helter skelter

Recorded and released on this day in 1970 in extremely poor taste by Manson himself and members of the Family in support of the cult leader’s legal defence fund by the infamous record producer Phil Kaufman (notorious for stealing the body of singer Gram Parsons and—ostensibly in accordance with Parsons’ wishes, burned his moral remains in Joshua Tree nature reserve), the cover was designed to parody the LIFE magazine cover of December 1969 with an expose of the series of murders cult members perpetrated. Though thankfully not a commercial success, several tracks were covered or sampled by several groups including The Beach Boys, Guns ‘N Roses and The Lemonheads. A second album was produced a quarter of a century later in the 1997 Family Jams. One theory proposed by the prosecution offered that along with the Book of Revelations, Manson believed he was attuned to messages revealed in the tracks and lyrics of the Beatles’ White Album. Subsequent re-releases of the recordings have raised funds to benefit crime victims.

8x8

wayfinder: Polynesian palm frond and seashell navigational charts  

zoned for resimercial: reaction offices and the future of the workplace  

the final nail in the coffin: a proposal for a casket one drills in the ground  

such freedom: a convoy of truckers whose grievance is less clear picks up some hitchhikers along the way in the form of a la carte conspiracy theories 

fashion forward: RIP to Elsa Klench (*1930) host of the long running Style segment on CNN  

don’t know much about geology: James Sowerby’s 1884 illustrated study of catastrophic British mineralogy  

the neutra house: the hilltop compound that belongs to Red Hot Chilli Pepper Flea has strong evil villain lair energy—and is on the market—via Nag on the Lake’s Sunday Links  

glonass: mapping tools and satellite imagery as a prelude to the information war over Ukraine

achtung baby!

We thoroughly enjoyed this episode of The Allusionist podcast that explores the ephemeral nature of warnings obilge and the limits of translation through the lens of the of the cautionary statement—in thirty-four languages—included with the toy prize as small-print pamphlets in Kinder Eggs/Kinder Überraschung produced on a global scale, though still unavailable in certain jurisdictions in this format, by Italian confectioner Ferrero (as Kinder Sorpresa or Ovetto Kinder) as examined and considered by sociologist and ethnographer Keith Kahn-Harris. What makes the cut internationally as a language for inclusion in one’s corner shop? What counts as correspondence in this regulatory, disclaimer tone? More food for thought below.

black tulip

Premiered in 2019 during the Venice Film Festival and the country’s Oscar entry for 2021, the Ukrainian dystopian, post-apocalyptic Atlantis by Valentyn Vasyanovych is set in 2025 and profiles the trials of a recovery organisation in a desolate wildness rendered arid and nearly uninhabitable after a protracted war with Russia and securing an arguably pyrrhic victory with asymmetrical fighting—with the message ultimately hopeful and optimistic rather than the cynical echoes of the reputed words of Caledonian chieftain Calgacus who fought the Romans in Scotland: they make a desert and call it peace. Categorised at least formerly as science fiction, the movie is available for streaming and to invoke another loose quotation, this time by Vladimir Ilyich Lenin, “There are decades where nothing happens; and there are weeks when decades happen.”

spheres of influence

Though not coined by the British statesman and by then former Prime Minister, the use of term Iron Curtain metaphorically to describe the demarcation of Western and Eastern Europe saw its popularity and parlance cemented in an address given by Winston Churchill on this day in 1946 at Westminster College in Fulton, Missouri. Originally used in the literal sense as fire break—Eisener Vorhang—installed in theatres to prevent flames from spreading from the stage to audience or vice-versa but used figuratively several times to denote the end of a geopolitical arrangement in time or space (now whose tract and trace is repurposed as something verdant—see also here, here and here), Churchill’s “Sinews of Peace” speech, delivered soon after the end of World War II was a lecture on tensions and strained relationships that led to the Cold War, that term itself promulgated five days later in a newspaper article by The Observer correspondent George Orwell.

pontypridd

Born this day in 1800 in Caerphilly, courtesy of Weird Universe, we learn about the singular figure of William Price (†1893), physician, Druid priest, vegetarian, marriage and organised religion contrarian and champagne enthusiast—would that we could stop with those epithets and skip nationalist and anti-vaxxer. Often seen donning an elaborate headdress of fox pelts, long hair and beard and emerald green onesie with incantations—or alternately stalk naked on his daily constitutional through the countryside, Price’s legacy includes the legalisation of cremation in Great Britain, previously against custom, when sadly his infant son, Iesu Grist—Welsh for Jesus Christ Price, died suddenly and Price burned his body on a pyre in accordance with Druidic traditions. Arrested for the unlawful disposal of a corpse, Price was however able to successfully plead his defence in court, leading to the passage of UK Cremation Act of 1902 and the establishment of crematoria throughout the country. Aged eighty-two, Price fathered a second son—also named Jesus (plus a daughter two years later called Penelopen) at which time he made detailed arrangements for the disposition of his estate and death, a funeral pyre a decade later attended by twenty-thousand mourners.

that’s how the cookie crumbles

Via Web Curios we learn about a clever browser extension (along with a suite of similar incognito tools) sponsored by UNESCO that is designed to reveal the subjectivity of one’s tailored and idiosyncratic experience online by inviting one to adopt a range of personae that influences the direction and tone of one’s directed advertising and anticipation in inscrutable ways (see also) that the user would have no way of knowing was markedly different than the underpinnings presented to someone else.  While we may not be able to exactly remove the blinders, we can at least perhaps be attuned to different pitches, perspectives.

for what it’s worth

Via Kottke we are directed to a highly compelling project from Dillon Marsh that visualises mines in South Africa with a scale model representing the specie, minerals or gemstones extracted from it—like in this composite photograph of the Jubilee Mine in the Namakwa District and the sixty-five-hundred tonnes of copper ore dug from the Earth. Gains seem particularly marginal, inefficient and pathetic in comparison to all the hardships in cost of human toil and exploitation and environmental damage. More at the links above.