pale ale (13. 050)

As our faithful chronicler informs, on this day in 1876, the red triangle logo of the Bass & Co became the first colophon to be logged under the 1875 Act to establish a Register of Trade Marks when it came into force on New Year’s Day—which according to company lore, had employees queuing outside bureau offices on New Year’s Eve to be the first—strange for a bank holiday and Public Domain Day, as a demonstration of the brewery’s pioneering prowess in international branding and marketing. The iconic logo, simple yet pervasive, has been featured in over forty works by Pablo Picasso from his Cubist period as well as more contemporarily in James Joyce’s Ulysses, Leopold Bloom noting the triangle in the “Oxen of the Sun” (The Cattle of Helios in the Odyssey) episode and in Édouard Manet’s final painting (see also) Un bar aux Folies Bergère with the beer bottles depicted instantly recognisable and their conspicuous presence interpreted as an allegorical expression of anti-German sentiment following the Franco-Prussian war. Further achievements accomplished under the logo include being among the first corporate sponsors, licensing for production by foreign distributors and the earliest export entrant into the Japanese beer market.

pepperidge farm remembers (13. 049)

With acknowledgment to Tom Whitwell and other franchises that have gotten into the tradition, Nancy Friedman presents fifty two more things she gleaned week by week in 2025. Trivia facts and lessons, among our favourites meriting further investigation were the etymology of plonk—cheap, disappointing wine—coming from British soldiers stationed in France during WWI mispronouncing vin blanc, the Old English term for affable is wordwynsum, the industry awards for excellence in podcasting are called the Ambies—from “ambient sound,” Samuel Clements considered other pseudonyms before settling on Mark Twain, including Rambler and W Epaminondas Adrastus Blab, Elon Musk is named for a character in a novel by Wernher von Braun called Marsprojekt, an orphan-crushing machine is a shorthand term for human interest stories that praise resilience and charity (like retirees working at fast food restaurants or successful funding campaigns to pay for vital medical procedures) that fail to question the underlying societal conditions that make such heroism needed to begin with, the Kellogg’s brand has a rooster for its mascot—connoting a hale and hearty early riser—but also suggested by touring Welsh harpist as ceilog is a homophone for the breakfast cereal magnate and that Goldfish crackers were inspired by zodiacal sign the original Swiss creator’s wife, a Pisces.

9x9 (13. 043)

the unforgivable sin of ms rachel: Tedium’s Online Video Awards and the problems with platforms 

grunt work: AI has the potential to destroy career ladders—via Damn Interesting  

grove press: the Mid-Century Modern covers and jackets of Roy Kuhlman  

turbo moka: a thermodynamic redesign of the classic Italian coffee pot—see previously  

gânditorul de la hamangia: reflections on a palaeolithic pair of artefacts  

ieee spectrum: top climate tech stories of 2025—including atmospheric ammonia harvesting 

i dislike dune with some intensity: JRR Tolkien was not a fan of Frank Herbert’s work  

the imperfect homework machine: students’ experience with AI mirrors a Shel Silverstein poem 

 the year in search: more of Miss Cellania’s annual superlatives

9x9 (13. 024)

participation, in this context, is a kind of alignment: the Vanity Fair photo shoot of Trump’s cabinet 

escape velocity: a super-massive runaway black hole has been ejected from its home galaxy and is careening through space—via Kottke 

that thoth over there: a guide to the messy divine family of Egyptian mythology  

beyond the last-minute gift guide: the year of Tedium wrapped  

no-one comes to casablanca for the waters—you were misinformed: every drink in the 1942 classic (see previously, oddly no gin)—via MetaFilter  

capital allocation: on the social uselessness of finance, creating winners and losers  

homecoming: a preview of Christopher Nolan’s adaptation of Homer’s Odyssey—see also 

intraterrestrials: subsurface microbes have geological lifespans 

unreliable narrator: Epstein and company as Nabokov’s Humbert Humbert—see previously

engine, engine forty-nine (13. 014)

Finding some needed solace in the writings of Thomas Pynchon during the rise of MAGAists’ conspiracy theories in the figure of Oepida Maas, a sort of anti-John Galt, Better Living through Beowulf, now has to question like the protagonist of their own sanity whilst weaving together a plot that beggars belief, which seems a bit rudimentary in comparison to Trump’s own arc of narrative. The paranoia of The Crying of Lot 49 has a veneer of truth (see above) and so does the career-trajectory of Trump, framed as agent Krasnov, promulgated as a successful businessman now beholden to organised crime with a litany of knock-on events that lead to our present conundrum, whose nomenclature matches with Genghis Coen, Mike Falloopian, Mucho Maas (the heroine’s DJ husband) and Dr Hilarius with corresponding real-life characters unmatched nearly six decades on with corresponding Dickensian-named figures like heroes Reality Winner and villains Laura Loomer, Elon Musk or Reince Priebus and the White House lawn used as a venue for a wrestling match plus a list of dozens of other things not on ones bingo card for 2025.

7x7 (13. 003)

it cuts up a man’s youth and vigour most horribly: Jane Austen invented the wellness guy  

maplewashing: the deceptive practise of making things seem more Canadian than they actually are narrowly beat out “elbows up” for Canadian English Dictionary’s inaugural Word of the Year  

antipodes: Rothera Antarctic research station gets a new Royal Mail postbox 

genai.mil: Pentagon installs a chatbot on all DOD computers—immediately concludes that Hegseth is a war-criminal—via Super Punch  

dayton accords: a look back at the peace negotiations to end the war in after the collapse of Yugoslavia three decades on  

cut spelng: English orthographer Christopher Upward’s failed proposal for language reform through elimination of redundant letters—see previously, see also 

little wars: HG Wells’ contribution to table top role play games

synchronoptica

one year ago: Vince Collins celebrates the US bicentennial (with synchronopticæ), Intershop (1962) plus assorted links worth revisiting

thirteen years ago: IKEA instructions for that dapper monkey 

sixteen years ago: drug money helped banks weather the Great Recession 

mister fezziwig (13. 001)

Though each time I picked up on the narrative again, telling myself I don’t have time to listen to a two-and-a-half-hour podcast, I did make it all the way through this dramatic reading of Charles Dickens’ A Christmas Carol. In Prose. Being a Ghost Story of Christmas from The Allusionist host Helen Zaltzman. The novella, divided into five chapters—which Dickens calls staves, reflects and informs the zeitgeist at a time when Victorian England was reevaluating holiday customs and was his fourth attempt at the subject, first a serialisation called “Christmas Festitivies,” then a short story under the title “A Christmas Dinner” that appeared in his illustrated anthology Sketches by Boz and an episode in The Pickwick Papers, “The Story of the Goblins Who Stole a Sexton”—a sacristan, a church superintendent charged with care and maintenance of the building and cemetery grounds, misanthropic but after being ransomed by the creatures undergoes a conversion, similar to Scrooge. Capitalising on its success, Dickens wrote another four holiday themed novels (The Chimes, The Cricket on the Hearth, The Battle of Life and The Haunted Man and the Ghost’s Bargain) but none of the franchise as beloved as his 1842 iteration. Familiar adaptations are true to Dickens but I realised I had never listened to original narrative in its entirety, rather excellently delivered (with a few, non-intrusive short asides to gloss antiquated meanings) and really enjoyed the decision to voice the Ghost of Christmas Present aptly as a South Park character. It is a banger of a story and of course you have time to indulge.

10x10 (12. 973)

no time for dancing or lovey-dovey: David Byrne’s ensemble Tiny Desk concert—see previously  

bathing beauties: the nautical folk art of Kyler Martz—via Messy Nessy Chic  

ac/dc: the unlikely friendship of Mark Twain and Nikola Tesla 

warrior ethos: the Canadian publisher of the beloved children’s book series Franklin the Turtle strongly objects to US Secretary of War’s depiction of him firing on boats of supposed narco-terrorists 

the downfall of joann: the US craft and hobby economy ruined by private equity—via MetaFilter—see previously  

steerage: turned upside down, this grainy photograph of a third-class cabin appears to expand into a grand stateroom  

not even a squib of an entry: a steeple chase of an etymological mystery that may have arisen out of a case of mis-division—see also 

exalting the beauty of an overcast sky: Luke Howard (previously) on cloud-modification and his correspondence with Goethe  

nuns on the run: a rebel sisterhood who escaped from a nursing home to return to their abandoned convent refuse to give up their social media accounts as it would deprive them from the protection of an interested public 

chanson pour tout le monde: “Song for the Children” was by Jimmy Buffet, released on his 1979 album Volcano

ginx’ baby (12. 950)

Whilst working on commission for Charles Darwin for his third volume—a masterpiece overshadowed by his other works on evolutionary theory The Expression of the Emotions in Man and Animals—Swedish-British photographer Oscar Gustave Rejlander captured this unnamed image of what would be the poster-child of “Mental Distress” around 1871. Due to publishing technology at the time, photographic plates were prohibitively expensive but all representative pictures were used, making the book one of the first scientific illustrated treatises.  At the same time, using the reproduction methods for inexpensive postcards, Rejlander was able to capitalise on his proto-meme, building off the popularity of barrister and Liberal Party politician J Edward Jenkins’ satirical novels, the instalment, Ginx’s Baby: his birth and other misfortunes—about an unwanted thirteenth child, coinciding with the black-and-white print, christened after the title character, amassing a small fortune—praised for its expressive quality and good-timing—beating out of studio-sessions of contenders, only emerging decades after its sensation that the image was not exactly genuine but a series of tracings. For the naturalist’s part, Darwin was particularly keen on raw feelings prior to socialisation (see also), confident that the discomfort of children would be a particularly useful heuristic to explore the role of non-verbal communication in the survival of individuals. Rejlander’s picture was seen by reviewers as threatening to overshadow both the other examples and the author himself, the postcards selling in the tens of thousands and referenced in calling cards and other contemporary literature and even a polka by the same name that long outlived the popularity of Jenkins’ books.

one flew east, one flew west (12. 892)

As our faithful chronicler reminds, on this day in 1975, Miloš Forman’s cinematic adaption of Ken Kesey’s 1962 novel was released in the United States, starring Jack Nicholson as newly arrived patient at a mental institution, Randle McMurphy feigning mental illness in order to avoid a sentence of hard labour following a series of crimes including statutory rape, and Louise Fletcher as the abusive and sadistic Nurse Mildred Ratched (77 Sunset Strip and spiritual leader Vedek Winn on Star Trek: DS9, much like the part of head nurse) with a supporting cast of inmates featuring Christopher Lloyd, Danny DeVito and Will Sampson, Jr as Chief Bromden. In development hell for thirteen years prior (primarily due to the Warsaw Pact invasion of Czechoslovakia—the Communist party was Forman’s Nurse Ratched) to shooting in Salem Oregon, the project originally called for Kirk Douglas and either Angela Lansbury, Anne Bancroft or Jane Fonda in the lead roles, One Flew Over the Cuckoo’s Nest was critically acclaimed and remains ranked among the best films ever made, netting five Oscars for Best Picture, Best Actor, Best Actress, Screenplay and Director. Recognising the subversive presence of the new arrival as a threat to her authority within the ward, Ratched scales back patient privileges—only causing more rebellion. Rehearsed on location at Oregon’s state public psychiatric hospital, the cast observed the daily routine prior to filming to get into character, including sessions of electro-shock therapy and stayed overnight in the wards among the criminally insane.

et in aradia ego (12. 884)

Though the authenticity and authorship of the received gospel of the witches studied and published US folklorist and journalist Charles Godfrey Leland in 1899 is disputed by later historians and ethnographers, what Leland through his intermediary and research assistant Donna Roma Lister—a widely respected British writer on the occult and accomplished medium in her own right, believed to be genuine religious text of a Tuscan coven has played an unimpeachably large role in informing and influencing contemporary Wiccan and Neopagan movements. Syncretic and secret, the practise and spellcraft continued in parallel to the rituals of Roman Catholicism but hidden in plain sight as sort of a liberation doctrine to subvert and counter the oppression of the Church orthodoxy and social order.
The titular messianic figure, similar to the Italian form of the name Herodias—the wife of Herod Antipas whose real genealogy was buried in the belief of early Christianity, a characterisation of course propagated by witches themselves, that for her complicity in the death of John the Baptist her spirit was condemned to wander the Earth forever and only permitted to rest in treetops between midnight and daybreak, whereas Erodiade was a continuation of the ancient Roman cult of Diana and her nymphs, a daughter sired by prideful angel Lucifer and sent by the goddess to be a teacher unto women and men who would break from the yoke of enslavement—see also—and the real proto-witch. The gospel in fragmented form was completed by Lister’s interviews and channelling to fill in the gaps. Much more, particularly on our collaborator and ghost-writer, from Public Domain Review contributor A D Manns at the link up top.

we call that delegation of authority (12. 869)

First in print on this day in 1961, the debut novel of Joseph Heller, often cited as one of the most significant literary works of the twentieth century, follows the narratives of fighter pilots and bombaries of a US army airforce squadron based on an island off the west coast of Italy during the waning years of World War II, struggling to maintain sanity and professional bearing while fulfilling increasingly elusive service requirements in order to be discharged and reintegrated back home. Relayed with a unique, non-chronological third person omniscient voice to develop separate perspectives and forward the plot along with the timeline for the course of events. Replete with paradox and flashback and shifting points-of-view, the antihero Captain John Yossarian comes to fear his commanding officers more than the enemy as the required number of combat missions keep increasing and though Yossarian once met that prerequisite, the requirement is retroactively raised, and cannot escape due to contradictory rules and conditions—the bureaucratic rule never stated fully, if it is even in written regulation, follows the illogic that one can be deemed unfit to fly by reason of insanity—incapacity demonstrated by willingness to participate—but as one has to apply to be excused from further mission, the appeal itself betrays a sound mind and self of self-preservation, refuting the reason for being grounded. With parallel themes of theodicy and why a benevolent god would allow evil in the world, Heller’s working title was Catch-18, referencing the the Hebrew letter and symbol chai (חַי ) which in Jewish numerology, gematria—assigning a number value to each letter—this sort of secret message to piece together being more prominent in earlier drafts, signifies being alive, but publishers Simon & Schuster urged the author to change it to avoid confusion Leon Uris’ recent Mila 18 and seventeen also rejected for its proximity to another contemporary in Stalag 17. Twenty-two encoded as tav—truth—as the last letter of the alphabet and the doubling (picked by the editors) evokes the feeling of déjà-vu and disjointedness with episodes replayed again and again from different angles.

duces wild (12. 867)

Having gotten his political start as secretary of the labour party in for the city of Trento in Sud Tirol under the Austro-Hungarian empire with an editorial role with the partisan newspaper, L’Avvernire del Lavoratore (The Future of the Worker), Benito Mussolini was eventually deported back to Italy for several incendiary essays but not before having the opportunity to publish several pieces of his own academic and creative writing works around 1910—fancying himself to be quite the well rounded intellectual, with travelogues, literary theory and even a serialised romanzo storico, L’amante del Cardinale. Possibly ghost-written and loosely based on a historic papal affair and scandal from the seventeenth century, the lurid novel was a violent, anti-clerical invective and though tripled circulation for the publication, it was forgotten just as quickly as Mussolini trajectory barrelled towards fascism (compare to the water-colours aspirations of Adolf Hitler) but was compiled and reissued in 1928 in English translation as a sort of curiosity of purple prose—during the interbellum, many in UK and the US extending approval and tacit tolerance for Mussolini’s efforts to modernise and stabilise the country (dissolving and unifying the Papal States, the Pope was confined to the Vatican—see previously here and here) and its north African colonies despite his authoritarian tendencies, but some, particularly in academic circles, were less charitable and recognised the author for what he was. Dorothy Parker (previously) was especially biting with her criticism and saw right through the pretence. More from Print Magazine’s Daily Heller at the link up top.

grendel’s mom (12. 864)

We very much appreciated the introduction to artist and wordless novelist Lynd Ward through the lens of his 1939 hand-tinted woodcuts for his graphic novelisation (pioneering the genre) of the classic tale of Beowulf. Also working with the media of lithography and mezzotint, Ward was inspired to take up illustration when a teacher pointed out to him that his surname was “draw” backwards whilst recuperating at sanitarium for tuberculosis patients ay Sault Ste Marie in Ontario and honed his skill as an engraver. Settling in Leipzig with a scholarship, he first encountered picture books that were able to convey a narrative without captions and upon returning to New York City developed his portfolio for commission, first in an adaptation of Japanese folk tales.

A series of three classics brought out by Heritage Press in the late 1930s awarded to Ward also included The Count of Monte Cristo and Les Misérables fully established his credentials, avoided by the mainstream publishers for a time over depictions of racial injustice for earlier illustrations referencing slave trade and lynchings, though Ward’s work never shied away from taboo and subversive themes. Similar to the hortatory opening of Homer’s Iliad “Sing, Goddess, Achilles’ rage,” the Old English epic poem starts with the invocation Hwæt!—listen to my story.  Although preferring to work in monotone, the contrast of hot and cold colours for the heroic legend really demonstrate Ward’s mettle.

rare, obc. (12. 861)

Futility Closet directs our attention to a volume first published in 1974, with multiple reprintings over the decades of some eighty thousand entries of preposterous and over-specialised English nonce words—though uncommonly, sometimes only once (see above) glossed in accessible corpora, that is at least outside the fandom of committed logophilia—compiled single-handedly by one Josefa Heifetz Byrne. The author was also a renowned concert pianist, taking her married name from her husband Robert Byrne, an expert pool player and instructor of billiards as well as a prolific humour columnist and civil engineer.  The book covers some of our old favourites, like ucalegon and anatiferous (an arguably useless word), as well as a treasury of terms new to us like foraminous, full of holes (see previously here and here), the Scots word groak for to look fixed at a party eating in anticipation of receiving food, anemocracy, a metaphorical term for governed by the changing winds and quaquaversal, going off in all directions. Click through at the link up top to check out a copy from the Internet Archive and adopt something you see that needs returning to common-parlance.

the machine stops (12. 858)

Expanding on the E M Forester dystopian novella, which first revealed its resonance to many during the COVID pandemic and lockdown when most were confined to a hexagonal cell with creature comforts and on-demand entertainment provided much like the main characters, we appreciated the chance to revisit the story and its litany of predictions courtesy of Better Living Through Beowulf. Written as a rebuttal to HG Wells more utopian and slightly paternalistic vision of the future, Forester wants to emphasise the authoritarian nature of rapid technological advance set in a future then very near to its publication. Most of the human population has gone subterranean after extreme climate change and toxic air has made the Earth’s surface uninhabitable. A benevolent omnipotent, super-intelligence caterers to its kept humans’ every need who in physical isolation only engage in the activity of posting on social media, texting and Zoom calls. Travel is permitted but deemed unnecessary and the super-intelligence, simply the Machine, is worshiped as a god—with orthodoxy reenforced by social creditworthiness. When the Machines begins to malfunction, people accept defects and hallucinations as the whims of omniscient providence until the disruptions become intolerable but unfixable as knowledge of how to affect repairs has become lost, if it was ever understood in the first place. After a catastrophic collapse of its circuits, people slowly reemerge and begin to rebuild civilisation.

synchronoptica

one year ago: Germany’s coalition government faces collapse (with synchronopticæ), an archive of military uniforms, America’s first Red Scare plus assorted links worth the revisit

8x8 (12. 842)

dressed like a priest you was, tod browning’s freak you was: the long legacy of the 1932 pre-code sideshow feature that still prompts discussion on exploitation and othering  

never throw out anything that might be useful: a thoroughgoing interview with author Margaret Atwood (previously) ahead of the publication of her new memoir  

tactical infrastructure: proposed US legislation to open up public lands and national parks to commercial development and harvesting if any part of the designated space abuts borders as a buffer-zone  

grandfather clause: the brevity of the fifteenth amendment to the US constitution belies its impact on voting rights—and shows America has endured such disenfran-chisement before

bee positive: our pollinator friends have the capacity to experience happiness and its contagious—via Strange Company  

they’re simultaneously launching a new game where you get to do chores in a stranger’s house: twenty-thousand dollar humanoid robot fails to preform tasks autonomously and requires teleoperation—see previously—via Super Punch  

let them eat cake: while millions of Americans face hardships due to a lapse in food aid and skyrocketing health insurance premiums during the furlough, Trump remodels the Lincoln Bathroom, plus the Great Gatsby-themed party on the patio that was formerly the Rose Garden at Mar-a-Lago

gorgon: for her annual fancy dress party, Heidi Klum dressed as Medusa—inspired by Ray Harryhausen’s stop-motion monster for Clash of the Titans

synchronoptica

one year ago: assorted links worth revisiting (with synchronopticæ), research vessel R/P FLIP, Alphabet sued by Russia, character amnesia plus a fan super site on Super Mario lore

thirteen years ago: November holidays plus animal crossings

fourteen years ago: dream therapy, liveable communities plus malleable memes

fifteen years ago: America votes 

11x11 (12. 833)

krasnaya polyana: luxury Black Sea ski resort under development linked to Aleksandr Lukashenko—the town makes a good name for the Russian asset in the White House 

bride of frankenstein: tour guide uncovers unknown grave of silver screen legend and horror icon Elsa Lanchester decades after her death 

parlour of prestidigitation: a visit to Hollywood’s Magic Castle in 1978 with tour guide Orson Welles  

kunstformen der natur: the discovery of microscopic marine life informed one of the most influential illustrated books published in the work of Ernst Haeckel  

heptarchy: the realm of the Anglo-Saxons could have just as easily turned out being called Sexland  

🌀:potentially unprecedented in terms of strength and destruction, Hurricane Melissa makes landfall on Cuba and Jamaica  

open house: the real estate industry has entered the era of AI slop for virtual tours

turing patterns: the hypothetical evolutionary mechanism that might explain the emergence of complex geometries in Nature 

fiend without a face: a 1958 scifi horror feature 

if you are a werewolf—and very likely you may be—for lots of people are without knowing: a comedy of manners about a coven of witches is considered a classic of early feminist writing 

neunundneunzig luftballons: Lithuanian forces shoot down dozens of balloons invading their airspace dispatched by Belarus

the farthest shore (12. 828)

As for other authors of the genre, the business of world building is a key first step, and no exception for godmother of high fantasy-fiction Ursula K LeGuin (previously here and here) who meticulously charted out her complex, layered narratives before populating them with her characters. Along the same lines as Le Guin’s pithy quote about how people who deny the existence of dragons are often eaten by them—“from within”—mapping out her domains has an immediate impact: “I saw and named Earthsea and all its islands. I knew almost nothing about the but I knew their names. In the name is magic.” More on the exhibition from Hyperallergic at the link above.

the garden of forking paths (12. 791)

Via the always engrossing Quantum of Sollazzo newsletter, we were at first a bit repelled by this project by Sean Goedecke to build a never-ending Wikipedia, tens of thousands of articles generated by AI—not really understanding what was happening under the hood. The constellation of seed entries of course branch off like a neural network, be that organic or synthetic and contain links, a potential daisy-chain to topics adjacent, like the typical experience of falling down a research rabbithole, except there are no red ones to click on. If the article does not yet exist, it is summoned into being with the user’s interaction and the freshly generated page has its own set of potential connections. Though no replacement for the genuine encyclopaedic project, it does make the paracosm of the large language model a bit more scrutable—like how getting to Philosophy and related challenges illustrate its architecture as well as the nature of interdisciplinary studies. Goedecke, with ample caution for the visitor, compares EndlessWiki to the Library of Babel of Jorges Luis Borges, a pocket universe of stacks holding every permutation of book possible, which by the laws of probability contains a lot of gibberish but also every title ever written and that might be written. Some new languages could also be proposed to make sense of the seemingly random texts—however, despite the search for meaning, the librarians remain functionally ignorant and cultist behaviour and superstition arises that confound and frustrate the infinite task of curation and of culling.

synchronoptica

one year ago: assorted links worth the revisit (with synchronopticæ) 

fifteen years ago: a secret Cold War West German bank bunker