We enjoyed learning about the career and works of illustrator, textile designer and educator Elena Izcue through her 1930 inclusion of Incan and other pre-Columbian works into the curriculum of Lima’s National School of Fine Arts, much to the displeasure of some of her fellow academics aired with a very public debate—detractors finding nothing redeeming in native culture and a surrogate for a larger question of Peruvian identity. In the face of this resistance and aesthetic judgement, Izcue’s insistence and advocacy ultimately led to appreciation and a syllabus that included a set of workbooks she produced drawn from the motifs of Indigenous ceramics and fabrics and archaeological finds. Much more from Public Domain Review at the link up top.