i have it on good authority that greta thunberg is against carbon dioxide emissions and yet emits carbon dioxide with every exhale (11. 322)

Via Nag on the Lake’s always excellent Sunday Links, we enjoyed this netiquette piece by Rebecca Solnit on how to comment on social media, a facetious send-up on Goodwin’s Law that’s well worth one’s time, which prompted us to return to a taxonomic analysis of the dominant, text-based platforms. Though the label of lurkers somehow does not sit right as the term to describe the ‘silent majority’ of the reading audience, consuming but not necessarily engaging, it is very true that most users fall into this category, leaving only a slim minority to comprise the other classes. Whilst not certain if we sometimes forget and that platforms are an imperfect reflexion of what’s going on in the real world, maybe it is something that social media in crafting their walled gardens does fail to remember from time to time at the risk of alienation its base. The rest are the familiar lineup of influencers/promoters, commenters/reply guys that shape and refine the online discourse of posters and content-makers. What do you think? Platforms cannot survive for long with an unbalanced ecosystem that rewards the shrillest at the expense of the casual visitor. Remember, the word privilege can be used randomly. People who are breathing are unfairly privileged over people who died in the year 1816, who you also speak for.

i never did believe in miracles but i’ve a feeling it’s time to try (11. 321)

Swapping out the working-title of Yesterday’s Gone, Fleetwood Mac—during a turbulent time in the band’s career with non-stop touring for their last album, drug use and relationship breakups for many of the members as well as changes for personnel—released on this day in 1978 their eleventh studio album on this day in 1978, an instant worldwide success of a soulful and confessional nature and features some of the group’s most enduring tracks. Teased as singles “Don’t Stop,” “Dreams,” “You Make Loving Fun” and “Go Your Own Way,” all dominated the charts for weeks at a time and taken as an anthology of the members’ anguish and optimism is considered one of the greatest records of all time.

anniversary edition (11. 320)

Found in the archives of redditor ForeverMozart7, we enjoyed browsing this extensive gallery of screen-grabs from 1990s edutainment computer games. A lot of the titles are stand-alone adventures but quite a few from the late nineties had ties-ins with established PBS programmes and children’s literature. There’s some impressive graphics and renderings to appreciate, even if one is not familiar with the characters and premise—most of the ones I was exposed to were in the classroom computer lab and not commercial software for home use.

 

synchronoptica

one year ago: Karma Chameleon (1984), long walkies plus an archive of 1980s graphics

two years ago: text-placeholders plus the Latin motto drawn by fate

three years ago: your daily demon: Haures, quite a backdrop, the evolution of the day-bed, Facebook launched (2004), schools ban Simpsons t-shirts plus what withstood the explosion in Beirut’s harbour

four years ago: forced equivalence, the Yalta Conference (1945) plus the feast of Hrabanus Maurus

five years ago: the Cleveland museum of art shares its collection online, art on yachts, an official state cryptid, failed prophesies plus California lieutenant governor Mike Curb

9x9 (11. 319)

thinking of you. i mean me. i mean you: a new exhibition on the artist Barbara Kruger advances her legacy up to the present—see previously  

hi neighbour: Johnny Costa introduced jazz to Mister Rogers along with his audience  

una vincenzo, the lady troubridge: fashion icon, sculptor, translator and unashamed, power lesbian  

baud per second: Eclectic Method’s dial-up modem song  

unexcused absences: obstructionist state senators cannot run for re-election in Oregon after constitutional amendment—via Super Punch 

unwatering: researchers find the solution the Richard Feynman’s hypothetical reserve sprinkler  

amateuraufnahmen: colour footage of Berlin, Leipzig and Bad Schandau from the 1960s  

please don’t try to print it: unlocking the page dimensions in Adobe to create a PDF larger than the entire Universe—via Kottke  

friend or foe: Clownfish count stripes to keep out adult interlopers from their territory—via Damn Interesting’s Curated Links—see also strange sex lives of the species

transcendental aesthetic (11. 318)

A direct ancestor of the Laserium light show (collaborating with Henry Jacobs for his display at the Morrison Planetarium), we quite enjoyed this short 1961 abstract, experimental animation on 16mm film from Jordan Belson, a prolific artist, often with a nonobjective (his career was kicked off by a sustaining grant from the Museum of Non-Objective Painting, which later became known as the Guggenheim) but spiritual bent, who created an extensive portfolio of works over the course of six decades. Evoking a mediative, introspective experience like many of his works, in 2011, the US Library of Congress inscribed “Allures” in the National Film Registry.

flakturm iv (11. 317)

Reminiscent of the transformation of the Colossus of Prora into luxury vacation properties, we learned that there has been a similar rehabilitation effort in the works for a decade to crown the one of the landmarks of the past of Hamburg, the air-defence bunker in Heiligengeistfeld in St Pauli (see previously), too difficult to demolish and built as nearly impenetrable, with an extension in the form of a boutique, green hotel with a lush rooftop garden. The accommodations open in April, which includes an in-house memorial and information centre about the indestructible structure’s Nazi past, after a three year delay in construction.

synchronoptica

one year ago: assorted links to revisit plus Crocodile Rock (1973)

two years ago: more links to enjoy plus more on Tulipomania

three years ago: more links worth revisiting plus a Bauhaus chessboard

four years ago: Setsubun, the Benelux (1958) plus antique school notebooks from all over the world

five years ago: The Day the Music Died (1959)

stag & nag (11. 316)

The apparatus of a seagoing vessel’s box compass was suspended in alcohol in order to prevent freezing and the magnet from seizing up, and through this rather incredible punitive process imposed on a serial offender with a particular craving for tapping the navigation of ships, we encounter an impressive clipping’s introductory copy—cited without the aid of a ready resource like a Wikipedia stub—on an etymology which with we weren’t familiar. Whilst acquainted with the likely disappointingly spurious folk roots of the Elephant & Castle, more authentic instances of canting as branding like ‘spread-eagle’ (in reference to the imperial arms of the Reichsadler) to indicate an establishment where German wine and beer was sold, the public backlash against publicans’ paired namings as early as the start of the eighteenth century with often incongruous results, as opposed to patronage or services provided, like the cheese inn of Stilton. The not uncommon pub name “Goats and Compasses,” (see above) may come from, like “Pig and Whistle” the corruption of a benediction, piggin wassail in Anglo-Saxon and might be derived from a mishearing of ‘God encompasses [us]’—either that, of the canting arms of two guilds, the Worshipful Companies of Cordwainers and Carpenters, each with three of the domesticated livestock and three compasses, the drafting instruments rather than the navigation aid. More on the recidivist James Wishart Lyon and his unusual compulsion at Weird Universe at the link up top.

me and my arrow (11. 315)

Via our faithful chronicler, we learn that on this day in 1971, The Point! was first aired as the ABC Movie of the Week. Based on the eponymous sixth studio album by Harry Nilsson (previously), the animated adaptation from director Fred Wolf (also behind Free to Be… You and Me) features the voice talents of Dustin Hoffman, Paul Frees, Mike Lookinland (Bobby Brady) and June Foray and tells the fable of a boy named Oblio, born with a round head and made to wear a pointed cap to hide his “pointless” condition from his pointy-headed peers. After dishonouring the son of a wicked count, Oblio finds himself banished and encounters many strange characters in the Pointless Forest that show him that everything has a purpose, though it may not be obvious at first glance.