11x11 (13. 159)

que rico ser latino: staging Bad Bunny’s Super Bowl half-time celebration  

coed darcy village: a building project on the brownfield site of a former Welsh mine abandoned without explanation—via Things Magazine 

printing films: vintage educational and instructional shorts on typesetting and the publishing industry—via Kottke  

as slow as possible: anticipating the next chord change after almost two years for the organ in a church in Haberstadt playing six-hundred year John Cage (see previously) composition  

wseg-10: with nuclear treaties lapsed and the US retrofitting obsolete silos, an interactive map showing areas of the US most likely to be affected by an atomic exchange 

material worlds: revisiting architecture Bruce Goff and his homespun futurism through a new retrospective exhibit—via Nag on the Lake  

lawful neutral: Jeremy Bentham’s 1817 categorical table of human impulse as an early form of alignment chart 

pitchforks: San Francisco’s pro-billionaire march turns out as a bust  

tangible media: a collection of data one can hold 

hagyomány, identitás, történelemthe: mysterious Rohonc Codex that has resisted decipherment—see also  

viva italiano: Winter Games opening ceremony was a celebration of the host country’s cultural icons—including Bialetti’s Moka Express

9x9 (13. 148)

times new resistance: a typeface disguised to appear as the US government endorsed font but furnishes subversive autocorrect suggestions  

there are four lights: Star Trek: TNG episode “Chain of Command” is an allegory for domestic abuse  

prosperity gospel: at the US National Prayer Breakfast (see previously) Trump announces upcoming ceremony to rededicate America to Jesus  

dominotier: the guild of wallpaper makers and the many applications of their craft  

plasticine dream: render yourself in claymation in real time  

🦞: more on the theology created by AI agents—see previously—via Web Curios 

almanac: US Central Intelligence Agency in an act of cultural vandalism is not only sunsetting its World Factbook but also deleting its archives  

ill may day: Sir Ian McKellen masterfully recites from the apocryphal Shakespeare play about a sixteenth century anti-immigrant riot  

blackletter fraktur: on how the Gothic typeface, based on French handwriting, became synonymous with Nazism despite Hitler’s ban on its use—see previously—via Kottke

dérive (13. 135)

Via {feuilleton} we are directed towards this essay by Hari Kunzru whose recent rather disenchanting drift through London gave him pause to reflect on the Situationists and their manifesto of psychogeography and how, under a permanent curfew, not just by law enforcement but also by consumerism and spectacle, were a boxed in by the geometry of our built environments—a situation that the peripatetics of sixty years ago could have imagined and warned us about that makes the spirit of wandering and discovery near impossible in our unconscionable architecture of choice. Albeit while such a lament may be overdue for us idle flâneurs and has been sometime in the making with algorithmic and optimised nudges not allowing us to stray from the well-trodden path, it’s still worthwhile to consider what sort of blinders our routines and deviations are heir to.

model village (13. 126)

Via the Blört Everlasting and Present /&/ Correct, we are directed towards the imaginary town of an “unconscious architect” in the papercraft district made by Peter Fritz, an Austrian insurance clerk reconstructing buildings from his home town from memory, running the range of every typology encountered from the residential to utilitarian as a pastiche of vernacular styles during the 1950s and 1960s. This all but anonymous collection of nearly four hundred structures was found a charity shop and exhibited at the 2013 Venice Biennale by Vienna-based artist Croy Nielsen, fine examples of the venue’s theme of an encyclopaedic palace. Much more at the links above.

synchronoptica

one year ago: deferred resignation programme (with synchronopticæ) plus who goes MAGA?

twelve years ago: crypto and money laundering, the Transatlantic Trade and Investment Partnership plus Dr Strangelove 

fourteen years ago: movie posters from a parallel universe plus botanical nomenclature

fifteen years ago: optical effects 

sixteen years ago: smoke-free workplaces 

achivio grafica italiana (13. 123)

 

Via Kottke, we are referred to this remarkable reference source dedicated to the entire rich heritage of Italian typography and graphic design. This growing collection, each specimen and exhibit curated and given context—like the pictured book jacket for Edizioni Politiche covering the fight for equity in pay and labour conditions of African Americans, is the personal project of Nicola-Matteo Munari, partnered with Designculture and has been adding accessions since 2015. There’s a lot of works by Massimo Vignelli and from the Olivetti studio workshop to discover plus countless other artists to adopt and champion, like Italo Lupi with this commission for a chakra calendar, that may have been just under one’s radar. 

 

7x7 (13. 105)

helix nebula: JWST captures amazing images of the planetary incubator 

academy cinema two: the linocut posters for movie classics from Peter Strausfeld  

degrassi high: an appeal for Canada television to bring back its weirdness—via MetaFilter  

deus ex machina: a survey of the long history of technology assisted writing  

the attention economy: cybernetic interface and the tolerance of distraction as told through “pursuit tests” on the last century  

public domain revue: an call for submissions to remix properties like Betty Boop, Nancy Drew, Flip the Frog and more—see previously, see also  

galileo let me go: the most challenging mission in the history of NASA

heesch’s problem (13. 083)

Ranging from zero (in the case of the circle) and infinity for squares—with seemingly few values in between—in the study of tessellations (see previously here, here and here) a Heesch number pertaining to a geometric shape is the maximum number of layers of identical copies of the same figure will bear with no gaps or overlaps. Named for the geometer and mathematician Heinrich Heesch, who also made significant contributions to the field of tiling patterns and then unproven for colour theorem (the first mathematical proof by a computer) for mapping boundaries, he noticed that a one sort of planar shape, a square fused with a triangle would only accommodate one extra layer, as illustrated with these spandrels (from an architectural space between the top of arch and the ceiling) term referring to the teardrop arranged by contemporary Walther Lietzmann, and posed it as a general puzzle. Beyond the core, one can only form a signal corona of identical shapes—and whilst blocky polyominoes and tetrominoes seem to hold limitless promise at first glance, there still seems to be a limiting factor with no more than six deep.

8x8 (13. 069)

leturfræði: an exploration of the graphic design heritage of Iceland through its greatest, recently departed historian  

shoyu-tai: a fibre-based soy sauce single-serve container as an alternative to disposable plastic droppers  

unfcc: Trump administration announces withdrawal from dozens of United Nations chartered organisations, saying their mission does not align with the US agenda  

i’m t?w?e?n?t?y?-f?i?v?e?: artist records one word per day for a reflection on the passage of time 

amour-propre: Chinese buzzword of the year 爱你牢记 (ai ni laoji, love yourself, my dear)—see previously 

hemlock: Texas university has forbidden a professor from teaching a course on Plato  

anodyne: a Singapore based technology company invents biodegradable, paper batteries that rely on no rare earths  

gobelins: the famed French school of animation has a YouTube channel that features student films

ten-forward (13. 058)

Via Kottke, wee enjoyed exploring these 360° panoramas of the interiors of several ships of vessels from the Star Trek franchise—the bridges, engine rooms, quarters, sick bays and corridors from ships from different series—see previously, see also. Sets include USS Voyager, and the original USS Enterprise plus -D and -E.

9x9 (13. 043)

the unforgivable sin of ms rachel: Tedium’s Online Video Awards and the problems with platforms 

grunt work: AI has the potential to destroy career ladders—via Damn Interesting  

grove press: the Mid-Century Modern covers and jackets of Roy Kuhlman  

turbo moka: a thermodynamic redesign of the classic Italian coffee pot—see previously  

gânditorul de la hamangia: reflections on a palaeolithic pair of artefacts  

ieee spectrum: top climate tech stories of 2025—including atmospheric ammonia harvesting 

i dislike dune with some intensity: JRR Tolkien was not a fan of Frank Herbert’s work  

the imperfect homework machine: students’ experience with AI mirrors a Shel Silverstein poem 

 the year in search: more of Miss Cellania’s annual superlatives

living flower (13. 036)

Masterful at marketing and self-promotion across all media, Salvador Dalí never encountered an art form that caused him to shy away from disrupting with his signature surrealism. Though his career in jewellery design spanned for several decades, one could be forgiven for thinking it was a one-off project (see also) as his most radical creations were exhibited as a contemporary collection, with a forward for his 1959 catalogue calling them a protest against emphasis on precious materials. Craftsmanship was not reserved for costume jewellery, however, with diamonds, rubies, platinum and gold and some broaches and pendants were motile, as can be seen on the Pathé newsreels clicking through to the source above. Modelling an ensemble of Dali´’s pieces is Madelle Hegeler including a leaf-veined hand, the Eye of Time Watch and a pair of garnet and pearl lips inspired by Mae West’s come-hither smile. More from Open Culture at the link up top.

agitprop (13. 019)

Hacker emeritus, Jamie Zawinski, presents quite a memory dump sharing the original, mostly forgotten logo designs for the open source web-browser Mozilla that was created on commission by graphic designer Shepard Fairey to create a corporate brand back in 1998—a spin off of Netscape that would eventually become Firefox, featuring the dinosaur mascot and backgrounds and colour schemes inspired by the Soviet propaganda of Vladimir Mayakovskii and visual contemporaries. One banner encouraging one to download the code even contains in translation the reference to the Proverbs chapter six: ПОРАБОТАЕШЬ БУДЕТ МУКА; ПОСИДИШЬ СЛОЖА РУКИ БУЛЕТ НЕ МУКА́ А МУ́КА—Sit with crossed arms and there will not be flour, the verse admonishing to not give into slumber. Much more from JWZ at the link above.

synchronoptica

one year ago: the Southern Solstice (with synchronopticæ), president Musk plus assorted links to revisit

twelve years ago: Bjork’s private island, the blog is dead—long live the blog, Star Wars embraces fan-art plus saintly hand gestures

fifteen years ago: more unseasonable weather

department of the interior (12. 987)

Having encountered some of these brilliant and iconic Depression Era posters sponsored by FDR’s Works Projects Administration, we appreciated learning about the landscape architect and graphic designer behind the strategic and unified tourism campaign to promote US national and state parks, Dorothy Waugh, through an exhibit of seventeen of her placards—particularly at such a fraught time for these preserves, understaffed, subject to revisionist histories, corporate encroachment and surge-pricing. Due to the scope and scale of her work for the Civilian Conservation Corps’ infrastructure projects for the parks system, Waugh went from being the sole artist to hiring and supervising a team of draughtsmen and also produced easy to follow diagrams and designs, most workers unable to interpret blueprints and formal specifications, for the construction picnic areas and campsite conveniences as well as other basic structures. Much more from Print magazine at the link above.

sounds about white (12. 984)

In contrast to last year’s officer holder, Pantone’s Colour of the Year (see previously—it’s truly not an annual tradition to keep a close eye on, though in this case, it’s not just the lower the stakes, the stronger the conviction) of Cloud Dancer seems a rather bland, neutral choice at first blush and a reversal of its previous pick of “Mocha Mousse” (someone said 2025: poop 2026: toilet paper) but then an interesting one given the political climate in the US specifically and has instead courted controversy, given the election of Trump to a second term, accidental Nazi salutes, immediate assaults on programmes working towards diversity, equity, inclusion and accessibility both in the federal government and then followed by private industry, revisionist histories including erasure of Black contributions and America’s past of slavery, enabling racial-profiling and unleashing armies of immigration officers on cities to terrorise people whom appear to have non-caucasian heritage, freezing immigration while offering refugee status to Afrikaners and the courts again set to hear the administration’s argument in favour of overturning birthright citizenship, just focusing on the solely racist actions. It seems the trend institute was not just throwing in the proverbial towel—though we contend that they well could have just been calling it in with the selection and exalted copy sounding suspiciously machine-generated.

synchronoptica

one year ago: America’s first electric vehicle (with synchronopticæ), celebrating a century of Dick van Dyke, St Ambrose, the fallout of AI replacing hyperlinks plus Scrooge’s tombstone

fourteen years ago: US state department announces it will no longer tolerate homophobia plus an end-of-the-year-figure-with-wings

fifteen years ago: disingenuous transparency 

sixteen years ago: COP 15 plus cable conglomerate to acquire NBC

9x9 (12. 953)

architectural digest: a guided two-hour walking tour of New York City’s most iconic buildings  

1999 a.d.: a paleo-future vision from 1967 that asks if the cusp year will be too computerised, too cold  

shinbun: a hypnotic, phrenetic collage of Japanese newspaper clippings from 1991 to the present—see also  

meet the aphantasics: more on those who don’t form mental images 

i wool survive: a flock of ostracised gay rams from Germany have a haute-couture debut on a Manhattan catwalk  

electric pentacle: the occult detective Thomas Carnacki created by William Hope Hodgson who despite his supernatural inclinations has a skeptical side and is unafraid to use nascent technology as his red-herring or MacGuffin 

doge: the US Department of Government Efficiency quietly closed down 

field-expedient gadgets: preparing meals in maximum security plus other prison inventions  

diorama: Theria Sofia reworks Polly Pocket sets—originally fashioned from a makeup compact as a toy

10x10 (12. 889)

trip hop: frustrated with his limited role in Massive Attack, Tricky embarked on his independent project Maxinquaye  

chud atlantis: more regional car-dealership rococo from McMansion Hell  

linguistic zombie hunting: a revival of the old prescriptivist superstition against ending a sentence with a preposition and the grammarians that support it 

state capture: the revolving door between government and industry creating the post-democratic world order—via Quantum of Sollazzo 

♾️ series: visual proofs that 1/4 + 1/16 + 1/64 + 1/256… yields ⅓  

circlesquare: filmmaker Jaron Albertin’s rather disturbing music video for “Seven Minutes” 

artful dodger: Victorian mugshots of juvenile offenders—via Nag on the Lake  

stay puft: some facts all about marshmallows sealab: project Tektite and experimenting with submerged human habitats  

giscardpunk: Fifth Republic techno-futurism reimagined—see previously 

synchronoptica

one year ago: farming by lottery (with synchronopticæ) plus assorted links to revisit

twelve years ago: coded correspondence

thirteen years ago: Thanksgiving salutations  

fourteen years ago: Bretton Woods and monetary unions 

fifteen years ago: privacy and Google Maps plus trade unions and Ricardian economics

ежедневник (12. 877)

Though many fall after the period of the Soviet calendar, which was in use along side traditional ones from 1918 to 1940 (see previously), the aesthetic and layout of the alternating five- and six-day weeks and schedule of continuous production and colour-coded match this collection of pin-up ephemera featuring industrial prowess match closely with that original reform initiative—the design meant to endure not as perpetual or eternal as some outside sources reported the system to be but rather naturally cyclical and upon consultation regular and predictable and still planned around non-work days and “whose sore task does not divide the Sunday from the week.” The set is also an interesting observation on the artefacts of progress and commemoration and what society embraced as contemporary achievement. Much more from Print magazine at the link above.

synchronoptica

one year ago: assorted links worth the revisit (with synchronopticæ) plus Matt Gaetz nominated for US attorney general 

twelve years ago: US corn policy, the Victorian internet plus timing vs on-demand

thirteen years ago: the phobia illustrations of John Vassos plus the Oxford Word of the Year

fourteen years ago: outlawing parody 

seventeen years ago: phantom rings 

patent pendency (12. 851)

A long established fact about the US Patent Office is its signature agnosticism regarding submissions and filings, only the competent authority of whether a proposal can be trademarked and copyrighted “to promote the Progress of Science and useful Arts, by securing for limited times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries” and not a judge of an idea’s quality or utility, though happy to collect registration fees, with any surplus above overhead operating costs being diverted to the general Treasury. Accordingly we appreciated this context-free gallery—via Things Magazine—of the figures and schematics (for applications recently submitted—see previously). There’s something that defaults to a little sinister when trying to surmise what’s being conveyed in this illustrations. Of course the details behind the pictures and prototypes can be easily and fully researched on the registry. Examiners, whilst specialists in their respective fields, are not necessarily lawyers, whereas trademark attorneys field work involving intellectual property.   

hey mabel black label (12. 847)

Founded in 1898 in Philadelphia Pennsylvania, the Fenton Label Company Incorporated specialised in commercial stickers, makers’ marks and gummed labels (see previously) and produced these wonderful sample sheets, like the pictured image from a 1940 catalogue, to advertise their range to potential clients. A wonderful graphic design and typological specimen, we can’t tell if all these North American businesses were actual brick-and-mortar shop fronts or were mock examples meant to demonstrate their printing possibilities but it proved to be a fun exercise to try to trace them down. The Hotel Barlum of Detriot did exist but it’s more of a challenge to track down the more generic brands, shops, services and agents and there are some choice vintage products to be found, such as non-poisonous salmon eggs, fruit tingle and something called original Canadian lotion. More from Present /&/ Correct at the link above.

13x13 (12. 845)

norwalk platform: architect Jackie Ferrara ends her life, aged 95  

antedating: lexicographers talks lexicography through canonical form  

spoiler alert—some counties pronounce it as rhyming with stone: further exploration on British toponymy

index of multiple deprivation: UK office of government statistics releases its deciles of the most under-served  

willy and the poor boys: Creedance Clearwater Revival (previously) released their third studio album on this day in 1969 

loss-leader: an image editing tool on par with Adobe makes itself freely available to appeal to non-professionals  

holy war: Trump readies troops for action in Nigeria to protect Christian popular despite a paucity of evidence for persecution 

perfectly al dente: a research roundup of scientific investigations nearly overlooked 

body horror: biopolitics, the body politic and David Cronenberg  

police brutality: Sting and company release their debut album Outlandos on this day in 1978 

county stripes: visualising US demographics and distribution—see also 

anthimeria: the verbification of mystery writers—see previously 

first woman of fluxus: Alison Knowles passes away, aged 92—see more, see also