing revived its popularity. 

 

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synchronoptica

one year ago: assorted links to revisit plus the US Speaker of the House ousted

seven years ago: who played It better,  a uniquely American problem plus EU jargon

eight years ago: the physics of light-sabres, shifting zodiacal signs plus the US Motor Voter Act

nine years ago: the Crimean War, the voice acting talents of Paul Frees, actor Melina Mercouri plus more links to enjoy

eleven years ago: America in turmoil over Obama Care

big horn (11. 890)

Reminiscent of the bonkers Nazi plan to produce a quarry worthy of Nazis to hunt by bringing back the extinct aurochs, we learn that a gentleman in the US state of Montana has been sentenced and fined for his efforts to create a giant hybrid sheep though cloning and selective husbandry with Asian sheep as big game. Struggling to find a punishment to fit the crime, the judge settled on a suspended term—for lack of a criminal record—and imposed a hefty remittance to the US Fish and Wildlife Service for the upkeep of the Montana Mountain King, confiscated and in care until it can be transferred to a zoo, to discourage others from meddling with ferrel populations for trophy hunting.

we had a bomb scare in the bronx yesterday, but it turned out to be a cantaloupe (11.889)

Released on this day in 1974, with its title derived from the subway train’s radio call-sign, the downtown number 6 express originating from Pelham Bay Park station at 1:23, the hostage thriller by Joseph Sargent and Peter Stone, based on the eponymous novel from the year prior was acclaimed by critics and audiences alike. Starring Walter Matthau, four men in disguise ransom the passengers, eighteen hostages, demanding a sum of one million dollars be delivered or in an hour lest one will be killed every minute that handover is delayed. The score by David Shire (Saturday Night Fever, All the President’s Men) was also lauded for its inventive nature. Most of the filming took place at the abandoned Brooklyn Court Street station, the location of several movies including Death Wish, The French Connection and the 2009 remake and later becoming the Metropolitan Transit Authority Museum, the MTA at first not cooperating with the production as it reflected badly on city governance and retired that particular call-sign. The colour-coded ransomers names is paid tribute in Quentin Tarantino’s Reservoir Dogs.

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synchronoptica

one year ago: the dissolution of the Papal States (with synchronoptica)

seven years ago: Catalonian session

eight years ago: the debut of Peanuts,  Trump cashes a cheque, the etymology of culprit, assorted links to revisit plus Miss Cora Gated

eleven years ago: Swiss war-games plus more on the US surveillance state

thirteen years ago: banking elsewhere plus exposing Brussels lobbyists

upselling (11. 888)

Although to an extent we get why both websites and increasingly waitstaff, dependent on positive reviews, recommendation, and the former sidelined, scraped, abandoned, bereft of revenue and cajoled into a subscription model, places and spaces one has given a minute of their attention to voluntarily are not enough and demand another minute amongst the vortex of algorithmically curated feeds and forced notifications—and the minute after that, no longer allowed to engage and explore on one’s own terms. Nick Heer presents the very apt allegory of a dining experience ruined by an aggressively intrusive server:

Would you like to see the menu again? Here, try this new thing. Here, try this classic thing we brought back. Here is a different chair. How about we swap the candles on the table for a disco ball? Would you like to hear the specials again? Have you visited our other locations?

Such an encounter is highly relatable and corresponds with newsletters, paywalls, diversions that lock one into walled-gardens and promoted content and detract from the whole venture.

bop spotter (11. 887)

Via JWZ, we learn of Riley Walz’ project that coopts the rather depressingly insidious programme called Shotspotter (™️ presumably and run by subcontractor touting benefits for public safety and security but failing to deliver) that detects and ranges gunfire by arrays of microphones installed in cities across America—though some police forces have cancelled their subscriptions due to cost and the diminishing returns on investment of random bullets—with a hidden phone attuned to picking up songs from street level perched somewhere high above San Francisco’s Mission District. Shazam is an application that can identify music from a short clip and adds the song to the playlist. When first launched in 2002 in the UK, people would text “2580” on their mobile phones and hold it up to the radio or television to get a piece recognised, getting a text back with the title and artist.