merriam-webster defines (11. 147)

The US reference book publisher offers Authentic as its Word of the Year, which whilst at first glance not seeming so novel does serve to encapsulate the trends of the past twelve months, informed by discussions regarding both identity, frankness and the rise of synthetics in arts and writing. Runners up for the choice, bolstered by the dictionary’s data and up-tick in research, also serve to chronicle recent news and events, and include coronation, deepfake—vis-a-vis the winner, dystopian, indict, deadname with the rash of American school districts proposing and enacting “Parental Rights” bills that requires instructors to address pupils by their birth names and gender regardless of their preference and the term rizz—possibly originating from and suggesting charisma.

synchronoptica

one year ago: Schrödinger’s Cat, assorted links to revisit plus Fly, Robin, Fly

two years ago: Britain’s Got Talent

three years ago: The Public Universal Friend,  fifty years of Tatort, Saint Saturninus, Pong (1972) plus more constructed language

four years ago: some uplifting statistics, Mid-Century style in the Peanuts plus the speech prepared for Nixon in the event of a Moon disaster

five years ago: more links to enjoy 

9x9 (11. 146)

the big easy: Bonapartist diaspora had designs for Napoleon to retire in New Orleans—via Messy Nessy Chic—see also courtesy of Super Punch  

holiday emporium: Kottke’s annual gift guide returns after a hiatus  

triple word score: players and lexicographers are a bit mortified with Scrabble’s new tournament rules  

colophon: the rise and fall of Borders Books 

moonlight towers: during the infancy of electric lighting, there was a predecessor to serial lamps  

pump and dump: insurance companies are exacerbating the climate crisis 

fiat: during the bank strikes of Ireland in the 1970s, pubs stepped in to fill their function—via the new shelton wet/dry  

ai garage sale: haggle with robots for real items—via Waxy  

pas de goulots d’étranglement dans la production: a strange 1940 diagram from linguist Benjamin Lee Whorf presenting French as a factory assembly line

the battle of versailles (11. 145)

Similar to the surprise coup of this other culture rafinée, high stakes challenge from earlier in the same year, the historic fashion show held on this day in 1973 at the famous venue in order to raise funds for its restoration. Organised by the museum and government forum’s curator, the event pitted French designers, Yves Saint Laurent, Pierre Carin, Marc Bolen and others against Americans Bill Blass, Anne Klein, Halston and Oscar de la Renta before an invited audience that consisted of artists and celebrities like Andy Warhol, Princess Grace, Marie-Hélène de Rothschild, Jane Birkin, Liza Minnelli and Joséphine Baker (the last two performing for their respective sides). The show was legendary (more here) and the mostly French spectators were stunned with the American designs and models, a new benchmark set for representation with eleven Black women on the catwalk and shifting the industry in a way that brought respect and legitimacy for the US contribution and the palace which had seen better days was rebuilt.

synchronoptica

one year ago: Christopher Isherwood’s I am a Camera plus Word of the Year: Gaslight

two years ago: the duet from Dirty Dancing,  Advent season plus some COVID comic-relief

three years ago: your daily demon: Furcas, Trump at the kiddie-table, assorted links to revisit plus the Great Bed of Ware

four years ago: a visit to a local museum plus a Thanksgiving pageant

five years ago: barely maps plus a proposed change to the UN Security Council

radio ripping (11. 144)

The campaign given its soft-start the month prior, the British Phonographic industry trade group under the chairmanship of Christopher Wright began placing its slogan in the press on this day in 1981, believing that the rise in the availability and popularity of the cassette and recorder would cause a precipitous decline in record sales—recruiting a few celebrity spokespeople to support their initiative against the new media, like the Boomtown Rats and Elton John. Others, like Bow Wow Wow, the Dead Kennedys, Devo and Sonic Youth actively encouraged the practise, some releasing titles with blank b-sides for the buyer to record whatever they wished. The propaganda and rhetoric (often subject to parody over the manufactured hysteria) have re-appeared numerous times as an invective against VCRs, “Don’t Copy that Floppy,” and file-sharing even for art and entertainment that’s meant for public enjoyment and made more robust by its channels of propagation and retention.

 

 synchronoptica

one year ago: assorted links to revisit plus Makhno’s Movement (1920)

two years ago: an AI take on traditional wedding gifts

three years ago: an Italo Pop nonsense song meant to sound like English plus St Josaphat

four years ago: a font inspired by Trump’s handwriting, VR for happier cows, St James Intercisus plus a Monkees’ movie

five years ago: CARE packages, the collaboration between Stan Lee and Pablo Ferro, another Trump Dump plus Misinformation as Word of the Year

7x7 (11. 143)

sonic deconstructions: 1950s radio broadcaster’s album of Foley art, “Strange to Your Ears”  

onfim’s homework: a Wikipedia rabbit hole inspires an individual to get a tattoo of an eleventh century Novgorod pupil’s writings and illustrations discovered preserved on birch bark—via Hyperallergic’s Required Reading  

year in review: Time magazine’s one hundred top images of 2023—via Nag on the Lake’s Sunday Links (lots more to explore here) 

amaterasu: scientists detect an ultra-high energy cosmic ray—the most powerful in thirty years of observation 

<!--: a collection of historic HTML innovations—see also  

kenough: the story of Denny Fouts, hustler and literary muse for Truman Capote, Gore Vidal and Christopher Isherwood  

pie hole: a silly twenty-year-old vocal exercise that holds up

componibili (11. 142)

Celebrating half a century since their original presentation in a Köln pavilion in 1972 and 1973, the rarely displayed club- and pin-like orbitals by sculptor Roberto Cordone will be gathered for an exhibition near the original grounds to reintroduce the iconic design and symmetry that helped legitimise plastic as a medium to complement traditional public art. Whilst these molecular, tetrahedrons are stationary, Cordone’s most celebrated installations are kinetic, metal elements called perpendicolari and elicoidali that can be repositioned by wind and waves and are self-righting, displayed as permanent outdoor monuments but occasionally adapted for the stage as part of a ballet choreography. Learn more about the showcase, the artist and its sponsors at designboom at the link above.

brothers grimmaverse (11. 141)

Apparently there’s a not so subtle effort on the part of Disney to retroactively canonise their range of intellectual property to make every character a part of the same cinematic, fairy tale paracosm. In the new musical fantasy film Wish (made to celebrate the company’s centenary), the protagonist Princess Asha and her rival King Magnifico (with plenty of other references to Snow White) have a final encounter (spoiler alert, I guess) to stop the corrupt sorcerer ruler in this wish-granting based economy concluding as an origin story with the former becoming the Fairy Godmother to Cinderella and the latter trapped in a mirror dimension for eternity and the servant, council of the wicked and cold-hearted stepmother of Schneewittchen. We wonder what other connections might be forced (to get in on the Pixar Theory where events do seem to occur in a shared univere) down the road and mucking about with the timeline. Bibbidi-bobbidi-boo.

synchronoptica

one year ago: Aldi’s aisle of shame, Casablanca (1942), the first Christmas film (1898) plus a century (+ 1) of Charles Schultz

two years ago: an undeciphered message hiding in plain sight, assorted links to revisit, a flag-pole maker plus When Harry Met Santa

three years ago: another MST3K classic, more links to enjoy, a sketch a day plus an Austrian village with an explicit name

four years ago: calling a contested presidential election (2000), Anarchy in the UK (1976), criticism directed towards the partition of the Ottoman Empire, the aesthetics of vapourwave plus IKEA designs homeware for Martians

five years ago: merit-based immigration, a map of Britain’s fictional places, the Scandinavian “snowflake” pattern, clever Christmas decorations plus more links worth the revisit

l’etoile du nord (11. 140)

The state flag of Minnesota, as TYWKIWDBI informs, is undergoing a redesign (see previously here and here and here) to modernise the banner and refine the jumble of tiny symbols emblazoned within, keeping the lodestar but to the regret of many residents forgoing the loon and happily removing the imaging the of the Native American riding off into the sunset with a settler ploughing the field in the foreground. Subject to public input, the redesign will be finalised by the committee from a selection of six finalists by the new year. The clean abstract look reminds me of the flags of the prefectures of Japan—which whilst not uniform, do have a cohesive look to them and wonder if the rest of the American states ought not to follow this example of vexillological reform for more of a corporate branding. The flags of the German states, notwithstanding the coats-of-arms—which can be complicated affairs but follow the rules of heraldry or blocks of patterns, and are like the rule-of-thumb prescribes, recognisable and can be drawn from memory. More at the links above.