the new tymbal orchestra (12. 534)

Although seemingly a bit cruel, the conscripted performers were unharmed by this musical interlude—we learn via Strange Company—that a group of students at Cornell university have demonstrated that cicadas connected to tiny electrodes can be stimulated to chirp on demand as a sort of insect-computer hybrid sound-system. The orchestra is coordinated and they keep time with the piece, Pachelbel’s Canon in D (plus ‘Danger Zone’ from Top Gun), but the individuals’ biological variation and agency, as with all musicians, comes through to show they’re not cyborgs. The researchers don’t plan to make some new bizarre symphonium out of their test subjects but rather hope to further research into such collaborations to harness nature to forego wiring and components and ultimately decrease the impact of deploying infrastructure, especially for ad hoc and emergency situations.

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synchronoptica

one year ago: an MS Paint photo filter (with synchronoptica), commemorating mass-deportations from the Baltic states under Soviet rule plus comedians get a papal audience

seven years ago: a Bayeux tapestry of a government worker’s office calendar, mapping out Dante’s Inferno plus sobriety tests for passengers

eight years ago: deifying the Singularity, simulating the universe, early ink-blots plus an antique railway hotel

nine years ago: massacre motivations, motion-capture technology, the foot from Monty Python, more on the mass-shooting in Orlando, EU proposes using Türkei as a buffer zone for migration plus a Photo-Shop battle for the Queen

ten years ago: Doomsday bunkers plus finding Dr Livingstone

ecstacy garage (12. 532)

We are directed—courtesy of Web Curios (lots more to explore there) to this rather incredible archived catalogue of ephemera (see also) in this collection curated by the Cornell university library of scarce hip-hop party and event fliers, spanning from circa 1977 to 1984. Not only to these handcrafted promotions document the scene with information on performers, venues, admission and dress code, this is also an amazing graphic design resource that bookends a cultural moment. The archive is approaching five hundred items with additional information regarding provenance.

11x11 (12. 529)

somewhere beyond the barricade, is there a world you long to see: Reuters’ delivers a deadpan juxtaposition of Trump’s attendance at a showing of Les Misérables just after sending in the US marines to quell demonstrations  

💩: defecation syncope and other perils of pooping 

renascidos: a cosplay parenting craze with hyperrealistic dolls has captivated Brazil, prompting some legislation against their appearance in public  

tin roof rusted: a VH-1 Behind the Music style documentary on the importance and influence of The B-52’s 

artek: the upcoming centenary of Crimea’s famed Soviet youth camp that once hosted Samantha Smith—see also  

have you tried clearing your cache: a concept artist with a reputation for the mischievous develops a dating website based on harmonious browsing history  

pomp and circumstance: a preview of Trump’s grand military parade to be held this weekend—previously  

more cow bell: artist Margareta Sarvana performs the Schalger song Itke en lemmen tähden (Nur nicht aus Liebe weinen) on a Swedish variety show in 1973—via Pasa Bon! 

the schwatz awakens: a preview trailer of the Space Balls sequel to premier in 2027, when Mel Brooks turns 101

simple article summaries: Wikipedia suspends an experiment that would display AI generated synopses after editor and contributor opposition  

i’m michael barbaro, see you tomorrow: California governor Gavin Newson interviewed by the New York Times on Trump’s ICE raids

synchronoptica

one year ago: counting crows (with synchronoptica), a Minoan archaeological discovery, emotion-cancelling technology, Trump’s revenge agenda plus assorted links to revisit

seven years ago: internet freedom index, more movies scripted by AI, Reagan tells Gorbachev to tear down the Berlin Wall (1987) plus a meeting of Dear Leaders

eight years ago: memory holes, courtroom sketch artists, waste-water popsicles, mobility and mobile devices plus a surrogate social network

nine years ago: Citigroup tries to copyright the word Thanks, carbon sequestration plus more on the Trump travel ban

ten years ago: Erasmus and free-will, more links to enjoy plus Jung and Freud

ce qu’elle a dit, ce soir-là (12. 517)

A few members having trialed an early version of the song at CBGBs in December of 1975 opening for the Ramones, refining it further over the next two years for their debut performance at the same venue in 1977, the Talking Heads (previously) have released an official music video for their hit number in the lead up to the fiftieth anniversary of their debut studio album. Featuring Saoirse Ronan in very relatable circumstances with those inuring but burdening routines that can become a trigger that has a resolution over the short arc of narrative that is neither violent nor obvious.

*    *    *    *    *

synchronoptica

one year ago: assorted links worth the revisit (with synchronoptica)

seven years ago: fantasy video games, duty to be informed, the Day of the Tiles (1788), a kei truck decorating competition plus more links to enjoy

eight years ago: David Foster Wallace’s commencement speech, amplifying random noise plus the Roman road network as a tube map

nine years ago: a geopolitical flow-chart, Italy’s industrial heritage plus former German royals as ceremonial presidents

ten years ago: textiles and technology, farming birds plus the Rod Pyramid outside of Frankfurt

 

fly towards those dreams you’ve left so very, so very far behind (12. 516)

Released on this day in 1969, Empty Sky is Elton John’s debut studio album, and the harpsichord track (later remastered with piano and orchestra for Don’t Shoot Me—I’m Only the Piano Player) below, which became the most famous and enduring song from the record still occasionally performed at live shows and in 1990 for the funeral service of young HIV/AIDS victim Ryan White, has been described by the duo of John and Taupin as their first collaboration that they were genuinely excited about putting out. Although the premier work never topped the charts, critics roundly agreed that it deserved a deep listen and demonstrated John’s potential. The hymn’s lyrics give the account of a pigeon flying high and free after being released from its metal coop by a sympathetic hand.

the carpenters - space encounters (12. 506)

Airing in mid-May 1978, we are directed, courtesy of Poseidon’s Underworld to another questionable but fun project inspired by Star Wars mania (see also here and here) in this ABC television special featuring the brother and sister musical duo with guest stars Suzanne Somers, John Davidson and Charlie Callas, who are abducted by aliens and beamed up to the mothership’s nightclub (there’s a lot of crossing of franchises here) and perform a medley of their songs and other disco standards in order to help the extraterrestrials deemphasise their focus on technological advancement and embrace love and art. Check out the synopsis at the link above with production notes and more publicity stills from the show and enjoy the playlist below.

opus 314 (12. 499)

To mark both the fiftieth year of the European Space Agency and the second centenary of the birth of the composer—as well to redress a glaring omission in the playlist of Voyagers’ Golden Records, the Vienna Symphony Orchestra performed the “Blue Danube” livestreamed for terrestrial audiences and beamed out to the stars from an ESA dish antenna in Cebreros, Spain, part of the array of the deep-space network. The waltz by Johann Strauss II had its association with the wonder and grandeur of the Cosmos cemented by its use in the score of Stanley Kubrick’s 1968 film 2001: A Space Odyssey—see also—and broadcast at the speed of light, the single will have surpassed the twenty-four billion kilometres transversed by the twin probes launched in 1977, overtaking Mars in just four and half minutes, Jupiter in thirty-seven minutes and Neptune in four hours. ESA director general hopes that this concert will inspire future scientists and explorers and become the anthem of space travel.

synchronoptica

one year ago: outtakes from Dalí Atomicus (with synchronoptica) plus more on numbers stations

seven years ago: brutalist birdhouses  

eight years ago: a visit to Schloss Moritzburg plus bot armies

nine years ago: a trip to Berchtesgaden plus language and colour perception

ten years ago: the lifecycle of ladybugs

a symphony in the sky (12. 458)

Although I’d not sure that the calls and coos of our feathered friends (see previously) lack for anything, and who am I to say that birds wouldn’t like playing musical instruments—we found this ancient practise of crafting and outfitting pigeon whistles (鴿鈴, geling—also known as pigeon bells) quite fascinating. These tiny bamboo flutes, even the most elaborate ones weighing no more than eight grams so as not to harm the wearer or impede flight, form a wind section on the wing, attached to the tail feathers and emitting harmonising rhythms as they fly. Though there are fewer pigeon fanciers in urban centres like Beijing, the traditions are still maintained and breeders create a signature sound for their flocks. Much more from Present /&/ Correct at the link up top.

synchronoptica

one year ago: progrock supergroup Asia (with synchronoptica), The Swimmer (1968), outsider artist Melvin May plus a declaration of independence

seven years ago: the catalogue of degenerate art, proposed national IDs for access to adult websites plus One Hundred Scenes of Kobe

eight years ago: rescoring Star Trek: The Motion Picture, a celebration of London plus avian predation

ten years ago: assorted links to revisit plus a semi-legendary Confederate gold vault 

eleven years ago: freedom gas and influence peddling

turning saints into the sea (12. 456)

Always a treat, we enjoyed this latest mashup from DJ Earworm (previously) that blends rather seamlessly The Killers’ “Mr Brightside” x “Forever Young” by Alphaville x (minimally) Justin Bieber’s “Stay” featuring Kid Laroi. Each of the source tracks are approximately twenty years apart. All three songs thematically similar, the West German synth-pop contribution have heavier undertones disguised by a brighter, triumphant veneer when the label insisted changing the third verse to the sparse ballad from the eponymous first album (also featuring “Big in Japan”) from:

Can you imagine how we won the war?
Little fascist lady she loves you so
Following her leader, she’s getting in tune
The music’s played by the madmen

To lighten it up a bit with:

Can you imagine when this race is won
Turn our golden faces into the sun
Praising our leaders we’re getting in tune…

The band’s name is from the Jean-Luc Godard’s 1965 new-wave tech noir Alphaville: une étrange aventure de Lemmy Caution about a secret agent posing as a journalist to infiltrate and try to liberate a dystopian community run by a tyrannical artificial intelligence.

*    *    *    *    *

synchronoptica

one year ago: the terminology of literary criticism (with synchronoptica) 

seven years ago: a screenplay by Ulrike Meinhof plus the first duty-free shop

eight years ago: food insecurity, a visit to Bad Bocklet plus more ransonware attacks

ten years ago: the consequences of the TTIP trade deal plus film pioneer Louis Le Prince

eleven years ago: the right to be forgotten plus more spheres of trade

hej, din tok, jag älskar dig (12. 451)

Achieving their fourth number one single on US charts on this day in 1991, the song penned by Per Håkon Gissele, one half of the Swedish rock duo, was inspired by a note left by his then girlfriend now wife, Åsa Nordin, on his piano reading “Hello, you fool, I love you,” with the title and the accompanying narration prompted by an interview with about the collaboration of Paul McCartney and John Lennon comparing songwriting together as a “long joyride.” To universal critical and commercial praise, the Roxette album’s title track (see previously) quickly rose in the ranks, securing the same top spot internationally and became one of the best-selling single of the year—we would all take second-billing to the likes of ABBA. A thirty year anniversary remastering (see below) translated into a jukebox musical and the remaining members of the band are still actively producing.

the war is over (12. 448)

Just following the announcement of the cessation of fighting after the Fall of Saigon by US president Gerald Ford, one hundred thousand spectators gathered in New York’s Central Park for a final rally with congress member Bella Abzug and concert organised by Paul Ochs (previously) with a lineup featuring Pete Seeger, Odetta, Harry Belafonte, Paul Simon, Bob Dylan, Joan Baez and others. After a duet with Baez of the ballad “There but for Fortune”, the concert closed his Ochs’ famous protest anthem, overshadowed by but not to be confused with John Lennon’s song with a similar same name, which was inspired in part by poet Allen Ginsberg’s 1966 declaration that the Vietnam war was over and that it could be ended by simply saying so (“if you want it” like the above) and stripping it of legitimacy—Och’s final public performance, though Lady Gaga sang it for Hillary Clinton during the 2016 Democratic National Convention.

Angry artists painting angry signs
Use their vision just to blind the blind
Poisoned players of a grisly game
One is guilty and the other gets the point to blame—pardon me if I refrain

With the choral response: I declare the war is over
It’s over, it’s over

Suffering mental health problems exacerbated by heavy drinking that ultimately led to his suicide in April of the following year, friends and family say that Ochs died many deaths, lastly taking on the persona of one John Butler Train, telling people that this impersonator had murdered him and had replaced him—and in 1968, politically with the violence of the Democratic National Convention in Chicago, in 1972, professionally, after being strangled in Tanzania and deciding he could no longer sing, on 11 September 1973, spiritually, when the government of Chile was overthrown by US involvement and finally mentally with this psychotic break. Ochs’ legacy continues with numerous tributes and cultural references as well as a strong influence on subsequent artists.

*    *    *    *    *

synchronoptica

one year ago: assorted links worth the revisit (with synchronoptica) plus the Academy of Motion Picture Arts and Sciences (1927)

seven years ago: Muggertonian star charts, Russian electioneering plus Gaslight (1944)

eight years ago: wood libraries, Trump deflects from ties to Putin, bringing back the Microlino plus mathematical music

ten years ago: the brotagonist of this story, a visit to Hanau plus a visit to the Leipzig Zoo

eleven years ago: rebooting Star Wars plus Kierkegaard’s Either/Or

the nightly (12. 433)

Via Nag on the Lake and Web Curios, we are directed to an internet radio station fronting a music appreciation society celebrating a selection the vintage, obscure, vaguely gloomy and positively atmospheric songs and film scores, chiefly from the 1930 to the 1970s with some real jewels from Italian and Japanese cinema. Moody but not maudlin, there are over four thousand titles in circulation and growing that are instantly transporting and transfixing, evoking the hard-scrabbling and noir, taking one to those liminal spaces and liminal hours.

pressroom (12. 429)

For the seventy-fifth anniversary of the launch of Radio Free Europe / Radio Liberty (see previously), REM is releasing a remix of its classic track remastered by long time collaborator Garrett “Jacknife” Lee—renowned Irish music producer who has also worked with the Cars, U2, Weezer, Taylor Swift and others as a charity EP to benefit the defunded organisation’s reporting and outreach at a time when the work of public broadcasting is under assault and existential threat—see also. The call to action coinciding with World Press Freedom Day (previously), according to lore and liner notes, the 1981 song from the group that amicably disbanded in 2011 has nothing to do with the outlet—they just liked the title. “Decide yourself if radio’s gonna stay.”  More from Nag on the Lake at the link up top.

9x9 (12. 412)

crytophasia: eye-witnesses to an accident, twins speaking in unison yield insights about language acquisition   

keep your cool: a 1967 garage rock number appropriate for our times by Terry and the Chain Reaction   

swiss pavilion: the country’s contribution to the Osaka Expo evokes the spirit of the original venue—see previously here and here   

all dams are temporary: an interesting look at the limitations of hydrological regimes   

universi dominici gregis: the faithful and world leaders gather at the Vatican for the pontiff’s funeral   

buying access: Trump offers largest holders of his meme coin exclusive dinner date 

 hilma’s ghost: a monumental glass mosaic installed in New York’s Grand Central Station—in homage to the mystic artist   

on the corner: Myles Davis’ rock and funk, at first panned but now considered a masterpiece 

rampant pedantry: an overview of prescriptivism and hyper-correction

synchronoptica

one year ago: assorted links worth revisiting (with synchronoptica), a massive gallery of Star Trek images plus ancient scrolls deciphered with the help of AI

seven years ago: Brutalist Tetris, Macron addresses the US congress, the mythological namesakes of the Chinese lunar programme plus conspicuous consumption and the Diderot effect

eight years ago: Japanese manhole covers, journalism from Wikipedia, more links to enjoy, the Turkish-Syrian border, a Nazi-era bronze back on display plus more persuasive maps

nine years ago: bat nurse, the Sykes-Picot agreement, US tax-havens plus cataclysmic anniversaries (caution flashing image)

ten years ago: American founding fables

why, why, why, why (12. 407)

Via our faithful chronicler we learn that on this day in 1961 (along with many other events of pith and circumstance) the single by Charles Weedon Westover (better known by his stage name Del Shannon, which he adopted reluctantly later in his career after his favourite car, the Cadillac Coupe de Ville, and a regular from the his first venue) began a four week run at the top of the Billboard charts. Like Elvis Presley and Johnny Cash, honing his instrumental skills whilst stationed in West Germany during the post war period, Del Shannon found a part time gig after returning stateside and was a rhythm guitarist for the Moonlight Ramblers at the Hi-Lo Club in Battle Creek, Michigan and found himself band-leader after the organiser was fired for consistent drunkenness, regrouping at the Big Little Show Band with the addition of keyboard artist and electronic music pioneer Maxfield “Max” Doyle Crook, the song’s signature bridge performed on a Musictron, an early synthesiser that predated the Moog and Univox of his own invention. Covered by Elvis, Bonnie Raitt, the Small Faces, it was an instrumental version released the following year by Lawrence Welk and his Orchestra that made the lament about an unamicable break-up an international hit.

*     *     *     *     *

synchronoptica

one year ago: a treasury of weird words (with synchronoptica), AI running out of data to scrape plus the ISO’s Online Browsing Platform

seven years ago: filmmaker Miloš Forman, a different meaning for heart-shaped plus Trump on the rampage

eight years ago: cherry blossom season, speech-recognition to screen asylum-seekers, the photographic-eye of Melania Trump plus political dynasties

nine years ago: finally getting iPhones, our tented house in the papers, lèse-majesté plus a stay at Elsinor

eleven years ago: a visit to Alzey

she put the miss in misdemeanour when she stole the beans from lima (12. 404)

Although a bit too old for the PBS game show continuation of the franchise—though I’d defy anyone to not declare the theme song from house band (“Do it Rockapella!”—inspired by “Been Caught Stealing” by Jane’s Addiction) an absolute banger, I do remember the original educational computer game, Carmen Sandiego, released on this day in 1985 by Brøderbund software (whose catalogue includes Mavis Beacon Teaches Typing). Though upon reevaluation deemed edutainment, Carmen Sandiego and later incarnations were meant to teach geography in response to a significant portion of US children demonstrating a lack of basic knowledge when it came to the globe and atlas and questions were vetted and fact-checked by the National Geographic Society, a major underwriter of both the game and television version from 1991. The objective was for fledgling gumshoes of the ACME detective agency to thwart the organised crime ring of international art thieves headed by the titluar character using geography. The series was rebooted 2021 (see above) and Rockapella reprised their theme, though the production team criminally used another song. She’s a double-dealing diva with a taste for thievery.

*     *     *     *     *

synchronoptica

 

one year ago: the lost mixtape (with synchronoptica) plus assorted links worth revisiting

seven years ago: more links to enjoy, David Bowie’s self-portraits plus Plain People on vacation

eight years ago: more bad flags, more terror attacks in Germany, a concept flying car, Trump dismisses the surgeon general plus Billy Butcher on love power ballads

nine years ago: breathing exercises plus pavement level pedestrian signals 

eleven years ago: populist politics plus TTIP and reciprocal tariffs

h⭐️r (12. 403)

Via Waxy, we are treated to a duet from Homestar Runner and Strong Bad celebrating their quarter of a century of dot coms with “Back to a Website” on the origins of the World Wide Web and nostalgia for the days of surfing the internet without a shakedown or mugging for one’s personal information and digital footprints. The original animated web series folded with the discontinuation of support for Adobe Flash but most episodes are archived above through an emulator and the team behind the characters and their expanded universe have collaborated with They Might be Giants and MST3K on different projects, including previous holiday reunions and anniversary specials as well as inspiring and informing other web comics. So does this mean our website is going to have more frequent updates featuring our hilarious adventures? What—no, no—not at all!

not magic—it’s all done with mirrors (12. 389)

Via MetaFilter, we thoroughly enjoyed this latest music video from OK Go (previously), for a song with the generic title Love, that features rather than CGI an amazingly choreographed array of industrial robots that the singers interact with precise timing to create one four minute continuous, kaleidoscopic shot (one can see more on the making of the spectacle here though the execution is transparent and no less upstagingly mind-breaking for it). It was filmed in the Keleti (Eastern) train station of Budapest.

jump cut (12. 378)

A rather aesthetically balanced jumble, we enjoyed this music video for the Montreal band Corridor’s new single. Incorporating collage, cut-up techniques and vintage archival footage, it is a statement on the frenetic nature of contemporary life and the constant vying for attention (see also). The effect is really quite disorienting but rollicking at the same time. See the full video and more from the collaborators at Colossal at the link up top.

a-story, b-story (12. 375)

During a recent episode of The Simpsons (S: 36, E: 783), Homer pressures Bart to pursue a career as a celebrity disc-jockey, but the ensuing noise and chaos of the abortive effort lead to an irreconcilable rift with their neighbours the Flanders, Bart incorporating a sample of Ned’s complaint into the mix. The gang from The Hood Internet were behind the DJ’ing and also the end credits mashing up memorable Simpsons musical numbers including Do the Bartman, Dr Zaius, Mr Plow and the Monorail Song.