10x10 (12. 420)

america’s war: a special report from the Verge for the fiftieth anniversary of the Fall of Saigon   

leaflet: an Art Nouveau study of botanical forms and their application in decor—see previously  

mangajin: an appreciation of the month English-language publication for students of Japanese language and culture—full archives from the entire run from 1988 to 1997 here   

do: inspirational words from artist Sol LeWitt to fellow creative pioneer Eva Hesse 

chisanbop: the Korean technique of fingermath   

i have to push the pram a lot: Monty Python and the Holy Grail at fifty   

animal spirits: what felines, bovines, porcines, etc on the label say about wine quality   

you wouldn’t right-click a car: US anti-piracy campaign filled with hypocrisy, including a stolen font—see also   

bus error collective: a WSIWYG primer on oscilloscope music—via Waxy   

worst one-hundred days: assessments of Trump first months in office for his second term—more here and here

synchronptica

one year ago: Pennsylvania 6-5000 (with synchronoptica) plus naming world wars 

seven years ago: a corollary to the Bechdel test plus a visit to Stockheim

eight years ago: archaeology with trace DNA, Islamic gateways plus responding to nuclear extortion 

nine years ago: crowd control robots, language acquisition plus a hand-held DNA sequencer

ten years ago: visiting FDR’s Georgia retreat, ribald limericks, assorted links to revisit plus pontoon bridges to alleviate traffic congestion

9x9 (12. 381)

domestic box office: in response to escalating tariffs, China is curtailing the number of American films screened in the country  

redeployment: decision to reposition US troops stationed in Poland causing concern  

dixonary: improprieties in pronunciation among New Englanders 

 𐦉: the Latin alphabet expressed as hieroglyphics  

now is a great time to buy—$djt: social media posts and a spike in options activity may indicate insider trading within the administration  

א₀: physicist Dominic Walliman charts out the fields of mathematics and how the academic informs application 

from the gigantic bones displayed at roncesvalles: an adjective that should be brought part back into use 

a man, a plan: US defence secretary floats idea of reopening mothball military bases from the 1989 invasion of Panama 

trading floor: the history of the ticker-tape machine

will a fosse neck do it? (12. 366)

Via fellow internet peripatetic, Messy Nessy Chic, we really enjoyed this celebration of the choreography of Bob Fosse (previously) taken from the 1969 cinematic adaptation of his Sweet Charity—based off of Fellini’s Le notti di Cabiria featuring the narrative of a sex-worker in Rome and lightly sanitised as the story of a call-girl, dancer-for-hire in Times Square’s Fandango Ballroom, its sleaziness illustrated by “Hey, Big Spender,” portrayed by Shirley MacLaine. Invited home by a celebrity guest on the mends from an apparent breakup, the protagonist finds herself in his apartment for dinner, “If They Could See Me Now,” whilst pursuing an ill-fated romance with a claustrophobic elevator-operator.

kalaallit nunaat (12. 338)

As the autonomous overseas territory has been garnering some welcome and some unbidden attention lately with the US determined to annex the artic island and sending an entourage to engage in election interference and meddle with self-determination, Tedium presents a celebration of Greenland’s unique pop culture, informed but untethered from its history as a colonial dependency. From the first piece of cinema entirely produced on the island with a cast of local actors to the psychedelic, prog rock band Sumé, critical of the Danish government, past policies of assimilation and an anthem for the independence movement, the national artistic output is couched on the struggle for recognition but also stands on its own outside of any context. There’s a coda linking back to the US vice-president through Richie Cunningham’s character enlisting in the army stationed at Ultima Thule—to get away from Happy Days—and director Ron Howard assaying Vance’s autobiography. Much more at the link above.

synchronoptica

one year ago: AI search (with synchronoptica)

seven years ago: gerrymandering, suicide prevention plus the buccaneers of America

eight years ago: a coopted meme, studio MUTI plus more on technological redundancy

nine years ago: ambitious Hyper-Loop plans for Europe 

ten years ago: crusaders sack Constantinople, a roundup of patriotic cartoons plus the rise of the smart-watch

10x10 (12. 325)

isolated dictatorship: Canadian MP urges citizens to avoid travel south of the border  

sykkelinfrastruktur: an amazing bike tunnel in Bergen  

incel camino: a new make and model for the Swasticar for all the domestic terrorists 

four of swords: Hyperallergic’s tarotscope for the coming of Spring  

fabio and the goose: Bobby Fingers (previously) reconstructs the encounter of harlequin novel author and pin-up’s encounter with a migrating bird whilst on a rollercoaster  

arbour day: tree planting activities cancelled over anti-DEI posture  

cats in outlines: the strangely gratifying effect of felines freezing in place 

sorry—not sorry: a study of apologies gleaned from reality television 

scylla and charybdis: the millennia-long aspirations to link Sicily with the mainland may soon come to pass  

pin: an unnerving psychosexual horror Canadian horror film from 1988

georgia claimed her—georgia named her (12. 317)

Recorded on this day by Ben Bernie and the Hotel Roosevelt Orchestra and released the following day, spending five-weeks at number one on the American charts, the jazz standard was inspired by a chance meeting with the composer and longtime state house representative Dr George Thaddeus Brown, pledging while in office to name his daughter in honour of his constituency—the anecdote reflected in the above lyric. Renditions include performances by Bing Crosby, Cab Calloway, Django Reinhardt, a more empowered version by Roberta Flack, the Harlem Globetrotters’ theme from the instrumental rendering by Brother Bones and His Shadows featuring whistling and rhythm spoons and the below opening scene (which lives rent-free in my head) from the 1983 film To Be or Not To Be featuring Mel Brooks and Anne Bancroft dancing and singing in Polish.

see you next wednesday (12. 315)

Via the New Shelton wet/dry, we learn that a fairly innocuous, throw-away line from Stanley Kubrick’s 2001: A Space Odyssey as the titular closing line spoken by the father of Frank Poole in a video letter to his son became the working-title for the first screenplay of director John Landis. Self-described as terrible and unfilmable but with a few redemptive though underdeveloped ideas (a musical autobiography as if he himself had died aged nineteen), this beginning effort was never produced but Landis made sure to give it a cameo appearance in later films as he established his credentials as an auteur as a running gag, rarely screened and never in its entirety and recast each time. A frame story, it appears in Landis’ 1977 The Kentucky Fried Movie as a 4D experience with each audience member attended by an usher acting out what is occurring on screen, on a billboard in The Blues Brothers as a King Kong knock-off, a porn film presented in a seedy theatre in An American Werewolf in London and as the pictured poster in 1983’s Trading Places. Outside of Landis’ filmography, it is also a line of dialogue in the monster movie Michael Jackson and girlfriend are watching his in Thriller extended music video as well as numerous other easter eggs to watch for in his other works and homages by other creators—which pretty good for an unmade freshman project.

advance compliance (12. 229)

Disney, amid a board shift in DEI posture among American corporations, having already relented with a fifteen million dollar settlement plus profuse apologies for character defamation when an anchor said the garbage sex-pest had been found liable for rape rather than abuse, we learn via JWZ has reverted from the more thoughtful content warning introduced in October of 2020 for its vintage catalogue: This program includes negative depictions and/or mistreatment of people or cultures. These stereotypes were wrong then and are wrong now. Rather than remove this content, we want to acknowledge its harmful impact, learn from it and spark conversation to create a more inclusive future together. Disney is committed to creating stories with inspirational and aspirational themes that reflect the rich diversity of the human experience around the globe—to its previous terse disclaimer for classics that haven’t aged well, “This programme is presented as originally created and may contain stereotypes or negative depictions.”

12x12 (12. 179)

contraception begins at erection: Mississippi lawmaker has introduced a bill called ‘contraception begins at erection’ outlawing male masturbation, hoping to bring balance to the reproductive rights’ restriction that focus on women—via the New Shelton wet/dry  

obayashi world: Japan’s most Lynchian filmmaker  

so long and thanks for all the fish: Joan Ocean’s Dolphin Connection—via Web Curios  

crass competing abstrusities: official, sanctioned transcription of US secretary of state Marco Rubio (鲁比奥) changed—possibly as a way to get around the ban the Chinese government itself imposed plus other politicians’ names—see previously  

 

but if you don’t make your product in america—which is your prerogative—then very simply you will have to pay a tariff: though vacillating somewhat on his commitment and working from home, Trump delivers a message to the Davos WEF summit  

she was nasty in tone, not compelling or smart: Bishop Budde won’t apologise for her appeal for mercy and hospitality  

the birthright citizens’ brigade: a list of organisations pushing back against the slide to authoritarianism in the US  

dreiundfünfzig tage: how Hitler dismantled a constitution republic through constitutional means  

xanthelasma: Florida man on diet of beef, cheese and sticks of butter oozes cholesterol from his skin—see also—via Miss Cellania  

a catalyst for curiosity: Wikenigma documents the unexplained—via Kottke—those scientific and academic questions that evade a definitive answer, like the Collatz conjecture 

you remind me of the babe: Robert Eggers to make a sequel for Labyrinth  

unplanned pregnancy: as an encore to freeing all the January Sixth rioters, Trump pardons dozens of anti-abortion protesters, some jailed for violent tactics to block clinic access and intimidating doctors ahead of the Right to Life March

11x11 (12. 172)

concrete feats: the landmark Våga Water Tower on coast Varberg, Sweden  

ſpy v ſpy: a look at the world of espionage in the Middle Ages—via the new Shelton wet/dry 

obelisks: researchers discover a new form of life with circular RNA—that appear less alive than viruses  

we were wrong that day—we broke the law: convicted January Sixth capitol rioter known as MAGA Granny rejects clemency offer  

winning odds: a collection of vintage Japanese lottery tickets  

cinematic universe: The Goonies and Back to the Future happened on the same day in 1985—via Kottke  

шрифт: foundry excavating Ukrainian fonts from the underground  

dark web: Trump has granted an unconditional pardon to Silk Road founder Ross Ulbricht 

red team: research students—under supervision recreate—viral pathogens identical to those that caused the 1918 influenza pandemic  

lexicon: a glossary of medieval words from Middle English whose meanings have shifted  

solar gate: 4D printed blinds mimic plants to open and close on their own

i guess it means there’s trouble until the robins come (12. 194)

Via tmn, we appreciated this corresponding pair of brief encounters that reporter Adam Nayman shares on the entertainment beat of departed director that strike one as about as Lynchian as it gets. The first exchange took place in a hotel room during the 2001 Toronto Film Festival with Mulholland Drive on the circuit and the creator holding a succession of interviews with various outlets. Asking an unvarnished question about the director’s intent that went unanswered, David Lynch delivered a quotable coda after the tape recorder had been switched off of “A thing is what it is—and that’s what it wants to be.” Retreating to a corner of the room after his allotted time was over, Nayman repeated it on tape so as not to forget but inadvertently mimicked Lynch’s cadence in doing so. Overhearing him, Lynch shot him a thumbs up. Five years later, Nayman secured a more extensive session with the release of Inland Empire over the phone, asking more seasoned and nuanced questions to draw out better responses. After it concluded, however, Nayman discovered to his horror that only one side of the conversation had been recorded, with a deafening lacuna present where the responses should have been, not dead air exactly but more “like the whirl of an overhead ceiling fan—or the roar of the ocean as heard through the cochlea of a bloody, discarded human ear” or like how a speech coach was hired to help with enunciation for The Man from Another Place for the lines of reverse-speech not knowing the actor playing the role, Michael J Anderson, a computer technician for NASA’s space shuttle mission control before his acting career, already knew how to talk backwards, having used it as a secret language in school—and in a panic called back Mr Lynch’s assistant to puzzle out the technical difficulties or repeat the interview. The assistant said that his schedule was full but placed Nayman on hold for an interminable length of time before finally returning to explain, “David says he’s sorry—he says that you can say that he said whatever you like, however you remember it is fine.” Lynch’s body of work is not just experiences, those films live with one for years and decades. Much more at The Ringer at the link above.

the man from another place (12. 193)

We enjoyed this appreciation of the soundscape of the filmography of transcended director David Lynch compiled by NPR correspondent Hazel Cillis. Covering Lynch’s own composition “In Heaven” from Eraserhead to the orchestral soundtrack to Dune (see previously), all tracks from Toto (the band best known for their hit “Africa”) except Brian Eno’s ambient contribution in the “Prophecy Theme” and all moody and atmospheric numbers in between, the playlist embodies the surreal and mysterious essence of the creator, especially in the use of standards to disabuse the audience from thinking they know what they’re hearing just because it’s familiar.

12x12 (12. 191)

dyson trees: lesser known than his eponymous sphere, a hypothetical genetically engineered plant could be grown inside a comet and provide a self-sustaining habitat for space-faring 

cold case: US retailer regrets installing advertising screens in its frozen food section and is struggling to get out of the contract—see also 

fourth-wall: a filmmakers’ dilemma about the unseen camera’s point-of-view  

decipherment: a solicitation for cursive users to transcribe and classify two centuries of undigitised documents—check the comments section—see previously  

why this is hell, nor am i out of it: Trump, like Satan, doesn’t get away with it 

drawing board: the Nokia Design Archive of prototypes never put in production

twentytwentyfive: George Orwell is to be honoured with a commemorative ￡2 coin for the seventy-ftfth anniversary of his death

erythrosine: US federal drug administration bans Red Dye 3 as food colouring and other business news—see previously  

onite clam discrepancy: personal AI-chatbots yield more problematic advice—see previously 

a stone only rolls downhill: a new music video from OK Go shot on sixty-four phones for sixty-four one take pieces  

the toasters are flying: a history of screen-savers—see previously  

☄️: meteorite strike caught on a doorbell camera in Prince Edward Island

cultural attache (12. 184)

It was refreshing how in the Roman Empire dictators would prolong their term by declaring a holiday, instead we have a president-elect in the United States as Los Angeles continues to smoulder and burn appoint three special envoys to Hollywood, not to help with repair and recovery from the devastation but rather act as celebrity legates to revitalise a failing industry and bring back its Golden Age. Ceremonial sine cure titles were awarded to actors, known for their MAGA boosterism, to Mel Gibson, Jon Voight and Sylvester Stallone (see previously)—assuredly to the disappointment of others to hitched their star to that movement—Trump announced his special ambassadors to “a great but very troubled place” which has “lost much business over the last four years to Foreign Countries” as his eyes and ears, pledging to get done what they suggest. The equivalent of DOGE for the movies, its unclear how they might brooch this situation and what countries are undermining Tinsel Town and whether it is a problem at all and not another manufactured crisis that’s in their modus operandi to invent and then pretend to solve with a new code of standards to appeal to grievances—if anything the industry is under threat from AI, studio greed and independent cinema.

10x10 (12. 183)

compliments of the season: Poseidon’s Underworld reviews 1973 British anthology series Orson Welles’ Great Mysteries 

hagiography: breathtaking hidden murals in the Cathedral of Angers depicting the life of local saint called Maurille, who fled due to embarrassment for failure to perform a miracle, unveiled for the first time 

wmw: a list of endangered historic and cultural sites for 2025, around the world and beyond 

infinite nonsense honeypot: a lure for AI scrapers  

there is a plot—what would be the point of just a bunch of things: legendary director David Lynch dies, aged 78—see previously

run the bricks: a mother in New Zealand completes a hundred metre sprint barefoot over a track of Legos—setting a Guinness Record—via Metafilter 

but is it like the old playboy magazine—do you have essays there by the modern day equivalent of gore vidal and william f buckley jr: US supreme court justice Samuel Alito asks if people visit PornHub (previously) for the articles—via Super Punch 

cozy rewatch recommendation: the 2003 New Wave film The Dreamers (Innocents) that follows the exploits and adventures of an American university student in Paris during the 1968 riots—via Messy Nessy Chic  

𒀸𒋩𒆕𒀀: a paranoid ruler’s illiteracy and a torched library behind a glimpse of everyday life in the Assyrian Empire 

celebrity is a broad church: BBC1’s 1985 entertainment magazine Friday People

synchronoptica

one year ago: artist Monica Sjöö (with synchronoptica), generational perceptions, an ethnographic study of bathroom graffiti, another banger from ABBA plus words for lighthouse

seven years ago: laser-cut note pads, Madrid reinstates direct rule on Catalonia plus free-floating exoplanets

eight years ago: theatres protest the inauguration of Trump 

nine years ago: a slipper-shaped wedding chapel

ten years ago: misattributed quotations plus McDonald’s new slogan

8x8 (12. 165)

all the things that we’ve amassed sit before us, shattered to ash: interviews from celebrities who lost their homes in the Los Angeles megafire, which is still burning out of control  

facechan: some words of advice for disillusioned social media employees  

bepicolombo: final flyby of the space mission beams back extraordinary photos of Mercury’s polar region

obit.: Bob Canada’s two volume tribute to celebrity deaths of last year we may have overlooked  

erfolgreich abgemeldet: German and Austrian government and academic institutions leave X, the platform formerly known as Twitter, following the summit between Musk and Weidel  

chip off the old block: apparently in some families, it’s customary to nickname a son named after his father the former, a son named after his grandfather Skip and one named after all three Trip  

you’re so woke—diet coke: corporate America abandoning DEI (diversity, equality and inclusion) programs ahead of Trump’s return, hoping to curry favour with the new administration 

delta smelt: fact-checking the fallout over water shortage for emergency responders in California

synchronoptica

one year ago: David Lynch’s 1984 unfinished Dune sequel (with synchronoptica) plus assorted links with revisiting

seven years ago: John Wayne as Genghis Khan (1965), time and dark energy plus more links to enjoy

eight years ago: even more links, misinformation about the refugee situation in Germany plus an anti cow bell campaigner denied Swiss citizenship

nine years ago: the elegance of heliocentrism, RIP David Bowie plus the performer as internet pioneer

ten years ago: a slow news day (1922) 

ufo/uap (12. 157)

Released the first week of January in 1950, we are directed to the independent feature by Mikel Conrad and Howard Irving Young, via Miss Cellania, which first addressed the subject of flying saucers but not as heralds of an alien invasion but rather an attempt to limn how the paranormal follows the paranoid. Capitalising on the moniker that captured the public imagination coined by pilot Kenneth Arnold to a reporter in 1947 on seeing a group of silvery discs silently flying in tight formation, the movie plays on the phenomena of repeated, copycat sightings, the narrative focuses on the US intelligence learning of a covert Soviet-lead investigation into appearances of mysterious aircraft sourced to Alaska, commencing a series of spy encounters and eventual counter-espionage, double-agents and stolen technology. The psychology of misapprehension and anxieties is also a major theme but light on acting performance and special effects, stock and B-roll footage of the tundra upstages (much from the director’s acting role in Arctic Manhunt from the previous year) the movie’s impact and legacy. Re-released three years later as a double feature with 1941’s Man Made Monster (the first sci-fi billing—not a willing nepobaby as a decision of the studio—of Creighton Tull Chaney as Lon Chaney, Jr to associate him with his father though already an established actor in the genre) about a nuclear mutant, the film has been largely forgotten, replaced by the abstract tropes of extraterrestrial visitors and kaiju. More from Inverse at the link up top.

9x9 (12. 155)

pacific palisades: southern California wildfires kept at bay from the Getty compound and vast holdings of antiquities  

we still dance on whirling stages in my busby berkeley dreams: the kaleidoscopic visions of the 1930s Hollywood visionary—see previously  

snap-back: Europe signals that they will not allow Trump to besmirch their sovereignty  

in search of: dark oxygen (see previously) in the world’s deepest mines in South Africa  

how nietzche came in from the cold: the unlikely rehabilitation of the philosopher banned in East Germany and silenced in the West over his championing by National Socialism—via the new Shelton wet/dry 

fine hypertext products: HTML is a programming language—via Kottke 

morning joe: the health benefits of coffee are most evident early in the day  

lake of the woods: a retired Minnesotan forester pre-satellite maps planted a forest in the shape of the state

fps: attend a MoMA opening with DOOM: The Gallery Experience—via Waxy

synchronoptica

one year ago: a massive collection of card games (with synchronoptica)

seven years ago: border stories, a reconstructed astrological clock plus photographs of social decay

eight years ago: votive devotionals plus Waiting for Godot chatbots

nine years ago: New Year’s fireworks, assorted links worth revisiting, built environments on Mars plus the ethics of genetic chimeras

ten years ago: the Triadic Ballet, a collection of Do Not Disturb signs, the Restoration of the Icons plus distributed content

sgt pepper’s 2024 (12. 131)

Continuing a tradition started in 2016, Chris the Barker has made another collage (see previously), frequently updated and up to the last minute to eulogise Olivia Hussey and Jimmy Carter, in tribute to those passed away this year. 

The field more crowded than ever it seems, there are two hundred and eleven personages featured including Maggie Smith, Bob Newhart, Phil Donahue, Dr Ruth, OJ Simpson, the Tory Party and American Democracy. Much more at the artist’s web presence (including complete liner-notes) at the link above.

the boy who wouldn’t grow up (12. 122)

Released almost twenty years to the day after the stage adaptation on this day in 1924, J M Barrie’s novelisation of Peter and Wendy, the Paramount feature—then called Famous Players-Lasky, was considered to be a lost film for decades. The only known fragment of footage was in the promotional compilation, The House that Shadows Built, put together by the studio in 1931 to celebrate its twentieth anniversary and exhibit movies that never had a proper theatrical release which featured scenes from several silent-era pictures that only are extant as clips, sort of like the lost plays of Ancient Greece that only are referenced in footnotes. A well-preserved copy was found, however, in 1950 and prompted the Disney animated version a few years later. With fidelity for the original story, the Darlings ultimately adopt the Lost Boys and Wendy is allowed to return to Never Never Land once a year to assist with Spring Cleaning. Peter is played by Betty Bronson and George Ali acts as Nana the Dog (a Doug Jones, Andy Serkis of that time and a far better nursemaid than the Lost Boys had) and Crocodile.