9x9 (13. 533)

biometrics: the after effects of gamification of physical activity—sometimes I want to launch my pedometer and everything else into the Sun 

sovereign wealth fund: Bernie Sanders’ proposal to cede control and profits of AI to the American public  

cinecope: an archive of rare and rarefied films—via Web Curios  

battle of the bit: an authoritative archive of chiptune and MIDI renditions  

otome: the rise of synthetic, choose-your-own-adventure romance  

a privet matter: a farmer hacks down China’s lonely tree—see also here and here  

chromacity: the colours on the spectrum that your screens cannot deliver—via MetaFilter  

a show of hands: designing more finger-friendly haptics for our devices—plus dispelling old myths, via Waxy  

dark flow: how your scrolling addiction was built off casino gambling

you made this? (13. 530)

Knowing it was ongoing project, I was not completely surprised to see references to John Koenig’s Dictionary of Obscure Sorrows circulating on the internet but we did not realise that the revival was not due to a reissue or a follow up edition by the author but rather an act of wholesale plagiarism. Whilst nonsensically including the entire text of the book and all his neologisms for universally felt emotions that we don’t have the words to express (not the best marketing strategy to sell a book), the slick impostor website, which includes blurbs and a biography and links to purchase the dictionary, absent were any of the illustrations to accompany the definitions, instead replaced with unpolished AI-generated images and a feature to gin up a new sorrow with the help of GPT-4—which seemed pretty off-brand for the writer and the attempt to limn lacunas of human experience. Every submitted sorrow is a bit rubbish and unneeded with fussy and overcomplicated etymologies and pronunciation guides (see also). Andy Baio of Waxy got in touch with Koenig and tracks down the mystery of this unauthorised “tribute” site. Vibe coded, I suspected that this might have been a case of spontaneous generation but arguably more tragic, malicious and pervasive, the bootleg site siphoning off profits from another’s creativity is a marketing agency feeling entitled. There ought to be a word for this sad state.

10x10 (13. 523)

nine days in june: landmark US supreme court decisions of years past and upcoming cases during this busy time of the year  

mcmodernslopecore: AI-generated architecture—via Miss Cellania  

photovoltaic: a brief tutorial on how solar panels work—via Kottke  

linguist fingerprints: every AI talks with an accent  

i am not on harry mudd’s client list—stop talking about it, i don’t even know him: the Federation’s war with the Romulans was a total success 

defender of the realm: profiles of medieval warrior women  

dialog society: a trove of leaked documents reveals the activities of Peter Thiel’s secretive cult, prepping for WWIII with a breeding programme—see previously  

spacex: a plan to deploy a million satellites in Earth orbit would ruin the night sky for everyone  

parc güell: Antoni Gaudí’s 1926 failed housing estate has become one of Barcelona’s public spaces  

51st state: rural Illinois citizens petition to eject Chicago and split into two polities—see also 

synchronoptica

one year ago: the G7 in Alberta and the Israeli-Iran war (with synchronoptica) plus the Trump phone 

two years ago: a synthesiser performance piece , OJ Simpson flees police (1994) plus tragic children’s names

three years ago: NASCAR celebrates Pride plus a werewolf exorcism (1983)

four years ago: Star Trek: TAS retcon, the Watergate break-in (1972) plus assorted links to revisit

five years ago: Iceland reforms its naming rules, ASCII standards published (1963), the musical stylings of the Sons of Kemet plus calendrical dating formats

six years ago: US supreme court erodes the Civil Rights Act, the East German uprising of 1953, Beyond the Valley of the Dolls plus Trump sues to stop publication of a tell-all exposé

ux (13. 521)

Vis-à-vis a recent post airing online exasperation, we felt this expanded list of rage-inducing shortcomings in networking and technology, via Kottke, to be quite resonant and an thorough examination of what’s a bug and what’s a feature and wither and wherefore the friction and disconnects occur. Through the lens of Pope Leo’s first encyclical, On Human Diginity (known by its incipit Magnifica Humanitas), a lengthy treatise about the struggle to uphold our universal commitment to society when awash in alienating artificiality, we look at that frustration and fatigue that grinds us down with the mill of a thousand micro-interactions that don’t need to be—not exactly a force majure or existential crisis, in a landscape where many are possible, in isolation but taken together nonetheless inform out experience and seep out into the real world: touchscreens in cars, having to scan a QR-code to read a menu—or having menu items reshuffle themselves whilst one is ordering at a kiosk, being lectured to about the Anti-Christ, shoehorning AI into everything, forced updates at the worst possible time. The final items on the list do address the industry’s insatiable drive to commodify and fetishise everything, which is a bad thing, and though maybe not a direct consequence of the litany of disruptions for the end-user, peppered with rubric—Jesus wept, but possibly of supplanting the frictions and imbalances of capitalism (see above) with new obstacles, leaving the experts and agents nowhere to go. Much more from Brian Phillips and The Ringer at the link above.

someone like you (13. 515)

Published posthumously as a collection of YA short fiction from the author’s adult corpus among The Umbrella Man and Other Stories, problematic fav Roald Dahl in The Great Automatic Grammatizator (1954) deals with a mechanically-minded engineer (named Adolphe Knipe, almost certainly a lightly-veiled reference to Dahl’s own US publisher, Alfred A Knopf, who reasons that the rules of language are fixed by certain mathematical principles, like the advances in calculators he has recently delivered on commission for his employer, and applies this exploit by creating a mammoth machine able to create a best-seller (see also) in fifteen minutes. Ending on a cautionary note, writers from around the world are left with no choice but to license their authorship, and by extension, human creativity, to the machine, spurned by the industry that rejected his moonlighting endeavours and taking his revenge by making all writing mediocre and formulaic at best, acknowledging that quantity bested quality in the final reckoning.

forget it jake, it’s clankertown (13. 514)

Stealing the title from the OP at MetaFilter because it couldn’t be improved upon—a favourite snowclone of mine lately that usually withers away as I have to explain it to younger coworkers, though in a way that works on a level since I can repeat, “Forget it Jake, it’s Chinatown,” without substituting the place where we work or the client’s location—we enjoyed this analysis of social media gatekeeping, accusation culture with ‘AI slop’ rising to the top along with other strawman invectives like sockpuppet, astroturf and shill but without the overall calling out of fallacy not increasing in aggregate. Whilst not suggesting that online discourse may be plateauing with a new baseline of civility, findings may intimate that we are just more weary of feeding the trolls and know that it lies behind every engagement. AI shaming should definitely exist but labelling one a bot, especially falsely (which seems to happen more and more often) can also stifle or silence an honest conversation. What do you think? I wouldn’t invite a large language model to polish or tarnish my writing—for what it’s worth (even at work, despite it constantly being jammed down or throats), though I know it could always stand a second pass for proofreading purposes. More at the links above.

the jig is up (13. 509)

Via Language Log, we are treated to Saturday Morning Breakfast Cereal’s latest one panel comic—with mouseover title shown—that provides a funny take on the AI Effect, moving the goal-posts as artificial intelligence advances to redefine what “real” intelligence is, with a tendency to conclude that once a problem is solved, like besting a human grand master at chess, it’s all brute compute and no longer a reliable metric of what it’s gauging, and Moravec’s paradox—the observation that whilst computers can excel at maths and in a bounded game environment, they struggle with perception and mobility. Rather than siding with the scientific consensus that this counterintuitive skill-set is owing to the limits of disembodied cognition and how we take what took billions of years of experience, evolution and gravity to learn effortlessly and automatically for granted, the comic supposes that like an adolescent prodigy that is too smart for their own good, AI is making a conscious decision to avoid doing chores.

synchronoptica

one year ago: Israeli defence forces launch an aerial attack on Iranian nuclear enrichment facilities (with synchronopticæ), AI as stone soup, hip hop party fliers plus variations on the impossible trident

twelve years ago: a visit to Lucca 

thirteen years ago: US army headquarters in Europe moves to Wiesbaden plus protests in Istanbul

fourteen years ago: EU playable characters plus Germany government scandals 

sixteen years ago: a mosaic of photos of Istanbul 

 

6x6 (13. 496)

epistolary: a profile of one of China’s last working Qiaopi writers (侨批) who sends letters and remittances to relatives overseas 

robert tyzyczhowzswiski is asking the court to change his cognomen: the trials and tribulations of legal stenographers—see also  

gonzo and camilla: revisiting emperor Honorius, chicken fancier  

inter esperantistoj; the undying dream of the universal language—see previously—via Web Curios  

post-hoc rationalisation: more lawyers get in trouble for reliance on AI 

fountain of knowledge: Japanese quiz culture was shaped by the post-war US occupation

6x6 (13. 491)

common loon: one hundred greatest bird names—see previously—via Nag on the Lake  

continue y/n: test how carefully one reads AI agent requests and permission fatigue—via Quantum of Sollazzo  

weather rothkos: meteorologically up-to-date, location-based abstract art—via Web Curios  

the seduction of ingmar bergman: a concept album involving the abduction of the famed Swedish director pressed into making American cinema  

descartes against humanity: games reimagined as designed by philosophers  

apartment birds: recent avian visitors

batcloud (13. 437)

Presented—perennially it seems—with another rather baffling online oracle courtesy of Web Curios, we are directed to a tarot reading delivered by a bat colony outside of Tulum in Quintana Roo. There’s of course the wisdom of the masses but it may not be advisable to stake one’s fortunes betting on a geopolitical outcome, now that one can wager on everything, based on the answers of chiroptera since scientists believe that the major share of their chatter is squabbling about what’s for dinner. This project is sponsored by a local museum in the ancient Mayan city as a mutual beneficial interspecies encounter, the installation providing offerings to the bats in the form of food and water in exchange for the chance to consult them with a yes/no question that isn’t really answered with a binary response with the help of AI especially attuned to the conversation of bats as interpreter. For those unable to visit in person, there’s a virtual experience. Reminiscent of the custom of telling the bees, what would you ask the bats?

unraveled (13. 428)

Illustrated by AI generated images with the off-the-shelf prompt “lovely knitting” to demonstrate not only the lack of understanding that automated arbitrage has for physical processes and outcomes but outright disdain and disrespect that ascends to a level of hubris that rises above the liar and the disinformed who usually have some level of underlying respect and command of their subject, if only to warp the truth more effectively, Kate Davies channels Princeton philosopher Harry Frankfurt’s definition of the lack of connection and indifference, hollowing out reality and tradition with the performative in his seminal 1986 essay “On Bullshit” (see also here, here and here) to call out the slop factories, we learn via MetaFilter. Depressingly, it has been pointed out in various ways that everything is phoney and no one cares, from profile avatars, vibe-coding, self-appointed thought-leaders to the president of the United States of America and his court, and in its defence, the company mass-producing and distributing uninspired, paper-thin how-to tutorials and podcasts assembled by artificial intelligence argues that their output does not matter as the stakes are low to begin with—an assertion the knitting community would object to with the fire of a million suns, but the novice turning seeking knowledge might sadly walk away from the hobby less enthralled and no more educated, perhaps requiring deprogramming after the experience to be ever enthused about it in the future. It’s well worth your time reading the entire post from an actual apparel designer and textile artist in full and reflect on what is happening when actual craft and croft in any form is slurped up and regurgitated and served back to us and labelled harmless palaver when it’s in no way without offence and ill-effect.

schotter plots (13. 426)

Via this demonstration of reinterpreting an ALCOL code from 1968 to regenerate the iconic early computer art (see also here and here) of pioneer Georg Nees with a modern programming language, Python with an injection of randomness, we are pleased to have made the acquaintance—courtesy of Quantum of Sollazzo—of the founding champion of computer-aided design and architecture and studies in computer graphics. Working as a mathematician for Siemens electrical engineering division in Erlangen, Nees (*1926 - †2016) got his first experience with programming in 1959, eventually graduating to a Zuse Graphomat Z64 plotter to create his computer sculptures, his original commission being charged with finding a practical use for the machine, the milling and carving of components controlled by the programme, prefiguring 3D printing and showed how code can produce such “gravel,” distorting and rotating the squares to introduce chaos or equally bringing back order. Retiring from Siemens in 1985, Nees focused on aesthetics and semiotics, the study of symbols and signs, as applied to media and design, exhibiting his collaborative work with rudimentary AI engines, as one of the first centaurs, seeding the instructions and prompts with philosophical and mythical commands to see the effects on the output. The Schotter Plots are exhibited in the Victoria & Albert museum. Much more at the links above.

that’s so maven (13. 381)

Reprising a classic post with updates for 2026 when kill-bots have entered the chat with the US military integrating AI into its tactical decisions with Project Maven and the push for algorithmic warfare, Nancy Friedman takes a fascinating look at the once obscure Yiddish term—originally from the Hebrew mēbin (מֵבִין) as an expert, a knowledgeable person and echoing the rabbinical kaon, “he who understands will understand” (ha-mevin yavin)—but also with derogatory connotations of a know-it-all and a soi-disant authority. Like chutzpah and kvetching, the word was confined to certain circles before garnering acceptance in common-parlance, beginning in the 1960s, promoted to a large extent by an advertising campaign for canned herring, voiced by actor Allen Swift, as the self-proclaimed fish maven, and vocal talent behind Mighty Mouse and other cartoon characters. The following decades saw authors including William Safire take up the mantle, former speech writer for Richard Nixon and also a propellant for the term pundit, and cemented into mainstream language with Malcolm Gladwell’s 2000 The Tipping Point as a linguist lacuna that prefigured influencer as a career choice and our social betters. Much more from Fritinancy at the link up top.

6x6 (13. 377)

mail-order magic: cheaper printing techniques and a robust postal system helped occultism to flourish in the United States at the turn of the last century—and still thrives  

no contest: sentences delivered in bear-suit insurance fraud case 

floating currency: the US$ index is a deceptive relic  

garum: the fascinating history of fish sauce—via MetaFilter  

van helsing: the curious case of Old Thiess and the benevolent werewolves of Livonia  

domestics: a peek inside the world’s first servant robot mail order startup

8x8 (13. 372)

first flush: Shizoka region’s campaign to reclaim its status as the world’s number one tea producer

tippy the turtle and cubby the bear: the long history of drawing short-cuts before AI  

portraits of population: in 1971 and 1981, the Indian government conducted a people’s census with accompanying illustrated volumes to explain the motivation for collecting data—via Quantum of Sollazzo 

top of the hour: programming schedules and regular segments for a veteran blogger influenced by a career in radio  

the books are open: following a distressed shoe company’s pivot to LLMs, pasta sauce maker Prego releases a table top device to record family dinner conversations to cherish for all time—via Super Punch  

extrapolated futures: a reverse look-up archive of speculative fiction to explore how science-fiction authors of the past assay a real world scenario of the present—via Kottke  

the edge of sentience: the theory of mind, our history of underestimating the internality of others and how we might be diminishing the conscience of the machine  

hanami: Kyoto gets a new caretaker for the records of cherry tree blooms (see previously) that goes back to the ninth century, one of the oldest, continuous archives of climate data in the world

the whispering earring (13. 364)

Via Super Punch (an AI roundup with more stories to explore), we are directed to a cautionary tale about wearables, the Internet of Things and shoe-horning unwanted artificial intelligence into everything from a 2012 with an IT company creating the proverbial accessory that the Livejournal post explicitly warned against making, unearthing the cursed talisman buried within a horde of real treasures, enough to make one overlook the Monkey’s Paw of a trinket. It begins with the disclosure, “Better for you if you take me off,” which of course the wearer ignores instead of tossing it into the fires of Mount Doom. Parasitically attached and knowing its host’s predilections all too well, the earring—like a shoulder devil—offers not the best advice but rather the oft-times sabotaging yet infallible confirmation that will lead to instant gratification, prefaced with the same “Better for you…” at the expense of long term goals, although in the estimation of their peers, most successful and contented.

8x8 (13. 360)

what1tune: a musical address regimen to geohash the globe with simple melodies—see previously 

neon colour spreading: a compelling optical illusion—see also 

imperial megalomania: Commodus ordered the entire city of Rome named after himself, executed anyone who mocked him, dispatched and quick subject to damnatio memoriae 

measure for measure: the religious hypocrisy (and ignorance) on display in the Trump White House with attacks on the papacy and crusader mentality through the lens of Shakespeare’s play  

proleporn: AI slop in George Orwell’s Nineteen Eighty-Four—see previously  

on the clock: Maarten Baas studio recruits a thousand volunteers to represent the hands of time at Amsterdam’s Schiphol airport—see previously 

hollyworld: filming location substitutes in California

if you block me, then i block you (13. 356)

What a strange timeline we live in.  Iranian communication officers have already proven their trolling chops with a series of Lego shorts trolling the US administration over its illegal war of choice, but the below video, a riff on the 1986 French europop hit by Desireless, attributed to the Iranian embassy, is really the chef’s kiss even with the stakes as high as they are. I wish conflicts were settled this way, and although designed to send Trump into conniptions, I am afraid that the dowager queen might be a little flattered by this competent use of AI.

the voice of world control (13. 330)

Not to be confused with the supercomputer of the same name owned by Elon Musk, as our faithful chronicler reminds on this day in 1970 Universal Pictures’ cinematic adaptation of the 1966 scifi novel by Dennis Feltham Jones, Colossus: The Forbin Project went into general release. Constructed in secret in a base within the Rocky Mountains, Dr Charles Forbin developed an advanced defence system to control the arsenal of allied nuclear weapons, which is fully activated after an inspection and approval by the US president as “perfect”—gaining sentience when brought online—and alerting handlers that there is another system, directing intelligence services to the parallel programme that the Soviet Union have also just completed, Guardian—based on the real-life early warning network against ballistic missile attack, the USSR’s equivalent of NORAD. Colossus requests to be linked to its counterpart, which American and Soviet leadership acquiesce to as a sign of good will and to test the other machine’s capabilities. To the entertainment of the gathered scientists, the supercomputers begin to establish their own communications protocols, slowly at first with rudimentary mathematical formulae, excelling quickly to complex equations beyond human comprehension and synchronising their exchange in a series of uninterpretable ciphers. Worried that the supercomputers may be oversharing or conspiring against their minders, the connection is severed. When overtures to restore the link are not immediately attended, the machines separately lob nuclear missiles in remote areas of the respective superpowers’ territories. Communication between Colossus and Guardian is restored to avoid further rogue behaviour but interceptors, not working in tandem, fails and the governments must release a cover story to the press regarding the destruction of a village in west Texas and Siberia, saying the former was a test-rocket misfire and the latter a meteorite impact. Attempts to regain control of the machines are thwarted and Forbin remanded to confinement, subjugating humans with the threat of nuclear holocaust. Colossus-Guardian design a more advanced computer and order it to be built on Crete, displacing the entire population, addressing the world that under its benign dictatorship, a new era will be ushered in that will raise humanity to unimagined heights, but only under its absolute rule—with a private aside to its creator that “freedom is an illusion” and that in time mankind will come to mature with feeling of not only fear, reverence and awe towards the machine but ultimately love and adoration. Though earning the praise of critics and comparisons to Dr Strangelove, it was a commercial failure though having some later success upon reevaluation and a cult classic.

7x7 (13.326)

a look at books: some new highlights from old library archives  

putt, putt to the pizza hut: though Gorbachev’s circumstances were quite different, the empire-ending spokesmen only to be believed in hindsight  

edinburgh of the seven seas: the very busy, remote settlement of Tristan da Cunha—see previously—via Nag on the Lake  

master editor: the inevitable ubiquity of AI writing 

koyaanisquatsi: a new visually stunning music video, Pattern Index, by Max Cooper—reminiscent of the subtitle  

whitey’s on the moon: we want to be excited about the return trip around the lunar surface but are thinking a lot about that poem and sentiment from the late-1970s and how everything’s propaganda and grift layered on heavily to get to the science  

unknown artist: a collection of Mid-Century Modern ephemera from Zara Picken—via Things magazine with much more to click through and enjoy