9x9 (12. 412)

crytophasia: eye-witnesses to an accident, twins speaking in unison yield insights about language acquisition   

keep your cool: a 1967 garage rock number appropriate for our times by Terry and the Chain Reaction   

swiss pavilion: the country’s contribution to the Osaka Expo evokes the spirit of the original venue—see previously here and here   

all dams are temporary: an interesting look at the limitations of hydrological regimes   

universi dominici gregis: the faithful and world leaders gather at the Vatican for the pontiff’s funeral   

buying access: Trump offers largest holders of his meme coin exclusive dinner date 

 hilma’s ghost: a monumental glass mosaic installed in New York’s Grand Central Station—in homage to the mystic artist   

on the corner: Myles Davis’ rock and funk, at first panned but now considered a masterpiece 

rampant pedantry: an overview of prescriptivism and hyper-correction

synchronoptica

one year ago: assorted links worth revisiting (with synchronoptica), a massive gallery of Star Trek images plus ancient scrolls deciphered with the help of AI

seven years ago: Brutalist Tetris, Macron addresses the US congress, the mythological namesakes of the Chinese lunar programme plus conspicuous consumption and the Diderot effect

eight years ago: Japanese manhole covers, journalism from Wikipedia, more links to enjoy, the Turkish-Syrian border, a Nazi-era bronze back on display plus more persuasive maps

nine years ago: bat nurse, the Sykes-Picot agreement, US tax-havens plus cataclysmic anniversaries (caution flashing image)

ten years ago: American founding fables

why, why, why, why (12. 407)

Via our faithful chronicler we learn that on this day in 1961 (along with many other events of pith and circumstance) the single by Charles Weedon Westover (better known by his stage name Del Shannon, which he adopted reluctantly later in his career after his favourite car, the Cadillac Coupe de Ville, and a regular from the his first venue) began a four week run at the top of the Billboard charts. Like Elvis Presley and Johnny Cash, honing his instrumental skills whilst stationed in West Germany during the post war period, Del Shannon found a part time gig after returning stateside and was a rhythm guitarist for the Moonlight Ramblers at the Hi-Lo Club in Battle Creek, Michigan and found himself band-leader after the organiser was fired for consistent drunkenness, regrouping at the Big Little Show Band with the addition of keyboard artist and electronic music pioneer Maxfield “Max” Doyle Crook, the song’s signature bridge performed on a Musictron, an early synthesiser that predated the Moog and Univox of his own invention. Covered by Elvis, Bonnie Raitt, the Small Faces, it was an instrumental version released the following year by Lawrence Welk and his Orchestra that made the lament about an unamicable break-up an international hit.

*     *     *     *     *

synchronoptica

one year ago: a treasury of weird words (with synchronoptica), AI running out of data to scrape plus the ISO’s Online Browsing Platform

seven years ago: filmmaker Miloš Forman, a different meaning for heart-shaped plus Trump on the rampage

eight years ago: cherry blossom season, speech-recognition to screen asylum-seekers, the photographic-eye of Melania Trump plus political dynasties

nine years ago: finally getting iPhones, our tented house in the papers, lèse-majesté plus a stay at Elsinor

eleven years ago: a visit to Alzey

she put the miss in misdemeanour when she stole the beans from lima (12. 404)

Although a bit too old for the PBS game show continuation of the franchise—though I’d defy anyone to not declare the theme song from house band (“Do it Rockapella!”—inspired by “Been Caught Stealing” by Jane’s Addiction) an absolute banger, I do remember the original educational computer game, Carmen Sandiego, released on this day in 1985 by Brøderbund software (whose catalogue includes Mavis Beacon Teaches Typing). Though upon reevaluation deemed edutainment, Carmen Sandiego and later incarnations were meant to teach geography in response to a significant portion of US children demonstrating a lack of basic knowledge when it came to the globe and atlas and questions were vetted and fact-checked by the National Geographic Society, a major underwriter of both the game and television version from 1991. The objective was for fledgling gumshoes of the ACME detective agency to thwart the organised crime ring of international art thieves headed by the titluar character using geography. The series was rebooted 2021 (see above) and Rockapella reprised their theme, though the production team criminally used another song. She’s a double-dealing diva with a taste for thievery.

*     *     *     *     *

synchronoptica

 

one year ago: the lost mixtape (with synchronoptica) plus assorted links worth revisiting

seven years ago: more links to enjoy, David Bowie’s self-portraits plus Plain People on vacation

eight years ago: more bad flags, more terror attacks in Germany, a concept flying car, Trump dismisses the surgeon general plus Billy Butcher on love power ballads

nine years ago: breathing exercises plus pavement level pedestrian signals 

eleven years ago: populist politics plus TTIP and reciprocal tariffs

h⭐️r (12. 403)

Via Waxy, we are treated to a duet from Homestar Runner and Strong Bad celebrating their quarter of a century of dot coms with “Back to a Website” on the origins of the World Wide Web and nostalgia for the days of surfing the internet without a shakedown or mugging for one’s personal information and digital footprints. The original animated web series folded with the discontinuation of support for Adobe Flash but most episodes are archived above through an emulator and the team behind the characters and their expanded universe have collaborated with They Might be Giants and MST3K on different projects, including previous holiday reunions and anniversary specials as well as inspiring and informing other web comics. So does this mean our website is going to have more frequent updates featuring our hilarious adventures? What—no, no—not at all!

not magic—it’s all done with mirrors (12. 389)

Via MetaFilter, we thoroughly enjoyed this latest music video from OK Go (previously), for a song with the generic title Love, that features rather than CGI an amazingly choreographed array of industrial robots that the singers interact with precise timing to create one four minute continuous, kaleidoscopic shot (one can see more on the making of the spectacle here though the execution is transparent and no less upstagingly mind-breaking for it). It was filmed in the Keleti (Eastern) train station of Budapest.

jump cut (12. 378)

A rather aesthetically balanced jumble, we enjoyed this music video for the Montreal band Corridor’s new single. Incorporating collage, cut-up techniques and vintage archival footage, it is a statement on the frenetic nature of contemporary life and the constant vying for attention (see also). The effect is really quite disorienting but rollicking at the same time. See the full video and more from the collaborators at Colossal at the link up top.

a-story, b-story (12. 375)

During a recent episode of The Simpsons (S: 36, E: 783), Homer pressures Bart to pursue a career as a celebrity disc-jockey, but the ensuing noise and chaos of the abortive effort lead to an irreconcilable rift with their neighbours the Flanders, Bart incorporating a sample of Ned’s complaint into the mix. The gang from The Hood Internet were behind the DJ’ing and also the end credits mashing up memorable Simpsons musical numbers including Do the Bartman, Dr Zaius, Mr Plow and the Monorail Song.

will a fosse neck do it? (12. 366)

Via fellow internet peripatetic, Messy Nessy Chic, we really enjoyed this celebration of the choreography of Bob Fosse (previously) taken from the 1969 cinematic adaptation of his Sweet Charity—based off of Fellini’s Le notti di Cabiria featuring the narrative of a sex-worker in Rome and lightly sanitised as the story of a call-girl, dancer-for-hire in Times Square’s Fandango Ballroom, its sleaziness illustrated by “Hey, Big Spender,” portrayed by Shirley MacLaine. Invited home by a celebrity guest on the mends from an apparent breakup, the protagonist finds herself in his apartment for dinner, “If They Could See Me Now,” whilst pursuing an ill-fated romance with a claustrophobic elevator-operator.

agency for defence against hallucinatory disruptions (12. 364)

Via Web Curios, we are directed towards this AI generated music video from artist called Igorr from the Meat-Dept collective that displays a directorial continuity through storyboarding that we didn’t think was possible with current models—the inability for character permanence or the ability to tweak the outcomes, edited or otherwise. There’s no real narrative quality to the short piece but the underscoring of the percussion track and the unexpected series of strangeness holds one’s attention despite its unsettling visuals and übercanniness. Neurodivergence is virtuosity, particularly in this setting.

*     *     *     *     *

synchronoptica

one year ago: assorted links worth revisiting (with synchronoptica) plus The Good Life/Good Neighbours (1975) 

seven years ago: Capella Sansevero, askance satellite views, more on seamstress Agnes Richter plus antique Friendship Books

eight years ago: an open air gallery in Amsterdam, tensions over North Korea, Gibraltar and Brexit plus a march against alternate facts

nine years ago: an MST3K reboot plus mesh churches

ten years ago: more links to enjoy plus Norway mothballs a secret arctic seaport

9x9 (12. 339)

debonair: an amazing and comprehensive collection of flight attendant uniforms—via Things Magazine  

contrapoints: a documentary contextualising misinformation to point out it is misinformation 

shortened itinerary: second lady’s tour of Greenland (now joined by her husband) is limited to inspecting the troops at Pituffik Space Base  

seagram’s vo: pallets of American alcohol being returned to the manufacturer  

jug band: a fun cover of Beat It!—with a powerful solo bridge by the Bottle Boys 

boilerfaker: a new trend in microdosing alcohol—via tmn  

duty to report: the 1890 attempt to coerce Canada into joining the US backfired spectacularly  

signalgate: The Atlantic editor inadvertently added to a national security counsel group chat publishes transcript in full after Trump administration downplayed the seriousness of the breach 

hmnd: an incomplete bestiary of humanoid robots

kalaallit nunaat (12. 338)

As the autonomous overseas territory has been garnering some welcome and some unbidden attention lately with the US determined to annex the artic island and sending an entourage to engage in election interference and meddle with self-determination, Tedium presents a celebration of Greenland’s unique pop culture, informed but untethered from its history as a colonial dependency. From the first piece of cinema entirely produced on the island with a cast of local actors to the psychedelic, prog rock band Sumé, critical of the Danish government, past policies of assimilation and an anthem for the independence movement, the national artistic output is couched on the struggle for recognition but also stands on its own outside of any context. There’s a coda linking back to the US vice-president through Richie Cunningham’s character enlisting in the army stationed at Ultima Thule—to get away from Happy Days—and director Ron Howard assaying Vance’s autobiography. Much more at the link above.

synchronoptica

one year ago: AI search (with synchronoptica)

seven years ago: gerrymandering, suicide prevention plus the buccaneers of America

eight years ago: a coopted meme, studio MUTI plus more on technological redundancy

nine years ago: ambitious Hyper-Loop plans for Europe 

ten years ago: crusaders sack Constantinople, a roundup of patriotic cartoons plus the rise of the smart-watch

georgia claimed her—georgia named her (12. 317)

Recorded on this day by Ben Bernie and the Hotel Roosevelt Orchestra and released the following day, spending five-weeks at number one on the American charts, the jazz standard was inspired by a chance meeting with the composer and longtime state house representative Dr George Thaddeus Brown, pledging while in office to name his daughter in honour of his constituency—the anecdote reflected in the above lyric. Renditions include performances by Bing Crosby, Cab Calloway, Django Reinhardt, a more empowered version by Roberta Flack, the Harlem Globetrotters’ theme from the instrumental rendering by Brother Bones and His Shadows featuring whistling and rhythm spoons and the below opening scene (which lives rent-free in my head) from the 1983 film To Be or Not To Be featuring Mel Brooks and Anne Bancroft dancing and singing in Polish.

10x10 (12. 306)

i don’t belong here: reactions of first time listeners to Radiohead’s “Creep” 

auragraphs: a look at the psychic paintings of Flora Marian Spore, received visions from departed relatives—see previously  

overton window: why some find humour in embracing fascism—see also, see previously  

all in the wrist: a memorable mnemonic device for learning the carpal bones from Michelangelo’s Snowmen—see also  

i’m just gonna dance all night: a joyful behind the scenes peek at SNL writers’ room from a decade ago—via MetaFilter

orbital group: astronomers find Saturn has one-hundred twenty eight additional natural satellites

the pen is mightier than the sword: the end of the Bulwer-Lytton Fiction Contest (previously) after forty-two years—via Miss Cellania

persona non grata: US state department expels the South Africa ambassador, buying into Musk’s false narrative of confiscating land from white plantation owners 

the medium is the message: Alan Turing and other Cambridge academics obsession with ghosts and spiritualism 

hootie & the blowfish: an oddly effective mashup with The Smiths

synchronoptica

one year ago: assorted links worth the revisit (with synchronoptica), the first AI lab, Geoguessr savants plus serendipitous directories

seven years ago: The Inland Printer, Trump’s fabricated trade imbalances with China and Canada, the Anthropocene era’s golden spike plus more links to enjoy

eight years ago: embodiment and Singularity, LEGO tape plus Australian war time propaganda

nine years ago: more Liartown, USA, English as the official language plus Sir Thomas Moore

ten years ago: the Comic Code plus further crusading misadventures

supraphon (12. 301)

Courtesy of Present /&/ Correct, we are directed to a gallery of record sleeves from a Czech label founded in 1932 and still active. It is oriented mainly towards publishing classical and popular music from Czech and Slovak composers, and the catalogue acquired by Warner Music after the amicable split, which after mapping out the discography of the likes of Dvořák released its first stereophonic pop album in 1968.

musique d’ameublement (12. 288)

Having previously learned about the introduction of music on demand, an early streaming service for subscribers and the accidental advent of hold music (muzak being a proprietary eponym), the former emerging at a time when exposure to song was a rarer treat and required some effort and received as a performance, whereas the latter shows how we are over-saturated at times, we quite enjoyed this segment on the “furniture music” of composer Erik Satie to complete the timeline with the immersive experience of incidental or mood music—or a pleasant background to ignore. Commiserating with an artist friend over the cacophonic playlist that typically filled restaurants, far from enhancing the dining ambiance rather magnified the general din and clang of cutlery, prompting Satie to design music to blend into the environment. Though under appreciated at the time, his tailored compositions eventually gave rise to the unintrusive and unengaging musak above and ambient, meditative songs from Brian Eno and John Cage. Much more from Open Culture at the link above.

the man in black (12. 279)

Courtesy of our faithful chronicler, we learn that on this day in 1953, whilst stationed in West Germany Air Force staff sergeant Johnny Cash in Landsberg am Lech (which also hosted the detention facility where Hitler was incarcerated following the abortive Beer-Hall Putsch in 1921 and on the 1933 anniversary of the National Socialist party’s ascendancy in the Reichstag) was likely the among the first to learn about the death of revolutionary leader Joseph Stalin outside of the Soviet inner political circle. The General Secretary of the Communist Party had suffered a stroke a few days earlier and succumbed whilst recuperating in his dacha after extensive medical intervention (probably of a brain haemorrhage) and not announced to the public immediately and possibly disclosed due to this interception. Monitoring coded radio communiques, Cash broke the news through his chain of command to Eisenhower after the message was deciphered. Aside from this important intercept that penetrated the highest echelons of the regime, the balance of Cash’s three year tour was isolating and uneventful, leading to a formation of a band called the Landsberg Barbarians (a play on Bavarians) that played during off duty hours in local venues and saw the inspiration and development of such signature songs as “Folsom Prison Blues” and “Hey Porter.”

speldosa (12. 271)

Via Marco McClean’s Memo of the Air, we quite enjoyed seeing this impressive performance from Swedish folktronica band Wintergatan (the Milky Way, from the term for the galaxy, “winter street”) and the resident multi-instrumentalist and tinkerer Martin Molin’s documented construction of a music box that used cascading steel marbles to play, modulated by a hand-crank, the score programmed on LEGO Technic beams. Nearly a decade later, the group has returned to the idea, with a challenge to build a bigger version (powered by eighty-thousand marbles) robust enough for touring, turning to the Renaissance and contraptions of Da Vinci and Huygens for inspiration. More from New Atlas at the link above.

*    *    *    *    *

synchronoptica

one year ago: a 1974 international crisis in West Berlin (with synchronoptica) plus the language of Dune

seven years ago: the science of toast, assorted links to revisit, an adventuresome archaeologist plus an Oscar preview

eight years ago: the women of NASA in LEGO form, a lunar mission, US cracks down on immigration plus more on space-elevators

nine years ago: perfect for Roquefort cheese, prohibition in Canada plus a luxurious time-capsule in Palm Springs

ten years ago: recruiting for the Second Crusade, more links to enjoy, misinformation plus that dress

 

foley artist (12. 265)

Via Web Curios, we are directed to a creative individual from the Sunday Sites social and coding club who spent an afternoon recording various audio samples, footfalls, creaking hinges, thumps, ticking and general din and dropped them in, mostly unheard, into a programme with an embedded player for each to produce a wall of sounds, landscaped according to the visitor’s choices. With some tweaking, replaying on a loop that gets richer and fuller the more one adds, one can create a unique sculpture from these isolated fragments in concert.

synchronoptica

one year ago: predictions for 2024 (with synchronoptica) 

seven years ago: a robotic crew member aboard the ISS plus Three Thousand Years of Art

eight years ago: a monumental civil engineering plan for Amsterdam plus outtakes from DJ Moby

nine years ago: more probable time travellers plus eradicating all mosquitos  

ten years ago: a table-top photo studio, knitted fashions plus a disgraced anchorman

11x11 (12. 263)

broadband equity, access and deployment: Trump administration thinks the BEAD programme of the Infrastructures Investment and Jobs Act is too woke   

fermata: a thousand artists release a ‘silent’ album to protest changes to UK intellectual property rights to attract AI companies interesting in training their models on copyrighted material—via the New Shelton wet/dry—also more music without sounds 

late stage capitalism: Washington Post owner Bezos will only allow editorials that defend “free markets” and “personal liberties”—see also   

annual reformulation: important meeting of the US Centres for Disease Control to discuss strains for next season’s influenza vaccine cancelled, confirming fears that the new health secretary will pivot away from proven preventative medicine 

rif me daddy: what Trump’s AI enhanced shitpostings reveal about the administration and plans for the future of Palestine 

absalom, absalom: William Faulkner’s record-setting run-on sentence 

torus and tokamak: a German fusion startup is lauded for its plans, peer-reviewed, to launch a functioning power plant   

only the markets can save us: America’s total economic boycott planned for the last day in February 

touch grass: an app that blocks screentime and doomscrolling until one has proven one’s gone outside—via Waxy  

snoopers’ charter: Apple’s capitulation to the UK’s Investigative Powers Act is Chekov’s Gun for privacy worldwide   

by the people and for the people: dossiers of the people working for the Department of Government Efficiency

synchronoptica

one year ago: ceramicist Yoonmi Nam (with synchronoptica) plus the age of ludicrous inventions 

seven years ago: A Million Random Digits plus assorted links to revisit

eight years ago: more misattributed quotes 

nine years ago: Sàmi tone poems

ten years ago: theodicy, get anything delivered, more links to enjoy plus RIP Leonard Nimoy

done a lot of foolish things, that i really didn’t mean (12. 260)

Honouring his musical hero on this day in 2009, US president Barak Obama invited Stevie Wonder to the
White House to bestow a Gershwin prize on the artist, a distinction from the Library of Congress for popular music and lifetime contribution, given in the tradition of the fraternal collaboration that produced Rhapsody in Blue and many other standards from the American Songbook. The first recipient was, with input from public broadcasters PBS and NPR, was Paul Simon with a gala performance in 2007 including Philip Glass, Alison Krauss, Grover and Elmo and Art Garfunkel. The below promise was a campaign song for Obama’s bid for presidency and he doubted whether their relationship would have been sustainable if they had not been mutual fans.