blowed ‘em up reeeeeal goooood (11. 685)

As our faith chronicler reminds, one this night in 1979, the US baseball team the Chicago White Sox playing in their home stadium of Comiskey Park against the Detroit Tigers, held as a promotional event to attract flagging fans during a poor season Disco Demolition Night—previously. In exchange for bringing a record that they wanted to see destroyed, the audience was extended a discounted admission of ninety-eight cents—a reference to the frequency of some popular local radio stations seen as betraying their rock credentials and base by playing the now mainstreamed genre, the host team engaging local shock-jock and fervent anti-disco advocate Steve Dahl to capitalise on the polarising matter of taste in music, with disco’s normalisation to the point of saturation seen by some as degenerate and rooted in gay culture—for frigid women and effeminate men and minorities, whose activism had already stoked riots. With more individuals coming to see the spectacle rather than the game during a pause in play, DJ Dahl collected the albums in a crate and detonated it on the field. Due to damage to the outfield by the explosion and an ensuing onslaught of rowdy fans, the White Sox were made to forfeit the game for the damage to the Tigers. Though already on the decline, disco’s growing unpopularity coincided with this biblioclasm, with artists and labels rebranding it as dance music and many stations returning to a rock format.

then they showed me a world where i could be so dependable, oh, clinical, oh, intellectual, cynical (11. 633)

Rising to number six on the US Billboard Hot 100 on this day in 1979 (the seventh spot in the UK charts), the lead single from Breakfast in America (see previously) was a deeply personal reflection by Supertramp’s singer-songwriter Charles “Roger” Pomfrit Hodgson, honoured with the Ivor Novello prize the following year for best song, both musically and lyrically, about his decade away from home as an adolescent at boarding school and an indictment on the priorities of the educational system for eroding individuality. The critically acclaimed song’s instrumentals feature castanets, saxophone and the tackle sound-effect from a Mattel electronic football game. The version by German techno band Scooter—as Ramp! (The Logical Song)—from 2001 peaked at second place in the United Kingdom, topping the charts in Norway, Ireland and Australia.

*    *    *    *    *

synchronoptica

one year ago: assorted links worth revisiting, Screaming Lord Sutch, chicken orbs plus the exorcism of a werewolf demon (1983)

two years ago: Ziggy Stardust, the monkey puzzle tree plus Bloomsday

three years ago: your daily demon: Bathin, Psycho (1960), more links to enjoy, a summit in Switzerland plus a guide to hurricane name enunciation

four years ago: the sacking of Cambridge (1381), trends in house numbers, renaming US army bases, the first woman in space plus CPT Picard Day

five years ago: microplastics in our bodies, a field of poppies plus graphic designer Otto Aicher

six years ago: purging the Deep State, a visit to Burg Sonnenberg plus black hole solar systems

seven years ago: the Dunning-Kruger effect, IKEA cookery plus experiments in human-dolphin communication

eight years ago: denying a platform to dissenters, Funeral Parade of Roses (1969), coats-of-arms for same-sex couples plus Frankenstein and the year without a summer

try once more like you did before (11. 273)

Released on this day in 1979 as the lead single from their sixth studio album, Voulez-Vous, this song about a “little girl” was informed by Simon and Garfunkel’s cover of a Peruvian standard “El Condor Pasa”—and subsequently recorded in Spanish after its critical acclaim as part of Gracias Por La Música. One of ABBA’s biggest hits to date (see previously), it was showcased in a UNICEF charity concert, broadcast from a plenary session with royalties going to support the children’s emergency fund.

you can get yourself clean, you can have a good meal, you can do whatever you feel (11. 247)

Topping out at number two on Billboard around the same time, the Village People’s only single from their 1978 studio album Cruisin’ reached number one on the UK charts on this day in 1979. Rhythmically complex and with lyrics full of double-entendre, the singer-songwriter Victor Willis has affirmed that the song is to be understood on many levels and not just a celebratory anthem but also praising the diversity that the organisation fostered, the boarding house function originally founded in the 1880s to provide affordable rooms for people from rural areas coming into the cities to look for work had by the time the song was composed had seen a demographic shift to the unhomed urban population and displaced youth cohabitating with the older, more typical tenants, with a not insignificant proportion who were gay. Initially, the YMCA was going to sue the band for besmirching their name but later settled and came to embrace the enduring number for singing the praises of the institution. Inscribed by the US Library of Congress into the National Recording Registry as culturally important and “proof that disco never truly died,” the number and routine is a popular cheer for sporting events and over the eventual objection of The Village People, featured in Donald Trump’s campaign rallies—see also. Once defeated, YMCA was adopted by supporters of his challenger Joe Biden and was blasted on loudspeakers as Trump boarded Air Force One for the last time to leave Washington ahead of the inauguration of his successor.

synchronoptica

one year ago: assorted links worth revisiting plus FDR’s Four Freedoms (1941)

two years ago: a figure skater assaulted (1994), Soylent Green (1973) plus the Night of the Big Wind (1839)

three years ago: your daily demon: Amy, photographer Ute Mahler, more links to enjoy, the South Sea Bubble, an airline safety campaign, the Bad Drawing Club plus the US Capitol stormed

four years ago: US threatens Iran, First Nations’ custom emoji plus artists’ final works

five years ago: more links to visit

i can listen to you—it keeps me stable for nights (10. 957)

Courtesy of our faithful chronicler, we learn that the foundational New Wave track by Gary Numan, launching his career as a solo artist after disbanding Tubeway Army, the lead single from his debut album, The Pleasure Principle, was released on this day in 1979. Although genre-defining first and foremost, the song is a bit transcend and bigger than its era—particularly in the postamble with rather epic harmonisation of a second synthesiser, a Minimoog and a Polymoog. The lyrics were inspired by an escalated road rage incident that Numan escaped by driving over the kerb and on to the sidewalk, the autonomy and splendid isolation responsible for both inciting and diffusing situations like this. In cars.

 synchronoptica

one year ago: medieval chess gaming conventions, assorted links to revisit plus the third album from Oasis (1997)

two years ago: visiting all the rudest toponyms in the UK plus The Baltics are Waking Up! (1991)

three years ago: only one saint per jurisdiction, please (1970), Comrade Gulliver, the history of paper ballots, the Hundred-Horse Chestnut Tree protected (1745) plus vintage Japanese meal wrappers

four years ago: GAP founded (1969), more links to enjoy plus face-swapping for 2001

five years ago: medieval alewives, a gigantic inner-bellum seaplane plus real-time tube maps

jupiter xv (10. 866)

Imaged for the first time on this day in 1979 by the Voyager 2 probe, the smallest inner moon of Jupiter responsible for maintaining the integrity of its rings, composed primarily scientists believe of ejecta from meteorite impacts on the satellite, Adrastea was the first object discovered by a spacecraft rather than observations from a terrestrial telescope. In response to this discovery, researchers reviewed footage from months earlier taken by companion probe Voyager I and found two additional moons, Thebe and Metis. The object, which little is known about other than its lumpy shape and small size (around fourteen meters in circumference), is named, like others in this planetary constellation, after Zeus’ mythological foster family, charged with protecting him from Cronus, after a Cretan nymph of Mount Ida whose name means ‘inevitable fate’ later identified with the epithet Nemesis.

be acceptable in thy sight here tonight (10. 739)

Beginning a five-week run at the top of the UK singles charts on this day in 1978, Boney M’s (previously) cover of The Melodians’s song “Rivers of Babylon” with B-side “Brown Girl in the Ring,” composed originally by the Jamaican reggae group, it is taken from Psalms 19 and 137 (one of a handful of best-sellers taken directly from the Bible, along with Pete Seeger’s and the Byrds’ “Turn! Turn! Turn!” and U2’s 40 (“How long must I Sing this Song?”—Expectans expectavi Dominum) as an allegory of oppression against members of the Rastafarian faith, though the Kingston government banned it from the airwaves as potentially subversive anyway. From their third studio album Nightflight to Venus, both—the latter based on a traditional Caribbean nursery rhyme—propelled the eurodisco group to fame worldwide. The below performance is from 1979’s Sopot Festival:

at first i was afraid, i was petrified (10. 615)

Beginning a four-week run at the top of the UK singles charts on this day in 1979 (also a hit internationally and inscribed on the National Recording Registry by the Library of Congress for its cultural and artistic significance) the disco anthem about discovering personal strength in the face of breakup owes its origins to the dismissal of principal lyricist Dino Fekaris, partnering with Freddie Perren—also a former co-worker out of a job—and the resolution to bounce back, as a song-writer no less. With the working-title “Substitute,” performer Gloria Gaynor immediately recognised it as a hit. Played first by DJs in Studio 54 before the record was released, the accompanying promotional video, filmed in competing night club Xenon Discotheque and features a troupe of dance skaters.

8x8 (10. 091)

catenary curve: the relationship between arches and chains  

astrochickens: another one of Freeman Dyson’s theoretical constructs—albeit less famous than his spheres   

numeracy: a selection of books bringing maths to the masses 

click-wheel: design your next custom iPhone—add a headphone jack, handle, home button, etc. from Neal Agarwal (previously)  

safe neighbourhood: Madonna’s punk phase 

late-stage thatcherism: the UK under Tory leadership is in omnishambles 

chakumelo: a celebration of nostalgic words culled from Japanese dictionaries due to declining usage  

hìtëkw: an AI redesigns the tennis racket, named after Lenape word for tree due to its root-like design

rockoper

Opening on this day in 1979 at the Volkstheater of Rostock, the collaboration between composer Horst Krüger and author Waldtraut Lewin and featuring the musical talents of local amateur band Badister, Rosa Laub, was the first East German rock opera and played consistently from its premiere on to sold out houses. With book by Lewin, the show tells the story of young adult Karel, new in town, and waiting for his first love is attended by good luck and equipped with a blue motorbike called “Usambara” that can fly—whom eventually meets the titular flower-seller of his dreams.

7x7

stare decisis: the phrase “to stand by things decided,” the doctrine of affording preference to precedent is post-Classical Legal Latin  

day at the beach: Ludwig Favre immerses himself at Brooklyn’s Coney Island—via Nag on the Lake 

kunst und keksdose: the art vintage German biscuit tins 

tubeway army: Are ‘Friends’ Electric? by Gary Numan climbs to the top of the charts on this day in 1979   

merrily, merrily, merrily: distinguishing dreams from waking  

full-stop: Gertrude Stein and others on punctuation  

hallux: Latin’s lack of distinction for fingers and toes—see also here and here

can you turn this up, please?

The debut single from by Berton Averre and Doug Fieger from the album Get the Knack was released on this day in 1979, quickly climbing to the top of the US charts where it remained for six weeks and achieving Gold status in the fastest time since “I Want to Hold Your Hand” in 1964. Inspiring muse and eventual girlfriend of Fieger, the titular Sharona Alperin was not only the subject of the song but also appears on the single-photo sleeve, recursively holding a copy of the record under her arm. Rhythmically similar to Smokey Robinson’s “Going to a Go-Go,” the number also features a stuttering vocal informed by Roger Daltrey’s “My Generation” for the Who and reportedly was a major influence on Michael Jackson’s “Beat It.” The song re-entered the charts in 1994 as part of the soundtrack to the film Reality Bites.

lying awake intent at tuning in on you

Originally recorded by songwriter Bruce Woolley and the Camera Club—featuring Thomas Dolby on keyboard, the follow-on version performed by the synth-pop group the Buggles, released a month prior as the debut single from their first studio album The Age of Plastic, the foundational, nostalgic hit, influenced by the music of Kraftwerk and inspired by memories of covertly listening to Radio Luxembourg late at night, topped the UK charts this week in 1979. The accompanying music video, first aired on Top of the Pops, went on, just after midnight on the first day of August 1981, to mark the beginning of MTV’s broadcasting run.

live at five

This 1979 industrial (as in in the trade) theme music anthology really revs one up for the network news, coming in strong with the familiar-sounding opening track by Craig Palmer Energy, a masterpiece of the genre. There are multiple volumes of Palmer’s works, both for syndication and for one-off events, though we were unable to find out more about this rather prolific and pervasive composer unfortunately—though not everyone wants a biopic and we can appreciate letting one’s works speak for themselves—that formed the soundscape of televised reporting and sports coverage (see also) in the 1980s. More bracing openings and interstitials coming up in the panel below.

ohh, you make my motor run, my motor run

Best performing single of the summer of 1979, The Knack was awarded a Gold Record for selling a million copies on this day of their breakthrough year, the fastest assent of any song since the Beatles in 1964 with “I Want to Hold Your Hand.” Written by bandmates Beron Averre and Doug Fieger, it was sort of a courtship of Sharona Alperin, who was initially opposed to the use of her name but posed for the cover and went on to eventually become Fieger’s girlfriend and fiancee. Parodied as “My Bologna” with the approval of The Knack, the song also helped launch the career of “Weird Al” Yankovic.

i feel the earth move

On this day in 1976 at the Avignon Festival—title taken from the post-apocalyptic novel about the aftermath of global thermonuclear war—the Philip Glass Ensemble premiered the four act opera Einstein on the Beach—see previously here and here—a trilogy of portraits of personal vision and transformational thinking that spurred revelation through ideas rather than brute force and might. This two-hour excerpt from 1979 faithful recreates the staging from the five-hour debut.

to russia with elton

Starting with a venue in Leningrad on this day in 1979, Elton John gave the first of a series of eight concerts in the Soviet Union, marking the largest-scale tour thus far of a Western artist (see also), preceded by smaller shows by Boney M and Keith Richards. A subsequent live broadcast from the Rossiya Concert Hall in Moscow (the evening of 28 May) that was also carried by BBC1 marked the first satellite link-up between the USSR and the West and helped diffuse geopolitical tensions at he height of the Cold War.

revenge of the sixth

A bit deflating like learning a super hero’s catch-phrase was derived from a Ted Cruz joke or some other detestable tool, we were a little disheartened to learn the albeit non-canonical, not endorsed Star Wars holiday is sourced and cited to a celebratory message that the Conservative Party took out in the London Evening News just after exit polls declared Margaret Thatcher Prime Minister on this day in 1979:“Congratulations Maggie, May the Fourth be with you!” The advertisement caused some consternation among the Tories—thinking bringing in such a pop culture reference, though two years old by then, out of place, though calling Reagan’s his missile shield, the Strategic Defence Initiative after the space opera made the pun socially acceptable, and made the phrase, trope an enduring relic of the Reagan-Thatcher era.

white night riots

On what would have been the eve of assassinated City Supervisor Harvey Milk’s forty-ninth birthday—among the first openly gay politicians to serve in any capacity, tens of thousands rallied in San Francisco on this evening in 1979 in response to the lenient sentence handed down to the murderer, formerly fellow district supervisor Dan White, who crept into City Hall (avoiding the metal detectors) and shot Milk and mayor George Moscone the previous November.
White’s infamous Twinkie defence notwithstanding (his dietary shift to sugary, unhealthy foods symptomatic of his underlying depression, his attorneys argued), it was perceived that the court doled out the lightest verdict possible—voluntary manslaughter—because of White’s status as a former police officer and firefighter and the justice system was seen as biased and protecting one of its own. Although the march started out as peaceful, clashes between police and protesters turned violent and the police carried out retaliatory raids on gay establishments. Refusal on the part of the gay community to apologise for the protest resulted in greater political capital, leading to the election of Dianne Feinstein as mayor, who appointed a more inclusive commissioner to run the department who recruited more gay members to the force.

elle est ohoho!

Via Dark Roasted Blend’s latest Link Latte (with much more to explore), we are introduced to the musical stylings of pop duo Ottawan (Annette Eltice and Patrick Jean-Baptiste) with their 1979 break-through single D.I.S.C.O., the initialism spelt out, “She is D, delirious—she is I, incredible—she is S, superficial—she is C, complicated—she is oh-oh-oh! Even if this group strike you as new, you are probably familiar with their other hit to reach the charts with Hands Up! (Give me Your Heart) which was covered by the Norwegian band Hype in 1995—which became a pretty popular standard in Europe. Hands up, baby, hands up! Gimme your heart, gimme, gimme.