general directions (13. 156)

Via the weekend links of { feuilleton }, we enjoyed this profile of Margaret Calvert whose work in graphic design and typology brought together road signage in the UK under a standard for uniformity and visibility still in use today, in Britain and beyond. Her pictograms and eponymous typeface, the slab-serif Transport font, the result of a survey that reformed protocols more in line with European conventions with the expansion of expressways, shifting away from traditional fingerposts are used not only for motorways, the rail system, airports and for warning of potential hazards, the farm animal caution based on a cow called Patience Calvert recalled from her childhood and the wildlife iconography inspired by Eadweard Muybridge’s studies of animals in motion. More from the Guardian interview at the link above.

9x9 (13. 148)

times new resistance: a typeface disguised to appear as the US government endorsed font but furnishes subversive autocorrect suggestions  

there are four lights: Star Trek: TNG episode “Chain of Command” is an allegory for domestic abuse  

prosperity gospel: at the US National Prayer Breakfast (see previously) Trump announces upcoming ceremony to rededicate America to Jesus  

dominotier: the guild of wallpaper makers and the many applications of their craft  

plasticine dream: render yourself in claymation in real time  

🦞: more on the theology created by AI agents—see previously—via Web Curios 

almanac: US Central Intelligence Agency in an act of cultural vandalism is not only sunsetting its World Factbook but also deleting its archives  

ill may day: Sir Ian McKellen masterfully recites from the apocryphal Shakespeare play about a sixteenth century anti-immigrant riot  

blackletter fraktur: on how the Gothic typeface, based on French handwriting, became synonymous with Nazism despite Hitler’s ban on its use—see previously—via Kottke

snake-charmer (13. 145)

Having covered the mistaken medical caduceus (from the Ancient Greek κηρύκειον for “herald’s wand”) and the iconography of the intertwined serpents representing the fleet-footed messenger of the gods Hermes / Mercury and also the brilliant corporate logos of graphic designer Paul Rand previously, we enjoyed this brief missive from the Daily Heller revisiting the two topics. This deviation and arguable misuse as a symbol for healing, rather than the Rod of Asclepius, the deity associated with the medical arts and whose staff only has a single snake with no wings, dates back to a well-documented adoption of the insignia by the US army surgeon general and the decision of a single officer over the objection of scholars and badge bearers in dated to 1902. The abstract corporate logo, one of Rand’s first, is from 1945 and reflects that misapplication (likely also a choice for symmetry though the caduceus is also associated with alchemy) for client Smith, Kline & French, pharmaceutical company specialising originally in geriatric drugs—now part of Glaxo Wellcome.

synchronoptica

one year ago: US tariffs and shipping restrictions for China (with synchronopticæ) plus chromatic wood type

twelve years ago: monuments men plus improving clinical Wikipedia 

thirteen years ago: self-hypnosis plus an abdication in the Netherlands

fourteen years ago: Star Wars abstract art 

sixteen years ago: geometric dreaming 

 

achivio grafica italiana (13. 123)

 

Via Kottke, we are referred to this remarkable reference source dedicated to the entire rich heritage of Italian typography and graphic design. This growing collection, each specimen and exhibit curated and given context—like the pictured book jacket for Edizioni Politiche covering the fight for equity in pay and labour conditions of African Americans, is the personal project of Nicola-Matteo Munari, partnered with Designculture and has been adding accessions since 2015. There’s a lot of works by Massimo Vignelli and from the Olivetti studio workshop to discover plus countless other artists to adopt and champion, like Italo Lupi with this commission for a chakra calendar, that may have been just under one’s radar. 

 

clear & quick (13. 109)

From Sixth Tone, we appreciated this update on the long-lost prototype unit for the MingKwai experimental typewriter since it was discovered in a basement in Arizona of famed novelist Lin Yutang (林語堂) about a year ago. The relatives knew Lin was able to retire young and relocated to the States from royalties earned from best-sellers but had not known that fortune also funded his passion for inventing and that the early models, which whilst patented never went into mass production. Most active as a writer at a time when the advances in telegraphy and print had accelerated global exchange of information in the first half of the twentieth century, Lin realised acutely that China, despite having introduced publishing to the world, was at risk of failing behind due to framework of Western technologies designed for the Latin alphabet and not the ninety-thousand characters of his native language. Though not inventing the typewriter, Lin did devise and patent a more intuitive and portable format that anyone could learn to use, spending as much time reflecting on language and word frequency as he devoted to the mechanics. The seventy-two key layout (multilingual with shifting carriages that also printed in Cyrillic, Japanese as well as English and Chinese and became pivotal in the study of machine aided translation during the Cold War) also featured a preview window, a Magic Eye that narrowed the possible choices from deconstructed stroke elements displayed on each key. Revolutionary as it was, the the MingKwai (the name means the title) proved unmarketable due to a collusion of factors—geopolitics, the complex engineering that went into the character indexing system of this mechanical marvel and the burgeoning computer industry—though the same limitations and alphabetical privilege again came into play. Much more at the links above.

synchronoptica

one year ago: a utility station wagon (with synchronopticæ), Thailand legalises same-sex marriage, internationalisation and localisation plus informing fonts with ancient inscriptions 

fourteen years ago: the Year of the Water Dragon plus artist Rashad Alakbarov

fifteen years ago: a visit to a local Wasserschlöss 

seventeen years ago: cognitive dissonance plus a nuclear reactor outside the window

cordiform (13. 079)

Via {feuilleton} we are directed to an analysis of the origin of the inverted pear-shaped symbol representing the heart (see previously) ahead of Valentine’s Day through a catalogue of heart-shaped books from the fifteenth century, like the small bound volume held by St Catherine of Alexandria seating with St Jerome (replete with their respective visual attributes) in this anonymous painting from Bruges or Brussels. Such an elaborate manuscript was probably a secular songbook featuring verses on courtly love, the now familiar iconography and association of the organ as the seat of romance cemented in popular culture by the early Renaissance in part by its appearance on playing cards. Though there’s no definitive answer for the origin of ❤️—some speculate it may be inspired by other anatomical features, like breasts or the buttocks that have more to do with carnal thoughts whilst others suppose it might drawn from the shape of ivy leaves long associated with fidelity or to the seeds of silphium—the now extinct herb being both an aphrodisiac and a form of contraception—with others arguing that the iconic heart is not that far-removed from the beating organ with the fovea, the dip at the top between the auricles being the chief feature transmitted through the circles of early medicine, regarding as the most vital because of its pulsating.

ketchup and mustard (13. 038)

Via Things Magazine, we are directed towards the false lore surrounding a rather infamous and garish colour scheme, referred to a “Hot Dog Stand” for its clashing red and yellow which was not bundled into the 1992 release of Microsoft Windows as a joke or on a dare as some commentators have suggested. It may seem like a petty thing to settle the record thirty-three years later but colour palettes and being able to customise the user experience were very limited back then and any sort of step towards personalisation—no matter how low the stakes—was something radically new, especially when one’s range was limited to just sixteen choices, which despite this relative paucity managed dozens of motifs, including the condiment one that may have been designed for enhanced visibility to those with colour-blindness. More from PC Gamer at the link above.

8x8 (12. 997)

you think hamilton wrote the federalist papers in trebuchet ms: Times New Roman turns rightwing 

the night that the loving ended and the killing began: Hitchcock knock-off Crescendo! reviewed in depth  

mercatino di natale: Brothers of Italy host a week-long winter wonderland named after the protagonist of The Never Ending Story—see also, see previously 

the glazed pagoda: East meets West through cultural depictions of Nanjing’s Great Bao’en Temple  

running on empty: peak copper’s coincidence with peak oil and what that means for the renewable transition with or without the matinee darlings of Rare Earths—via Web Curios 

castello di sammezzano: the Moorish and Oriental follies of Cesare Mattei and Ferdinando Panciatichi  

asahi illusion: from the Japanese for morning sun, the centre of this optical deception is no brighter than the background 

журнальная рубленаяa: Journal grotesque and typographical options in the Soviet Union—via Kottke 

6x6 (12. 994)

helm of awe: taboos, tattoos and load-bearing iconography  

esta: the White House will vet the social media history of tourists from visa-free countries  

🕯️: holiday borders and decorative elements from an old Ricatype catalogue  

forty winks: sleep habits in the animal kingdom—see previously  

association football: Trump suggests changing the America name for the sport from soccer (with adjustments to current franchises) ahead of co-hosting the World Cup with Canada and Mexico  

water of the sky: two thousand Japanese words for rain—see previously

synchronoptica

one year ago: assorted links worth revisiting (with synchronopticæ) plus parental guidance suggested

thirteen years ago: people in space right now  

fourteen years ago: the 2012 US presidential race a year out 

coup de font (12. 991)

In a cable from earlier in the week, US secretary of state reversed a decision taken during the Biden administration to use the modern, more legible typeface Calibri (also the default setting of the Microsoft Office suite of programmes), directing consular staff to resume using Times New Roman, criticising the move of his predecessor as wastefully woke, specifically taking aim at accessibility, saying that this would restore professionalism and decorum (we think that’s a lot to ask of some pixels–see also) to the foreign service, shaped through the typography of serif fonts. The formatting standard moreover aligns with the president’s One Voice for America’s Foreign Relations directive for communiqués, a magisterial order that does not admit for back-channel dialogue and outreach, notwithstanding appreciable readability for those with vision limitations and those whom might not cleave exclusively to Latin lettering.

synchronoptica 

one year ago: the Pope declares a jubilee year (with synchronopticæ) plus Luigi Mangione apprehended

twelve years ago: meme trading cards 

thirteen years ago: apocryphal holiday traditions plus the Fahrenheit and Celsius scales

fifteen years ago: decking the halls 

baud rate (12. 883)

Reading about the last remaining telegraph stations in China closing a few months ago, we were excited for another look at the topic from the angle of the challenges overcome to adapt sinographs to telegraphy and more broadly to mechanical reproduction—ironically having invented the printed word but challenged with technology made for alphabetic encoding and decoding.

To overcome or work within the conventions of Morse code, the four-corner system (四角號碼檢字法) was put in place for characters based on cardinal shapes as an ununqiue identifier but winnowing it down (0000—9999) to a contextual range of possibilities that operators could interpret and pass along. This shape-based method (with help of gun-boat diplomacy and special entrepôts) declined with the reliance on telegrams but has seen a revival in numerical texting shorthand to limit the range of possibilities with natural word order. Much more from Language Log at the link above.

9x9 (12. 836)

pareidolia: a massive rock formation outside of Sedona Arizona looks like Snoopy atop his dog house  

birch benders: tell-tale rounded type that AI seems to prefer  

chaotic evil: wildly popular Sultan’s Game has a labyrinthine narrative that evokes Borges’ The Garden of Forking Paths   

can you do facial: US customs and border protection forced scans and use of automated recognition to verify citizenship judged illegal 

faith ecosystem: ousted Intel CEO on a mission to create a Christian AI  

locofaulism: hyper-specific, hyper-local insults, mostly Dutch

ultracrepidarian: Chinese legislation prevents influencers from addressing important topics unless they are licensed professionals—see previously  

groked and pilfered: Wikipedia alternative (see previously) has a penchant for plagiarism and heavy citation  

storch und stag: concept power lines shaped as giant animals for Austria

synchronoptica

one year ago: the Park of Monsters (with synchronopticæ), assorted links worth the revisit, Ford turns his back on NYC, Trump and the stock market, the Rumble in the Jungle plus a poem for the battle-worn

twelve years ago: bridging the Bosphorus plus spying on the conclave  

fourteen years ago: goats and horses 

fifteen years ago: air travel security theatre 

latent belief (12. 797)

A very low-stakes example (see here for a somewhat more consequent one) of human hubris and machine over-confidence seems to be uncovered in queries about the existence of a seahorse emoji—much depending on how one broaches the question. Whereas a straight yes-no answer elicits false assurances, a more casual manner of asking incites a sort of freak-out including citations of the Mandela effect to disabuse the questioner, the variety of other marine life in emoji form, how to convey the sense of seahorse by a combination of symbols, and how petitions and appeals for its inclusion failed in 2018 (in the same release as the dodo, which did make the cut)—with means of redress for submitting one’s own ideas to the steering committee. It seems a simple question yields the hallucinatory false memories and goes the way of other proposed but declined representatives, like the yurt, triceratops, wind turbine, wheelie bin, tattoo, lighthouse, face with laser eyes but yet four types of waffle and five variations on the polar bear.

penmanship (12. 794)

We throughly enjoyed this introduction to the Zaner-Bloser method for teaching handwriting through a collection of satisfying alphabet and type specimens that were instructors’ aides used at the Zanerian College of Penmanship of Columbus Ohio from around 1904 to 1910. Originally developed with the intent of making the transition from block-print to cursive script, advanced slides also dealt with different typefaces and incorporated elements of graphic design. Likely one of the only professional efficiency hacks worth attending to is speed and accuracy in typing—just so with with one’s manuscript in whatever medium.  Though the institution of higher education is no more and in the US the D’Nealian method (of Donald Neal Thurber with its monkey-tail flourishes) developed in the mid-1960s is more familiar to generations of pupils, the educational duo’s later incarnation as a publishing house still produces such classroom materials and Highlights—a once favourite in practise waiting rooms. Conceived at first to educate illiterate enlisted soldiers, the magazine is no longer in print, but its legacy carries on in a children’s podcast featuring Goofus and Gallant. More samples from Flashbak at the link above.

10x10 (12. 746)

the dominator model continues to run the world: Lydia Lunch’s timeless feminist manifesto 

jut: a new way to measure the magnitude and magnificence of mountains—via Metafilter  

and i’m floating in the most peculiar way: a cover of Major Tom by Magdalena Bay—via Nag on the Lake’s Sunday Links  

bequest: an assortment of old customs and curious donations and charities 

red noise: the French musical underground’s decade of synths and situationists—via { feuilleton }  

𒀾: writing lessons in Cuneiform  

being of sound minds and body: collection of captivating wills and last testaments—via Strange Company  

you’ve really made the grade: a scroll through the archives of David Bowie  

pathfinder: a look into the inner-workings of Google Maps  

me and bobbie mckee: the forgotten inspiration for the gender-swapping ballad of Kris Kristofferson and Janis Joplin—see previously

synchronoptica

one year ago: Weird Al parodies Bob Dylan with palindromes (with synchronopticæ) plus more gerrymandering

twelve years ago: a possible clue to hidden Nazi loot hidden on sheet music 

fourteen years ago: the Pope comes home to Germany 

fifteen years ago: GMO salmon 

cdc (12. 690)

As the US Department of of Defence is apparently moving ahead with renaming it the Department of War—which seems unalloyed with Trump’s aspirations for the Nobel peace prize, the Daily Heller revisits the branding (influenced by ISOTYPE) and logos created by Charles T Coiner for the Civilian Defence Corps of the FDR administration. While it is unclear whether America is in need of a comprehensive corporate identity and national design strategy, it is manifest that the work of graphic designers and communicators help to sanctify the vaunted ideals underpinning democracy and the dignity of the worker in their role as defenders of the values of freedom and equity. More from Print magazine, as well as disambiguating the alphabet soup of agencies, at the link up top.

consumable and durable goods (12. 660)

We are directed to a rather engaging evolution of a logo via the Chicago-based trade journal, formerly published under the titles Business Equipment and National Stationer, Office Appliances: The Magazine of Office Equipment, in regular circulation from 1904 to 1993. 

 The long history documents changing styles in formatting and typography in pace with technology, from neoclassical to Art Deco to Bauhaus and beyond but the key, the work space conclave, is ever-present. 

These cover-to-cover periodicals come courtesy of the Internet Archives’ microfiche scanning operations, which one can watch live with the accompaniment of lofi soundtrack and a sidebar of the latest digitalisation, now particularly focused on livestreaming the release and preservation of US government records with off-hour montages of highlights from their public domain collections. More from Tenth Letter of the Alphabet at the link up top.

synchronoptica

one year ago: cellular pathology (with synchronopticæ) plus vice president Nelson Rockefeller 

thirteen years ago: the German energy revolution 

seventeen years ago: an old car tuckers out 

henohenomoheji (12. 600)

Convinced that this subject was one that we had visited before for its relation to emoticons, emoji and ASCII art and surprised to find that we had not, we enjoyed this short introduction to the generic human face made up of hiragana letter forms, seven characters (arranged to spell out the title へのへのもへじ). Originally the doodle was a classroom exercise for school children of the late Edo era, following the turn of the century reform that reduced the syllabary down to forty eight characters from hundreds as a sort of mnemonic device for reenforcing valid glyphs out of the many retired ones, the characters traditionally sung as they were written. The nose, jaw and left cheek would be pronounced moji (文字 in katana) as in the above “picture writing.”

synchronoptica

one year ago: assorted links worth the revisit (with synchronopticæ),  the Commodore A1000, dark oxygen, everything is context plus attempts to keep Trump off the ballot and Biden on it

8x8 (12. 594)

; ): the correct use of the semicolon—see also  

if you try to humanise the place, you will lose your mind: a journalist reflects on her unconscionable trip to Dubai  

dream logic: the surreal illustrations of Garrett Davis  

bubble house: space age, Mid-Century Modern brownstone off Central Park on the market for the first time in half a century—see also  

the sounds of summer: the soundtrack of nostalgic memories of the season by prolific composer Joe Hisaishi (久石 譲) reimagined as a short visual film  

jumbotron: Coldplay concert kiss-cam incident (and memes) underscore the practice’s awkward history  

kiss of death: US vice president flew to Montana for a secret meeting with News Corp head Rupert Murdoch, aged 94, to discuss reporting of Trump—maybe he dies soon like when Vance had an audience with the Pope—or fawning MAGA fan Truss with the Queen  

the only free cheese is in a mousetrap: the Ukrainian equivalent of the English idiom there is no such thing as a free lunch

⚐ (12. 589)

Reminiscent of the flag of South Vietnam, carrying nuanced meanings for the diaspora outside the communist nation and sadly coopted with little context by some pro-Trump elements, we learn via Web Curios that there’s a comparable battle over the flag of Iran. While the official tricolour adopted after the Iranian revolution of 1979 bearing the emblem in the centre with the name of God stylised as both a sword and a tulip, symbolising bravery and martyrdom. Other groups outside of Iran prefer the older banner of the deposed Shah, the personal flag of the Pahlavi dynasty with the ancient symbols of the Sun and Lion that goes back to Byzantine times, both in the pro-monarchy movement and those protesting the current regime as authoritarian as more inclusive. The older flag’s association with conservative monarchists movements and regime change moreover apparently informed Israel’s decision to name its war the with country Rising Lion. Yet other groups are partial to the three coloured bands with no shield as a way to acknowledge diversity of political allegiances and was historically championed by pro-constitutional, democratic counter-revolutionaries before outside intervention. The pictured further alternative is charged with the slogan Woman Life Freedom that emerged out of the 2022 protests that arose after Kurdish Mahsa Zhina Amini died in the custody of the Guidance Patrol, the religious morality police for not conforming to government standards of modesty in dress, with the message rendered in the same early Persian script, Kufic—cuneiform adapted to Arabic letters, that embroiders the official flag’s fimbriation as the takbīr (تَكْبِير ).