transponder: wood proves surprisingly durable material in space as agencies plan to launch experimental satellites, like ships on the high seas—via the Linkfest
1337: a pretty exhaustive list of English words that can be spelled on a calculator turned upside down
hollywood canteen: a fond farewell to Janis Page, recently departed at 101
Via Miss Cellania, we are directed to the rather compelling 1961 biblical epic (overshadowed by others in the genre) directed by Richard Fleischer for Dino De Laurentiis’ studio, originally cast for Yul Brynner in the title role, portrayal of the thief chosen by the crowd over Jesus to the be pardoned and released by provincial governor Pontius Pilate, as a Passover custom, went to Anthony Quinn with supporting roles by Arthur Kennedy, Ernest Borgnine and Jack Palance and expands on the life of the reformed recidivist after the Crucifixion (filming timed to take advantage of an actual solar eclipse that took place on 15 February in the year of the debut) who is only mentioned in passing in the gospels. Upon release and returning to his compatriots, still a sceptic, Barabbas is disappointed and frustrated to discover that his girlfriend has become a convert—stoned to death later in Jerusalem for evangelising. Feckless and devastated by the loss following his reprieve, Barabbas returns to his life of crime and when a botched attempt on a caravan goes awry, Barabbas throws himself at the mercy of the authorities and is condemned to toil in the hellish sulphur mines of Sicily for the rest of his existence. Chained to a Christian slave that at first resents Barabbas was spared over Christ but over the years of their sentence—eventually curtailed by an earthquake that causes the tunnels to collapse killing all the slaves except the two companions—became friends and return to Rome, via the gladiatorial route to freedom. With suspected sympathies and guilt by association, Barabbas is imprisoned with other Christians, including Peter the Apostle, rounded-up and incarcerated en masse, accused of having set fire to the city under the rule of Nero and charged with arson, were summarily executed by crucifixion.
Via Messy Nessy Chic, we are reminded (see previously) of the Swedish and Finnish legend of the Easter witches who fly off to Blockula (Blรฅkulla, cognate with Blocksberg or the Brocken in the Harz mountains and host to a similar congress) to meet the Devil on the night between Holy Wednesday (Dymmelonsdag, also known as Spy Wednesday to mark the bargain of Judas and his betrayal of Jesus’ whereabouts) and Maundy Thursday (Skรคrtorsdagen). Though with dark origins in the seventeenth and eighteenth centuries and the witch mania and hunts in Scandinavia, when implements that witches could use for their magical flight, broomsticks, fence posts, beams and farm animals, were locked away, modern traditions include children dressing as witches, to commemorate the ride and rites, and go door-to-door for Easter treats in exchange for hand-drawn greetings.
First reckoned by Scythian monk Dionysius Exiguus (the Humble) in 525 but his Computus for determining the date of Easter not widely adopted until the ninth century, his convention of Anno Domini was conceived as way to number regnal years breaking with the old system of Roman eras that continued the memory of rulers who often subjected Christians to persecution and repression. Reaching back five centuries, cross-referencing traditional dating systems, Olympiad years, biblical accounts and the reign of consulships, prone to inaccuracies and some confusion and fraught with the Roman idea that great figures would live out lives only in whole years, his calculations were confounded and not synchronised with any extant calendar, the logic behind the ultimate decisions made obscure by design, possibly wanting to tamp down on the influence of certain branches of the faith who believed that the end of the world was imminent and the resurrection of the dead would come five hundred years after the birth (conception, incarnation, nativity) of Jesus, the common era beginning with year one on this day five hundred twenty-four years prior, by demonstrating that it had already passed.
inauspicious beginnings: a rift opens up in a group of official astrologers employed by the Sri Lankan government to pick ideal dates for new years rituals
disco arabesquo: record label Habibi Funk aims to introduce Middle Eastern vintage music to wider audiences
pocket full of kryptonite: the preponderance of alternative rock songs about Superman in the 1990s, 2000s
prosopometamorphopsia: a new study on generalised social anxiety disorder tries to see from the perspective of those with a rare condition that causes faces to appear distorted, demonic—via the New Shelton wet/dry
four years ago: dissolution of the African Economic Union (1985)
five years ago: the musical stylings of Carsie Blanton, a town’s strong connection to the number eleven, Nick of Time (1989), the tarot of Pamela Colman Smith, Robert Mueller concludes his investigation plus the UK votes
Admitting a certain penchant for multi-function gadgets—like infamously a car vacuum-flash light-tyre pump combo that excelled at none of these tasks—we found this latest post from Fancy Notions to be quite resonant, particularly the German Engineering aspect with the precision of the eierschalensollbruchstellenverursacher, calibrated to an ideal weight to crack the shell perfectly without mangling the soft-boiled interior—the steel plunger exerting a force of a little more than half a newton (one kilogram accelerating one meter per second per second). While we have a very serviceable egg-timer that alleviates some of the guess-work, it is a challenge (that I aspire to keep) to run the eggs under cold water long enough to get the exterior to peel away easily.
From subtle homages, hidden tracks and hidden levels to surprise features and the first known such subversive addition—in a text-editor in 1968 that completed the maxim “Make love—not war” when the first half of the chant was keyed in—which gives a credit, an attribution to an otherwise anonymous programmer, Tedium presents an omnibus edition of easter eggs in software applications. Comparing the moment of serendipity that the discovery presents both for the finder and the culprit coder to the burst of joy—fleeting or enduring and inspired that—that one gets with the unexpected virtuosity of a human-AI collaboration, everything about the usually interfaced being terribly planned and predictable, albeit one of the many present detractions from its use as a tool as something more convincing rather than reliable, introduces an interesting sidebar about the fate of such surreptitious gems once machines take over programming and entertainment. There’s also a link to the Easter Egg Archive listing hidden surprises in other media including films, television and home appliances. My favourite sort of easter eggs come in the form of a visual reference hiding in plain sight from the Disney tradition, and the reminder that She-Ra: Princess of Power—and more recently Adventure Time—has a cameo-character appearing in the background of one scene per episode. In the case of the Etherian series, the figure was called Loo-Kee, a chipmunk type creature, who (and happily have no memory of this) would reappear before the closing credits and ask the audience if they had found him before relating the moral of their just concluded narrative. What are some of your favourites?
sea life: a 1923 chessboard designed by Max Esser for Meiรen—via ibฤซdem
shelling out: a gallery of vintage Easter confections
family album: being first on the scene to document shipwrecks is a generational business
the tiffany network: an all-star roll for the 1978 fiftieth anniversary of the Columbia Broadcasting System
blogoversary: a belated congratulations to Map Room as it reaches the milestone of twenty years of blogging
late-stage sea-monkeys: targeted ads are generally promoting the worst possible version of a product
bohemian grove: the secretive club back in the headlines after revelations of US Supreme Court Justice Thomas’ gifts included a trip to the exclusive retreat
falmouth: the annual, international festival of maritime music returns in June
Regaling us with the strange tales of real and artificial scarcity and runaway inflation for the city of San Francisco flush with money owing to the Gold Rush (see previously) which seems like an apt allegory for modern San Francisco with the boom and bust of the native tech sector and the real estate market, Lit Hub contributor Lizzy Stark—via Strange Company—surveys the shortage of women and perishables through the price of eggs in California territory, the untenable fickleness of domesticated hens and turning to a seabird sanctuary for scavenging that dedicimated the local wild populations of auks, gulls and of pinnipeds from a rocky, treacherous outcropping in the bay. The cost of a dozen eggs in American markets today exacerbated by the tumultuous economy has nothing from back during the frontier days.
if the engine jumps the track: another in a series of derailments—thankfully this time with no fatalities—yields some amazing photographs but a few beer or two, via Super Punch
katkhakali: the dance of the ‘speaking hands’ about the myth of Kali and Travancore, a 1981 Soyuzmultfilm short
peepshi: a complete guide to deconstructing Easter candies for festive onigiri
Translating to summer’s day in Albanian, the springtime rite with pre-Christian origins is observed on this day and corresponds to the beginning of the New Year on the Old Calendar, aligning with the seasonal shift from winter. Celebrations are marked with family reunions, intensive spring-cleaning, reverence for the life returning, and jumping over, through bonfires for a ritual purification to drive away the darkness and referred to as shedding the fleas—recalling an expedient method of delousing as well as with the Verore, a red and white bracelet worn to mark the occasion and the preparation of sugar cookies called ballokume—named for a review by one Ottoman rulers that: รshtรซ ba si llokume—it was as good as lokum—that is, Turkish Delights.
An example of hindsight bias and apocryphally attributed to the Italian navigator—though there’s no evidence that this exchange occurred, the Egg of Columbus is an expression that reduces the extraordinary to the inevitable after the fact but counters that assessment by showing that the solution was not an obvious one. Told by fellow explorers, reportedly, that discovering an oceanic trade route to the Indies was no great accomplishment and ships would have eventually gotten there without him, Columbus challenges his critics to balance an egg on its tip. Once his interlocutors fail to do so, Christopher bluntly demonstrates how its done by tapping the egg until it flattens just enough. The inelegant solution appears in literary references by Mary Shelley in her Frankenstein as well as in War and Peace by Tolstoy and in The Great Gatsby by F. Scott Fitzgerald. It is also cited as a heuristic device by Charles Darwin and Nikola Tesla.
Though the Octave of Easter refers to a specific eight-day celebration in connect to the Paschaltide, our
word week itself (via the German Woche) derives from the same root as octave and that one out-of-cycle unit of time—that is, seemingly the sequence repeated for countless generations not determined by the motion of the Heavens or our perception of them but nonetheless in most Western and Eastern traditions named for the astronomical objects visible to the unaided eye. The ordering does not accord with the classical model of the Cosmos—the “Chaldean order” that describes the apparent overtaking and retrograde motion relative to the Earth—nor hierarchy of the pantheon, however, but rather the seven strings of the Mesopotamian lyre with which the celestial spheres were thought to harmonise: (4) Sunday ☉, (1) Monday ☽, (5) Tuesday ♂ (Mardi in French), (2) Wednesday ☿ (Mercoledรฌ), (6) Thursday ♃ (Donnerstag), (3) Friday ♀ (Venres) and (7) Saturday ♄. Vexed somewhat by the onerous and complicated Roman subdivision of the days and the planetary officer appointed to each hours, the order of the weekdays seemingly recapitulates musical theory and progression through the major scale. More at the links above and in this video adaptation below from Sara de Rose.
With early antecedents in committing the pillars of Buddhism to heart or for a manual reckoning of the date of Easter for any year—the Venerable Bede’s ‘loquela digitorum’ of the eighth century—contributing correspondent for Public Domain Review Kensy Cooperrider guides on a comprehensive survey of the ways that people used the topologies of the hand and fingers as a mnemonic device (see also) as a way to recall processes and protocols, notation and geography. The illustration of the oversized Guidonian Hand (named after ninth century music theorist Guido d’Arezzo) was a choral aid to facilitate learning of sight-singing—or rather how to read a musical score, the first documented use of solfรจge. Spanning three full octaves and spilling into a fourth—from (ab) ฮ to ฮ (Gamma) ut—this diagram is the source of the phrase ‘running the gamut,’ that is—the full range. Much more at the links above.
We quite enjoyed this extensive and on-point thread of the fabulous Miss Dolly Parton wardrobed like Easter eggs—or more specifically like chocolate confectionery eggs—see also. Let us know your favourite and do show off your similarly coordinated Sunday finest.
Prompted by a League of Nations body called the “Advisory and Technical Committee for Commun-ications and Transit” that sought among other coordinating efforts to synchronise the date of Easter—which can wander between 22 March and 25 April due to lunar calculations—with the support of the Archbishop of Canterbury among other calendar reformists passed two years prior, the UK parliament introduced the Easter Act of 1928. Reigning in the holiday but still with concession to the sabbath with Easter Sunday falling on that day of the week after the second Saturday in April (see above). Though the act had the royal assent of George V, it has yet to be passed by both houses—and not without re-legistlation, still being inactive statute, attempted last in 1999.
Though the pictured eggs are on our Ostereierbaum and are not generated by an artificial intelligence, we thought that they did have some of the same swirly effects as these iterations of Easter eggs created by Janelle Shane (see previously) and her neural networks, including Artstation and Midjourney (previously). The output “seasoned” with the Ukrainian traditional pysanky and krashanky patterns are inspired, as are the giant looming eggs in the style of a matte painting. Incidentally, scholars believe that the abundance of eggs for this time of the year is owing to the prohibition of eating them during Lent coupled with the fact that chickens couldn’t be persuaded to stop laying them, so they needed to be consumed quickly as soon as possible once the restrictions lifted. The name of the titular, ubiquitous and arguably less artful colouring dye comes from the Dutch Pasen for Eastertide.