The UNESCO world body has designated today, the third Thursday in November, as International Day of Philosophy to underscore the importance of dialogue and dialectic.
Thursday, 15 November 2012
mona lisas and mad-hatters or meanwhile, back at the agora
catagories: ๐ฉ๐ช, ๐ฌ๐ท, ๐ญ, holidays and observances
duck, duck goose
Search engine dominance, with or without ancillary services or clutter, is generally a matter of reflex and preference and in microseconds reliably deliver search results.
catagories: ๐ฅธ, networking and blogging
Wednesday, 14 November 2012
pseudoscience or bulls and bears
Unlike Math Bear here, being a numbers’ man in the bourses does not demand poise, genius or meditation. Solutions probably are not gained via reason or sudden intuition. King Consumer’s sentiment that underpins larger economic models is not rocket science either, and the thresholds and triggers that influence commerce cannot be rung up and down the totem pole to in a show of correspondence, neatness, predictability.
Tuesday, 13 November 2012
infinitive and aorist
Oxford American Dictionary recently announced its word of the year for those English-speakers across the pond, honouring the decades old graphics format developed by CompuServe yet seemingly reinvented, rediscovered GIF as a very superlative verb. A curious coincidentally too, I thought, having really just discovered the format myself. The internet has created a ready forum for such looping animation, and I’m thinking not just as illustrative but also as wish-fulfillment of three-dimensional newspapers and holographic emissaries as seen on film. Meanwhile, the UK Oxford Direction and German linguistic authorities went a different route with their (Un)words, demonstrating like-mindedness: crowning as the words of the year omnishambles and shit-storm, respectively.
spasmenagaliaphobia
Industrial designer and accomplished illustrator John Vassos, whose family immigrated from Greece to Istanbul before the outbreak of World War I and eventually came to Madison Avenue as an esteemed public-relations man, had a keen sense for fully limning a caption and left a visual legacy of concepts told in pictures. One series of sketches covers the abstract topic of clinical phobia, which was not a new designer-ailment, certainly, invented for the bourgeois and nouveau riche of the Roaring Twenties, but I think Vassos portrayed such insecurities in a thoroughly modern way, not shrill and gory but ominous and oppressive, slow and quietly suspicious fears, which started out as very useful reflexes in terms of survival and self-preservation, but viewed from the wrong end of the telescope, becoming abysmal contagions—a sort of hexing thinking that no one wants to catch.
There are new niches for phobias to occupy, wearing old grooves that are not easily to extract one’s thoughts from, but I think, nothing novel in the way of irrational fear. We’ve had the same old companions for a long time, like the basic inventory of seasonal ailments that accept treatment, prevention but no cure. Neo-Luddites and paranoia with the computer screen are not really new things, but I think maybe some manias over material have come and gone—possibly with the germ of sensitivities to come.

Though glass was already a ubiquitous substance for urbanites of the late Victorian Era and was not being used in new ways, a peculiar phobia spread like a virus especial in gentlemanly circles, whose sufferers were convinced that they had suddenly become fragile, like spun glass, and were in near constant vigilance against being handled too roughly or stumbling.
I wonder if there might be yet undescribed crises of grace and dexterity when it comes to preferred methods of input and output.
It was a very strange episode and inarticulate for a cause—perhaps it was never owing to the glass or brittleness but the rise of alternatives to the medium, rubber, gum and synthetics and the fear was subsumed, for the most part, with bodily harm or explanation.
To be paralyzed with terror is always a handicap but it seems even worse and more abstract (and hard to communicate through drawing) when phobias come out of environment, preference and personal comforts. That is beginning to sound more like a dozing dream or a nightmare rather than a primal fear.