england’s home of mystery (12. 154)

Sadly demolished in 1905 to make way for offices and flats, we enjoyed this appreciation of the Egyptian Hall in Piccadilly, originally commissioned by antiquarian and naturalist William Bullock as a museum to house his collection of curiosities acquired by Captain Cook’s exploration (see also) of the South Seas and built in 1812 in the revival architecture style popularised (see also) by reports of Napoleon’s exploits and Admiral Nelson’s defeat of the French navy on the Nile, which after disposing of his ethnographic and natural history collection, transformed the space into a public exhibition hall, with rotating collections including Napoleon’s carriage captured as a war trophy at Waterloo, Egyptian artefacts and The Raft of Medusa. By the end of the nineteenth century, the hall became a venue for magical acts and spiritualism demonstrations, chiefly staged by the duo of Maskelyne and Cooke with a rather remarkable run of thirty-one years—the former, John Nevil, stage magician, card shark, professional sceptic (wanting to expose fraudsters and charlatans) and inventor of a typewriter of proportional character width (kerning was apparently all over the place and probably would have driven me to distraction) and the pay-toilet, hence the euphemism, “spend a penny.” Much more from Feuilleton at the link above including a gallery of show posters.

pray, observe the magnanimity (12. 126)

Following a soft-opening on this day in 1879 at the in hopes to forestall another episode of “copyright piracy,” Gilbert and Sullivan held the official premiere of their comic opera on New Year’s Eve at Fifth Avenue Theatre of New York City. The perfunctory but well attended and critically acclaimed performance was staged by a touring company in order to secure a British copyright in Paignton near Torquay, and with American law at the time respecting no foreign intellectual property rights, the collaborators with a US premiere hoped to avoid an encore of the previous year’s debut of HMS Pinafore, successful in London but rapidly taken up by American acting troupes with some one hundred and fifty unauthorised productions that took license with the libretto and netted no royalties for the authors. Publication of the score was also delayed until their reputation and credentials could be cemented, the show opening in London the following April. Both transatlantic runs were very well received and the narrative of an apprentice being released from his indenturehood with a sort of rumspringa from the impressment he was accustomed to (pirate tropes were quite in fashion at the time) and the piece endures as the duo’s most performed and referenced works.

11x11 (12. 118)

nuclear dawn: a 1984 mural in Brixton, part of the Londonist tour of great public art in the city  

winterval: a spot on take of the week between Christmas and New Year’s  

tedium’s tedium awards: celebrating the protest songs of Jesse Welles, beating Tetris and more  

omnibus: more year end lists from Miss Cellania—this one focussing on science  

designated checkpoint: document-free travel being trialled, the passport replaced by one’s phone biometrics  

holiday helper: repurposing classic cocktails for the festive season  

encomnia: remembering the celebrities and artists lost in 2024  

pizza day: recreating a school cafeteria staple with pourable crust—via Boing Boing 

h-1b visas: requested immigration carved-outs for the tech sector pit Musk against MAGA  

post-holiday blues: anticipating returning to work can evaporate that time off peace of mind  

our century hasn’t been as free with words of wisdom as some others: Kurt Vonnegut Jr’s 1988 address to people living a hundred years later

synchronoptica

one year ago: a banger from Andrew Bird (with synchronoptica) 

seven years ago: the aphorisms of Syrus, vintage London Underground posters plus a compendium of dark magic

eight years ago: celebrating the life and career of Carrie Fisher plus reflections on post-truth

nine years ago: feudalism and engaged citizenry, remote human settlements plus a look back at phony outrage

ten years ago: Pangea with current geopolitical borders, space-time fossils plus a Grumpy Cat Christmas

9x9 (11. 936)

die krümelmonster: in 2013 the German version of Cookie Monster pilfered and ransomed the golden Leibniz Kek for charity  

bad map projection #102: a blended USA / Australia gazette that almost works 

0,1 arcsec: hunting for dark matter and dark energy the Euclid space telescope (previously) unveils a dazzlingly 3D map of one percent of the Cosmos—via Nag on the Lake’s Sunday Links  

bob & carol & martin & barbara: various adaptations of a comedy about partner-swapping during the sexual revolution  

red lion passage: alleyways of London then and now  

bokeh and backscatter: spirit photography and the history of the medium— the New Shelton wet/dry  

clockwork universe: The Birth of the Robot by Len Lye—see previously  

geoconfirmed: a volunteer group tagging the space-time coordinates for footage of conflict zones to combat disinformation  

cheese heist: using an elaborate scam, £300 000 pilfered from artisan cheddar makers—see previously—via jwz

kild by severall accidents (11. 926)

With casualty data drawn from the London weekly “mortality bill,” reporting on the causes of demise from most of the city’s parishes during 1665, Open Culture directs us to a morbid little diversion in a seventeenth century death roulette, which delivers the croupier (originally meaning rump or one who stands behind the gambler with extra cash reserve to back them up during play but now spins the wheel—that too originally a study in perpetual motion machines from Blaise Pascal) their grim fate. Given the state of medical science, the causes listed are vague at times and ring more like curses than disease but provides an engrossing glimpse at historical demographics and record-keeping (compare to this treasury of antique prescriptions and treatment plans that may or may not have improved one’s condition). Spin at your own peril and probably it is best to remain ignorant of what such terminal ailments like the riſing of the lights (lung disease, using the term for the organ as an ingredient), strangury (the inability to empty one’s bladder despite the urgent need to do so), surfeit (over indulgence), kingſevil (scrofula, an infection of the lymph nodes supposedly cured by the touch of the sovereign), etc. as those were that compiled these list. There was also the Plague and any number of environmental hazards.

the tour of dr syntax through the pleasures & miseries of london (11. 806)

Published anonymously in 1820 but believed to be authored by William Coombe and illustrated by Robert Cruikshank (see previously), the popular comedy epistolary series is about a rural school master and pastor who attempts to make his fortune by travelling and then writing about it. Coombe—or often Combe—was himself an adventurer produced most of his works from debtors’ prison, with his first success dispatch from behind bars was a satire called The Diaboliad that attacked and defamed his creditors with thinly veiled allegory, and due to others trying to capitalise and plagiarising his Dr Syntax character (including as Derby porcelain figurines), the author, in the style of Cervantes and the false Don Quixote, put out a collection of spurious letters attributed to the fictional late Lord Lyttelton of Syntax’ continuing misadventures aboard—the plagiariser’s supposed correspondence taken as an admission to seditious speech against the government of King George III but later scholarship confirmed it was another tout to push pamphlets. More from Spitalfields Life at the link above.

tube map central (11. 796)

Via Quantum of Sollazzo, we are directed this elegant concentric representation of the London Underground’s classic layout (see previously here and here), with this circle-and-spoke map that better matches the geography of the stops and stations, updated after eleven years. Although with the disclaimer that this has already been circulating on the internet, we can only recall one other such rendering of a mass-transit network. Much more at the links above.

shoestring budget (11. 672)

Via Miss Cellania, we are afforded a quite fascinating look at the 1948 London Games, the first Olympics held after Munich’s 1936 event and the marking their post-war resumption, which compared to the current expense and corporate sponsorship is not only remarkable for the level of thrift and resourcefulness—a make do and mend attitude with athletes stitching together their own uniforms and college campuses and military bases acting as the Olympic Village—but also how the spectacle was pulled off in the name of international sportsmanship and provided much needed relief with the fighting in fresh memory and rationing and austerity continuing for many.

 synchronoptica

one year ago: half the world in the sun (with synchronoptica)

eight years ago: proxemics plus machine mirages

nine years ago: a maths sleight of hand plus ghost malls and the Gruen Transfer

ten years ago: border security, home and abroad

eleven years ago: US-EU trade disputes

don’t cry for me argentina (11. 644)

Originally conceived as a rock opera concept album two years prior to popular and critical acclaim, the collaboration by Tim Rice and Andrew Lloyd Webber (see previously here and here) was adapted for the stage and debuted on this day in London’s West End on this day in 1978 and relates the life and political career of of the wife and widow of Juan Perón. Rice, interested in philately in his childhood, was somewhat taken by her images on stamps but knew nothing of her significance to the country’s history, social reform and charitable works until intrigued by catching the end of a radio biography and became highly interested on the verge of obsession, research, traveling to Buenos Aires and even naming his first born daughter Eva after her before pitching the idea to Webber, whom at first rejected the idea in favour of producing a musical based on Jeeves, the PG Wodehouse character—a decided flop—before reconsidering Rice’s proposal.

9x9 (11. 499)

pumping iron: Technogym invites forty artists to reinterpret its exercise bench for Milan Design Week  

wikipedia rectangles: a collage of images sourced from the Commons subdivides one’s screen in increasing smaller sections of disparate pictures—via Web Curios  

the microcosm of london: an illustrated three-volume set by Rudolph Ackermann showcasing the public spaces of the capital 

🍉: the massive Quilt for Palestine unveiled at the Met 

rundown royale: a look at the family tree of Charlemagne, the Father of Europe—via Miss Cellania 

ulnar nerve: the etymology of the expression funny bone and variants—including the Swedish terms enkelstöt/änkestöt  

dua lipa stuns as congressional gerrymander: that and other headlines from Super Punch  

from our correspondents: World Press Photo contest captures destruction and devastation 

the revolution will not be biennalised: the withdrawal of the Israeli pavilion in Venice was performative and opportunistic

9x9 (11. 467)

and palmeres for to seken straunge strondes: the Gentle Author makes a pilgrimage along London’s ancient Black Path 

the 2531 sato-san problem: given demographic trends, legal requirements and custom, all Japanese residents could eventually share the same surname  

symphony № 42: animator Réka Busci presents forty-seven ironic vignettes  

double doors open, why aren’t i reacting in this shot: a literal video version of Total Eclipse of the Heart—I walk out on a terrace where I think I’m alone, but Arthur Fonzarelli’s got an army of clones  

into the butterverse: the variations of the Unicode emoji—via Pasa Bon!  

chalcolithic tattooing: a study of Ötzi the ice mummy’s body markings on living volunteers—via Super Punch  

apiculture: experiments involving social problem-solving suggest that bees have the capacity to pass on learnt experience  

not a bug but a feature: a collection of absurd software and end-user errors solved—via Waxy  

the society of wood engravers: the art and illustration of carver Harry Brockway—via Things Magazine

synchronoptica

one year ago: New York v Trump plus Finland’s accession to NATO

two years ago: Japanese police boxes plus the Ukrainian roots of world-wide wheat

three years ago: your daily demon: Samigina, Winston Smith makes a diary entry plus the Hildesheimer Dom

four years ago: the flag of Hong Kong (1990), assorted links to revisit plus St Tigernach

five years ago: the founding of NATO (1949),  saving the pollinators, the Buttigieg bid for US president plus historic mass transit systems

11x11 (11. 259)

cheesemongering: a specialist seller experiments with fifty-six varieties to find the perfect grilled sandwich 

vector portraits: photographs of drivers at speed traveling in Los Angeles  

decision 2024: this is the biggest year yet—and possibly democracy’s biggest test with over half the world’s population voting within the next twelve months  

run, rabbit, run: an AI-powered gadget designed to use one’s apps for one sells out 

electronics gives us a way of classifying things: Microsoft (now the most valued company in the world thanks to its part in AI, a font of misinformation) once explained to author Terry Pratchett how technology referees would make propaganda a thing of the past  

squaring the circle: Substackers against Nazis—reloaded—and a reminder that one can’t be just a little bit facist  

re-migration: a coalition of the far-right met outside of Berlin in November to discuss mass deportations  

blanket immunity: Trump’s legal team presents arguments for a president above the law—setting up the US Supreme Court to either rule on his exoneration or eligibility  

proxima swarm: US space agency supports bold proposal to reach the next nearest star system with a wall of tiny craft propelled by photons—see previously 

flower taxi: a mobile florist from 1960s London  

marie harel: producers of Camembert in Normandy fear EU recycling regulation could mean the end for their traditional wooden box packaging