9x9 (11. 722)

circumlocution: a useful synonym for circular logic  

we choose freedom: Kamala Harris’ first campaign advertisement reclaims the Trump GOP’s “so much freedom”  

hitchcock presents: the director’s cameos over five decades  

homobone: why an impact with our humerus hurts so much and is not so funny  

art but make it sports: finding classic analogues in modern day competitions  

forget it jake—it’s chinatown: the reason behind the common aesthetic dating back to the 1906 San Francisco earthquake—via Card House  

in memoriam: a mid-year obituary of those celebrities we have lost  

ε ind ɑ: JWST directly observes an massive exoplanet a dozen light years away but shouldn’t be where it is  

multum in parvo: the Flemish Academy concocted Snelpaardelooszonderspoorwegpetrolrijtuig for horseless-carriage for those who had never encountered one

shoestring budget (11. 672)

Via Miss Cellania, we are afforded a quite fascinating look at the 1948 London Games, the first Olympics held after Munich’s 1936 event and the marking their post-war resumption, which compared to the current expense and corporate sponsorship is not only remarkable for the level of thrift and resourcefulness—a make do and mend attitude with athletes stitching together their own uniforms and college campuses and military bases acting as the Olympic Village—but also how the spectacle was pulled off in the name of international sportsmanship and provided much needed relief with the fighting in fresh memory and rationing and austerity continuing for many.

 synchronoptica

one year ago: half the world in the sun (with synchronoptica)

eight years ago: proxemics plus machine mirages

nine years ago: a maths sleight of hand plus ghost malls and the Gruen Transfer

ten years ago: border security, home and abroad

eleven years ago: US-EU trade disputes

de arte natandi (11. 670)

Via tmn, we are directed towards a survey of aquatic skills and refinements classically considered as a mark of functional literacy on par with being un-lettered by Plato as a sign of miseducation with the entrée of a water ballet performed by Benjamin Franklin in early summer of 1726 on the Thames, bucking the contemporary mindset that despite maritime adventuring that staying afloat was somehow taboo for a man overboard. Without managing to change conventional education, Cambridge theologian and avid swimmer Everard Digby (better known as a conspirator in the Gunpowder Plot) had propagated the embrace of swimming and lifeguarding in his late fifteen-hundreds treatise, though either centuries ahead of or millennia behind the times, as thermæ we condemned by Christian society, whether for healing, hygienic or hedonistic purposes, and was something to shun and fear with even buoyancy enough to earn the judgment of witchcraft.

8x8 (11. 642)

crazy logic: a rather seamless mashup of Gnarls Barkley, Rockwell, Pink Floyd and Sumpertramp  

ыһыах: the Yakut people of arctic Siberia celebrate New Year on the Summer Solstice  

culicidology: a fascinating two-part discussion of mosquitoes with Alie Ward 

baggage carousel: an animated journey of checked airline luggage 

the phrygian cap: the Paris Games’ mascot with a revolutionary past—via Miss Cellania  

the beige begins early here folks: McMansion Hell (previously) presents another instalment of the American Medieval Revival—via Things Magazine  

re-alignment: just ahead of Solstice celebrations, activists with Just Stop Oil douse the megalithic calendar with orange paint power 

chiroptera: a ballet chroegraphed by Thomas Bangalter, formerly of Daft Punk—via tmn

mnemonic movements (11. 492)

Via fellow internet peripatetic Messy Nessy Chic, we discover a 1983 self-defence manual authored by Australian Bob Jones—a martial arts instructor who invented (along with fellow consultant, fight choreographer and stunt artist Richard Norton) his own technique called Zen Do Kai a decade earlier and which is still in practice and chief security detail for the Beatles, the Rolling Stones, Joe Cocker, ABBA, David Bowie and Fleetwood Mac—inspired by protection and training he had provided for Christine McVie and Stevie Nicks during their world tours. Learning of her bodyguard’s side project with this book based on a series of reflexive, subconscious kicks and thrusts perfected as second nature under threat by repetition and recitation, Nicks immediately agreed to contribute and helped demonstrate, appearing in a spread of photographs throughout the volume as well as on the cover. It is unclear whether it was Nicks’ stage-routine that influenced some of these actions or the other way around. More at the links above. FEAR—that is, false estimate of the actual reality.