i’ll tell you my sins and you can sharpen your knife (12. 725)

Released on this day in 2013, the debut single from Irish singer-songwriter Andrew John Hozier-Byrne (professionally known by the mononym Hozier) is a soulful hymn that uses religious terminology to describe a forbidden relationship as an invective against discrimination with attendant shame and trauma promulgated by the Catholic Church. With the help of the music video that is somewhat of a departure lyricly and the recently introduced platforms of Shazam (as a cataloguer and registry to discover new songs) and Spotify, it became an international chart-topper, spending a then record twenty-three consecutive weeks at the top, tying with Imagine Dragons’ 2012 Radioactive. Written and demo recording made in the attic of his parents’ home in County Wicklow, it caught the attention of an independent label and turned the artist’s career prospects around. Hozier’s body of works all share social conscious themes and both his songs and continued advocacy have a strong message of justice and champion the poor and marginalised.

8x8 (12. 714)

idf: Israel airstrikes target Hamas officials in Doha—with no forewarning to Trump—as it orders the evacuation of Gaza City 

ripped from the headlines: a Centipede style arcade game played by doomscrolling New York Times articles—via Waxy  

hurdy gurdy: covers performed on an electro-acoustic modified sewing machine—see previously  

2025 pn7: the quasi satellites of the Earth—see previously  

succession: the appointee to the Murdoch media empire 

przestrzeń powietrzna: in a test of NATO solidarity, Poland downs Russian drones violating their airspace   

the evening truth: a resonate 1932 novel about yellow journalism employing a secret weapon called the composograph to fabricate sensational stories  

never again: LA’s Holocaust Museum retracts an denunciation on Israel’s attacks on Palestine—plus the genealogy of the phrase 

synchronoptica

one year ago: assorted links worth the revisit (with synchronopticæ)

fourteen years ago: wildfires worldwide

fifteen years ago: modular furnishings plus America’s competitive edge slipping

 

cadenza finala (12. 711)

Completed and recorded on this day in Vienna in 1925, Igor Stravinsky’s (see previously) Serenade in A, dedicated to his wife Yekaterina, resulted from the composer’s first gramophone contract for the American Brunswick label and written expressly so that each movement would fit on one side of a 78 rpm disc. Neither A major nor A minor is the key, despite the title, but rather the music tends towards A as a tonic pole—inspired by the chord progression and radial structure of eighteenth century Nachtmusik, serenades, usually written for a string ensemble as a piece of occasional music commissioned by an entertaining patron. The concluding movement after the hymne, romanza and rondoletto is a meditation on the composer’s Russian heritage.

*     *     *     *     * 

synchronoptica

one year ago: voting from space (with synchronopticæ), split-screen campaigning plus British holiday camps

twelve years ago: a misguided delegation to revolutionary Egypt 

thirteen years ago: deep bore holes plus aerial antennae and cellular masts

fourteen years ago: separatist movements in Italy 

fifteen years ago: predatory student loans 

seventeen years ago: an overheated engine 

goodbye england’s rose (12. 702)

With two thousand invited guests in attendance in Westminster Abbey, the route through London lined with over a million and two-and-a-half-billion viewers worldwide, the funeral of Diana, Princess of Wales (previously), took place on this day in 1997—although not an official funeral but rather a royal ceremony, organisers relied on the plans, rehearsed for the previous two decades, codenamed Operation Tay Bridge (see also) for the Queen Mother, and was accorded the pageantry and liturgy usually reserved for the royal family. The dean of the cathedral had personally appealed to senior palace aides to secure Elton John’s performance at the service—to include something modern. Diana and John were last together only a few weeks prior, attending the funeral of mutual friend Gianni Versace in Milan, and immediately upon learning of the princess’ death, John reached out to lyricist Bernie Taupin to rework his 1973 tribute to Marilyn Monroe to honour Diana. A quarter of a century later to the day in 2022, Queen Elizabeth the second held an audience with outgoing and incoming prime ministers, Boris Johnson and Liz Truss respectively, at her residence in Balmoral as her last official acts before her death.

7x7 (12. 701)

people are flushing toilets ten times, fifteen times, as opposed to once—john jay: other AI-generated quotes of America’s foundational figures at new Smithsonian exhibit—see also  

coronation street: a recent celebration of the eleven hundredth anniversary of the enthronement of King Æthelstan, the first ruler of united England  

_invalid_username: a short, seemingly intuitive quiz—we failed miserably at—on what constitutes an email address—via Web Curios  

in a galaxy far, far away: the official map of the Star Wars paracosm 

dj earworm: an end of summer mashup  

double, double toil and trouble: Shakespeare added the witches, weird sisters (see also) to Macbeth for the benefit of his patron James I—see previously  

founding fathers: the colourful life US constitutional signatory turned harsh critic of the mythos Gouverneur Morris—via Strange Company

synchronoptica

one year ago: a nuclear war preparedness exercise (with synchronopticæ)

twelve years ago: Iranian president offers a Rosh Hashanah blessing 

thirteen years ago: some castles of Rheinland-Pfalz plus a bleak economic picture

fourteen years ago: revisionism and security theatre persist ahead of the anniversary of the 9/11 terror attacks 

fifteen years ago: bird-watching plus a trip along the Danube

sixteen years ago: mascot mayhem 

seventeen years ago: a trip to the Wasserkuppe 

mister bean and the smear campaign (12. 686)

Via Nag on the Lake and Memo of the Air—although we could not really really find any affinity—nor notes for—this catalogue of the weirdest and worst novelty songs, to have been graced with music videos, we did appreciate the presentation from Vole Television with clever interstitials like classic bumpers from MTV. The title track—“(I want to be) Elected”—was produced by Bruce Dickinson (not a single-issue voter and well before Rowan Atkinson became one) for the Red Nose comic relief charity and was included in the closing coverage before purdah by BBC Parliament in 1992. Going through more of the playlist, we do find that there are VH-1 pop-up video style commentary and factoids and also features Lieutenant Pigeon, so maybe some measure of kindredness.  Tag your favourites.

synchronoptica

one year ago: the dissolution of East Germany (with synchronopticæ) plus a banger from George Harrison

9x9 (12. 669)

de minimis: new US tariff confusion has many European shipping companies suspending deliveries to the United States—see previously  

o tu illustrata: the 1988 David Lynch produced album of Jocelyn Montgomery performing Hildegard von Bingen compositions—see previously here and here  

thank you for your attention to this matter: Gavin Newson can perhaps ape despots so well because they’re not all that different 

optical illusion: if you stare at this circle for long enough, it becomes a red dot 

sometimes easy, sometimes hard: reflecting on the legacy of post-punk hit Deluxe by Harmonia half-a-century on—via Feuilleton  

labirinti di immagini: fifteenth century Italian architect Francesco Segala pioneered the picture maze  

entartete kunst: Trump orders a purge of diversity narratives at the Smithsonian 

uptown top ranking: a reggae one-hit wonder from duo Althea and Donna  

never let a crisis go unexploited: like the Dole fruit company in Hawaii or the supposed car-jacking in DC that led to its takeover, the US will capitalise on the protest of a newborn being removed from her Greenlandic mother for welfare reasons as the excuse to annex it 

synchronoptica

one year ago: a quick weekend get-away (with synchronopticæ) plus the Formosa Straits crisis of 1958

thirteen years ago: travel bumper stickers

seventeen years ago: designed obsolescence  

diesel and dust (12. 662)

Released on this day in 1987, the sixth studio album from Midnight Oil is a concept record on the themes of environmental degradation and the struggles of Indigenous Australians, critically acclaimed and ranked amongst the best compilations of the 80s since its premiere. Drawing their inspiration from several months of touring the outback and playing in venues for remote Aboriginal communities—criticised by some as a one-off publicity stunt rather than a genuine effort to highlight lack of opportunity and low living standards leading to poor outcomes, the band decided to redouble their efforts to champion recognition and reconciliation. The chart topping single below is an indictment about how populations were subject to forced-removal and sparked a global discussion about land-rights and reframing narratives—with colonisers not the only one who get to write history, reprised several times with the expanded message of the impending climate catastrophe.

*     *     *     *     * 

synchronoptica

one year ago: assorted links to revisit (with synchronopticæ) 

twelve years ago: Snowden’s time in Hong Kong, Bitcoin and Germany plus cult sites of the Theban Legion 

thirteen years ago: artist Laurtis Andersen Ring 

fourteen years ago: mythical creatures and Addler stones 

brekekekèx-koàx-koáx (12. 659)

Via ibīdem, we are directed to a retrospective look at an unusual best-selling album—reminiscent of this extensive audio survey giving voice to the voiceless in this conchological glossary or the perennial fascination of music for plants—reprised on several occasions due to popular demand in noted herpetologist Charles Bogert’s 1958 recording Sounds of North American Frogs. Fifty-seven sample tracks include the cries and calls like the scream of the Southern Leopard Frog or the rain song of the Squirrel Treefrog and moreover the look at the label and provenance of this immersive, natural experience—the Folkways Records was an accession of the Smithsonian Museum for the public good—and bringing the great outdoors to one’s ears. Much more at the links above including factors that prompted reissues for such field recordings.

6x6 (12, 643)

levi strauss waltz: fledging Jefferson Airplane’s commercials for blue jeans 

moral high-ground: despite what justice we might entrust to AI, ethics remain a human responsibility  

whittle: a reductive word challenge—via Web Curios  

keygen.exe: the soundtrack of internet piracy  

si te fata ferunt, fer fata, ferere: the inscribed joists of Montaigne’ tower of his favourite classical aphorisms   

the cube: Jim Henson’s experimental 1969 teleplay for NBC

oh by jingo(12. 642)

Released on this day in 1964, the novelty single by The Young World Singers amid the race between the LBJ-Barry Goldwater-George Wallace (previously) urged people to vote for Ringo Starr for US president. Charting on Billboard’s Top 100 during the Republican convention with a concerted write-in campaign for the potential fourth spoiler candidate (Starr ineligible by dent of his being a British subject), it is unclear if their well-organised contingent had any political impact, most fans and supporters of the Beatles’ drummer “who didn’t talk about war” being under the age of twenty-one and not yet able to vote. Perhaps however it did in a small part influence the decision to lower the voting age to that of conscription and Johnson’s later decision not to seek the Democrat nomination for the 1968 election and a second term.

synchronoptica

one year ago: Laverne and Shirley billing (with synchronopticæ)

thirteen years ago: the search for past life on Mars plus budgetary woes 

mama appelsap (12. 616)

Delving the depths of Wikipedia, we learn that in Dutch, with a much more contemporary and relatable mishearing than the seventeenth century Scottish ballad The Bonnie Earl o’ Moray (see previously), the concept of mondegreen is customarily referred to as the above, “Mommy apple juice,” from the 1982 Michael Jackson song Wanna Be Startin’ Somethin’ with the lyrics “Mama-se mama-sa ma-ma-coo-sa”—popularised by a long-running radio call-in segment where listeners were encouraged to contribute their own misheard music under that name. More formally referred to auditieve pareidolia, the Jackson song’s coda is sampled from Cameroonian saxophonist Manu Dibango’s 1972 disco hit hit “Soul Makossa,” whom later sued for a monetary settlement for copyright infringement. Although I am disinclined to believe the prevalence of the name—it sounds like something I would make up in my head, the Wikipedia goes on to inform that in Germany mondegreens are informally called Agathe Bauers—misinterpreting the refrain from the song from Snap!

8x8 (12. 614)

ieepa: class action lawsuit from small businesses affected by Trump’s tariffs could prove to be a significant challenge to his economic model 

lambretta boogaloo: a new single from Big Boss Man Los Res and the Bongo Fuzz label   

geodesy: astronomers triangulate Earth’s location in the Universe using black holes but WiFi is interrupting the signal  

at most ten-percent syncopation: Nazi era rules for jazz musicians—via Nag on the Lake  

aldeh: Greater Manchester chain keeping temporary name in honour of Oasis reunion tour after attaining status as cultural landmark  

sing what happens: a sedately risqué Japanese karaoke televised game show—via Memo of the Air 

tas: Strange New Worlds to have a fully Muppetised episode courtesy of Jim Henson’s Creature Workshop—still, cancel Paramount 

church and state: US to allow federal workers to evangelise in the work place

[guitar solo] (12. 597)

Released on this day in 1987, the debut studio album by Guns N’ Roses remains one of the best-selling hard rock records of all time but garnered little mainstream attention until the band began touring and increased airplay a year on with commercial success. Most tracks on the album and other’s in their repertoire were created while touring on the Los Angeles club circuit. The original cover art based on a painting by Robert Williams (who produced Zap Comics along with other underground cartoonists like Robert Crumb) was regarded as too controversial by retail outlets, which prompted Geffen records to compromise by moving that image to the liner-notes, substituting the more familiar Celtic cross version with five skulls representing the band members, inspired by a tattoo design. Rather than the traditional A- and B-sides, the obverse songs were labelled G—Guns and dealt with themes of drugs, violence and struggles of city life—and the reverse R—Roses covering love, sex and relationships.

8x8 (12. 594)

; ): the correct use of the semicolon—see also  

if you try to humanise the place, you will lose your mind: a journalist reflects on her unconscionable trip to Dubai  

dream logic: the surreal illustrations of Garrett Davis  

bubble house: space age, Mid-Century Modern brownstone off Central Park on the market for the first time in half a century—see also  

the sounds of summer: the soundtrack of nostalgic memories of the season by prolific composer Joe Hisaishi (久石 譲) reimagined as a short visual film  

jumbotron: Coldplay concert kiss-cam incident (and memes) underscore the practice’s awkward history  

kiss of death: US vice president flew to Montana for a secret meeting with News Corp head Rupert Murdoch, aged 94, to discuss reporting of Trump—maybe he dies soon like when Vance had an audience with the Pope—or fawning MAGA fan Truss with the Queen  

the only free cheese is in a mousetrap: the Ukrainian equivalent of the English idiom there is no such thing as a free lunch

7x7 (12. 581)

latam-gpt: frustrated with the limitations of hegemonic AIs, Latin America is building its own inclusive, nuanced version  

whatever files she thinks are credible: amid backlash and reversing a reversal of previous postures, US congress moves to release the Epstein files  

þjóðvegur 1: a twelve day summer road-trip on Iceland’s Route One worthy of a saga  

percussion section: a word-search drum machine for selection of literary classics—via Waxy  

what’s the story, morning glory: every Oasis song visualised—via Quantum of Sollazzo  

not our war: MAGA revolts over Trump’s decision to supply weapons to Ukraine, realising his fawning respect for Putin is not reciprocal 

 lived experience: editors engaged to fix AI copy 

synchronoptica

one year ago: assorted links worth revisiting (with synchronopticæ) plus the Trump-Vance ticket

fourteen years ago: a periodic table of typefaces plus holidays in France

sixteen years ago: IKEA nomenclature 

global jukebox (12. 577)

Inspired by the success of the Band Aid supergroup’s charity album from a half-a-year earlier, though with the same attendant criticism, Bob Geldof and Midge Ure staged their dual-venue benefit concert to raise funds for relief of the devastating famine in Ethiopia on this day in 1985 with bands playing at both Wembley Stadium and JFK Stadium in Philadelphia. Whilst prompting decades of debate regarding the organisers’ methods and impacts—from prioritising humanitarian aid in foreign policy and focusing the world’s attention on the plight of the poor in favour with dissenters arguing that monies raised were diverted from real and sustaining support and further delayed the West coming to terms with its parochial and patriarchal tendencies and disabuse itself from the real factors behind inequity and the injustice of colonialism under a different guise. Proclaiming music to be the lingua franca—not English, nonetheless, Geldof, at the suggestion of Boy George, whom had also taken part in the recording of “Do They Know It’s Christmas?” orchestrated a rather amazing spectacle with an enduring legacy. Mick Jagger and David Bowie had originally planned a transatlantic duet (see previously) though synchronisation problems ultimately lead to a compromise. Phil Collins did in fact play at Wembley, ferried by helicopter to Heathrow and took a Concorde flight to Pennsylvania and performed also at JFK, encountering Cher on the plane—who was unaware of the concert but was convinced to tag along and sing in the finale, an encore of the anti-hunger anthem “We Are the World.” Queen’s twenty-one-minute performance of a medley of hits was voted the greatest live gig in music history, Freddie Mercury many times leading the audience in unison refrains and his sustained cry of “Aaaaay-O” described as the “Note Heard Around the World.” The US event was hosted by Jack Nicholson and included acts by Madonna, Tom Petty, Bob Dylan, the Rolling Stones and Tina Turner with reunions of the bands Crosby, Stills, Nash & Young, Black Sabbath, The Beach Boys and Led Zeppelin.

7x7 (12. 571)

edge of eternity: Poseidon’s Underworld’s cinematic vacation to the Grand Canyon 

the open-hearted many and the broken-hearted-few: the venerable and ongoing Leonard Cohen Files—via Metafilter  

litra: an ancient Byzantine scale complete with a set Greek letter-shaped counter-balances discovered in Türkei  

voulez-vous danser avec moi: the mambo scene of Brigitte Bardot and Dario Moreno from Michel Boisrond’s 1959 « Come Dance with Me? »  

flatland: the four dimensional world of Alicia Boole Stott—see also  

and if i haver: an endurance run of The Proclaimer’s I’m Gonna Be—via Web Curios 

it happened here: a contemporary table-read of Stephen King’s what-if premise of Apt Pupil considered during a staycation from Today in Tabs—via ibidem

8x8 (12. 566)

peering capacity: a chronological representation of the undersea cable network and earthbound exchange points that forms the global internet—via Maps Mania  

somewhere, somebody must have kicked you around some: a growing thread of emigration options  

turophiles’ delight: a two part podcast on fromology, the science of cheese and cheese-mongering 

this time for africa: a possibly unironic appreciation of the 2010 World Cup anthem—Waka Waka, inspired by Zangaléwa, the Cameroonian marching song—via Pasa Bon!  

first serve: an overview of the history of tennis  

a fine bromance: a series of ruptures in the relationship between Trump and Putin—previously—possibly signals the end  

holding hands while the walls come tumbling down: a mental time-capsule of Gen-X doom ballads 

frame of preference: a story about early Mac settings and control panels narrated through ten interactive emulators—see previously—via Kottke

synchronoptica

one year ago: Savage Curtain (with sychronopticæ), impressions of West Berlin in the summer of 1977 plus Project 2025

twelve years ago: World Heritage Sites around Germany plus RIFs for the Pentagon

thirteen years ago: East-Bloc versions of Western vehicles 

the new tymbal orchestra (12. 534)

Although seemingly a bit cruel, the conscripted performers were unharmed by this musical interlude—we learn via Strange Company—that a group of students at Cornell university have demonstrated that cicadas connected to tiny electrodes can be stimulated to chirp on demand as a sort of insect-computer hybrid sound-system. The orchestra is coordinated and they keep time with the piece, Pachelbel’s Canon in D (plus ‘Danger Zone’ from Top Gun), but the individuals’ biological variation and agency, as with all musicians, comes through to show they’re not cyborgs. The researchers don’t plan to make some new bizarre symphonium out of their test subjects but rather hope to further research into such collaborations to harness nature to forego wiring and components and ultimately decrease the impact of deploying infrastructure, especially for ad hoc and emergency situations.

*    *    *    *    *

synchronoptica

one year ago: an MS Paint photo filter (with synchronoptica), commemorating mass-deportations from the Baltic states under Soviet rule plus comedians get a papal audience

seven years ago: a Bayeux tapestry of a government worker’s office calendar, mapping out Dante’s Inferno plus sobriety tests for passengers

eight years ago: deifying the Singularity, simulating the universe, early ink-blots plus an antique railway hotel

nine years ago: massacre motivations, motion-capture technology, the foot from Monty Python, more on the mass-shooting in Orlando, EU proposes using Türkei as a buffer zone for migration plus a Photo-Shop battle for the Queen

ten years ago: Doomsday bunkers plus finding Dr Livingstone