9x9 (11. 997)

dr tj eckleburg: how The Great Gatsby influenced Robert Moses and transformed New York City  

tether: although the material technology is not quite there for a terrestrial one, a lunar space elevator might be feasible  

ssccatagapp: Russia moves to ban all content deemed to promote a childless-lifestyle—via tmn  

cleromancy: spiritual taverns that combine tarot and I Ching with cocktails are seeing growing popularity in China 

jeu de puce: fleas, chips and other observations on the 9ᵉ édition du Dictionnaire de l’Académie française just published 

talking head: Pentagon and US allies in shock over Trump’s intent to nominate a Fox News commentator as secretary of defence 

sobriquet: the twenty-eight European cities claiming to be Venice of the North—see also—via Messy Nessy Chic 

collectives: a series of aerial photographs of junkyards and graveyards neatly organised by Cássio Campos Vasconcellos—via Things Magazine  

a remembrance of things past: Proust and The Breakfast Club

synchronoptica

one year ago: a medieval large language model (with synchronoptica),  a new family of goblin spiders, a novel way to hack light pollution plus block printing personal narratives

seven years ago: tariffs on Chinese aluminium, revolutionary terrariums plus using AI to minimise road-kill, disruption to migration

eight years ago: RIP Leonard Cohen

nine years ago: assorted links worth revisiting plus emoji syntax across different platforms

ten years ago: more on the spread of Indo-European languages

tatik-papik (11. 984)

Following the forced displacement of the indigenous Armenian population in Azerbaijan’s Artsakh (Nagorno-Karabakh) region last year—including the destruction of religious and cultural heritage sites in a continuation of the genocide against the ethnic group, the monument “We Are Mountains” (Տատիկ-Պապիկ or locally as Debo-Babo, Դեդո-Բաբո), a memorial executed in the traditional, signature volcanic tuff stone of the diaspora in 1967 by artist Sargis Baghdasaryan to commemorate an earlier wave of expulsions, still stands but has disappeared from Wikimedia Commons, citing that the territory does not afford acceptable freedom of panorama (see previously) and hosting such images could land Wikipedia in legal trouble. Relying on the internet to remember their homeland lost, for those resettled, having their symbols vanish online is almost as painful as their outright destruction—or re-appropriation as something sanitised and acceptable to the de jure government of this region that has been struggling for recognition and autonomy. More from Hyperallergic at the link above.

 synchronoptica

one year ago: an AI brooch (with synchronoptica), a rare echidna rediscovered plus a survey of international traffic signs

seven years ago: assorted links worth revisiting plus a double-standard for acceptable language

eight years ago: Nightline and the Iranian Hostage Crisis plus parlour game apparel

nine years ago: the collages of Augustine Kofie 

twelve years ago: the separation of church and state plus serve at room temperature

prêt-à-porter (11. 979)

Via Messy Nessy Chic, we are directed a curated trove of US military uniforms (over fourteen thousand) given the studio and cat-walk treatment—recently declassified but providing no clue about the purpose of the catalogued collection which spans from the 1970s to the 1990s. Artist and photo researcher Matthieu Nicol came across this find whilst browsing for vintage pictures of food (see also) and decided to salvage the pastel-coloured intersection between lethal functionality and the world of fashion and design from archival obscurity. Though not professional models for these prototype suits and ceremonial dress, the certainly look like any glossy fashion show montage produced today. Many more images at the links above.

9x9 (11. 936)

die krümelmonster: in 2013 the German version of Cookie Monster pilfered and ransomed the golden Leibniz Kek for charity  

bad map projection #102: a blended USA / Australia gazette that almost works 

0,1 arcsec: hunting for dark matter and dark energy the Euclid space telescope (previously) unveils a dazzlingly 3D map of one percent of the Cosmos—via Nag on the Lake’s Sunday Links  

bob & carol & martin & barbara: various adaptations of a comedy about partner-swapping during the sexual revolution  

red lion passage: alleyways of London then and now  

bokeh and backscatter: spirit photography and the history of the medium— the New Shelton wet/dry  

clockwork universe: The Birth of the Robot by Len Lye—see previously  

geoconfirmed: a volunteer group tagging the space-time coordinates for footage of conflict zones to combat disinformation  

cheese heist: using an elaborate scam, £300 000 pilfered from artisan cheddar makers—see previously—via jwz

express exterior (11. 916)

Wanting to explore liminal spaces but realising many of the routine, obligatory and mundane things we endure can yet be harried and harrowing at times, showering, dressing and breakfast or one’s commute, documentary photographer Sharam Saadat found for recent study, entitled The Whale, a really surreal, captivating and non-negotiable interlude in a carwash in southern England, capturing his subject as they went through the three minute cycle when one can only pass the time—a moment of relief from having to do anything other than pass the time and possibly anticipation. What other time-capsule interims can you think of? More from the Vice interview at the link above and the artist’s website.

8x8 (11. 908)

jianmen underground neutrino observatory: a tour of JUNO, the massive Chinese lab built to study the elusive particle—Damn Interesting’s Curated Links 

xoxo: Cabel Sasser’s talk on rediscovering a forgotten artist—more here from the presenter, see also

post on own site, syndicate elsewhere: more on the POSSE technique for retaining control of one’s work—see previously  

first draft: the Balloon Boy Hoax of 2009 illustrates the problems of for-profit journalism—see also 

saturday night soirées: the house parties of Charles Babbage (previously) boasted an impressive guest list, including Faraday, the Darwins, Dickens and more  

central casting: recalculating the Kevin Bacon Game with eigenvectors to reveal the most well connected film is Pulp Fiction—via Quantum of Sollazzo 

monsters and madonnas: the eerie, erotic photography of William Mortensen—labelled the “Antichrist of Hollywood” in the 1930s for his horror film inspired compositions  

strong thermal emission velocity enhancement: the rare atmospheric phenomenon called Steve (which science made a backronym) that sometimes accompanies geostorms

8x8 (11. 884)

glamos: Switzerland and Italy agree to redraw their borders due to melting glaciers 

a purrfect storm: the childless cat lady trope goes back to the origins of female suffrage and political participation—see previously  

main character syndrome: a need for recognition and validation fuelled by technological change drives self-mythologising whether or not there’s an audience—see also  

daily affirmation: fifty years of Saturday Night Live title cards and graphic design  

viscawide-16: a Wiki dedicated to vintage and antique cameras—via Pasa Bon!  

ultraviolence: Trump proposes sanctioning a day of lawlessness, akin to the plot of The Purge or Kristallnacht to end criminal behaviour  

we are the trampions: the annual European street car driver competition—see previously  

industrial age: UK shutters last coal-fired power-plant, ending a one hundred forty two year era

safelight (11. 875)

As part of an interesting ensemble of back to back posts from Kottke bookended with the explanation why older photographs or indoor sporting events have a nice hazy blue filter that one does not see on contemporary images (the ambiance is caused by cigarette smoke) and a nice primer on point-and-shoot technology that ushered in the age of the amateur shutterbug (amateur comes from the Latin to love originally and not a non-professional), we learn that at the turn of the last century, that the hotel amenity most in demand was a darkroom for guests (so called “Kodak fiends”) for developing their holiday snapshots. Starting as far back as the 1850s, innkeepers would accommodate itinerate photographers by allowing them space to rig up their own studios and labs, covering up windows, to supplement portable but possibly less reliable set-ups. By 1902, there was even an effort among hoteliers to come to a consensus on an international symbol that a darkroom was on the premises, like for fitness facilities, a pool and later television and wifi. By the mid-twentieth century, most hotels no longer offered such services and traveling photojournalists were issued kits that touted around in a suitcase that expanded into a sheltered workspace for developing film. Much more from Daniel J Schneider at the link above.

 synchronoptica

one year ago: assorted links worth revisiting (with synchronoptica)

eight years ago: kinetic art, an Art Nouveau hotel in Brussels plus neighbourly civil engineering hacks

nine years ago: a visit to Bonn and environs, thanksgiving for a good harvest plus Queen Zenobia

eleven years ago: US government shutdown

twelve years ago: the Bavarian separatist movement 

toichography (11. 873)

As much as an aficionado as I am of street art and knowing the disciplines of study and what things are called, I was surprised never to have encountered the above field from the Greek τοίχος for wall plus writing, and really enjoyed this recent episode from the always engrossing and enlightening podcast Ologies on the subject of all things pertaining to graffiti, public art and murals—both commissioned and non-commissioned—in this guided tour of the installations of the city of Philadelphia, considered the birthplace of the genre. It’s a funny, informative and thoroughgoing look at the nature of expression, the politics and policing thereof, and the place of sanction in common spaces and emphasises the importance of celebrating what’s in situ (see previously here and here) and local artists tied to their locale.  Take a field trip in your city to appreciate the murals and graffiti.

10x10 (11. 852)

analogical harmony: Edwin Babbit’s Principles of Light and Colour (1878)  

riding the rails: a guide to a cross-country trip on America’s Amtrak

world level zero: how well travelled are you—see previously  

porifera: an appreciation of the barely understood sea sponge  

me and my aero: one inventor invented both the flying ring frisbee and an innovative coffee press—via Kottke  

type tuesday: Microsoft’s new default font (see previously here and here) and more typographical briefs  

the cry of cthuthu: Poseidon’s Underworld reads the July 1979 anniversary issue of Starlog—see previously

small world: kinetic microphotography captures biological processes and microbes in never-before-seen ways  

road trip: charting the longest possible drivable distance through Eurasia  

come up off your colour chart: Taylor Swift lyrical swatches

synchronoptica

one year ago: faithless electors (with synchronoptica) 

seven years ago: the stage play that coined race plus a legitimising veneer for populist prejudice

eight years ago: a visit to the Hessen Landtag

ten years ago: Roman emperor Hadrian 

eleven years ago: a photographic scavenger hunt in Leipzig plus gifting votes

holidays are jollidays (11. 829)

Via the always excellent Nag on the Lake, we are directed to a retrospective exhibition of nostalgic photographer John Wilfrid Hinde whose carefully staged compositions influenced the style of picture postcards made famous through his commissioned series of Butlin’s holiday camps from the 1960s through the early 70s. Founded by Billy Butin in 1936 after a frustrating stay at a bed-and-breakfast in Wales during which he found himself locked out of the accommodations by his landlady during the day (common practise at the time) and was inspired to create seaside resort destinations that were affordable or the working-class with plenty of amenities and excitement. During the immediate post-war period, they were extremely popular with the franchise spreading across Britain, Ireland and the Bahamas but succumbed in the 1970s and 1980s to cheap package holidays to the Mediterranean. Most of the facilities are closed and long demolished or repurposed (see previously), with a few exceptions like the pictured pool lounge of Bognor Regis, but all the parks with attractions like heated pools, monorails, gondolas, sports facilities, stages for theatrical performances and rides but have a living legacy in the millions of postcards meticulously framed by Hinde.

not ready for this (11. 793)

Though since the advent of photography, there has always been doctoring and outright fakes to promote one agenda or another from the paranormal to propaganda, the media was always accorded the social consensus of a level of proof beyond a reasonable doubt be it evidentiary and exculpatory to illustrative, inspirational, aspirational, enlightening to transporting. Now, however, we have all been forcibly aged out of that universal cohort with the default setting on our gadgets—beginning with one particular model—switched to AI enhancement and open manipulation, seamless and with few effective safety controls in place. A dose of skepticism is healthy, especially in an environment that’s actively trying to pass off fake news and keep journalism and other institutions under siege but seeding doubt strips photography of its objective permanence and with this kind of saturation and ease of use—a feature like the automatic focus and flash we take for granted—it is difficult to forecast our collective credence going forward.

 synchronoptica

one year ago: an independent press for the stateless (with synchronoptica) plus the architecture of diplomacy 

seven years ago: a podcast mini-series on witchcraft plus Babylonia trigonometry

eight years ago: 1980s animated production logos, super-recognisers plus assorted links worth revisiting

nine years ago: conscription, impressment and universal taxation

ten years ago: repentful paintings

9x9 (11. 791)

rhythm 0: in 1974 artist Marina Abramović subjected her unmoving body to a six-hour ordeal to see how an audience might objectify her 

 bang records: a documentary about the life and career of songwriter Bert Berns behind “Here Comes the Night,” “Brown-Eyed Girl,” “Hang on Sloopy” and many other standards  

back to obamacore: with hope and the end of history, the Harris-Walz campaign gives nostalgic vibes of 2008—via Web Curios 

gothamq loop: a prototype quantum network being tested beneath the streets of Queens  

geography and maps division: a mystery, featureless solid silver globe at the US Library of Congress—via the Map Room   

mice fancy: how a Victorian hobbyist breeding programme became a mainstay of the laboratory  

diversion tunnel: Margaret Bourke-White (previously) documents building of a dam in Montana in 1936  

diminished by its artsiness: studio pulls trailer for Megalopolis after realising the marketing team used AI to generate phoney tag-lines by famous film critics—via Super Punch  

the birth of coolth: Sentence First explores similarly constructed neologisms, including the statistical term shorth for shortest half—via Language Hat  

the confetti illusion: oranges are sold in red mesh bags to enhance their orangeness—via Marginal Revolution—see also

 synchronoptica

one year ago: paper dolls and digital avatars (with synchronoptica) plus bat men on the Moon

seven years ago: more from artist Lance Wyman, assorted links to revisit, anti-migrant riots in Rostock (1992) plus a collection of government sponsored cartoons

nine years ago: the birthday of Sean Connery plus adiaphora and cafeteria Christianity

ten years ago: the sacred, prognosticating chickens of Rome

eleven years ago: creative interpretations of film

anti-mimesis (11. 771)

Via Meanwhile, we thoroughly enjoyed perusing this gallery of images curated by Jonathan Hoefler (previously here and here) of actual instances of images that would now be mistook—absent other context or familiarity—as telling AI-generated missteps.
These pictures uncannily prevision the now acquainted superfluidity, reduplication, skewed perspectives, a-historicity, attention-grabbing and portrait-studio aesthetic that’s a buggy feature of computer-made art. What do you think it means that this thinking is becoming our default reaction? A picture broadly does not seem worth a thousand words any longer.  Much more at the links above.

*    *    *    *    *

 synchronoptica

one year ago: greenlighted (with synchronoptica)

seven years ago: Trump’s very fine people plus manipulative social media

eight years ago: the stave church of Goslar, early hominids and tolerance for smoke, safety and Helvetica Man plus assorted links worth revisiting

nine years ago: rent parties plus more links to enjoy

ten years ago: writers protest against the book market, the future of shopping plus the unfair labelling of weeds

mauerspringer (11. 767)

East German Bereitschaftsvolkspolizei (People’s Police Alert Units, a paramilitary regimen of the German Democratic Republic for riot control and counterinsurgency) non-commissioned officer Konrad Schumann was given the duty assignment on this day in 1961 to “take control and protect the border from enemies of socialism” on the third day of construction of what would become the Berlin Wall, which at the time consisted of a single coil of concertina wire. Standing at his post on the corner of Bernauer and Ruppiner Straße, Schumann was berated relentlessly by West Berliners, the nineteen year old came to the realisation that he would spend the rest of life as a prison guard and a prisoner himself—solidified by witnessing a young woman hand a bouquet of flowers over the barrier to her mother, apologising for not being able to visit in person. A crowd of protesters had massed by noon and began to rush Schumann’s position, but reinforcements arrived before he had to act, armed but resolved not to open fire on the crowd. Protests continued as construction materials arrived and waiting for the right moment, Schumann stamped on a section of wire and leapt into West Berlin. The action was photographer Peter Leibing and the visual documentation is included in the opening montage of the 1982 Disney movie Night Crossing.

ad copy (11. 728)

Via Web Curios, we enjoyed perusing this gallery of mostly—but not exclusively—vintage Anglophone print advertisements that make the exception to the curator’s collection entitled, “Nobody Reads Ads” from Miguel Ferreira, who writes a lot about commericals and creativity. There are some really effective and arresting ones, though not the ones that everyone remembers as indisputable examples, that are lost in the data of engagement and targeting and each demonstrates a subtle hook to an audience that is not exactly self-selecting. What are some of your favourites or ones you think have been overlooked and should be included?  Much more at the links above.

8x8 (11. 712)

veepstakes: Sherwin-Williams paint colour or potential running-mate for Kamala Harris 

prince rupert’s cube: Platonic solids will fit through an identically shaped one, thanks to the ponderings of a seventeenth century Rheinland monarch—see previously  

hollywood walk-outs: publicity stills from film’s Golden Age of movie casts in full costume paraded outside between takes—via Messy Nessy Chic  

bareback: the bleaching, normalising of a rather vulgar terms used in wide contexts  

news cycle: breaking stories happening faster than area man can generate uninformed opinions  

orrery: a look at the Royal Eise Eisinga Planetarium, the world’s oldest and smallest functioning astronomical theatre created by a weaver turned star-gazer and purchased by the king—via ibīdem  

she’s just not sufficiently grateful: all the ways the GOP is melting down over the changed presidential race

 synchronoptica

one year ago: another MST3K classic (with synchronoptica), a virtual diving-bell, assorted links worth revisiting plus a banger from The Cars

seven years ago: mushroom season, poorly drawn cats plus boustrophedic writing

nine years ago: more on author Karl May plus comic book heroes

eleven years ago: a haircut for Greece plus ceremonial government roles

fourteen years ago: more bad banks plus Oktoberfest and other attractions

7x7 (11. 702)

drake’s equation: a reevaluation of the cosmic amenities we take for granted suggests that alien life might be exceedingly rare—via Damn Interesting’s Curated Links  

now the chips are down: the archive of the BBC’s Computer Literacy Project—see previously—via Web Curios

sunnyside up: a supercut of the best egg scenes in cinema 

duckmaster: a luxury hotel’s waterfowl tradition  

crickets: how the chirping of the insect came to be synonymous with “a conspicuous silence”—via Strange Company 

blue screen of death: transportation, media outlets and health care disrupted by largest IT outage yet, exposing the fragility of our digital infrastructure—essentially what the y2k patch worked against 

star-studded: the shortlist revealed for Royal Greenwich Museum’s astronomy photographer of the year

synchronoptica

one year ago: a banger from Genesis (with synchronoptica), the UK 1881 census plus assorted links worth revisiting

seven years ago: a zombie emoji, an engraved dinner knife, a gameified office, the woman’s signature on the US Declaration of Independence plus a stop-motion fairy-tale

nine years ago: Syncro-Vox animation

fourteen years ago: the landscape of Top Secret America plus an inspired preoccupation with rockets

städtebilder (11. 675)

Via the always wunderbar Nag on the Lake, we are referred to this lovely montage of West Berlin on a nice summer’s day in 1977 (see more, see also), composed of rediscovered vintage, full-colour footage (including aerial sweeps and shots) with a catchy, jaunty soundtrack presented by Chronos Media, the country’s largest, independent private archives—with more documentaries about Germany and several other historical, nostalgic city portraits at their Youtube page.

8x8 (11. 632)

anabolics: the mainstreaming of casual steroid use  

cover model: the identity of the individual on the iconic Duran Duran album revealed four decades on—via Miss Cellania  

rank and file: a woodland-themed chessboard that rolls up into a log 

the imitation game: researchers claim that GPT-4 has passed the Turing Test—see previously 

london underground: spelunking through the strata of the ancient city  

non-playable character: determinism versus emergence and the question of free will  

ticino: a cache of five-thousand photographs spanning from 1900 to 1930 taken by a poor seed-peddler captures life in a remote, Italian-speaking Swiss canton  

food that makes you gay: stereotypes and gender in what we eat—via Web Curios